Early life
Scaravaglione, like most artists, had to struggle with finances in order to fund her career. While she was young, her father died, leaving her mother with a small grocery store to manage on her own, and with the help of her children. In public school, her teacher Cecelia Holmand saw her artistic talent and encouraged her to pursue art as a career. Scaravaglione then attended the tuition-free National Academy of Design in NY, up until her sculpture class was cancelled due to the academy not allowing co-ed classes. She then went to work at a lampshade and a perfume factory to save up, until she was awarded a scholarship to attend the Art Students League. There she studied with John Sloan, A. Stirling Calder, William Zorach and Boardman Robinson. In 1924, she received the Nicholas Roerich scholarship to study at the Masters Institute of Sculpture with Robert Laurent. Scaravaglione then spent the summer of 1928 in Oyster Bay, Long Island because she received theMidlife
Sometime after returning to New York City, from the Tiffany estate, Scaravaglione began her teaching career at New York University. She briefly took a trip to Rome and explored other parts of Europe before returning to the United States and expanding her teaching career by including assignments at Black Mountain College andLater life
In 1947, Scaravaglione won the Prix de Rome award from the American Academy in Rome, which made her the first woman to ever be awarded that honor. This award included transportation to, and residence in the American Academy in Rome, studio space, as well as a $1,250 stipend per year, which she received from 1947 to 1950. During this time in Rome, Scaravaglione created Icarus. Her inspiration for the piece was the poem "Icaro" by Lauro de Bosis. Icarus was greeted with equally opposing opinions. Critics claimed the piece was too stylized in comparison to her previous works, whereas fans thought of it as a masterpiece. Icarus, first seen in Rome, and then housed at the Tishman Building in New York City. After returning to the United States in the 1950s, she picked up her teaching career at Vassar College. For a while she continued to sculpt and carve, until her declining health made her transition to other, easier media such as plaster and wax. She died in 1975 after a long bout with cancer.Selected work
* ''Vincent Canade'', 1927, Museum of Modern Art, New York, New York * ''Railway Mail Carrier'', 1936, Ariel Rios Federal Building, Washington District of Columbia * ''Americans at Work, Past and Present: Agriculture'', 1938, Federal Trade Commission Building, Washington District of Columbia * ''Girl with Faun'', 1938–1940, William Cullen Bryant High School, Queens, New York * ''Bird,'' 1952-1953 Arizona State University, University Art Museum, Tempe, Arizona * ''Angel'', 1962, Vassar College, Frances Lehman Loeb Art Center, Poughkeepsie, New York * ''Mother and Child'', n.d., Virginia Museum of Fine Arts, Richmond Virginia * ''Seated Girl'', n.d., Pennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania * ''Seated Woman with a Guitar,'' n.d, Cincinnati Art Museum, Cincinnati, Ohio * ''Standing Female Nude (Sculpture),'' n.d., Smithsonian American Art Museum, Washington, District of ColumbiaPrincipal exhibitions and shows
1930 Museum of Modern Art Exhibition 1933 Fairmount Park Art Association Show 1934 Mayor LaGuardia-sponsored First Municipal Art Exhibition 1938 Federal Art Project Outdoor Sculpture Show 1941 Virginia Museum of Art Solo Exhibition 1964 World's Fair, NY 1967 Vassar Art Gallery Show 1972 Kraushaar Galleries, NYReferences
{{DEFAULTSORT:Scaravaglione, Concetta 1900 births 1975 deaths 19th-century American sculptors 20th-century American sculptors American people of Italian descent Art Students League of New York alumni Artists from New York City Black Mountain College faculty Federal Art Project artists New York University faculty Sarah Lawrence College faculty Sculptors Guild members Sculptors from New York (state) Vassar College faculty