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In
classical antiquity Classical antiquity (also the classical era, classical period or classical age) is the period of cultural history between the 8th century BC and the 5th century AD centred on the Mediterranean Sea, comprising the interlocking civilizations of ...
, a crotalum ( κρόταλον ''krotalon'') was a kind of clapper or
castanet Castanets, also known as ''clackers'' or ''palillos'', are a percussion instrument (idiophone), used in Spanish, Kalo, Moorish, Ottoman, Italian, Sephardic, Swiss, and Portuguese music. In ancient Greece and ancient Rome there was a similar ...
used in religious dances by groups in
ancient Greece Ancient Greece ( el, Ἑλλάς, Hellás) was a northeastern Mediterranean civilization, existing from the Greek Dark Ages of the 12th–9th centuries BC to the end of classical antiquity ( AD 600), that comprised a loose collection of cult ...
and elsewhere, including the Korybantes. The term has been erroneously supposed by some writers to be the same as the
sistrum A sistrum (plural: sistra or Latin sistra; from the Greek ''seistron'' of the same meaning; literally "that which is being shaken", from ''seiein'', "to shake") is a musical instrument of the percussion family, chiefly associated with ancient ...
. These mistakes are refuted at length by Friedrich Adolph Lampe (1683–1729) in ''De cymbalis veterum''. From the ''
Suda The ''Suda'' or ''Souda'' (; grc-x-medieval, Σοῦδα, Soûda; la, Suidae Lexicon) is a large 10th-century Byzantine encyclopedia of the ancient Mediterranean world, formerly attributed to an author called Soudas (Σούδας) or Souidas ...
'' and the
Scholiast Scholia (singular scholium or scholion, from grc, σχόλιον, "comment, interpretation") are grammatical, critical, or explanatory comments – original or copied from prior commentaries – which are inserted in the margin of th ...
on
Aristophanes Aristophanes (; grc, Ἀριστοφάνης, ; c. 446 – c. 386 BC), son of Philippus, of the deme In Ancient Greece, a deme or ( grc, δῆμος, plural: demoi, δημοι) was a suburb or a subdivision of Athens and other city-states ...
(''Nubes'', 260), it appears to have been a split reed or cane, which clattered when shaken with the hand. According to Eustathius (''Il.'' XI.160), it was made of shell and brass, as well as wood.
Clement of Alexandria Titus Flavius Clemens, also known as Clement of Alexandria ( grc , Κλήμης ὁ Ἀλεξανδρεύς; – ), was a Christian theologian and philosopher who taught at the Catechetical School of Alexandria. Among his pupils were Origen and ...
attributes the instruments invention to the
Sicilians Sicilians or the Sicilian people are a Romance speaking people who are indigenous to the island of Sicily, the largest island in the Mediterranean Sea, as well as the largest and most populous of the autonomous regions of Italy. Origin and i ...
, and forbids the use thereof to the
Christians Christians () are people who follow or adhere to Christianity, a monotheistic Abrahamic religion based on the life and teachings of Jesus Christ. The words ''Christ'' and ''Christian'' derive from the Koine Greek title ''Christós'' (Χρι ...
, because of the motions and gestures accompanying the practice. Women who played on the crotalum were termed ''crotalistriae''. Such was Virgil's Copa (2), :''Crispum sub crotalo docta movere latus.'' This line alludes to the dance with crotala (similar to castanets), for which we have the additional testimony of
Macrobius Macrobius Ambrosius Theodosius, usually referred to as Macrobius (fl. AD 400), was a Roman provincial who lived during the early fifth century, during late antiquity, the period of time corresponding to the Later Roman Empire, and when Latin was ...
(''Saturnalia'' III.14.4‑8). As the instrument made a noise somewhat like that of a crane's bill, the bird was called ''crotalistria'', "player on crotala".
Pausanias Pausanias ( el, Παυσανίας) may refer to: *Pausanias of Athens, lover of the poet Agathon and a character in Plato's ''Symposium'' *Pausanias the Regent, Spartan general and regent of the 5th century BC *Pausanias of Sicily, physician of th ...
affirms by way of the epic poet Pisander of Camirus that
Heracles Heracles ( ; grc-gre, Ἡρακλῆς, , glory/fame of Hera), born Alcaeus (, ''Alkaios'') or Alcides (, ''Alkeidēs''), was a divine hero in Greek mythology, the son of Zeus and Alcmene, and the foster son of Amphitryon.By his adoptive ...
did not kill the
birds Birds are a group of warm-blooded vertebrates constituting the class Aves (), characterised by feathers, toothless beaked jaws, the laying of hard-shelled eggs, a high metabolic rate, a four-chambered heart, and a strong yet lightweigh ...
of
Lake Stymphalia Lake Stymphalia (Greek: Λίμνη Στυμφαλία - ''Límnē Stymphalía'') is located in the north-eastern part of the Peloponnese, in Corinthia, southern Greece. It is a closed karst basin with a wetland area and an agrarian area. The lake ...
, but that he drove them away by playing on crotala. Based on this, the instrument must be exceedingly ancient. Wilkinson, John Gardner (1878).
The Manners and Customs of the Ancient Egyptians
'. Vol 1. London: John Murray. p. 494.
The word ''krotalon'' is often applied, by an easy metaphor, to a noisy talkative person (Aristoph. ''Nub.'' 448; Eurip. ''Cycl.'' 104).


References

{{Greek musical instruments Ancient Greek musical instruments Ancient Roman culture Greek musical instruments European percussion instruments