Early life and career
Cosette Lee began acting at a very young age; she grew up in the midst of a decided theatrical atmosphere at home. Born Mabel Cosette LeGassicke, she stated in a 1966 interview that her ancestors were of Normandy French stock. Cosette recalled: "My mother gave me the name Cosette, thinking it couldn't be shortened. My grandmother once remarked I looked 'cosy' in my crib, and I've been Cosy ever since. It sounds like a fan dancer." (Cosette was often billed as Cosy Lee in her earlier years.) She further stated: "My first professional appearance was with the Von Glazer Players, a Toronto stock company, in ''Peter Pan''. I was Toodles, the leader of the gang of children, and it was at the Uptown Theatre." This was apparently sometime around 1916-19 (she was vague about the date in interviews). Her mother, a milliner, made hats for some of the celebrated actresses of the World War I period in Toronto. Her father acted in "minstrel" shows at the YMCA, and also appeared in church theatricals. Asked when she had known she was going to be an actress, Cosette cited a family atmosphere in which she was encouraged to do little performances at home for the entertainment of the adults: "They encouraged me. They knew I loved it. My aunt used to say: 'Cosy, tell us about your trip to New York,' and I'd put on my father's hat and my mother's shoes and carry a briefcase for a valise, and I'd go on and on about my New York trip. I was three or four and had never been to New York." After ''Peter Pan'', the young Cosy continued to participate in other productions. She took a secretarial course as a young woman and graduated from it, but acting work remained steady and she remained in the theatre. Her mother had taught her to sew and she often made her own costumes. Besides plays, she also had a career as a "character elocutionist," performing mostly comic monologues in a style that in some ways anticipates the stand-up comedy boom of the present era."TV star lives contented life in Willowdale," ''The Enterprise'' (Willowdale, Ontario), 15 November 1967, page 4. This was the story as Cosette told it in a 1966 interview, and was one that is found in other interviews she gave over the course of the final decade of her life. In a 1963 interview, she gave a less rosy-coloured image of her early life: "Born Cosette Le Gassicke, the oldest of five daughters, Miss Lee had no encouragement from her parents in her acting aspirations. Too precarious a living, they said; take a business course. She took one, and loathed it. " osette remembered:'Then at 16 I got a part in "The Trial of Mary Duggan" at the Grand Opera House. And I knew I could not turn back.' "From 16 to 22 she put in an apprenticeship in the U. S., learning 'the craft' with people like Wallace Ford, Leo Carillo, Walter Kingsford, Spring Byington. They were good years. " osette continued:Then, in 1932, I got a telegram as I was reading for a part in New York to say that the clothing business my father had worked for had gone under, and I was needed back home. Depression was sinking showbusiness in Toronto; the stock companies like the Grand Opera, the Empire, the Vaughan Glaser and the Cameron Mathews, were folding. I had to do something, and there seemed nothing to do.'" It seems to have been at this time that she worked as a puppeteer, among other jobs. In this interview, Cosette gave the date 1936 for the date of her first radio play, organized by Win Barron. This was described as a half-hour murder mystery titled ''Vitrol'', presumably a serial. It was at this time that the actress adopted the professional name of Cosette Lee. ''Vitrol'', and other productions which followed, was produced on radio station CFCH (which subsequently became the CBC). Cosette remembered: "... we all sat around a squat little microphone placed in the centre of a table in a very small room, and each in turn would speak into the object. We also did our own sound effects, and at the appropriate moment, would scramble from our chairs, race to a corner of the room near the controls, and rattle some cellophane to imitate the sound of fire, or use some other elementary sort of approach. It was fun, and I think that the young people now are missing a lot." The work in radio kept her busy, and included appearances in a Canadian radio production of the popular comic strip ''Buck Rogers'', as well as a morning show, ''Good morning Breakfast Club.'' These were in the 1930s. It was in the 1940s that her stage career really took off. Favorite roles she mentioned frequently in interviews included Madam Arcati in Noel Coward's ''Blithe Spirit'' (she played in at least four different productions of it), Madam Alvarez in ''Gigi'', Lady Bracknell in Oscar Wilde's ''The Importance of Being Earnest,'' and the Bernard Shaw drama, ''Arms and the Man'' Cosette created a one woman show in the early 1950s. It was a success, and she presented it three years in a row. In 1963 Cosette recalled: People asked me, how could I be so egotistical to think I could do a whole two-hour show myself? But I admired Ruth Draper tremendously, and it was a great challenge. And it helped me improve my craft. The other day, I had an argument with an actor, who wanted to know how to play a part. All the books he'd read, he said, claimed it wasn't right, the way he was doing it. Does it FEEL right, I asked him. Well, yes, he said. Then that's the way to do it, I told him. We need more confidence in the acting profession! more American get-up-and-go."The 1950s and 1960s: Work in television and film
In 1960, Cosette appeared opposite future ''Strange Paradise'' co-stars Jack Creley and Dawn Greenhalgh in a play, ''Tunnel of Love'', performed at the Lansdowne Theatre in Toronto. A reviewer commented: "Cosette Lee... has just the trick of making bricks with very little straw." (Jack Creley, who went on to portray the suavely villainous Laslo Thaxton on ''Strange Paradise'', was thus described: "Mr. Creley offers a model of intense comedy technique. No gag, or even suspicion of a gag, slips by the mobile puckered Creley countenance, while the lithe Creley form describes endlessly the tensions of the amateur deceiver.") Her scrapbooks, as preserved in the Cosette Lee Collection in the Toronto Public Library, reveal active television work beginning in 1955 and continuing down until the mid 1970s. She had considerable work acting in commercials. Early drama appearances in the medium included ''Forever Galatea'' (1955), ''The Runaways'' (1958), ''Bousille and the Just'' (1962), Pearl Tolliver in ''Scarlett Hll'' (1963) an early Canadian soap opera, ''A Train of Murder'' (1964–65), and ''A Game Like Only a Game'' (1965). A prominent television role for her was on 2 March 1965 in an episode ofHomelife
In the 1960s, Cosette married longtime beau Charles Fryer. She was a resident of Willowdale, Ontario, a suburb of Toronto. Gardening and cooking were two of her favorite leisure activities, along with sewing, of course. She enjoyed furnishing her home with antiques and mementos of the old days. She was much beloved in Canadian theatre circles for her bubbling, vivacious sense of humor and love of laughter.Archives
Toronto Public Library holds a Cosette Lee Collection 1911; 1920–1976, which contains programs, press clippings, photographs, correspondence, scripts, business papers, documents from professional organizations, memorabilia, all in 3 boxes and 812 items.Filmography
Film
* '' The First Time'' (''You Don't Need Pajamas at Rosie's'') (1969) – Grandmother * ''Television
* ''References
External links
*