Early career
Entering the film industry from the last class to graduate from University of Miami's Cinema Arts department before it went digital, Dan moved to New York City with an instantly obsolete analog skill set. After a year working on film sets, he grew all too aware of the long road ahead before anyone would take him seriously as a storyteller. But as an avid comics reader, his attention always returned to those low-budget drawn stories, where he could produce an entire work as writer, director, cinematographer, actor, etc. all completely on his own. He created his first full-length comiFinding Hyperreal Comics
Working as a graphic designer, Dan began experimenting with vector-based design programs and the Wacom Intuos drawing stylus. There he had an epiphany, seeing a new kind of storytelling workflow to create comic narratives digitally. His first night at home with his very ownSelf-Publishing
With his brother Steven, Dan founded the boutique imprint FWDbooks in 2003, creating several titles as "the Brothers Goldman", including three issues of Styx Taxi and his first graphic novel, Everyman: Be the People. Under the credo Manga con Corazón (comics with heart), FWDbooks' releases featured consistently diverse characters of all genders and creeds, and their adult-focused stories addressed issues like mortality, the afterlife and electronic voting machines' subversion of democracy. Met with critical praise and distribution difficulties, FWbooks ceased to function in 2005, and Dan's jump to publishing his next works online was a direct result of this experience.Webcomics
In early 2006, Goldman was recruited by Dean Haspiel to help found the "online laboratory for experimental comics anthology ACT-I-VATE. Originally a cabal of eight cartoonists serializing free online graphic novels, it was here Goldman began serializing his graphic novel "KELLY". A psychedelic NYC psychodrama about a jilted lover who taking emotional refuge with a stranger he meets on Craiglist, "KELLY" quickly becomes a meditation on identity, interior landscapes and love. Kelly was also a quantum leap with Dan's Hyperreal Comics style as he began incorporating more photographic elements and textured painted effects into his narrative art. Meanwhile, ACT-I-VATE grew from its initial eight member group blog on LiveJournal to become a New York Times-featured online anthology hosting long-form comics works by 50+ cartoonists from around the world. It was his work here that got the attention of journalist/producer Anthony Lappé. In early 2006, serialization began on a collaboration with Lappé entitled Shooting War: a fiery dystopian satire of Big Media's perpetuation of the War on Terror. His work went on to garner an Eisner Award nomination for "Best Digital Comic" in 200, which was hailed as “the Apocalypse Now of the War on Terror” by Forbes. Published byJournalism & Politics
In the rollup to the 2008 presidential election, Dan collaborated with journalist Michael Crowley on 08: A Graphic Diary of the Campaign Trail, a nonfiction graphic novel. After traveling with Crowley during the early 2008 primaries, Dan returned home to Brooklyn to begin what would become an 18-month sprint through 160 pages of black & white comics, written and drawn as they happened. The evening of the 2008 election, while people danced on top of cars downstairs from Dan's studio in Brooklyn, he was in fact upstairs drawing the people dancing on top of cars. "08" was a singular achievement in comics journalism, published and on bookstore shelves the week Obama was sworn into office. NPR Books praised it as “strik ngout on its own to create a method of visual storytelling that owes as much to ’60s magazine layouts as it does to modern Web design. It’s largely thanks to Goldman’s singular graphical style that this book… feels so defiantly and refreshingly unconventional.” The week of its release, “08” was touted as “highbrow brilliant” by New York Magazine. During this period and over the following years, Dan also contributed political portraits several times a month to New York Magazine's "Intelligencer" column.Brazil x Hollywood
Moving from NYC to São Paulo to work on more personal and spiritual material, Dan's next comic project Red Light Properties actually dates back to his pre-webcomics self-publishing days. The story of a husband-and-wife-owned real estate agency in Miami specializing in exorcising and selling “previously haunted homes”, Red Light Properties launched in 2010 on Tor.com as the venerable SF publisher's first long-form comics commission with an innovative bespoke interactivity designed by Goldman himself. A critical darling during its online serialization, the series was published independently in English, Spanish and Portuguese before being picked up by Monkeybrain Comics and ultimately published as a graphic novel byVideo Games & Transmedia
While in Brazil, Dan was contracted by the AMC cable network to write a Facebook-based RPG (role-playing game) based on The Walking Dead. Not shying away from the simple sprite-based graphics, he instead wrote dark and complex narratives for the user to navigate their characters through, falling in love in the process with writing games himself. Upon his return to New York, Dan would work as an editor and creative on AMC's Story Sync applications—real-time second-screen content to be served during the live broadcasts—for their flagship series Breaking Bad, Turn: Washington's Spies, The Killing and The Walking Dead (which of which won multiple Emmy Awards). He also wrote the first two season of The Walking Dead: No Man's Land RTS mobile game, currently available for iOS and Android platforms.Priya's Shakti
