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Dhalia (
Perfected Spelling The Enhanced Spelling of the Indonesian Language ( id, Ejaan Bahasa Indonesia yang Disempurnakan, EYD) is the spelling system used for the Indonesian language. History The Enhanced Spelling of the Indonesian Language ( id, Ejaan Bahasa Indone ...
: Dahlia; 10 February 1925 – 14 April 1991) was an Indonesian actress active for over fifty years. She was nominated for three Citra Awards at the
Indonesian Film Festival The Indonesian Film Festival (Indonesian: Festival Film Indonesia, 'FFI') is an annual awards ceremony organised by the Indonesian Film Board and the Ministry of Education, Culture, Research and Technology to celebrate cinematic achievements in ...
, winning one.


Biography

Dhalia was born on 10 February 1925, at
Medan Medan (; English: ) is the capital and largest city of the Indonesian province of North Sumatra, as well as a regional hub and financial centre of Sumatra. According to the National Development Planning Agency, Medan is one of the four main ...
,
Dutch East Indies The Dutch East Indies, also known as the Netherlands East Indies ( nl, Nederlands(ch)-Indië; ), was a Dutch colony consisting of what is now Indonesia. It was formed from the nationalised trading posts of the Dutch East India Company, which ...
, to Karang Intan and Tengku Katam. She was the only child, her father was born in Medan and worked as a stagewriter, who named his theatrical troupe Dhalia Opera after her. While her mother, worked as a stage actress and dancer. When she was a child, her mother passed away at
Tuban Tuban is a town located on the north coast of Java, in Tuban Regency (of which the town is the administrative capital), approximately west of Surabaya, the capital of East Java. Tuban Regency is surrounded by Lamongan Regency in the east, Bojo ...
. Dhalia spends her formal education studied at a
Muhammadiyah Muhammadiyah ( ar, محمدية; 'followers of Muhammad'); also known as the Muhammadiyah Society ( id, Persyarikatan Muhammadiyah) is a major Islamic non-governmental organization in Indonesia.A. Jalil HamidTackle the rising cost of living longer ...
-run elementary school then at a Muhammadiyah-run junior high school. In her spare time she focused on acting for her father's troupe. By the 1940s she was already recognised for her singing prowess, although her father intended for her to continue her studies in Islam at
Al-Azhar University , image = جامعة_الأزهر_بالقاهرة.jpg , image_size = 250 , caption = Al-Azhar University portal , motto = , established = *970/972 first foundat ...
,
Cairo Cairo ( ; ar, القاهرة, al-Qāhirah, ) is the capital of Egypt and its largest city, home to 10 million people. It is also part of the largest urban agglomeration in Africa, the Arab world and the Middle East: The Greater Cairo metro ...
. In 1941, Dhalia made her feature film debut in
Njoo Cheong Seng Njoo Cheong Seng ( Perfected Spelling: Nyoo Cheong Seng; ; 6 November 1902 – 30 November 1962) was a Chinese-Indonesian playwright and film director. Also known by the pen name Monsieur d'Amour, he wrote more than 200 short stori ...
's musical ''
Pantjawarna ''Pantjawarna'' ( Perfected Spelling: ''Pancawarna''; Indonesian for ''Five Colours'') is a 1941 film from the Dutch East Indies (now Indonesia). Plot A young woman must raise her two daughters, despite several hardships, while her husband is in p ...
'', produced by
Oriental Film Oriental Film was a film production company in Batavia, Dutch East Indies (now Jakarta, Indonesia). Established by ethnic Chinese businessman Tjo Seng Han in 1940, it completed four black-and-white films before it was closed in 1941. All the ...
. Her next two appearances saw her playing an orphan in Sutan Usman Karim's drama ''
Panggilan Darah ''Panggilan Darah'' (Indonesian for ''Call of Blood'') is a 1941 film from the Dutch East Indies (now Indonesia) written and directed by Sutan Usman Karim and produced by Tjho Seng Han for Oriental Film. The black-and-white film starred Dhalia ...
'' and alongside Rd Mochtar in '' Moestika dari Djemar'', an adaptation of the ''
One Thousand and One Nights ''One Thousand and One Nights'' ( ar, أَلْفُ لَيْلَةٍ وَلَيْلَةٌ, italic=yes, ) is a collection of Middle Eastern folk tales compiled in Arabic during the Islamic Golden Age. It is often known in English as the ''Arabian ...
''. Dhalia's last two films before Indonesia's independence were completed during the Japanese occupation (1942–45): ''
Berdjoang ''Berdjoang'' (literally "struggle", also known under the title ''Hope of the South'') is a 1943 film from the Japanese-occupied Dutch East Indies (now Indonesia). The film, produced by the Japanese studio ''Nippon Eigasha'', is credited as havi ...
'' and ''Hoedjan''. Both were works of pro-Japanese
propaganda Propaganda is communication that is primarily used to influence or persuade an audience to further an agenda, which may not be objective and may be selectively presenting facts to encourage a particular synthesis or perception, or using loaded ...
. Dhalia married to Indonesian soldier from
Siliwangi division Military Regional Command III/Siliwangi ( id, Komando Daerah Militer III/Siliwangi or Kodam III/Siliwangi) is an Indonesian Army Regional Military Command that covers Banten and West Java province. The division was formed during the Indonesian ...
named Raden Djumadi in 1949. They had a daughter named Ida Ariyani (b. 1958), their marriage lasted until Djumadi death. Dhalia remarried to Indonesian writer Yubaar Ayub (1925–1996), they divorced in 1965. During the
Indonesian National Revolution The Indonesian National Revolution, or the Indonesian War of Independence, was an armed conflict and diplomatic struggle between the Republic of Indonesia and the Dutch Empire and an internal social revolution during Aftermath of WWII, postw ...
(1945–1949), film production almost stopped. Dhalia only returned to the screen in 1952, completing three films that year. By 1955 she had completed eighteen films, taking such roles as the title character in ''Chandra Dewi'' (1952) and the prostitute Laila in ''
Lewat Djam Malam ''Lewat Djam Malam'' (shown internationally as ''After the Curfew'') is a 1954 Indonesian film directed and produced by Usmar Ismail and written by Asrul Sani. Widely regarded as a classic of Indonesian cinema, the film follows an ex-soldier in ...
'' (1954). Between 1956 and 1972 Dhalia made no films. After she returned to the industry, she was no longer offered leading roles, instead taking supporting roles. She made her last film in 1990, with the 1980s as the most productive period in her career. Dhalia spent her last day at her rented house in
Menteng Menteng is the south-central district of Central Jakarta, one of the administrative municipalities in the capital city Jakarta, Indonesia. The nexus of its heritage is the Menteng neighbourhood (Project), a new urban design developed mainly in t ...
,
Central Jakarta Central Jakarta ( id, Jakarta Pusat) is one of the five administrative cities () which form the Special Capital Region of Jakarta. It had 902,973 inhabitants according to the 2010 censusBiro Pusat Statistik, Jakarta, 2011. and 1,056,896 at the 2 ...
, with her daughter and granddaughter. She died there on 14 April 1991, due to
cancer Cancer is a group of diseases involving abnormal cell growth with the potential to invade or spread to other parts of the body. These contrast with benign tumors, which do not spread. Possible signs and symptoms include a lump, abnormal b ...
at the age of 66.


