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''Cistellaria'' is a comedic
Latin Latin (, or , ) is a classical language belonging to the Italic branch of the Indo-European languages. Latin was originally a dialect spoken in the lower Tiber area (then known as Latium) around present-day Rome, but through the power of the ...
play Play most commonly refers to: * Play (activity), an activity done for enjoyment * Play (theatre), a work of drama Play may refer also to: Computers and technology * Google Play, a digital content service * Play Framework, a Java framework * Pla ...
by the early
Roman Roman or Romans most often refers to: *Rome, the capital city of Italy *Ancient Rome, Roman civilization from 8th century BC to 5th century AD *Roman people, the people of ancient Rome *''Epistle to the Romans'', shortened to ''Romans'', a letter ...
playwright A playwright or dramatist is a person who writes plays. Etymology The word "play" is from Middle English pleye, from Old English plæġ, pleġa, plæġa ("play, exercise; sport, game; drama, applause"). The word "wright" is an archaic English ...
Titus Maccius Plautus Titus Maccius Plautus (; c. 254 – 184 BC), commonly known as Plautus, was a Roman playwright of the Old Latin period. His comedies are the earliest Latin literary works to have survived in their entirety. He wrote Palliata comoedia, the gen ...
. The story, set in the Greek town of
Sicyon Sicyon (; el, Σικυών; ''gen''.: Σικυῶνος) or Sikyon was an ancient Greek city state situated in the northern Peloponnesus between Corinth and Achaea on the territory of the present-day regional unit of Corinthia. An ancient mona ...
, concerns a girl called Selenium who was exposed as a baby and brought up by a courtesan called Melaenis. By a happy chance it is discovered that her birth mother, married to a senator Demipho, lives next door, enabling her to marry the young man Alcesimarchus who loves her. The play was adapted from a lost comedy by
Menander Menander (; grc-gre, Μένανδρος ''Menandros''; c. 342/41 – c. 290 BC) was a Greek dramatist and the best-known representative of Athenian New Comedy. He wrote 108 comedies and took the prize at the Lenaia festival eight times. His rec ...
called ''Synaristosai'' ("The Women Who Lunched Together"). The ''Cistellaria'' appears to be one of Plautus's earliest plays. In line 202, the hope is expressed that the war with Carthage will soon end with victory for the Romans (the
Second Punic War The Second Punic War (218 to 201 BC) was the second of three wars fought between Carthage and Rome, the two main powers of the western Mediterranean in the 3rd century BC. For 17 years the two states struggled for supremacy, primarily in Ital ...
in fact ended in 202 BC). The same passage mentions "your allies old and new", which may be a reference to the treaty of alliance made with the
Aetolian League The Aetolian (or Aitolian) League ( grc-gre, Κοινὸν τῶν Αἰτωλῶν) was a confederation of tribal communities and cities in ancient Greece centered in Aetolia in central Greece. It was probably established during the early Hellen ...
in 209.


Characters

*Selenium: a young courtesan, who turns out to be free-born *Gymnasium: a prostitute, friend of Selenium *Gymnasium's mother: (unnamed) also a prostitute *Alcesimarchus: a young man of Sicyon, in love with Selenium *Alcesimarchus's slave: (unnamed) *Alcesimarchus's father: (unnamed) *Melaenis: a prostitute, who adopted Selenium as a baby *Lampadio: slave of Phanostrata *Phanostrata: wife of Demipho, and birth-mother of Selenium *Halisca: maidservant of Melaenis *Demipho: a senator of Sicyon, husband of Phanostrata


Metrical structure

Plautus's plays are traditionally divided into five acts. However, it is not thought that the act-divisions go back to Plautus's time, since no manuscript contains them before the 15th century. Also, the acts themselves do not always match the structure of the plays, which is often more clearly shown by the variation in metres. A common pattern in Plautus is for a metrical section to begin with iambic senarii (which were unaccompanied by music), followed optionally by a musical passage or song, and ending with trochaic septenarii, which were recited or sung to the music of a pair of pipes known as ''
tibiae The tibia (; ), also known as the shinbone or shankbone, is the larger, stronger, and anterior (frontal) of the two bones in the leg below the knee in vertebrates (the other being the fibula, behind and to the outside of the tibia); it connects ...
''. Although parts of the play are now lost because pages are missing from the manuscripts, the structure of the play seems to be as follows, taking A = iambic senarii, B = other metres, C = trochaic septenarii: :BBC, ABC, ABABCBC, AC, BBAC Instead of the usual iambic senarii, this play opens with a polymetric song. The last section also opens with a polymetric song. In addition there are three passages in iambic septenarii, and a wild passage in anapaests where the young lover Alcesimarchus sings of his distress.


