The ''Choralis Constantinus'' is a collection of over 375 Gregorian chant-based polyphonic motets for the

proper Proper may refer to: Mathematics * Proper map, in topology, a property of continuous function between topological spaces, if inverse images of compact subsets are compact * Proper morphism, in algebraic geometry, an analogue of a proper map for ...

of the

mass Mass is an intrinsic property of a body. It was traditionally believed to be related to the quantity of matter in a physical body, until the discovery of the atom and particle physics. It was found that different atoms and different elementar ...

composed by

Heinrich Isaac Heinrich Isaac (ca. 1450 – 26 March 1517) was a Netherlandish Renaissance composer of south Netherlandish origin. He wrote masses, motets, songs (in French, German and Italian), and instrumental music. A significant contemporary of Josquin de ...

and his pupil

Ludwig Senfl Ludwig Senfl (born around 1486, died between December 2, 1542 and August 10, 1543) was a Swiss composer of the Renaissance, active in Germany. He was the most famous pupil of Heinrich Isaac, was music director to the court of Maximilian I, Holy R ...

. The genesis of the collection is a commission by the Constance Cathedral for Isaac, at that time the official court composer for the

Holy Roman Emperor Maximilian I Maximilian I (22 March 1459 – 12 January 1519) was King of the Romans from 1486 and Holy Roman Emperor from 1508 until his death. He was never crowned by the pope, as the journey to Rome was blocked by the Venetians. He proclaimed himself E ...

, to compose a set of motets for the special holy days celebrated in the diocese of Constance. Isaac was in Constance at the time (April 1508) with the Imperial court as Maximilian had called a meeting of the German nobility (''Reichstag'') there. The music was delivered to the Constance Cathedral in late 1508 and early 1509. After Isaac's death in 1517 his pupil Ludwig Senfl, who had been a member of the Imperial chapel choir, compiled music composed for Constance and for the Habsburg Imperial court into the collection which was published by Hieronymus Formschneider in Nuremberg in three volumes (1550–1555) and titled the ''Choralis Constantinus''. Gerhard Pätzig, in his dissertation for the

University of Tübingen The University of Tübingen, officially the Eberhard Karl University of Tübingen (german: Eberhard Karls Universität Tübingen; la, Universitas Eberhardina Carolina), is a public research university located in the city of Tübingen, Baden-Wü ...

in 1956, compared available manuscripts with the Formschneider print and determined that the music written for the Constance Cathedral was most of that contained in Volume II and parts of Volume III of the Formschneider publication. The remainder of the ''Choralis Constantinus'' is from Maximilian's court repertory. A modern edition appeared in Volumes 10 and 32 of '' Denkmäler der Tonkunst in Österreich'', the latter edited by

Anton Webern Anton Friedrich Wilhelm von Webern (3 December 188315 September 1945), better known as Anton Webern (), was an Austrian composer and conductor whose music was among the most radical of its milieu in its sheer concision, even aphorism, and stea ...

, the famous composer, who was a composition student of

Arnold Schoenberg Arnold Schoenberg or Schönberg (, ; ; 13 September 187413 July 1951) was an Austrian-American composer, music theorist, teacher, writer, and painter. He is widely considered one of the most influential composers of the 20th century. He was as ...

. He prepared this volume as part of his dissertation for the

University of Vienna The University of Vienna (german: Universität Wien) is a public research university located in Vienna, Austria. It was founded by Duke Rudolph IV in 1365 and is the oldest university in the German-speaking world. With its long and rich histor ...

, where he received his PhD in 1906. Volume III, edited by Louise Cuyler, was published by the University of Michigan Press in 1950. The Formschneider edition was reprinted with short introductory essays by Edward R. Lerner (Peer: Alamire, 1990–1994). Each Feast contains a polyphonic motet, based on the corresponding

Gregorian chant Gregorian chant is the central tradition of Western plainchant, a form of monophonic, unaccompanied sacred song in Latin (and occasionally Greek) of the Roman Catholic Church. Gregorian chant developed mainly in western and central Europe durin ...

for the

Introit The Introit (from Latin: ''introitus'', "entrance") is part of the opening of the liturgy, liturgical celebration of the Eucharist for many Christian denominations. In its most complete version, it consists of an antiphon, Psalms, psalm verse and ' ...

Alleluia Alleluia (derived from the Hebrew ''Hallelujah'', meaning "Praise Yahweh") is a Latin phrase in Christianity used to give praise to God. In Christian worship, Alleluia is used as a liturgical chant in which that word is combined with verses of ...

(or

Tract Tract may refer to: Geography and real estate * Housing tract, an area of land that is subdivided into smaller individual lots * Land lot or tract, a section of land * Census tract, a geographic region defined for the purpose of taking a census ...

) and Communion. Volume II contains most of the Solemn Feasts. Those Propers all include alternate verses of the

Sequence In mathematics, a sequence is an enumerated collection of objects in which repetitions are allowed and order matters. Like a set, it contains members (also called ''elements'', or ''terms''). The number of elements (possibly infinite) is calle ...

hymn, set thus so as to allow for alternatim performance between the choir and the organist. The medieval Sequence was of particular interest to the Constance diocese, which included the monasteries of Reichenau and St. Gall where many Sequences originated. Choralis Constantinus I ''( Denkmäler der Tonkunst in Österreich'', Volume 10): Choralis Constantinus II ('' Denkmäler der Tonkunst in Österreich'', Volume 32):
Choralis Constantinus III (University of Michigan Press, 1950)

Recordings

''Margaretha-Maximilian I'',

Capilla Flamenca Capilla Flamenca is a vocal and instrumental early music consort based in Leuven, Belgium. The group specialises in 14th to 16th century music from Flanders and takes its name from the historical Flemish chapel (capilla flamenca), the choir of the c ...

together with La Caccia, Schola Cantorum Cantate Domino, Schola Gregoriana Lovaniensis and Joris Verdin, 2001 (Orf CD 265). Contains proper chants from the Choralis Constantinus along with several pieces of secular music.

External links

score of part I
(''Denkmäler der Tonkunst in Österreich'', Band 10) at the

International Music Score Library Project The International Music Score Library Project (IMSLP), also known as the Petrucci Music Library after publisher Ottaviano Petrucci, is a subscription-based digital library of public-domain music scores. The project, which uses MediaWiki software ...

Modern editions of many items
at the

Choral Public Domain Library The Choral Public Domain Library (CPDL) is a sheet music archive which focuses on choral and vocal music in the public domain or otherwise freely available for printing and performing (such as via permission from the copyright holder). It is a ...

{{Authority control Renaissance music Masses (music) Motets

Recordings

Further reading

External links