Awards

During her career Dhalia was nominated for three
Citra Awards The Indonesian Film Festival ( Indonesian: Festival Film Indonesia, 'FFI') is an annual awards ceremony organised by the Indonesian Film Board and the Ministry of Education, Culture, Research and Technology to celebrate cinematic achievements in ...
. Her first nomination, in 1955, was for the film ''
Lewat Djam Malam ''Lewat Djam Malam'' (shown internationally as ''After the Curfew'') is a 1954 Indonesian film directed and produced by Usmar Ismail and written by Asrul Sani. Widely regarded as a classic of Indonesian cinema, the film follows an ex-soldier in ...
''; she won the
Citra Award for Best Leading Actress The Citra Award for Best Actress ( id, Piala Citra untuk Pemeran Wanita Utama) is an award given at the Indonesian Film Festival (FFI) to Indonesian actresses for their achievements in leading roles. The Citra Awards, described by '' Screen In ...
for that performance. In 1981 and 1982 she received two nominations for the
Citra Award for Best Supporting Actress The Citra Award for Best Supporting Actress ( id, Piala Citra untuk Pemeran Pendukung Wanita Terbaik) is an award given at the Indonesian Film Festival (FFI) to Indonesian actresses for their achievements in a supporting role. The Citra Awards, ...
, for the films ''Usia 18'' and ''Bukan Istri Pilihan'', respectively.