Selenium outlines her problem

*Act 1.1 (1–37): polymetric song (ba, ia-tr, an, cr) (37 lines) ::The courtesan Selenium comes out of her house with two other women, old and young, having given them lunch. Both of them thank Selenium for the lunch, though the old woman complains that the wine was too little. *Act 1.1 (38–58): iambic septenarii (21 lines) ::The old woman reminds Selenium that she and Selenium's mother were both prostitutes, and now her daughter Gymnasium plies the same trade. *Act 1.1 (59–119): trochaic septenarii (61 lines) ::Selenium, however, tells them that she has never slept with any man except Alcesimarchus, whom she loves and who has promised to marry her; but she is distressed because she has heard that he is engaged to marry the daughter of a rich man who lives next door. She then begs the old lady to let Gymnasium look after her house for three days, since her mother has called for her. She gives Gymnasium the key and departs.


Alcesimarchus's distress

*Act 1.2–1.3 (120–202): iambic senarii (79 lines) ::The old prostitute explains to the audience that years earlier she had found Selenium as a baby exposed in the street, and had given her to Selenium's mother to bring up. It appears that the latter had wished to use the baby to deceive a foreign lover. ::After she leaves, the deity Auxilium ("Help") appears. She explains to the audience that a few years back a certain merchant had come from Lemnos to Sicyon; he had raped a well-born girl and fled back to Lemnos. In Lemnos he had married, but after giving birth to a daughter his wife had died. Later he had returned to Sicyon and married the same girl he had raped; and after learning about the baby that had been exposed, he had instructed her servant to make efforts to find her. Meanwhile Selenium had grown up, and a young man had fallen in love with her, and she with him; but his father wants him to marry a cousin from Lemnos. *Act 2.1 (203–228): anapaestic song (28 lines) ::The young man Alcesimarchus enters and sings passionately about the torments of being in love. He relates how his father had detained him in the country for six days. ::(''There is a gap in the manuscripts here of about 100 lines. Lines 231–491 which follow the gap exist only in the Ambrosian palimpsest and are illegible in parts.'') *Act 2.2–2.3 (231–272): trochaic septenarii (42+ lines) ::Alcesimarchus orders his slave to reproach him bitterly for failing to see Selenium during these six days. The slave does as he is told. ::(253–272: ''Only a few traces survive. Another 70 lines is missing after 266.'') ::Alcesimarchus visits Selenium's house and is told by Gymnasium about the wedding preparations.


Alcesimarchus becomes frantic

*Act 2.3 (cont.) (273–304): iambic senarii (32 lines) ::Alcesimarchus appears to become delirious. He calls on his slave to bring him his armour, a horse, and a troupe of soldiers. Gymnasium and the slave react with alarm. She advises him not to fight against love but to go to Selenium's mother and beg forgiveness. ::(''Another 70 lines are lost here.'') *Act 2.4 (305–373): iambic septenarii (37 lines) ::(''322–362 are fragments only''.) Alcesimarchus's father, who is unnamed, visits Selenium's house to tell her to keep away from his son. He finds Gymnasium there, and mistakes her for Selenium. He is smitten by her beauty, and she teases him by flirting with him... ::(''There is another gap in the manuscript of about 55 lines between 372 and 389, and then only a few letters survive until line 449. Ten fragments quoted by the grammarians Priscian and Nonius, 15 lines in all, mostly in iambic senarii, are thought to belong in the gap. The last of these, 405–408, can definitely be placed as it matches the traces that survive.'') *Act 2.5–2.6 (cont.) (374–408): iambic senarii (15 lines) :: Gymnasium's mother comes to Alcesimarchus's house to fetch Gymnasium, who seems reluctant to leave. ::Lampadio, the servant who has been instructed to find Selenium, has been following the mother. He describes the ugly prostitutes he has seen in various brothels while searching for her.... *Act 2.7 (449–452): iambic octonarii (4 lines) ::...Alcesimarchus pleads with Selenium and her mother Melaenis, but to no avail. Selenium departs. *Act 2.7 (453–460): trochaic septenarii (8 lines) ::He continues to plead but Melaenis chides him for breaking his oath. *Act 2.7 (461–464): fragmentary, metre uncertain, probably iambic (4 lines) ::Alcesimarchus still refuses to go. *Act 2.7 (465–535): trochaic septenarii (68 lines) ::He swears that he will never marry the Lemnian girl his father has chosen for him. Melaenis swears for her part that she will never let him marry her daughter. Alcesimarchus swears by a list of gods (he makes errors in their relationships and she has to correct him) that he will kill them both unless she sends Selenium back to him. He departs. Melaenis decides to follow him to make sure he doesn't do anything stupid. Suddenly she sees Lampadio approaching.


