Christine De Smedt (1963) is a Belgian dancer and choreographer. Her artistic work is situated on the boundary between dance / performance, choreography, artistic coordination and artistic projects of various kinds. Biography of Christine De Smedt
on the website of les ballets C de la B

Education

After completing her studies in criminology, Christine De Smedt became interested in dance and performance and began to study different techniques for motion research.

Collaboration with les ballets C de la B

From 1991 to 2012, Christine De Smedt was a member of les ballets C de la B, the Ghent dance company founded by Alain Platel, which was also home for a long time to Hans van den Broeck,

Sidi Larbi Cherkaoui Sidi Larbi Cherkaoui (born 1976) is a Belgian dancer and choreographer and director. He has made over 50 choreographic pieces and received two Laurence Olivier Award for Best New Dance Production, three Ballet Tanz awards for best choreographe ...

and Koen Augustijnen. She danced in ''Mussen'' (Alain Platel, 1991) and was assistant director on ''How to approach a dog'' (Hans Van den Broeck, 1992). From 2003 to 2005 she was the artistic coordinator of les ballets C de la B. In 2010 she initiated the first ''Summer Intensive'', a residence in studio 3 at les ballets C de la B.

Collaboration with Meg Stuart / Damaged Goods

In 1992, Christine De Smedt was part of the interdisciplinary ''SKITE project'' (laboratoire de nouvelles formes chorégraphiques) in Paris, where her first artistic encounter with the American choreographer

Meg Stuart Meg Stuart (born 1965 in New Orleans) is an American choreographer and dancer who lives and works in Brussels and Berlin. Her company, Damaged Goods, operates from Brussels since 1994. Start as a dancer and choreographer Stuart moved to New York ...

took place. She also collaborated with Meg Stuart and her company Damaged Goods between 1995 and 1999. In 1996, she danced in the remake of Stuart's debut choreography ''Disfigure Study'' (Meg Stuart / Damaged Goods, 1991), and assisted the choreographer as a coach for this remake. In addition, she worked as a dancer on ''No One's Watching'' (Meg Stuart / Damaged Goods, 1995) and ''Splayed Mind Out'' (Meg Stuart / Damaged Goods and Gary Hill, 1997) ). Together with Meg Stuart and choreographer / dancer David Hernandez, she initiated the multi-disciplinary improvisation project ''Crash Landing'' (1996-1999).

Own work as a choreographer

Christine De Smedt started her own work in the period when she was a member of les ballets C de la B. Her debut was the dance solo ''La force fait l'union fait la force'' (1994). One of her best-known projects from that period is ''9x9'' (2000), a large-scale choreographic project that was realized in 15 different cities in Europe and Canada. The starting point for the project, in which the choreographer was working with participants of diverse backgrounds such as elderly, young people and photographers, was the human mass. Another well-known production by Christine De Smedt is ''Untitled 4'' (2012), based on four interviews with the choreographers and dancers Alain Platel, Jonathan Burrows, Eszter Salamon and Xavier Le Roy, and in which she increasingly becomes at the same time the portrayed persons themselves. For the festival Dansand! II in Ostend, she created in 2010 together with Mette Edvardsen the mass choreography ''The Long Piece''. Together with Eszter Salamon, she created the duet ''dance#2'' (2012), and with Myriam Van Imschoot ''PickUpVoices'' (2008), that mixed historical research with performance.

Other collaborations as a dancer

As a dancer, she also collaborated on ''Gerhard Richter, une pièce pour le théâtre'' (Mårten Spångberg, 2017), ''Oidipous, my foot'' (Jan Ritsema, 2011), ''Artificial Nature Project'' (Mette Ingvartsen, 2012), ''Project'' (Xavier Le Roy, 2003), ''Low Pieces'' (Xavier Le Roy, 2011), ''Temporary Title'' (Xavier Le Roy, 2015), ''nvsbl'' (Eszter Salamon, 2006) and ''dance#1/Driftworks'' (Eszter Salamon, 2008). Furthermore, she collaborated on the video installation ''Dead Reckoning'' (2008) by Philipp Gehmacher and Vladimir Miller.

Research projects

With Eszter Salamon, Christine De Smedt developed in 2009 ''Transformers'', a research project for a group choreography through workshops and artists' residences in Brussels, Madrid, PAF-St. Erme, Mexico City, Vienna, Tokyo and Stockholm. In May 2014, she collaborated on ''Spatial Confessions'', a four-day program of Bojana Cvejic in

Tate Modern Tate Modern is an art gallery located in London. It houses the United Kingdom's national collection of international modern and contemporary art, and forms part of the Tate group together with Tate Britain, Tate Liverpool and Tate St Ives. It ...

, which examined through choreographic experiments publicness in places exhibiting contemporary art.

Collaboration with P.A.R.T.S.

Christine De Smedt was Pedagogical Coordinator of the Training Cycle 2013-2016 at P.A.R.T.S., the International School of Contemporary Dance in Brussels.

Productions

Own work: * ''Weibliche Bewegungsfigur 094210'' (Christine De Smedt and Damien Deceuninck, 1989) * ''La force fait l’union fait la force'' (Christine De Smedt, 1993) * ''Crash Landing'' (Christine De Smedt, David Hernandez and Meg Stuart / Damaged Goods, 1996-1999) * ''Escape Velocity'' (Christine De Smedt in collaboration with Els Opsomer, Germaine Kruip and Vincent Malstaf, 1998) * ''Untitled 4'' (Christine De Smedt, 2010) * ''9 x 9'' (Christine De Smedt, 2010) * ''The Long Piece'' (Christine De Smedt and Mette Edvardsen, 2010) * ''dance#2'' (Christine De Smedt and Eszter Salamon, 2016) With others: * ''Mussen'' (Alain Platel / les ballets C de la B, 1991) * ''How to approach a dog'' (Hans Van den Broeck / les ballets C de la B, 1992) * ''Disfigure Study'' (Meg Stuart / Damaged Goods, restaging in 1996) * ''No One Is Watching'' (Meg Stuart / Damaged Goods, 1995) * ''Splayed Mind Out'' (Meg Stuart / Damaged Goods en Gary Hill, 1997) * ''Schreibstück - Version Christine De Smedt, Gent (BE) ''(Thomas Lehmen, 2002-2004) * ''Project'' (Xavier Le Roy, 2003) * ''nvsbl'' (Eszter Salamon, 2006) * ''dance#1/Driftworks'' (Eszter Salamon, 2008) * ''The Mirror Points'' (Gary Hill, 2009) * ''Oidipous, my foot'' (Jan Ritsema, 2011) * ''Low Pieces'' (Xavier Le Roy, 2011) * ''The Artificial Nature Project'' (Mette Ingvartsen, 2012) * ''Temporary Title'' (Xavier Le Roy, 2015) * ''Gerhard Richter, une pièce pour le théâtre'' (Mårten Spångberg, 2017)

Videography

* ''La force fait l’union fait la force'' ( Johan Grimonprez, 1994, 3min) * 'UNDER INFLUENCE' (Sidney Leoni, 2016, Hiros, 1H13min) Page about 'UNDER INFLUENCE' (Sidney Leoni, 2016)
on the website of Hiros

References

Sources

Kunstenpunt - Persons - Christine De Smedt
according to the Flanders Arts Institute