Filmography

During her fifty-four year career Dhalia acted in some fifty-three films. *''
Terang Boelan ''Terang Boelan'' (; Indonesian for "Full Moon", ''Terang Bulan'' in the Perfected Spelling System) is a 1937 film from the Dutch East Indies (now Indonesia). Written by Saeroen, directed by Albert Balink, and starring Rd Mochtar, Roekiah an ...
'' (1937) *''
Pantjawarna ''Pantjawarna'' ( Perfected Spelling: ''Pancawarna''; Indonesian for ''Five Colours'') is a 1941 film from the Dutch East Indies (now Indonesia). Plot A young woman must raise her two daughters, despite several hardships, while her husband is in p ...
'' (1941) *''
Panggilan Darah ''Panggilan Darah'' (Indonesian for ''Call of Blood'') is a 1941 film from the Dutch East Indies (now Indonesia) written and directed by Sutan Usman Karim and produced by Tjho Seng Han for Oriental Film. The black-and-white film starred Dhalia ...
'' (1941) *'' Moestika dari Djemar'' (1941) *''Boenga Sembodja'' (1942) *''
Berdjoang ''Berdjoang'' (literally "struggle", also known under the title ''Hope of the South'') is a 1943 film from the Japanese-occupied Dutch East Indies (now Indonesia). The film, produced by the Japanese studio ''Nippon Eigasha'', is credited as havi ...
'' (1943) *''Hoedjan'' (1944) *''Sangkar Emas'' (1952) *''Chandra Dewi'' (1952) *''Sorga Terakhir'' (1952) *''Halilintar'' (1954) *''Antara Dua Sorga'' (1954) *''Kopral Djono'' (1954) *''
Lewat Djam Malam ''Lewat Djam Malam'' (shown internationally as ''After the Curfew'') is a 1954 Indonesian film directed and produced by Usmar Ismail and written by Asrul Sani. Widely regarded as a classic of Indonesian cinema, the film follows an ex-soldier in ...
'' (1954) *''Kabut Desember'' (1955) *''Peristiwa Didanau Toba'' (1955) *''Last Tango in Jakarta'' (1973) *''Cinta Putih (Bidan Aminah)'' (1977) *''M-5 (Menantang Maut)'' (1978) *''Sepasang Merpati'' (1979) *''Usia 18'' (1980) *''Mawar Jingga'' (1981) *''Bukan Istri Pilihan'' (1981) *''Ajian Macan Putih'' (1982) *''Halimun'' (1982) *''Warok Singo Kobra'' (1982) *''Mereka Memang Ada'' (1982) *''Sorta (Tumbuh Bunga di Sela Batu)'' (1982) *''Ratu Buaya'' (1983) *''Darah dan Mahkota Ronggeng'' (1983) *''Bercinta dalam Badai'' (1984) *''Kerikil-Kerikil Tajam'' (1984) *''Saat-Saat Kau Berbaring di Dadaku'' (1984) *''Titik-Titik Noda'' (1984) *''Secangkir Kopi Pahit'' (1984) *''Arie Hanggara'' (1985) *''Pertunangan'' (1985) *''Cinta di Awal Tigapuluh'' (1985) *''Gadis Hitam Putih'' (1985) *''Perceraian'' (1985) *''Satria Bambu Kuning'' (1985) *''Kemilau Cinta di Langit Jingga'' (1985) *''Telaga Air Mata'' (1986) *''Yang Perkasa'' (1986) *''Pernikahan Dini'' (1987) *''Aku Benci Kamu'' (1987) *''Pernikahan Berdarah'' (1987) *''Sumpah Keramat (Sumpah Pocong Lintang dan Bayu)'' (1988) *''Jodoh Boleh Diatur'' (1988) *''Nuansa Birunya Rinjani'' (1989) *''Joe Turun ke Desa'' (1989) *''Pendekar Jagad Kelana'' (1990) *''Ketika Dia Pergi'' (1990)


References


Works cited

* * * * * * * *


External links

* * {{authority control 1925 births 1991 deaths People from Medan Citra Award winners Indonesian film actresses Actresses of the Dutch East Indies 20th-century Indonesian actresses Indonesian stage actresses