Melaenis finds out about Selenium's parents

*Act 2.8–2.9 (536–630): iambic senarii (95 lines) ::Lampadio, the servant who has been told to look for Demipho's daughter, talks to himself about how he followed the old woman. His mistress Phanostrata (Demipho's wife) hears him and comes out of her house. He tells her that the old woman had told him that Gymnasium was not the girl he was looking for but that she had given her, when still a baby, to a prostitute called Melaenis. He says the old lady refused to tell him where Melaenis lived but that they would soon find out. ::Melaenis, who has heard all this, steps forward and questions Lampadio. He tells her that the master of the house is Demipho and he explains about Demipho's two daughters, one the product of rape. Melaenis decides to go home and fetch Selenium so that she can restore her to her wealthy parents. *Act 3.1–4.1 (631–670): trochaic septenarii (39 lines) ::Melaenis comes back with Selenium and a maid. She is carrying a small casket () which contains a child's rattle which will prove Selenium's identity. She hands the casket to her maid, Halisca, and orders her to knock on Demipho's door. ::Suddenly Alcesimarchus comes out of his house. He is carrying a sword and is about to kill himself. The three women rush towards him. He grabs Selenium and pulls her inside. Melaenis and Halisca follow him. In the confusion, Halisca drops the casket. ::Lampadio comes back. He is angry because Gymnasium's mother is now denying everything she confessed earlier. He finds the casket. Phanostrata, who has come from the doorway of Demipho's house, suddenly recognises the casket as the one she had given her daughter.


Phanostrata and Demipho find their daughter

*Act 4.2 (671–703): polymetric song (an, ba, cr) (33 lines) ::Halisca comes out of Alcesimarchus's house, looking frantically for the casket. Lampadio and Phanostrata overhear her as she sings. *Act 4.2 (704–773): iambic septenarii (43 lines) ::Halisca is about to go back when Lampadio and Phanostrata call her. She asks if anyone has found a casket. At first Lampadio and Phanostrata are suspicious of a trick and give nothing away. Eventually after she reveals that it contains a rattle, Lampadio says he knows where it is, but he wants a reward. Phanostrata ignores him and says she needs to speak to Halisca. *Act 4.2 (747–773): iambic senarii (27 lines) ::She asks Halisca where the owner of the casket is, and Halisca points to Alcesimarchus's house. She says Melaenis intends to return Selenium to her parents but meanwhile she would like the casket back. Phanostrata returns the casket and follows Halisca inside Alcesimarchus's house. *Act 5.1 (774–787): trochaic septenarii (14 lines) ::Demipho now arrives from a senate meeting. He asks Lampadio to explain what is going on, since he has heard everyone talking in the street. Lampadio tells him he has a new daughter and together they go into Alcesimarchus's house. The production troupe now come forward and tell the audience that the play ends here, and ask for applause.


Translations

* English translation by
Henry Thomas Riley Henry Thomas Riley (June 1816 – 14 April 1878) was an English translator, lexicographer, and antiquary. Life Born in June 1816, he was only son of Henry Riley of Southwark, an ironmonger. He was educated at Chatham House, Ramsgate, and at Cha ...
at
Perseus In Greek mythology, Perseus (Help:IPA/English, /ˈpɜːrsiəs, -sjuːs/; Greek language, Greek: Περσεύς, Romanization of Greek, translit. Perseús) is the legendary founder of Mycenae and of the Perseid dynasty. He was, alongside Cadmus ...

''Cistellaria''
* Wolfang de Melo, 2011


References


External links

* Latin text edited by Friedrich Leo at
Perseus In Greek mythology, Perseus (Help:IPA/English, /ˈpɜːrsiəs, -sjuːs/; Greek language, Greek: Περσεύς, Romanization of Greek, translit. Perseús) is the legendary founder of Mycenae and of the Perseid dynasty. He was, alongside Cadmus ...

''Cistellaria''
{{Authority control Plays by Plautus Plays set in ancient Greece