In 2014, Dan met Ram Devineni in New York City, and the two created the hugely popularKinjin Story Lab
While traveling extensively across India in support of Priya, Dan began to understand the potential impact of his work in a different light. Viewing the Priya experience as a prototype for a new model for storytelling, Dan founded Kinjin Story Lab to develop new socially-conscious stories across evolving forms of media.Bibliography
2017 * Dandelion 102 "Startup" (22pgs) Kinjin Studios 2016 * Dandelion 101 "Greatmother" (22pgs) Kinjin Studios * Priya's Mirror (40pgs) Rattapallax Press 2015 * The Walking Dead: No Man's Land (iOS/Android) 2014 * Red Light Properties Book One (200pgs) IDW Publishing * Harbinger #25 "Cold Brains" (5pgs) Valiant Comics * Priya's Shakti (36pgs) Rattapallax Press 2012 The Walking Dead: Chronicles Social Game (Facebook) 2011 * Red Light Properties "Goodnight Donnie Cheng" (18pgs), Monkeybrain/Comixology * Red Light Properties "Know Thy Enema" (20pgs) Monkeybrain/Comixology * Red Light Properties "Underwater" (27pgs) Monkeybrain/Comixology * Red Light Properties "A Series of Tubes" (26pgs) Monkeybrain/Comixology 2010 * Red Light Properties (200pgs) Tor.com 2009 * "Yes We Will" (6pgs) Tor.com * "Red Plastic" (8pgs) SMITHmag.com * 08: A Graphic Diary of the Campaign Trail (160pgs) Crown Books 2008 * "42nd & Lex" (4pgs) Popgun Vol. 2, Image Comics * Shooting War (184pgs) Grand Central Publishing 2006 * "Kelly" (400pgs) activatecomix.com * Shooting War (100pgs) shootingwar.com 2004 * Everyman: Be the People (96pgs) FWDbooks 2003 * "The Best I Ever Had" (24pgs) Flesh for the Beast, Shriek Show * "Good Parenting" (24pgs) Flesh for the Beast, Shriek Show * "Schmear" (6pgs) Smut Peddler Vol. 2, Saucy Goose Press * "Singalong" (6pgs) Styx Taxi: A Little Twilight Music, FWDbooks 1999 * "Hairkut" (24pgs) self-producedExhibitions & Talks
2017 * "Imagine 2040" Civic Imagination Symposium, USC Annenberg Innovation Lab (Los Angeles, CA) * Featured Project, Myriad Festival, Brisbane Powerhouse (Brisbane, Australia) * "Art & Activism Presentation", Copenhagen Documentary Festival (Denmark) * Jury Prize Winner, FilmGate Miami 2017 (Miami, FL) * FrankTalks & Exhibition, Changeville Festival, College of Journalism and Communications, University of Florida (Gainesville, FL) * Master Class, National Institute of Design (Ahmedabad, India) * Master Class, National Institute of Design R&D Campus (Bengaluru, India) * "Virtual Storytelling Creators Workshop" MOP Vaishnav College for Women (Chennai, India) * Master Class, L.V. Prasad Film & TV Academy (Chennai, India) * International Guest, DOGS Comics Conference, Jadavpur University (Kolkata, India) 2016 * 9th International Conference on Interactive Digital Storytelling, USC School of Creative Technologies (Los Angeles, CA) * "Solidarity (thru Comics)" Books in Browsers (San Francisco, CA) * "Priya's Mirror" ArtBo Art Festival (Bogotá, Colombia) * "AR Mural" St+Art Street Art Festival (Bangalore, India) * "Priya's Sheroes" Sheroes Cafe (Agra, India) * "Priya's Mirror" NY Film Festival Convergence (Lincoln Center, New York, NY) * One World Festival (Czech Republic) * "A Comic Book Superhero and Rape Survivor: Can She Change Attitudes Toward Sexual Violence?", Dresher Center (Baltimore, MD) 2015 * Priya Named "Gender Equality Champion" by UN Women * "Interactive Comic Books for Social Change", SXSW Interactive (Austin, TX) * Tribeca Interactive Playground, Tribeca Film Festival (New York, NY) * "Build Your Own Comic Workshop", PEN World Voices Festival (New York City, NY) * Webdox Conference at iFlab: Interactive Factual Lab (Leuven, Belgium) * Scuola Holden: Storytelling and Performing Arts (Torino, Italy) * InterDocsBarcelona. (Barcelona, Spain) * "The Immersive Sixth Sense" Museum of Moving Images (Queens, NY) * "I Stand with Priya" TEDxCoventGardenWomen (London, UK) * DOKWeb - Institute of Documentary Film, A4, Priestor Center (Bratislava, Slovakia) * "AR Mural" Sheffield DocFest (Sheffield, UK) * Cooler Lumpur Festival 2015 (Kuala Lumpur, Malaysia) * "Interactive Media for Social Good" Made in IFP Media Center (Brooklyn, NY) * Passion for Freedom Festival, London at the Mall Galleries (London UK) * NINA Beta Version Festival, National Audiovisual Institute (Warszawa, Poland) * "Priya's Shakti" Augmented Reality Gallery Exhibition, City Lore Gallery (New York, NY) * Featured Guest, Delhi Comic-Con (New Delhi, India) 2014 * PEN World Literature Festival (New York, NY) * Featured International Guest, Mumbai Comic-Con (Mumbai, India) 2012 * Featured Guest, Rio Comic-Con (Rio de Janeiro, Brazil) 2011 * Selected Artist, Illustration Now! 4, Taschen Books * ZUPI Magazine Pixel Show (São Paulo, Brazil) 2010 * 3M Mostra de Arte Digital (São Paulo, Brazil) 2009 * "Making Comics with Computers 2009" (moderator/curator), New York Comic-Con (NYC, NY) * "An Election in Words & Pictures", Book Court (Brooklyn, NY) 2008 * "Making Comics with Computers 2008" (moderator/curator), New York Comic-Con (NYC, NY) 2007 * "Best Digital Comic" Eisner Award Nomination * “Iraq: The Graphic War, Today and In 2011″, Institute of Contemporary Arts (London, UK) * "ACT-I-VATE Webcomics Collective Showcase" (moderator), New York Comic-Con (YC, NY)References
*Interviews