''Chronicle of a Death Foretold'' ( es, Crónica de una muerte anunciada) is a
novella
A novella is a narrative prose fiction whose length is shorter than most novels, but longer than most short stories. The English word ''novella'' derives from the Italian ''novella'' meaning a short story related to true (or apparently so) facts ...
by
Gabriel García Márquez
Gabriel José de la Concordia García Márquez (; 6 March 1927 – 17 April 2014) was a Colombian novelist, short-story writer, screenwriter, and journalist, known affectionately as Gabo () or Gabito () throughout Latin America. Considered one ...
, published in 1981. It tells, in the form of a pseudo-
journalist
A journalist is an individual that collects/gathers information in form of text, audio, or pictures, processes them into a news-worthy form, and disseminates it to the public. The act or process mainly done by the journalist is called journalism ...
ic reconstruction, the story of the
murder
Murder is the unlawful killing of another human without justification (jurisprudence), justification or valid excuse (legal), excuse, especially the unlawful killing of another human with malice aforethought. ("The killing of another person wit ...
of Santiago Nasar by the Vicario twins.
Plot
The book is a
nonlinear narrative
Nonlinear narrative, disjointed narrative, or disrupted narrative is a narrative technique, sometimes used in literature, film, video games, and other narratives, where events are portrayed, for example, out of chronological order or in other ways ...
told by an anonymous
narrator
Narration is the use of a written or spoken commentary to convey a story to an audience. Narration is conveyed by a narrator: a specific person, or unspecified literary voice, developed by the creator of the story to deliver information to the a ...
and begins on the morning of Santiago Nasar's death. The reader learns that Santiago lives with his mother, Placida Linero; the cook, Victoria Guzman; and the cook's daughter, Divina Flor. Santiago took over the successful family ranch after the death of his father Ibrahim, who was of Arab origin. He returns home in the early morning hours from an all-night celebration of a wedding between a recent newcomer, Bayardo San Roman, and a long-term resident, Angela Vicario. Two hours after the wedding, Angela was dragged back to her mother's home by Bayardo because she was not a virgin. After a beating from her mother, Angela is forced to reveal the name of the man who has defiled her purity and honor. In a somewhat spurious manner, she reveals the man to be Santiago. To avenge their family honor, her twin brothers Pablo and Pedro Vicario decide to kill Santiago using knives that they'd previously used to slaughter pigs.
The brothers proceed to the meat market in the pre-dawn hours to sharpen their knives and announce to the owner and other butchers that they plan to kill Santiago. No one believes the threat because Pablo and Pedro are considered "good people", and most interpret their threats as drunken rambling. Faustino Santos, a butcher friend, becomes suspicious and reports the threat to the policeman, Leandro Pornoy. The brothers proceed to Clotilde Armenta's milk shop where they tell her about the plan to kill Santiago, and she notices the knives wrapped in rags. Meanwhile, Officer Leandro talks with Colonel Aponte who, after leisurely dressing and enjoying his breakfast, proceeds to the milk shop and confiscates the brothers' knives, sending them off to sleep and calling them "a pair of big bluffers". Clotilde is still concerned that the twins will find another way to carry out their plan to murder Santiago and urges Colonel Aponte to intervene further "to spare those poor boys from the horrible duty", but he does nothing more.
Gossip about the twins' publicly announced plans spreads through the town, and though Clotilde asks everyone she sees to warn Santiago, no one does. Some did not believe they should get involved, some assume that he has already been warned, some believe the twins wouldn't really follow through, some are distracted by the arrival of the Bishop, some believe that the murder would be justified, and some secretly want Santiago dead. As the priest later confessed, "I didn't know what to do... it wasn't any business of mine but something for the civil authorities."
The brothers return to the milk shop wielding new knives, and this time Pedro expresses hesitation about their plan because he feels they had fulfilled their duty "when the mayor disarmed them". Nevertheless, they repeat their intention to kill Santiago. Santiago wakes up after an hour's sleep to get dressed and greet the bishop along with many of the townsfolk, who expect him to stop in their town while traveling elsewhere. As Santiago leaves, he does not notice the note that someone had left to warn him about Vicario brothers' threats on his life. The bishop's boat passes by the town without stopping even though people have been waiting for him with various gifts. Santiago then proceeds to his fiancée, who yells, "...I hope they kill you!" because she is upset about his involvement with Angela Vicario and decides not to warn him.
