Cosimo Fancelli
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Cosimo Fancelli (c.1620 – 3 April 1688) was an Italian sculptor of the
Baroque The Baroque (, ; ) is a style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished in Europe from the early 17th century until the 1750s. In the territories of the Spanish and Portuguese empires including t ...
period, active mainly in
Rome , established_title = Founded , established_date = 753 BC , founder = King Romulus (legendary) , image_map = Map of comune of Rome (metropolitan city of Capital Rome, region Lazio, Italy).svg , map_caption ...
. He worked on a number of commissions with
Pietro da Cortona Pietro da Cortona (; 1 November 1596 or 159716 May 1669) was an Italian Baroque painter and architect. Along with his contemporaries and rivals Gian Lorenzo Bernini and Francesco Borromini, he was one of the key figures in the emergence of Roman ...
from 1647 until Cortona's death in 1669.
Gian Lorenzo Bernini Gian Lorenzo (or Gianlorenzo) Bernini (, , ; Italian Giovanni Lorenzo; 7 December 159828 November 1680) was an Italian sculptor and architect. While a major figure in the world of architecture, he was more prominently the leading sculptor of his ...
considered him one of the best sculptors in Rome.


Life

Cosimo Fancelli was born in Rome, the son of Carlo Fancelli, a stonecutter from
Settignano Settignano is a ''frazione'' on a hillside northeast of Florence, Italy. The little '' borgo'' of Settignano carries a familiar name for having produced three sculptors of the Florentine Renaissance, Desiderio da Settignano and the Gamberini brother ...
. Like his older brother, the sculptor
Giacomo Antonio Fancelli Giacomo Antonio Fancelli or Iacopo Antonio Fancelli (1606–1674) was an Italian sculptor in stone and stucco of the Baroque era. Fancelli was born in Rome, the son of a stonecutter from Settignano. He was the brother of Cosimo Fancelli and a ...
, he began his career as an assistant in the studio of Gian Lorenzo Bernini. Around 1645 he did a relief of "Christ and the mother of SS. Giacomo ex Giovanni" for
Santa Maria Portae Paradisi Santa Maria ''Portae Paradisi'' is a catholic church in Rome, in the Rione Campo Marzio, along via di Ripetta. History The church, already known in the 9th century with the name ''Santa Maria in Augusta'', received the title ''in Porta Parad ...
. Around 1646 Fancelli sculpted the statue of "Justice" in the Cappella della Sacra Famiglia at the
Church of the Gesù , image = Church of the Gesù, Rome.jpg , imagesize = , caption = Giacomo della Porta's façade, precursor of Baroque , mapframe = yes , mapframe-caption = Click on the map for a fulls ...
. In 1647-48 he created with his brother the stucco figures of ''Clemenza'' and ''Contemplazione'' on the pendentives of the second arch to the right of the central nave of
St. Peter's Basilica The Papal Basilica of Saint Peter in the Vatican ( it, Basilica Papale di San Pietro in Vaticano), or simply Saint Peter's Basilica ( la, Basilica Sancti Petri), is a church built in the Renaissance style located in Vatican City, the papal e ...
and collaborated on the ornamentation of the pillars. He also worked in repairing and restoring statues. In 1647 he allied with
Pietro da Cortona Pietro da Cortona (; 1 November 1596 or 159716 May 1669) was an Italian Baroque painter and architect. Along with his contemporaries and rivals Gian Lorenzo Bernini and Francesco Borromini, he was one of the key figures in the emergence of Roman ...
to work on the frescoes of
Santa Maria in Vallicella Santa Maria in Vallicella, also called Chiesa Nuova, is a church in Rome, Italy, which today faces onto the main thoroughfare of the Corso Vittorio Emanuele and the corner of Via della Chiesa Nuova. It is the principal church of the Oratorians, ...
, a project that took intermittently twenty years. In 1664–65 Fancelli provided the elaborate white and gilt stucco work framing Cortona's nave vault fresco of the 'Miracle of the Madonna della Vallicella'. On this he also worked with
Ercole Ferrata Ercole Ferrata ( 1610 – 10 July 1686) was an Italian sculptor of the Roman Baroque. Biography A native of Pellio Inferiore, near Como, Ferrata initially apprenticed with Alessandro Algardi, and became one of his prime assistants. When h ...
. He and his brother sculpted the figure of the ''Nile'' in the
Fountain of the Four Rivers Fontana dei Quattro Fiumi (''Fountain of the Four Rivers'') is a fountain in the Piazza Navona in Rome, Italy. It was designed in 1651 by Gian Lorenzo Bernini for Pope Innocent X whose family palace, the Palazzo Pamphili, faced onto the piazza as ...
at
Piazza Navona Piazza Navona () is a public open space in Rome, Italy. It is built on the site of the Stadium of Domitian, built in the 1st century AD, and follows the form of the open space of the stadium. The ancient Romans went there to watch the '' agones' ...
