"Close to the Edge" is a song by the English
progressive rock
Progressive rock (shortened as prog rock or simply prog; sometimes conflated with art rock) is a broad genre of rock music that developed in the United Kingdom and United States through the mid- to late 1960s, peaking in the early 1970s. In ...
band
Yes, featured on their fifth studio album ''
Close to the Edge'' (1972). The song is over 18 minutes in length and takes up the entire first side of the album. It consists of four
movements
Movement may refer to:
Common uses
* Movement (clockwork), the internal mechanism of a timepiece
* Motion, commonly referred to as movement
Arts, entertainment, and media
Literature
* "Movement" (short story), a short story by Nancy Fu ...
.
Movements
I. The Solid Time of Change
The song fades in with the sounds of running water, wind chimes, and birds chirping; a layering of sounds derived primarily from "environmental tapes" collected by lead vocalist
Jon Anderson. These nature sounds move through a crescendo and into a somewhat menacing guitar melody, which is composed of a cacophonous musical passage that features a two-note guitar line which rapidly passes down and then up four octaves, in time. The bass ascends through a line based on the notes of the second mode of the D harmonic minor scale (also called Locrian natural 6), adding an exotic flavor to the already cacophonic texture. The guitar melody is punctuated by a series of sudden band-harmonized
vocables
In the broadest sense of the word, a vocable is any meaningful sound uttered by people, such as a word or term, that is fixed by their language and culture. Use of the words in the broad sense is archaic and the term is instead used for utterances ...
. Again, a crescendo signals a change, this time into a more traditional and less cacophonous
melody. Like a classical composition, this melodic passage is the establishment of a theme that will go through many variations throughout the piece.
The lyrics are introduced at 4:00, along with a chorus that repeats throughout the song. Like the previously established melody, this chorus will be developed in many different ways, which will include changes to the lyrical content, as well as changes in
time
Time is the continued sequence of existence and events that occurs in an apparently irreversible succession from the past, through the present, into the future. It is a component quantity of various measurements used to sequence events, ...
and
key signatures,
tempo
In musical terminology, tempo ( Italian, 'time'; plural ''tempos'', or ''tempi'' from the Italian plural) is the speed or pace of a given piece. In classical music, tempo is typically indicated with an instruction at the start of a piece (ofte ...
, and
harmony:
II. Total Mass Retain
The song continues with generally the same melody and style, though the bass part changes significantly. The chorus here changes to a faster
pace, and then slows down again at the end of the section. The final words "I get up, I get down" introduce the next segment.
This section, along with a sped-up version of the introduction of birds chirping at the beginning and a small part of the beginning of "I Get Up I Get Down" at the end, was remixed as a 3:21 single prior to the release of the album. It was included as a bonus track on the remastered version of "Close to the Edge".
This is the shortest of the four sections of "Close to the Edge".
III. I Get Up I Get Down
The song significantly slows its tempo and lowers its volume. This segment consists of two sets of vocals: the main vocals, sung by Anderson which contain most of the lyrics, and the backing vocals, sung by
Chris Squire
Christopher Russell Edward Squire (4March 1948 – 27June 2015) was an English musician, singer and songwriter best known as the bassist and backing vocalist of the progressive rock band Yes. He was the longest-serving original member, having r ...
and
Steve Howe
Stephen James Howe (born 8 April 1947) is an English musician, best known as the guitarist in the progressive rock band Yes across three stints since 1970. Born in Holloway, North London, Howe developed an interest in the guitar and began to le ...
. At about 12 minutes into the song,
Rick Wakeman, recorded on the
pipe organ of London's
St Giles-without-Cripplegate
St Giles-without-Cripplegate is an Anglican church in the City of London, located on Fore Street within the modern Barbican complex. When built it stood without (that is, outside) the city wall, near the Cripplegate. The church is dedicated to S ...
church, begins the main theme of this segment, which changes from a major to a minor key as the music progresses. Jon Anderson explained:
IV. Seasons of Man
The original, fast-paced theme picks up followed by musical and lyrical structure which sounds similar to "The Solid Time of Change", except this time with exclusively
major chord
In music theory
Music theory is the study of the practices and possibilities of music. ''The Oxford Companion to Music'' describes three interrelated uses of the term "music theory". The first is the " rudiments", that are needed to understan ...
s.
Rick Wakeman's organ parts are particularly complex and an overall polytonal effect is created with the guitar part being in a different key than the keyboard. The chorus is sung one last time before the vocals build up to the climax of the song in which all three themes from the prior movements ("A seasoned witch...", "close to the edge, down by the river", "Seasons will pass you by, I get up I get down") are presented. Afterwards, the final lyrics "I get up, I get down" are repeated as the song fades away into the "sounds of nature" in which it began.
