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Caroline Unger (sometimes Ungher; 28 October 1803 – 23 March 1877), alternatively known as Karoline, Carolina, and Carlotta,Sadie 1998, p. 867 was an
Austro-Hungarian Austria-Hungary, often referred to as the Austro-Hungarian Empire,, the Dual Monarchy, or Austria, was a constitutional monarchy and great power in Central Europe between 1867 and 1918. It was formed with the Austro-Hungarian Compromise of ...
contralto A contralto () is a type of classical female singing voice whose vocal range is the lowest female voice type. The contralto's vocal range is fairly rare; similar to the mezzo-soprano, and almost identical to that of a countertenor, typically ...
,


Biography

Born in Vienna (according to erroneous sources, in Stuhlweißenburg, today
Székesfehérvár Székesfehérvár (; german: Stuhlweißenburg ), known colloquially as Fehérvár ("white castle"), is a city in central Hungary, and the country's ninth-largest city. It is the regional capital of Central Transdanubia, and the centre of Fejér ...
) she studied in Italy; among her teachers were Aloysia Weber Lange and Domenico Ronconi. Her stage debut, in her native city, came in 1821, when she performed in
Mozart Wolfgang Amadeus Mozart (27 January 17565 December 1791), baptised as Joannes Chrysostomus Wolfgangus Theophilus Mozart, was a prolific and influential composer of the Classical period. Despite his short life, his rapid pace of composition r ...
's '' Così fan tutte'', a performance for which
Franz Schubert Franz Peter Schubert (; 31 January 179719 November 1828) was an Austrian composer of the late Classical and early Romantic eras. Despite his short lifetime, Schubert left behind a vast ''oeuvre'', including more than 600 secular vocal wor ...
had briefly served as her
répétiteur A (from the French verb meaning 'to repeat, to go over, to learn, to rehearse') is an accompanist, tutor or coach of ballet dancers or opera singers. A feminine form, , also appears but is comparatively rare. Opera In opera, a is the person ...
. Three years later she sang in the first performances of
Ludwig van Beethoven Ludwig van Beethoven (baptised 17 December 177026 March 1827) was a German composer and pianist. Beethoven remains one of the most admired composers in the history of Western music; his works rank amongst the most performed of the classical ...
's Ninth Symphony and
Missa solemnis {{Audio, De-Missa solemnis.ogg, Missa solemnis is Latin for Solemn Mass, and is a genre of musical settings of the Mass Ordinary, which are festively scored and render the Latin text extensively, opposed to the more modest Missa brevis. In Frenc ...
. She performed a great deal in Italy, principally in Naples after 1825 when she became engaged to the impresario of the
Teatro di San Carlo The Real Teatro di San Carlo ("Royal Theatre of Saint Charles"), as originally named by the Bourbon monarchy but today known simply as the Teatro (di) San Carlo, is an opera house in Naples, Italy, connected to the Royal Palace and adjacent t ...
,
Domenico Barbaia Domenico Barbaia (also spelled Barbaja; 10 August 1777 – 19 October 1841) was best known as an opera Italian impresario. An energetic man, Barbaia, who was born in Milan, began his career by running a coffee shop. He made his first fortune by ...
. Among the roles written for her were those of Isoletta in
Vincenzo Bellini Vincenzo Salvatore Carmelo Francesco Bellini (; 3 November 1801 – 23 September 1835) was a Sicilian opera composer, who was known for his long-flowing melodic lines for which he was named "the Swan of Catania". Many years later, in 1898, Giu ...
's ''
La straniera ''La straniera'' (''The Foreign Woman'') is an opera in two acts with music by Vincenzo Bellini to an Italian libretto by Felice Romani, based on the novel ''L'Étrangère'' (2 vols, 1825) by Charles-Victor Prévot, vicomte d'Arlincourt, althoug ...
'' (1829, Milan),
Gaetano Donizetti Domenico Gaetano Maria Donizetti (29 November 1797 – 8 April 1848) was an Italian composer, best known for his almost 70 operas. Along with Gioachino Rossini and Vincenzo Bellini, he was a leading composer of the ''bel canto'' opera style duri ...
's ''
Parisina ''Parisina'' is a 586-line poem written by Lord Byron. It was probably written between 1812 and 1815, and published on 13 February 1816. It is based on a story related by Edward Gibbon in his '' Miscellaneous Works'' (1796) about Niccolò III ...
'' (1833, Florence), Antonina in ''
Belisario ''Belisario'' (''Belisarius'') is a ''tragedia lirica'' (tragic opera) in three acts by Gaetano Donizetti. Salvadore Cammarano wrote the Italian libretto after Luigi Marchionni's adaptation of play, ''Belisarius'', first staged in Munich in 182 ...
'' (1836, Venice), '' Maria de Rudenz'' (1838, Venice), and Bianca in
Saverio Mercadante Giuseppe Saverio Raffaele Mercadante (baptised 17 September 179517 December 1870) was an Italian composer, particularly of operas. While Mercadante may not have retained the international celebrity of Gaetano Donizetti or Gioachino Rossini beyond ...
's ''Le due illustre rivali'' (1838, Venice). Unger had a great success at the Théâtre-Italien in Paris in October 1833, where Sadie speculates that this was the occasion upon which
Rossini Gioachino Antonio Rossini (29 February 1792 – 13 November 1868) was an Italian composer who gained fame for his 39 operas, although he also wrote many songs, some chamber music and piano pieces, and some sacred music. He set new standards f ...
is known to have commented on her voice as having "the ardour of the south, the energy of the north, brazen lungs, a silver voice and a golden talent".Rossini, quoted in Sadie 1998, p. 867 In 1841 she married the French writer François Sabatier-Ungher and retired from the stage in 1843. She died in Florence and was buried in the cemetery of the basilica
San Miniato al Monte San Miniato al Monte (St. Minias on the Mountain) is a basilica in Florence, central Italy, standing atop one of the highest points in the city. It has been described as one of the finest Romanesque structures in Tuscany and one of the most scenic ...
there. She is memorable for her part in the famous anecdote regarding the applause at the premiere of Beethoven's Ninth Symphony – it was reported she turned the deaf composer around to receive his audience's thunderous applause.


References

Notes


Further reading

*Ewen, David (1955), ''Encyclopedia of the Opera'', A. A. Wyn. *


External links

* {{DEFAULTSORT:Unger, Caroline 1803 births 1877 deaths Operatic contraltos 19th-century Austrian women opera singers Musicians from Vienna