.Bollini, Martina. "This Day in History: April 3", Italian Art Society
/ref> By 1652, Bernini considered Cosimo Fancelli one of the best sculptors in Rome.De Lotto, Maria Teresa. "Fancelli, Cosimo", Treccani
/ref> The bronze altarpiece of the "Deposition", for the Chigi Chapel at
Santa Maria della Pace Santa Maria della Pace is a church in Rome, central Italy, not far from Piazza Navona. The building lies in rione Ponte. History The current building was built on the foundations of the pre-existing church of Sant'Andrea de Aquarizariis in 1482 ...
, was modeled by Fancelli from a drawing by Cortona, and cast by Artusi. It is considered one of Fancelli's best work. Cortona and Fancelli worked together on the decoration at
Santi Luca e Martina Santi Luca e Martina is a church in Rome, Italy, situated between the Roman Forum and the Forum of Caesar and close to the Arch of Septimus Severus. History The church was initially dedicated to Saint Martina, martyred in 228 AD during the reign ...
(c. 1649),
Santa Maria della Pace Santa Maria della Pace is a church in Rome, central Italy, not far from Piazza Navona. The building lies in rione Ponte. History The current building was built on the foundations of the pre-existing church of Sant'Andrea de Aquarizariis in 1482 ...
(1656),
San Carlo al Corso Sant'Ambrogio e Carlo al Corso (usually known simply as ''San Carlo al Corso'') is a basilica church in Rome, Italy, facing onto the central part of the Via del Corso. The apse of the church faces across the street, the Mausoleum of Augustus o ...
(after 1665), and the vault of the Chiesa Nuova (1662–65). For an altar in the lower church of
Santa Maria in Via Lata Santa Maria in Via Lata is a church on the Via del Corso (the ancient Via Lata), in Rome, Italy. It stands diagonal from the church of San Marcello al Corso. It is the Station days for Tuesday, the fifth week of lent. History The first Christi ...
(1661) he created a bas relief depicting the "Rest on the Flight to Egypt". It has since been relocated to a room next the sacristy. He also worked with
Francesco Borromini Francesco Borromini (, ), byname of Francesco Castelli (; 25 September 1599 – 2 August 1667), was an Italian architect born in the modern Swiss canton of Ticino
on the Re Magi Chapel at the Propaganda Fide. In 1668 Cortona designed the ceiling fresco work for the Gavotti chapel in
San Nicola da Tolentino agli Orti Sallustiani :''Not be confused with the church of San Nicolò da Tolentino in Venice, the Basilica di San Nicola in the town of Tolentino in the province of Macerata, or the Oratorio di San Nicola da Tolentino in Vicenza.'' San Nicola da Tolentino agli Orti S ...
. Fancelli did the sculptural relief of the ''Apparition of the Blessed Virgin of Savona to Blessed Anthony Botta'' at the altar.Melchiorri, Giuseppe. ''Guida metodica di Roma e suoi contorni''
Rome (1836); p. 365
In 1669, Bernini assigned him to complete the ''Angel with
Sudarium A ''sudarium'' (Latin) was a "sweat cloth", used for wiping the face clean. Small cloths of various sorts, for which ''sudarium'' is a general term, played a role in Ancient Roman formal manners and court ceremonial, and many such uses transferre ...
'' on
Ponte Sant'Angelo Ponte Sant'Angelo, originally the Aelian Bridge or Pons Aelius, is a Roman bridge in Rome, Italy, completed in 134 AD by Roman Emperor Hadrian (Publius Aelius Hadrianus), to span the Tiber from the city centre to his newly constructed mauso ...
. The latter part of his career, he worked regularly for two of the most important Roman families, the Borghese and the Altieri, assisted by his brother Francesco. Among his pupils was Francesco Cavallini of Carrarra. Fancelli is described as of delicate build, not very tall, of straight black hair, fair complexion, "...of good grace, and attractive in appearance, and very honest..." He was a member of the
Accademia di San Luca The Accademia di San Luca (the "Academy of Saint Luke") is an Italian academy of artists in Rome. The establishment of the Accademia de i Pittori e Scultori di Roma was approved by papal brief in 1577, and in 1593 Federico Zuccari became its fir ...
. In 1654 the Fancelli married Margherita Fiammetti, with whom he had two daughters, Maddalena in 1656 and Angela in 1658. Cortona was Angela's godfather. He lived with his family for all his life in the parish of S. Nicola in Arcione, where he was born. Cosimo Fancelli died in Rome on 3 April 1688, and is buried at San Nicola da Tolentino.


References


Sources

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Getty ULAN entry
1620s births 1688 deaths 17th-century Italian sculptors Italian male sculptors Italian Baroque sculptors {{Italy-sculptor-stub