''Cross Section'' is an album by American jazz pianist

Billy Taylor Billy Taylor (July 24, 1921 – December 28, 2010) was an American jazz pianist, composer, broadcaster and educator. He was the Robert L. Jones Distinguished Professor of Music at East Carolina University in Greenville, and from 1994 was the ...

featuring tracks recorded in 1953 and 1954 for the

Prestige Prestige refers to a good reputation or high esteem; in earlier usage, ''prestige'' meant "showiness". (19th c.) Prestige may also refer to: Arts, entertainment and media Films * ''Prestige'' (film), a 1932 American film directed by Tay Garnet ...

label. The album rereleased eight tracks from 1954 which had originally been issued on the 10-inch LP ''Billy Taylor Plays for DJs'' along with four

Mambo Mambo most often refers to: * Mambo (music), a Cuban musical form *Mambo (dance), a dance corresponding to mambo music Mambo may also refer to: Music * Mambo section, a section in arrangements of some types of Afro-Caribbean music, particul ...

sides from 1953.Billy Taylor discography
accessed August 21, 2012

Reception

The

Allmusic AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the databas ...

review by

Scott Yanow Scott Yanow (born October 4, 1954) is an American jazz reviewer, historian, and author.Allmusic Biography/ref> Biography Yanow was born in New York City and grew up near Los Angeles. Since 1974, he was a regular reviewer of many jazz styles an ...

stated: "the four originals (which alternate with standards) were all dedicated to disc jockeys of the time. The trio was pretty tight with Taylor in the lead and, although boppish, it also looked back toward the swing era... The four mambos are ideal both for listening and for dance music. An enjoyable set".Yanow, S
Allmusic Review
accessed August 21, 2012

Track listing

''All compositions by Billy Taylor, except where noted.'' # "Eddie's Theme" – 2:45 # "Mood for Mendes" – 3:06 # "

Lullaby of Birdland "Lullaby of Birdland" is a jazz standard and popular song composed by George Shearing with lyrics by George David Weiss (under the pseudonym "B. Y. Forster"). Background George Shearing wrote "Lullaby of Birdland" in 1952 for Morris Levy, the ...

" (

George Shearing Sir George Albert Shearing, (13 August 1919 14 February 2011) was a British jazz pianist who for many years led a popular jazz group that recorded for Discovery Records, MGM Records and Capitol Records. Shearing was the composer of over 300 t ...

George David Weiss George David Weiss (April 9, 1921 – August 23, 2010) was an American songwriter and arranger, who was a president of the Songwriters Guild of America. He is an inductee in the Songwriters Hall of Fame. Biography Weiss was born in a Jewish fa ...

) – 2:52 # "

Goodbye Goodbye, Good bye, or Good-bye is a parting phrase and may refer to: Film * ''Goodbye'' (1918 film), a British drama directed by Maurice Elvey * ''Goodbye'' (1995 film) (''Tot Ziens!''), a Dutch film directed by Heddy Honigmann * ''Goodbye'' ...

" (

Gordon Jenkins Gordon Hill Jenkins (May 12, 1910 – May 1, 1984) was an American arranger, composer, and pianist who was influential in popular music in the 1940s and 1950s. Jenkins worked with The Andrews Sisters, Johnny Cash, The Weavers, Frank Sinatra, Loui ...

) – 3:21 # "Tune for Tex" – 2:56 # " Moonlight in Vermont" ( John Blackburn,

Karl Suessdorf Karl A. Suessdorf (April 28, 1911 – February 25, 1982) was an American songwriter. Biography The son of Henry F. Suessdorf, he was born in Valdez, Alaska, United States, where his father operated from 1907 to 1917 the Copper Block Buffet, a ...

) – 3:44 # "Biddy's Beat" – 3:09 # " I'll Be Around" (

Alec Wilder Alexander Lafayette Chew Wilder (February 16, 1907 – December 24, 1980) was an American composer. Biography Wilder was born in Rochester, New York, United States, to a prominent family; the Wilder Building downtown (at the "Four Corners") ...

) – 2:48 # "I Love to Mambo" – 2:53 # "Candido Mambo" – 3:08 # "Early Morning Mambo" – 2:53 # "Mambo Azul" – 2:16 Note *Recorded in New York City on May 7, 1953 (tracks 9-12) and at Van Gelder Studio in Hackensack, New Jersey on July 30, 1954 (tracks 1-8)

Personnel

–

piano The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboa ...

* Earl May – bass *Charlie Smith –

drums A drum kit (also called a drum set, trap set, or simply drums) is a collection of drums, cymbals, and other Percussion instrument, auxiliary percussion instruments set up to be played by one person. The player (drummer) typically holds a pair o ...

congas The conga, also known as tumbadora, is a tall, narrow, single-headed drum from Cuba. Congas are staved like barrels and classified into three types: quinto (lead drum, highest), tres dos or tres golpes (middle), and tumba or salidor (lowest) ...

Machito Machito (born Francisco Raúl Gutiérrez Grillo, December 3, 1909 – April 15, 1984) was a Latin jazz musician who helped refine Afro-Cuban jazz and create both Cubop and salsa music. Ginell, Richard S. ''Biography''. Allmusic, 2011/ref> He wa ...

–

maracas A maraca (), sometimes called shaker or chac-chac, is a rattle which appears in many genres of Caribbean and Latin music. It is shaken by a handle and usually played as part of a pair. Maracas (from Guaraní ), also known as tamaracas, were r ...

*José Mangual –

bongos Bongos ( es, bongó) are an Afro-Cuban percussion instrument consisting of a pair of small open bottomed hand drums of different sizes. They are struck with both hands, most commonly in an eight-stroke pattern called ''martillo'' (hammer). The ...

*Ubaldo Nieto –

timbales Timbales () or pailas are shallow single-headed drums with metal casing. They are shallower than single-headed tom-toms and usually tuned much higher, especially for their size.Orovio, Helio 1981. ''Diccionario de la música cubana: biográfico ...

References

{{Authority control 1956 albums Billy Taylor albums Albums recorded at Van Gelder Studio Prestige Records albums