David Armstrong (photographer)

David Bradley Armstrong (May 24, 1954 – October 26, 2014) was an American photographer based in New York.

Armstrong first exhibited his work in 1977 and had one-person shows in New York City, Boston, Berlin, Paris, Rome, Zurich, Düsseldorf, Lisbon, Munich, and Amsterdam. His work was included in numerous group museum exhibitions including ''Visions from America: Photographs from The Whitney Museum of American Art, 1940-2001'' in 2003, ''Emotions and Relations'' at the Hamburger Kunsthalle in 1998, and the 1995 Whitney Biennial.

Personal life

Armstrong was born in 1954, in Arlington, Massachusetts, one of four sons of Robert and Irma Armstrong.Paul Vitello (October 31, 2014)
David Armstrong, Photographer of Subcultures, Dies at 60
''The New York Times''. He graduated from the Satya Community School, an alternative high school in Lincoln, Massachusetts, where he met Nan Goldin at the age of 14.Jane Harris,
Home-Work: Photographer David Armstrong Talks About His Latest Monograph, 615 Jefferson Avenue
, 19 December 2011. Accessed 15 December 2017. Even though David was considered not obviously gay, he had been open to his sexual orientation long before legal action for the LGBT community had been in place. On October 26, 2014, at the age of 60, he died in Los Angeles, California due to liver cancer.

Career

Armstrong entered into the School of the Museum of Fine Arts in Boston as a painting major, but soon switched to photography after studying alongside Goldin, with whom he shared an apartment. He attended the School of the Museum of Fine Arts and Cooper Union from 1974 to 1978, and he earned a B.F.A from Tufts University in 1988 and Judy Ann Goldman Fine Art in Boston.

During the late 1970s, Armstrong became associated with the "Boston School" of photography, which included artists such as Nan Goldin, Mark Morrisroe and Jack Pierson. Their aesthetic was based on intimate snapshot portraits in saturated color.

Armstrong first received critical attention for his intimate portraits of men, either lovers or friends, in sharp focus. In the nineties, he began to photograph cityscapes and landscapes in soft focus to contrast with the resolution of his portraits. Street lights, electric signs and cars are reduced to a sensual mottled blur, complementing the vividness and tactility of his portraits.

In 1981, Armstrong created a series of black-and-white portraits which he showed at PS1's ''New York/New Wave'' exhibition. In 1996, Elisabeth Sussman, curator of photographs at the Whitney Museum, enlisted Armstrong's help in composing Goldin's first retrospective. She gained such respect for Armstrong’s eye, she acquired a few of his pieces for the Whitney permanent collection and he was subsequently featured in the Whitney 1994 biennial.

Armstrong’s work has also appeared in publications such as ''Vogue Paris'', ''L'Uomo Vogue'', ''Arena Homme +

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