Conchita Supervía

Conchita Supervía (8–9 December 1895 Steane (2003) – 30 March 1936) was a highly popular Spanish mezzo-soprano singer who appeared in opera in Europe and America and also gave recitals.

Early life

Supervía was born in Barcelona to an old Andalusian family and given the baptismal name of María de la Concepción Supervía Pascual. She was educated at the local convent but at the age of twelve entered the Conservatori Superior de Música del Liceu in Barcelona to study singing.

Professional career

She made her stage debut in 1910 at the young age of 15 at the Teatro Colón, Buenos Aires, Argentina in Stiattesi's ''Blanca de Beaulieu''."CONCHITA SUPERVIA - MEZZO SOPRANO 1895-1936: Liner Notes: Conchita Supervia (1895-1936) - Opera And Song Recital"
, ArkivMusic. Retrieved on 1 March 2013 Then she sang in Tomás Bretón's '' Los Amantes de Teruel'' and as Lola in Mascagni's ''Cavalleria rusticana''.

In 1911 she sang the role of Octavian in the first Italian-language production of Richard Strauss's ''Der Rosenkavalier'' at the Teatro Costanzi in Rome. In 1912 she appeared as Carmen at the Gran Teatre del Liceu in her native city, a role with which she would be associated for the rest of her career.

She made her American debut in 1915 as Charlotte in Massenet's ''Werther'' at the Chicago Opera, where she also sang in ''Mignon'' and ''Carmen''. Back in Europe by the end of the First World War she was invited to Rome, where she started the Rossini revival that made her world-famous – as Angelina in ''La Cenerentola,'' Isabella in ''L'italiana in Algeri'' and Rosina in ''Il barbiere di Siviglia'', in the original keys.

All in all, she made more than 200 recordings mostly for the Fonotipia and Odeon labels, featuring not only her famous roles in opera but also a vast song repertory in Catalan, Spanish, French, Italian and English, as well as pieces from zarzuela and even operetta (she had appeared in a legendary production of Franz Lehár's ''Frasquita'' at the '' Opéra Comique'').

In 1930, she made her London debut at the Queen's Hall. The following year she married Ben Rubenstein, a Jewish businessman from London, and settled there. (She already had a teenage son, Giorgio, fruit of a previous and brief "marriage", in 1917, with Francesco Santamaria, ex-mayor of Naples.)

Her Covent Garden debut was in 1934 in ''La Cenerentola'' and in 1935 she repeated that part, plus ''L'Italiana in Algeri and ''Carmen''.'' In 1934, Supervía appeared in the Victor Saville British motion picture ''Evensong'' as a singer named Baba L'Etoile, opposite actor Fritz Kortner.

Vocal qualities

She had a powerful chest register linked to a flexible upper voice that could cope easily with florid passages, allied to a musicianship of great individuality and infectious flair. Her voice is not without its critics; a pronounced vibrato that in the lower part of the voice became almost a machine-gun rattle, ‘as strong as the rattle of ice in a glass, or dice in a box’, in a comment attributed to the British critic, Philip Hope-Wallace.Steane (1993), p. 267

Many who heard her in the flesh have said that this vibrato was more evident on records than on the stage – an example of the microphone exaggerating a singer's faults. In the 1920s Supervía sang at La Scala as Hänsel in Engelbert Humperdinck's '' Hänsel und Gretel'' but, strangely, she never sang the Rossini roles or Carmen at La Scala though she sang there in every season until 1929.

Death

Later, during her career, pregnancy forced her to cancel her planned appearances in the autumn of 1935. On 29 March 1936 she entered a London clinic to await the birth of her baby, which was stillborn on 30 March; a few hours later she herself died. She was buried with her baby daughter, in a grave designed by Edwin Lutyens, in the Liberal Jewish Cemetery in Willesden, northwest London. The grave, which had fallen into disrepair, was refurbished by a group of admirers and re-consecrated in October 2006.

References

Notes

Sources
* Appolonia, Georgio (1992), ''Le voci di Rossini'', Torino: EDA. pp. 414–419.
* Steane, J. B. (1983), ''The Grand Tradition: Seventy Years of Singing on Record''. Amadeus Press. .
* Steane, J.B., (2003)
"Singers of the Century" Vol II"

External links

*

- includes a digitally restored vinyl copy of her recording of " Il Était un Roi de Thulé" (1932)
Conchita Supervia's discography can be searched at the Library of Catalonia

{{DEFAULTSORT:Supervia, Conchita
1895 births
1936 deaths
Operatic mezzo-sopranos
Opera singers from Catalonia
Conservatori Superior de Música del Liceu alumni
Singers from Barcelona
Fonotipia Records artists
Burials at Liberal Jewish Cemetery, Willesden
20th-century Spanish women opera singers
Deaths in childbirth