Dance With The Wind
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''Dance with the Wind'' ( ko, 바람의 전설; ''Baramui jeonseol'') is a 2004 South Korean film starring
Lee Sung-jae Lee Sung-jae (born August 23, 1970) is a South Korean actor. Among his notable works include the films ''Art Museum by the Zoo'', ''Attack the Gas Station'', ''Barking Dogs Never Bite'', and ''Kick the Moon'', as well as the television series ' ...
and
Park Sol-mi Park Sol-mi (born Park Hye-jeong on January 3, 1978) is a South Korean actress. Acting career Park had a minor role in the 1996 series '' Papa'', then made her official debut in MBC's amateur talent contest in 1998.Park Jung-woo Park Jung-woo (born 1969) is a South Korean film director and screenwriter. Park is a screenwriter turned director, and probably ranks as South Korea's most well-known screenwriter for his famous stories such as ''Attack the Gas Station'' (19 ...
. The story is adapted from a 1999 book by novelist Ji Seong-sa.


Plot

In a hospital parking lot, Officer Song Yeon-hwa is briefed about Park Pung-shik, an alleged
gigolo A gigolo () is a male escort or social companion who is supported by a person in a continuing relationship, often living in her residence or having to be present at her beck and call. The term ''gigolo'' usually implies a man who adopts a lifest ...
who preys on rich housewives. One of his latest victims is the police chief's wife, who refuses to testify against him, despite giving him $30,000. Song is told to go undercover as a hospital patient in order to secure evidence leading to his arrest. In the hospital, she finds the mild-mannered Park and talks to him over coffee, where he mentions that he
ballroom dance Ballroom dance is a set of partner dances, which are enjoyed both socially and competitively around the world, mostly because of its performance and entertainment aspects. Ballroom dancing is also widely enjoyed on stage, film, and television. ...
s for a living. Song asks him why he came to become a dancer and he starts his story. Years ago, Park was living a life without meaning, despite being married with a baby boy. One day he ran into an old school friend, Song Man-su, by chance and they spent the next few weeks partying every night, to his wife's chagrin. Soon Man-su approached him at his place of work, asking if he could use one of the rooms to teach ballroom dance, openly admitting that he is a gigolo. Park vocally turned him down, but a co-worker ended up giving Man-Su permission. The classes proved to be a great success and Man-su asked Park if he would want to help teach the classes. Initially, Park refused, not wanting to be a part of that world, but eventually he agreed to take a single lesson from Man-su. Upon taking the first step of his jive, Park instantly fell in love with dance. Over the next few days, Park assisted Man-su in his lessons by day, and took additional ones from him at night, his entire life being obsessed with dance. However, this happiness came to an end when Park's office was trashed by a man cuckolded by Man-su. That night, Man-su met Park, saying that he would be going to prison for a while, revealing that he doesn't think of dance as art, just as a way of seducing women. Park was inflamed by this and resolved to redeem dance from the image of scumbags like Man-su. Since studios were scarce, Park left his home, wife, and child in a quest to learn how to dance properly. His teachers included a geriatric old man who could barely move unless he was dancing Jive, an alcoholic lighthouse keeper who threw himself into the ocean after he finished teaching Park the
waltz The waltz ( ), meaning "to roll or revolve") is a ballroom and folk dance, normally in triple ( time), performed primarily in closed position. History There are many references to a sliding or gliding dance that would evolve into the wa ...
, a
quickstep The quickstep is a light-hearted dance of the standard ballroom dances. The movement of the dance is fast and powerfully flowing and sprinkled with syncopations. The upbeat melodies that quickstep is danced to make it suitable for both formal a ...
ping rancher, a steelyard worker who danced the
cha-cha-cha Cha cha cha may refer to: * ''Cha-cha-chá'' (music), a style of Cuban dance music * Cha-cha-cha (dance), a Latin American dance accompanying the music Film and television * ''Cha Cha Cha'' (film), a 2013 Italian crime film * ''Cha Cha Cha'' ...
, a monk who could
paso doble Pasodoble (Spanish language, Spanish: ''double step'') is a fast-paced Spanish military march used by infantry troops. Its speed allowed troops to give 120 steps per minute (double the average of a regular unit, hence its name). This military ...
, and a construction worker who taught him the
tango Tango is a partner dance and social dance that originated in the 1880s along the Río de la Plata, the natural border between Argentina and Uruguay. The tango was born in the impoverished port areas of these countries as the result of a combina ...
