Carlos Acosta

Carlos Yunior Acosta Quesada (born 2 June 1973) is a Cuban-British ballet director and retired dancer who is director of the Birmingham Royal Ballet. He danced with many companies including the English National Ballet, National Ballet of Cuba, Houston Ballet and American Ballet Theatre. He was a permanent member of The Royal Ballet from 1998 to 2015. In 2003, he was promoted to principal guest artist, a rank which reduced his commitment, enabling him to concentrate on a growing schedule of international guest appearances and tours. He celebrated his farewell after 17 years at The Royal Ballet, dancing his last performance in November 2015 in '' Carmen'', which he both choreographed and starred in.

In January 2020, Acosta was appointed as director of Birmingham Royal Ballet, succeeding David Bintley. In February, he announced the plans for his inaugural season, including a 'Curated by Carlos' festival, and special performances with Alessandra Ferri.

Early life and education

Acosta was born in Havana, Cuba, on 2 June 1973, the eleventh and last child in an impoverished family. His father, Pedro Acosta, was a truck driver, and his mother, Dulce Maria Quesada, often suffered from health problems. Acosta grew up with no toys, sometimes went shoeless, and did not even have a birthday cake until he turned 23. The streets of his neighbourhood provided plenty of entertainment, however, and he spent his time playing football, break-dancing, and raiding nearby mango groves with his friends. He was an over-energetic child, and his father felt that his youngest son would soon land in serious trouble. Dance training at one of the state-funded schools, his father decided, would teach the boy discipline and provide him with a free lunch every day. He studied ballet at the Cuban National Ballet School with many influential teachers including Ramona de Sáa. In June 1991 he received his diploma with maximum qualifications and a gold medal.

Early career

Acosta, of mixed Spanish and African heritage, came to prominence in the early 1990s while still in his teens, and North American and European dance companies began offering him lead romantic roles over the next decade. After five years in Houston, Acosta joined London's Royal Ballet in 1998. With his fabled grace and athleticism, he has earned comparisons to Mikhail Baryshnikov or Rudolf Nureyev. A writer for London's ''Independent'' newspaper described Acosta as "a dancer who slashes across space faster than anyone else, who lacerates the air with shapes so clear and sharp they seem to throw off sparks".

Awards

* 1990 : Gold Medal at the Prix de Lausanne
* 1990 : Grand Prix at the 4th biennial Concours International de Danse de Paris
* 1990 : Vignale Danza Prize in Italy
* 1990 : Frédéric Chopin Prize, awarded by the Polish Artistic Corporation
* 1991 : Prize for Merit in the Young Talent Competition, Positano, Italy
* 1991 : Osimodanza Prize, Italy
* 1991 : Grand Prix at Cuba's prestigious Union of Writers and Artists (UNEAC) competition
* 1995 : Dance Fellowship from the Princess Grace Foundation, United States
* 2004 : Nominated for an Olivier Award
* 2008 : Prix Benois de la Danse
* 2014: Commander of the Order of the British Empire for services to ballet

Companies and roles

From 1989 to 1991 Acosta performed throughout the world, guesting with many companies including the Compagnia Teatro Nuovo di Torino in Italy, where he danced alongside Luciana Savignano, and the Teatro Teresa Carreño in Venezuela.

English National Ballet

At the invitation of Ivan Nagy, Acosta danced with the English National Ballet in London during the 1991/92 season. He made his debut in the Polovtsian Dances from Prince Igor and also appeared in ''Cinderella'', partnering Eva Evdokimova and Ludmila Semenyaka, '' Le Spectre de la Rose'', ''Les Sylphides'' and as the Prince in Ben Stevenson's ''The Nutcracker''.

National Ballet of Cuba

In 1992 and 1993 he was a member of the National Ballet of Cuba under the artistic director Alicia Alonso, rising to principal dancer in 1994. In October 1993 and September 1994 he toured with the company to Madrid, where he danced various roles including Albrecht in '' Giselle'', Basilio in ''Don Quixote'' and Siegfried in '' Swan Lake''.

Houston Ballet

In November 1993 he was invited by Ben Stevenson, the artistic director of Houston Ballet, to join the company as a principal dancer, and he made his American stage debut as the Prince in ''The Nutcracker''.
Following this, his repertory included:
*Prince Siegfried in '' Swan Lake'',
*Solor in ''La Bayadère'',
*Basilio in ''Don Quixote'',
*Stevenson's ''Britten Pas de Deux'',
*the male lead in Harald Lander's ''Etudes'',
* Jiri Kylian's ''Symphony in D'',
*the Chosen One in ''The Rite of Spring''.
In 1997 he created the role of Frederick in Stevenson's ''Dracula'' and in 1998 he added the role of Misgir in the première of Stevenson's ballet ''The Snow Maiden'', partnering Nina Ananiashvili.

