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Cristallo is a
glass Glass is a non-crystalline, often transparent, amorphous solid that has widespread practical, technological, and decorative use in, for example, window panes, tableware, and optics. Glass is most often formed by rapid cooling (quenching) of ...
which is totally clear (like
rock crystal Quartz is a hard, crystalline mineral composed of silica (silicon dioxide). The atoms are linked in a continuous framework of SiO4 silicon-oxygen tetrahedra, with each oxygen being shared between two tetrahedra, giving an overall chemical form ...
), without the slight yellow or greenish color originating from
iron oxide Iron oxides are chemical compounds composed of iron and oxygen. Several iron oxides are recognized. All are black magnetic solids. Often they are non-stoichiometric. Oxyhydroxides are a related class of compounds, perhaps the best known of whic ...
impurities. This effect is achieved through small additions of
manganese oxide Manganese oxide is any of a variety of manganese oxides and hydroxides.Wells A.F. (1984) ''Structural inorganic chemistry'' 5th edition Oxford Science Publications, . These include * Manganese(II) oxide, MnO * Manganese(II,III) oxide, Mn3O4 * Mang ...
.R. W. Douglas: ''A history of glassmaking'', G T Foulis & Co Ltd, Henley-on-Thames, 1972, . Often Cristallo has a low
lime Lime commonly refers to: * Lime (fruit), a green citrus fruit * Lime (material), inorganic materials containing calcium, usually calcium oxide or calcium hydroxide * Lime (color), a color between yellow and green Lime may also refer to: Botany ...
content which makes it prone to glass corrosion (otherwise known as
glass disease Glass disease, also referred to as sick glass or glass illness, is a degradation process of glass that can result in weeping, crizzling, spalling, cracking and fragmentation. Glass disease is caused by an inherent instability in the chemical com ...
). The invention of Cristallo glass is attributed to
Angelo Barovier Angelo Barovier (, in Venice – 1460, in Venice) was an Italian glass artist. Raised in a family with a long tradition of glass working, Barovier was certainly the best-known member and significant for uniting the knowledge passed down for gener ...
around 1450.


Materials

In addition to common glass making materials
manganese Manganese is a chemical element with the symbol Mn and atomic number 25. It is a hard, brittle, silvery metal, often found in minerals in combination with iron. Manganese is a transition metal with a multifaceted array of industrial alloy use ...
,
quartz Quartz is a hard, crystalline mineral composed of silica (silicon dioxide). The atoms are linked in a continuous framework of SiO4 silicon-oxygen tetrahedra, with each oxygen being shared between two tetrahedra, giving an overall chemical form ...
pebbles, and alume catino, a particularly suitable form of
soda ash Sodium carbonate, , (also known as washing soda, soda ash and soda crystals) is the inorganic compound with the formula Na2CO3 and its various hydrates. All forms are white, odourless, water-soluble salts that yield moderately alkaline solutions ...
, are used in the making of cristallo glass. Rather than using common sand, crushed quartz pebbles were used instead. The quartz pebbles were typically from the
Ticino Ticino (), sometimes Tessin (), officially the Republic and Canton of Ticino or less formally the Canton of Ticino,, informally ''Canton Ticino'' ; lmo, Canton Tesin ; german: Kanton Tessin ; french: Canton du Tessin ; rm, Chantun dal Tessin . ...
and the
Adige The Adige (; german: Etsch ; vec, Àdexe ; rm, Adisch ; lld, Adesc; la, Athesis; grc, Ἄθεσις, Áthesis, or , ''Átagis'') is the second-longest river in Italy, after the Po. It rises near the Reschen Pass in the Vinschgau in the prov ...
rivers. The quartz pebbles went through a rigorous screening process before being selected for use in cristallo production. The quartz pebbles had to be free of yellow and black veins and also had to be able to produce sparks when struck with steel. If the quartz pebbles passed the selection process then the pebbles were heated to the point where the stones began to glow and then placed into cold water. Then the pebbles were crushed and ground. The typical flux used in the production of cristallo was called alume catino. Alume catino was derived from the ash of the
salsola soda ''Salsola soda'', more commonly known in English as opposite-leaved saltwort, oppositeleaf Russian thistle, or barilla plant, is a small (to 0.7 m tall), annual, succulent shrub that is native to the Mediterranean Basin. It is a halophyte (a sal ...
and salsola kali bushes that grew in the Levantine coastal region. It was found to contain high and constant amounts of sodium and calcium carbonates, necessary to make workable and chemically stable glass.''Modern Methods for Analysing Archaeological and Historical Glass'', Vol. 1, edited by Koen H. A. Janssens, 2012, p. 524 The ash of the plants was carefully sieved and then placed into water to be gently boiled with constant mixing. Then the ashen mixture was placed into shallow pans to be dried. The alume catino would repeatedly undergo the boiling and drying process until all of the salt was extracted from the ashes.


Process

The crushed and ground quartz was mixed with the purified alume catino and constantly mixed at high temperatures. The top of the molten batch would then be skimmed off. By skimming the top of the molten glass, unreacted and undissolved chlorides and sulfates in the mixture were removed. The molten glass would then be ladled into vats of water. The water removed chloride and sulfate impurities from the mixture. The process of remelting and placing the molten mixture into vats of water was repeated several times until the glass-makers were satisfied. Next the glass was placed into a furnace that was heated to the highest temperature possible and left there for several days. The material was stirred continually to eliminate defects, such as bubbles. Then the refined mixture was taken, heated and shaped into blocks called frit. The frit was then taken and remelted and skimmed once again in order to remove impurities. The batch then had manganese added to the mixture at this time. The addition of manganese helps to rid the cristallo of any color tints. This step is repeated until the glass-maker is satisfied. Now the molten mixture is ready to be shaped by glass-makers into pieces of cristalloware.


References

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