. After spending five years across the country, Park finally returned home to his family. Song relays this part of the story to her superior, who is struck by how callous Park must be to abandon his family for five years. However, Song expressed doubt that someone who could pursue dance so earnestly could be a swindler. Back at the hospital, Song asks Park to teach her how to dance. Just like Park, she fell in love with dance with the first step of her jive. For then on, she stalls on getting more testimony from Park, instead taking numerous dance lessons from him. Eventually, the two go out together and he continues his story. Despite his wife growing increasingly angry at him, the only thing on Park's mind was dance. He eventually lowered himself to going to a shady cabaret bar in order to dance. There he met a woman he only referred to as Madame, and they began to waltz together nightly. Park was happy just to be dancing, but Madame wanted more out of the relationship, eventually forcing herself upon him. After that incident, Park cut off all contact with Madame, despite her persistent efforts to get in contact with him. After a few weeks, he decided to meet with her. In order to spare her feelings, Park made up a story about how he couldn't see her because he had to tend to his failing business. This touched her heart and the next day she gave him an envelope of money, which he reluctantly accepts. Following this, Park went through a long string of dancing relationships, each ending similarly, with him receiving an envelope of money. He used this money to provide for his family and his married life seemed to have improved. Man-su caught up with Park once again, telling him even though he was in and out of prison that he heard about Park's exploits, and that he was quickly becoming a legend in the gigolo community. Park was disgusted by being compared to the likes of Man-su, and he angrily maintains that he is not a gigolo. However, this belief was brought into question when he was attacked by the angry husband of one of his former partners. While taking his son to a school recital one day, Park ran into Madame, also taking her child to the recital. After an awkward conversation, Park agreed to have one last waltz with Madame, dancing to the sound of their children singing. Park's wife arrived as they were finishing their dance, and angrily slapped him. Soon after they were divorced. After hearing this part of his story, Song turns on Park calling him a gigolo. As always, Park denies this, but Song leaves all the same. She meets her superior telling him that Park confessed, but she doesn't have it on tape and asking to be removed from the case. Torn between her love of dance and her disgust at Park, she tracks down Man-su asking him where she can find Park. In telling her where he will be, Man-su relays more of Park's story to Song. Shortly after his divorce, Park met a woman named Ji-yeon at the cabaret bar and they began dancing rumba together. For the first time, he fell for one of his partners; her soft-spoken purity enraptured him. However, she didn't reciprocate his feelings, eventually falling out of contact with him. When they finally meet again, Ji-yeon told him about how her cafe was on the verge of bankrupt. They met again after this and Park gave her an envelope of money, which she tearfully accepts. As they are on the verge of consummating their relationship, Ji-yeon's brother walked into the room and beats Park so viciously that he ends up in the hospital Song would go undercover in. Even throughout his recuperation, Park went out to the cabaret bar every night hoping to see her again. Man-su found him and told him that Ji-yeon was actually an escort, as famous as Park is in the field. He also told him where she would be that night. Song and Man-su race to the club, hopefully before Park does something foolish. However, Park is already there and confronts Ji-yeon, who is working another mark. She publicly denies knowing Park, though later she coldly acknowledges him, telling him to stop acting like a kid. This sets him off and he grabs her by the hair, intent on harming her. Song arrives just in time and defuses the situation; however, the police arrive just after. With the chief's wife finally agreeing to testify, they arrest him. Two years later, ballroom dancing has been legitimized in Korea, rebranding itself as
DanceSport Dancesport is competitive ballroom dance, ballroom dancing, as contrasted to social or exhibition dancing. In the case of Para dancesport, at least one of the dancers is in a wheelchair. Dancesport events are sanctioned and regulated by dancesp ...
. Song now runs a dance studio herself. She manages to find Park, who is living at the lighthouse of his former teacher. Park claims that he no longer dances, but Song reignites his passion with an energetic jive and romantic waltz.


References


External links

* *
''Dance with the Wind''
at Subway Cinema

at Koreanfilm.org * {{DEFAULTSORT:Dance With The Wind 2004 films 2004 romantic comedy-drama films South Korean romantic comedy-drama films Ballroom dancing films Films based on short fiction Cinema Service films 2000s Korean-language films Films directed by Park Jung-woo 2004 directorial debut films 2004 comedy films 2004 drama films 2000s South Korean films