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Crossfire was an Australian
jazz-fusion Jazz fusion (also known as fusion and progressive jazz) is a music genre that developed in the late 1960s when musicians combined jazz harmony and improvisation with rock music, funk, and rhythm and blues. Electric guitars, amplifiers, and keyb ...
band active from 1974 to 1991, which recorded five studio albums. The primary composers of the group were founding members Jim Kelly (guitars) and Michael Kenny (keyboards, piano). Other members of Crossfire included Ian Bloxsom (percussion, glockenspiel), Greg Lyon and Phil Scorgie (electric bass), Don Reid and Tony Buchanan (saxophones, flute), John Proud, Doug Gallacher, Steve Hopes, and Mark Riley (drums).


History

Crossfire was a jazz-fusion band formed in Sydney in 1974 with a line-up of Ian Bloxsom on percussion, Tony Buchanan on saxophone, Steve Hopes on drums, Jim Kelly on guitar, Michael Kenny on piano and Greg Lyon on bass guitar. Bloxsom, Kelly and Kenny had been band mates in
Southern Contemporary Rock Assembly Southern Contemporary Rock Assembly or SCRA was an Australian jazz-rock group formed in mid-1971 by Sheryl Black on lead vocals, Ian Bloxsom on percussion, Russell Dunlop on drums (ex-Aesop's Fable, Levi Smith's Clefs), Dave Ellis on bass guita ...
. The ensemble issued a self-titled debut album late in 1975, with a line-up of Bloxsom; Kelly; Kenny on keyboards and trumpet; Lyon on bass guitar and vocals; John Proud on drums and Don Reid on reeds. ''
Rock Australia Magazine ''Rock Australia Magazine'' or ''RAM'' (its acronym and popular name) was a fortnightly national Australian music newspaper, which was published from 1975 to 1989. It was designed for people with a serious interest in rock and pop, and was co ...
''s Felicity Surtees found that the group had "gone past the stage of being just a creative outlet and has become a major part of their lives." Lyon described their style, "what we play is contemporary music. We're influenced by everyone really... It allows everyone to be creative." Crossfire were the first Australian artists to use
direct-to-disc recording Direct-to-disc recording refers to sound recording methods that bypass the use of magnetic tape recording and record audio directly onto analog disc masters. Professional analog sound recording Most sound recordings for records before the 1950s ...
for their aptly titled second album, ' Direct to Disc'', in late 1978. It was produced and engineered by Alan Thorne and issued by Trafalgar Records/
RCA The RCA Corporation was a major American electronics company, which was founded as the Radio Corporation of America in 1919. It was initially a patent trust owned by General Electric (GE), Westinghouse, AT&T Corporation and United Fruit Comp ...
. For the album, the line-up was Bloxsom; Kenny on Wurlitzer piano and flugelhorn; Lyon; Kelly on guitar; and Don Reid on saxophones and flute; joined by Doug Gallacher on drums. Michael Foster of ''
the Canberra Times ''The Canberra Times'' is a daily newspaper in Canberra, Australia, which is published by Australian Community Media. It was founded in 1926, and has changed ownership and format several times. History ''The Canberra Times'' was launched in ...
'' felt "their music displays many moods — playful and joyous, eerie and sombre — always sensitive, reflecting the influences and experiences of each player." He emphasised "the effect gained by the horns, which seem to hang suspended a lot of the time against a backdrop of the instruments which normally carry rhythm, and the percussion group. The rhythm and percussion instruments often, as is the way since bop, step outside their roles as custodians of time and measure, and establish their own rights to individual actions." The group's third album, ''East of Where'' (1980), was issued on
WEA The Wea were a Miami-Illinois-speaking Native American tribe originally located in western Indiana. Historically, they were described as either being closely related to the Miami Tribe or a sub-tribe of Miami. Today, the descendants of the ...
and was co-produced by Kelly, Kenny and Martin Benge. All the tracks were written by Kelly or Kenny. For this album Bloxsom, Buchanan, Hopes, Kelly and Kenny were joined by Phil Scorgie bass guitar. Foster found there was "more humour in this album than in the previous one. The music is of the same genre, but there is a certain wryness in the approach to its work, by one of Australia's most exciting bands." Although "there are times when it gets a little heavy, but generally the music lifts and soars, and is fun to listen to." Crossfire were the backing band for the American jazz singer Michael Franks on an Australian tour, which provided a live album, '' Michael Franks with Crossfire Live'' (1980). They were also the backing band for American jazz guitarist
Lee Ritenour Lee Mack Ritenour ( ; born January 11, 1952) is an American jazz guitarist who has been active since the late 1960s. Biography Ritenour was born on January 11, 1952, in Los Angeles, California, United States. At the age of eight he started play ...
during his 1981 Australian tour. Lee was impressed when Michael Franks had played Lee his tapes of his live album back in L.A. In late 1982 they issued their fourth studio album, ''Hysterical Rochords'', again with Kelly, Kenny and Benge co-producing. The line-up was Bloxsom, Buchanan, Hope, Kelly, Kenny and Scorgie. ''The Canberra Times'' W. L. Hoffman noticed that "there are six tunes, all of them interesting and, again, all of them written by elly or Kenny" Hoffman praised the title track, "it is a neatly structured, very bluesy piece, with Ton Buchanan's saxophone threading through the tune, bringing it all together" while "the sounds continue on the second side, smooth, singing music as is characteristic of Crossfire." During 1982 Crossfire undertook an international tour through India, Holland, England and the United States. The group's performance at the
Montreux Jazz Festival The Montreux Jazz Festival (formerly Festival de Jazz Montreux and Festival International de Jazz Montreux) is a music festival in Switzerland, held annually in early July in Montreux on the Lake Geneva shoreline. It is the second-largest annual ...
on 16 July 1982 was recorded. It was released as their second live album, ''
Live at Montreux Live at Montreux is the name of live concert releases from Montreux Sounds and Eagle Vision, on CD and/or DVD, by various musicians, usually referring to recordings at the Montreux Jazz Festival: * James Brown: ''Live at Montreux 1981, Sex Machine'' ...
'' (July 1983). The ensemble were Bloxsom on percussion and mallets, Buchanan on saxophones and shakers, Kelly, Kenny, Lyon and Mark Riley on drums. Eric Myers declared, in the July–August edition of ''Jazz'' magazine, that the gig showed the group "playing original music that is an outgrowth of our own culture, can take their place on the international stage with the best of them ... a great moment for Crossfire and a high point for Australian music." The group disbanded later that year. Their performance at the Basement in Sydney was broadcast on ABC radio's ''The Burrows Collection'' for the episode, "Ten Years On – The Basement" in August 1984. The gig had included guest vocals from
Erana Clark Erana Clark is an Australian singer and vocal coach originally from Auckland, New Zealand. Background Her work as a vocal coach started with ''Popstars''. Then she spent seven years with ''Australian Idol''. She also coached for ''X-Factor'', t ...
and Barry Leaf. Crossfire reunited briefly in 1991 and issued another album, ''Tension Release''; with the line-up of Bloxsom, Buchanan, Hopes, Kelly, Kenny and Lyon. In July that year they promoted its release with a series of gigs in Sydney. They also did a backing band for the Randy Brecker tour at that time


Discography


Studio albums


Live albums


References

General * Note: Archived n-linecopy has limited functionality. Specific {{Authority control Australian jazz ensembles Jazz fusion ensembles