Music
In his 2021 memoir, ''All My Yesterdays'', guitarist and co-writer
Steve Howe
Stephen James Howe (born 8 April 1947) is an English musician, best known as the guitarist in the progressive rock band Yes across three stints since 1970. Born in Holloway, North London, Howe developed an interest in the guitar and began to le ...
writes that the intro was an attempt to emulate the sound of jazz guitarist
John McLaughlin John or Jon McLaughlin may refer to:
Arts and entertainment
* John McLaughlin (musician) (born 1942), English jazz fusion guitarist, member of Mahavishnu Orchestra
* Jon McLaughlin (musician) (born 1982), American singer-songwriter
* John McLaug ...
's
Mahavishnu Orchestra
The Mahavishnu Orchestra were a jazz fusion band formed in New York City in 1971, led by English guitarist John McLaughlin. The group underwent several line-up changes throughout its history across its two periods of activity, from 1971 to 1976 ...
, a favorite of the band's. He and Wakeman created the background drone in the "I Get Up I Get Down". Wakeman's organ part was based on a
bossa nova guitar part Howe had written for another song, and Wakeman added some
Minimoog lines. Another part was from a song Howe had written when part of
Bodast several years earlier.
Howe says that Anderson, to his regret, found he was unable to consistently sing the closing verse and chorus at the note he had hit in the studio when performing it live, so the band often performed that part in E flat instead of F. "This, to my ear, is rather unsatisfactory", he complained. He noted that even
Jon Davison
Jon Davison (born January 16, 1971) is an American singer, musician and songwriter who has been the lead vocalist of progressive rock band Yes since 2012.
He is also known as the former lead singer of progressive rock band Glass Hammer from 2 ...
, who has sung lead vocals for Yes since 2012, prefers to sing it lower even though in Howe's opinion he has the range to reach that note.
Lyrics
In a 1996 interview, Anderson mentions that the song—indeed, the whole album—is inspired by the Hindu/Buddhist mysticism of
Hermann Hesse
Hermann Karl Hesse (; 2 July 1877 – 9 August 1962) was a German-Swiss poet, novelist, and painter. His best-known works include ''Demian'', '' Steppenwolf'', '' Siddhartha'', and ''The Glass Bead Game'', each of which explores an individual's ...
's 1922 book ''
Siddhartha''. "
edid one album called ''Close to the Edge''.
twas based on the Siddhartha... You always come back down to the river.
ouknow, all the rivers come to the same ocean. That was the basic idea. And so we made a really beautiful album."
Anderson was concerned about how the words sounded, sometimes more than what they meant, creating, thus, lyrics that often don't seem to mean anything, such as "The time between the notes relates the colour to the scenes".
Cover versions
Japanese
acid rock
Acid rock is a loosely defined type of rock music that evolved out of the mid-1960s garage punk movement and helped launch the psychedelic subculture. Named after lysergic acid diethylamide (LSD), the style is generally defined by heavy, d ...
conglomerate Ruinzhatova included the song on their 2003 album ''Close to the RH''. Running at a length of 17:54, it is a faithful note for note version but it is not one of the many recreations by tribute bands since a second guitarist replaces the main Wakeman keyboard parts and there is "a somewhat silly-sounding vocal interpretation" throughout.
A radically altered interpretation by British band
Nick Awde & Desert Hearts appears on their 2010 EP ''Close to the Edge B/W Rocket Man/Meryl Streep'', which features no drums or guitar, and substitutes the Hammond solo opening the "Seasons of Man" section with baritone saxophone by Wizzard horn player Nick Pentelow.
Planet Mellotron Album Reviews: A11
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Personnel
* Jon Anderson – lead vocals
*Steve Howe
Stephen James Howe (born 8 April 1947) is an English musician, best known as the guitarist in the progressive rock band Yes across three stints since 1970. Born in Holloway, North London, Howe developed an interest in the guitar and began to le ...
– electric guitars, electric sitar
An electric sitar is a type of electric guitar designed to mimic the sound of the sitar, a traditional musical instrument of India. Depending on the manufacturer and model, these instruments bear varying degrees of resemblance to the traditiona ...
, backing vocals
*Chris Squire
Christopher Russell Edward Squire (4March 1948 – 27June 2015) was an English musician, singer and songwriter best known as the bassist and backing vocalist of the progressive rock band Yes. He was the longest-serving original member, having r ...
– bass guitar, backing vocals
* Rick Wakeman – Hammond organ, Minimoog, Mellotron, grand piano, RMI 368 Electra-Piano and Harpsichord, pipe organ
*Bill Bruford
William Scott Bruford (born 17 May 1949) is an English former drummer and percussionist who first gained prominence as a founding member of the progressive rock band Yes. After leaving Yes in 1972, Bruford spent the rest of the 1970s recording ...
– drums, percussion
References
Sources
*
External links
Religious interpretation
''Notes_From_the_Edge_fanzine
'',_issue_#0159.html" ;"title="fanzine">''Notes From the Edge fanzine
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'', issue #0159
{{DEFAULTSORT:Close to the Edge
1972 songs
Yes (band) songs
Song recordings produced by Eddy Offord
Songs written by Jon Anderson
Songs written by Steve Howe (musician)