The murder of Santiago Nasar is described. His friend Cristo Bedoya had frantically looked for Santiago on the morning of the murder to warn him of the plan, but Cristo Bedoya failed to find Santiago, who was actually at his fiancée Flora Miguel's house. When Flora Miguel's father finds out, he warns Santiago minutes before the twins reach Santiago. Santiago becomes disoriented from the news and starts to run home. His mother, who is finally told, believes he is inside the house and, therefore, bars the front door to which Santiago is running while being chased by the Vicario brothers. He is repeatedly stabbed as he attempts to enter his home, over twenty times total with seven fatal wounds, as they discovered in an ill-performed autopsy performed by the priest. The murder is brutal as Santiago carries his own entrails and enters the back door of his home. He collapses in his kitchen and dies.
After the murder, the Vicario family leaves town due to the scandal and disgrace surrounding the events of Angela's wedding and Santiago's murder. Bayardo San Roman leaves town as well; his family comes by boat and picks him up. The Vicario twins spend three years in prison awaiting trial but are acquitted in court, after which Pablo marries his lover and Pedro leaves for the
armed forces
A military, also known collectively as armed forces, is a heavily armed, highly organized force primarily intended for warfare. It is typically authorized and maintained by a sovereign state, with its members identifiable by their distinct ...
.
Only after Bayardo rejects Angela does she fall in love with him. After she moves away from the town with her family, Angela writes him a letter each week for seventeen years. At the end of seventeen years, Bayardo returns to her, carrying all of her letters in bundles, all unopened.
Inspiration
The novella was inspired by real-life events that occurred to García Márquez's godbrother. García Márquez heard the story of a young couple that got married in Sucre and, on the day following their wedding, the groom rejected the bride due to her lack of virginity. The bride was determined to have had relations with her former boyfriend, who was consequently pursued and murdered by the bride's two brothers in order to avenge the family's honor. Though many publications speculated that García Márquez had witnessed the murder firsthand, the writer was in fact not present during the events, which took place in Sucre in 1951.
There are key differences between the action of the story and what took place in reality. For one, in the novella, it is never clear whether or not Santiago Nasar had a prior relationship with Ángela Vicario before her wedding, whereas in real life, the bride had had sexual relations with her former boyfriend. Additionally, García Márquez chose to make the two assassins in the novella twins, Pablo and Pedro Vicario. In real life, they were simply brothers. Lastly, in the book, there is a reconciliation between Ángela and the groom who rejects her, Bayardo San Roman. In real life, there was no such reconciliation.
Brief references are made to Márquez's earlier novel ''
One Hundred Years of Solitude'', with Bayardo San Roman's father being mentioned as having fought against Aureliano Buendía, one of that novel's main characters.
Key themes
The central question at the core of the novella is how the death of Santiago Nasar was widely foreseen — "there had never been a death more foretold," as the narrator describes — yet no one was able or willing to stop it. The narrator explores the circumstances surrounding his death by asking the villagers who were present during his murder and exploring the seeming contradiction of a murder that was predicted. The book explores the morality of the village's collective responsibility in the murder of Santiago Nasar.
Unlike the traditional detective novel, ''Chronicle of a Death Foretold'' doesn't investigate the murder, which is made clear from the first sentence. Instead, the true mystery is why the whole town allowed the murder to occur with, at best, only half-hearted attempts to stop it or even warn the victim.
Isabel Alvarez-Borland notes the text’s "conscious fictionality" and how it makes the reader aware of that, with the main character commenting on the case report's meandering literary qualities, reading old reports related to the murder in the same way as the audience reads the novella.
Adaptations
The book was translated into
English
English usually refers to:
* English language
* English people
English may also refer to:
Peoples, culture, and language
* ''English'', an adjective for something of, from, or related to England
** English national ide ...
by
Gregory Rabassa
Gregory Rabassa, Order of Merit (Portugal), ComM (March 9, 1922 – June 13, 2016), was an American literature, literary translation, translator from Spanish and Portuguese to English. He taught for many years at Columbia University and Queens Co ...
and Edith Grossman. It was adapted for the big screen in the
Spanish language
Spanish ( or , Castilian) is a Romance languages, Romance language of the Indo-European language family that evolved from colloquial Latin spoken on the Iberian peninsula. Today, it is a world language, global language with more than 500 millio ...
film: ''
Chronicle of a Death Foretold
''Chronicle of a Death Foretold'' ( es, Crónica de una muerte anunciada) is a novella by Gabriel García Márquez, published in 1981. It tells, in the form of a pseudo-journalistic reconstruction, the story of the murder of Santiago Nasar by ...