The Royal Ballet

In 1998, Acosta joined The Royal Ballet, London, under the direction of Anthony Dowell. His roles with the company have included:
* William Forsythe's ''In the middle, somewhat elevated''. This was his first appearance with the company.
*Jean de Brienne in Rudolf Nureyev's production of '' Raymonda Act III'',
*Colas in Frederick Ashton's ''La fille mal gardée'',
*Siegfried in Swan Lake,
*Actaeon in the '' Diana and Actaeon Pas de Deux'',
*The Brother in Kenneth MacMillan's '' My Brother, My Sisters'',
*Albrecht in '' Giselle'', and
*the Principal Boy in ''Rhapsody'',
*the Man's Solo in Petipa's '' Le Corsaire'', at the Opening Celebration of the Royal Opera House.

In the 1999/2000 season he performed:
*Nacho Duato's ''Remanso'',
*The Prince in ''The Nutcracker'',
*Solo Boy in MacMillan's '' Gloria'',
*Franz in Ninette de Valois' production of ''Coppélia'',
* Nijinsky's '' L'Après-midi d'un faune'',
*Des Grieux in MacMillan's '' Manon'',
*the Messenger of Death in '' Song of the Earth'',
*the Boy with Matted Hair in Antony Tudor's ballet ''Shadowplay''.

During the 2001/2 season he made his debut as Basilio in Nureyev's ''Don Quixote'', and in the 2002/2003 season he made his debut as the title role in George Balanchine's ''Apollo''. He has created roles in Ashley Page's ''Hidden Variables'' and William Tuckett's ''3:4''.

Acosta was appointed Commander of the Order of the British Empire (CBE) in the 2014 New Year Honours for services to ballet.

Guest artist

Acosta was a guest artist with the American Ballet Theatre during the company's Metropolitan Opera House season in the summer of 2002, when he performed Prince Désiré in ''Sleeping Beauty Act III'', Oberon in '' The Dream'', Colas in ''La Fille mal gardée'' and Conrad in '' Le Corsaire''. He rejoined the ABT (under artistic director Kevin McKenzie) as Principal Dancer, for the company's 2003 autumn season at New York City Center, to perform in the Tchaikovsky '' Pas de Deux'' and a new staging of '' Raymonda (Grand Pas Classique)''.

He has performed Basilio in Nureyev's version of ''Don Quixote'', as well as Solor in Nureyev's ''La Bayadère'', with the Paris Opera Ballet.

In recent years, Acosta has had a career as an international guest artist, appearing in the US, Russia, the Netherlands, Chile, Argentina, Greece, Japan, Italy, Germany and France. In June 2008 he guested for the first time with the Australian Ballet, in Jerome Robbins' '' Afternoon of a Faun'', partnered by AB principal Kirsty Martin.

Birmingham Royal Ballet

In January 2020, Carlos Acosta was appointed as Director of Birmingham Royal Ballet, succeeding David Bintley. In February, he announced the plans for his inaugural season, including a 'Curated by Carlos' festival, and special performances with renowned ballet dancer Alessandra Ferri.

In February, Acosta announced the plans for his inaugural 2020-2021 season. Plans included the three-week 'Curated by Carlos' summer festival, which included the world premiere of ''Chacona,'' a new duet for Acosta and ballet dancer Alessandra Ferri, by Acosta Danza’s Goyo Montero.

Birmingham Royal Ballet was also scheduled to perform Carlos Acosta’s ''Don Quixote'' at the Birmingham International Dance Festival in June 2020, though this was postponed due to the COVID-19 pandemic.

In February 2021, Acosta and the BRB premiered their first digital commission, a film titled "Empty Stage," scored by a song of the same name written and performed by American songwriter Benjamin Scheuer, who was accompanied by the Royal Ballet Sinfonia orchestra. The film was called "dazzling...a dance-lover's dream" by the Huffington Post.

Television and film performances

In 1997 CBS News filmed Acosta for a special report for their programme '' 60 Minutes'' (broadcast in January 1998), following him during his performances for the Houston Ballet and relaxing with friends and family in Cuba.

Television performances include two live BBC
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