'' (1987), an Italian-French-Colombian co-production, directed by
Francesco Rosi
Francesco Rosi (; 15 November 1922 – 10 January 2015) was an Italian film director. His film '' The Mattei Affair'' won the Palme d'Or at the 1972 Cannes Film Festival. Rosi's films, especially those of the 1960s and 1970s, often appeared to ha ...
, starring
Ornella Muti
Ornella Muti (born Francesca Romana Rivelli; 9 March 1955) is an Italian actress. She made her film debut as Francesca Cimarosa in the 1970 film ''La moglie più bella.''
Early life
Muti was born in Rome to a Neapolitan journalist father and I ...
,
Rupert Everett
Rupert James Hector Everett (; born 29 May 1959) is an English actor, director and producer. Everett first came to public attention in 1981 when he was cast in Julian Mitchell's play and subsequent film '' Another Country'' (1984) as a gay pupil ...
and
Anthony Delon. In 1990,
Li Shaohong
Li Shaohong (born 7 July 1955) is a Chinese film and television director and producer. She is considered a member of the Fifth Generation movement, and China's top woman director. Her films have won multiple awards in China and abroad, includin ...
adapted the book into the Golden Montgolfiere-winning Chinese film ''
Bloody Morning
''Bloody'', as an adjective or adverb, is a commonly used expletive attributive in British English, Australian English, Irish English, Indian English and a number of other Commonwealth of Nations, Commonwealth nations. It has been used as a ...
,'' which centers on Chinese rural society.
In 1995,
Graciela Daniele Graciela Daniele (born December 8, 1939) is an Argentine-American dancer, choreographer, and theatre director.
Biography
Born in Buenos Aires, Argentina to Raúl Daniele and Rosa del Carmen Almoina. After her parents divorced, her mother got a jo ...
adapted it into the
Tony Award
The Antoinette Perry Award for Excellence in Broadway Theatre, more commonly known as the Tony Award, recognizes excellence in live Broadway theatre. The awards are presented by the American Theatre Wing and The Broadway League at an annual cer ...
-nominated
Broadway
Broadway may refer to:
Theatre
* Broadway Theatre (disambiguation)
* Broadway theatre, theatrical productions in professional theatres near Broadway, Manhattan, New York City, U.S.
** Broadway (Manhattan), the street
**Broadway Theatre (53rd Stree ...
musical
Musical is the adjective of music.
Musical may also refer to:
* Musical theatre, a performance art that combines songs, spoken dialogue, acting and dance
* Musical film and television, a genre of film and television that incorporates into the narr ...
titling
Chronicle of a Death Foretold
''Chronicle of a Death Foretold'' ( es, Crónica de una muerte anunciada) is a novella by Gabriel García Márquez, published in 1981. It tells, in the form of a pseudo-journalistic reconstruction, the story of the murder of Santiago Nasar by ...
, which she also directed and choreographed.
A Romanian short film was made in 2007.
Editions
*
*
Reviews
*
Herdman, John (1983), ''Márquez - Faction or Fiction?'', review of ''Chronicle of a Death Foretold'', in Hearn, Sheila G. (ed.), ''
Cencrastus
''Cencrastus'' was a magazine devoted to Scottish and international literature, arts and affairs, founded after the Referendum of 1979 by students, mainly of Scottish literature at Edinburgh University, and with support from Cairns Craig, then a ...
'' No. 11, New Year 1983, pp. 38 & 39,
References
External links
Chronicle of a Death Foretoldat
SparkNotes
''Chronicle of a Death Foretold'' by Gabriel García Márquez, reviewed by Ted Gioia (Postmodern Mystery)
{{Authority control
1981 novels
Alfred A. Knopf books
Colombian novels adapted into films
Colombian novels adapted into plays
Colombian novellas
Colombian novels
Crime novels
Nonlinear narrative novels
Novels by Gabriel García Márquez