José Marcelino Díaz Marquetti (April 26, 1909 – March 29, 1967), better known as Cheo Marquetti, was a renowned Cuban

son A son is a male offspring; a boy or a man in relation to his parents. The female counterpart is a daughter. From a biological perspective, a son constitutes a first degree relative. Social issues In pre-industrial societies and some current c ...

vocalist and songwriter.

Life and career

Marquetti was born at 277 Velarde Street, El Cerro, Havana,

Cuba Cuba ( , ), officially the Republic of Cuba ( es, República de Cuba, links=no ), is an island country comprising the island of Cuba, as well as Isla de la Juventud and several minor archipelagos. Cuba is located where the northern Caribbea ...

. He was the son of Mercedes Díaz Campos and David "El Lucumí" Marquetti Suárez, an

Abakuá Abakuá, also sometimes known as Ñañiguismo, is an Afro-Cuban men's initiatory fraternity or secret society, which originated from fraternal associations in the Cross River (Nigeria), Cross River region of southeastern Nigeria and southweste ...

member of Los Chinos Buenos, a mixed band whose members dressed as Chinese. He grew up in the Havana neighborhoods of San Juan de Dios and Cayo Hueso, Havana, Cayo Hueso. He started his career in 1926 with a sexteto, Minerva. He joined th
Belén Puig Orchestra
and the Ernesto Muñoz Conjuncto in 1930 as singer of danzons. He then joined a number of septetos, among the
Septeto Cauto
led b
Manuel 'Mozo' Borgella
with whom he recorded in 1940 (including the song
Efi Embemoro
' - the first wiktionary:ñáñigo, Afro-Ñáñigo song to be recorded; Cheo Marquetti previously had recorded this tune in a duet setting with Bienvenido Granda in 1936, accompanied by Septeto Nacional de Ignacio Piñeiro). This was followed by stints with Septeto Hatuey, Septeto Facenda and the famous Septeto Habanero. He is also said to have been a member of Septeto Cuba, Alabama de Abelardo Barroso, Jóvenes del Cayo, Dandy del 40, La Sonora Piñón and Septeto Mora. In an effort to achieve wider recognition he left Cuba for Mexico in the mid forties. Only mildly successful, he returned in 1953. Back in Havana he joined Orquesta Sensación, led by Rolando Valdés (to briefly replace the much more famous ''sonero'' Abelardo Barroso). This engagement was followed by temporary stints at a group whose fame survives today, Chappottín y sus Estrellas, whose members at the peak of their success and fame were Félix Chappottín, :es:Miguelito Cuní, Miguelito Cuní, René Álvarez, Lilí Martínez an
Gina Martín
as well as Marquetti. Between 1955 and 1957 he had his own conjunto
Los Salseros
with whom he recorded a couple of albums for Panart (reissued by EGREM). He also made appearances in a number of Mexican movies, including Cuando los hijos se van (1941 film), ''Cuñado los hijos se van'' (1941), ''Chucho the Mended, Chucho el remendado'' (1951) and Women of the Theatre, ''Mujeres del teatro'' (1951). In 1957, he traveled to Venezuela and on his return rejoine
Orquesta Sensación
In 1958, he left the group and formed another conjunto for more recordings. In 1961, he dissolved his group to move to Panama. He returned to Havana in 1963. After his return he was an occasional contributor to Grupo Tutankamen. He died in relative obscurity in El Cerro, Havana,

, at the relatively young age of 57.

Style and legacy

Cheo Marquetti is a real "singer's singer" with a beautifully lyrical and expressive voice. Contemporary vocalists and musicians such as Henry Fiol count him as a major influence. A few compilations of Cheo Marquetti's solo recordings have recently been reissued.

Family

His cousin, Luis Marquetti, was a famous composer, responsible for, among others, the classic song ''Deuda''.

References

* ''Los cantantes'', Rafael Lam (Cuba, 2010) * Jordi Pujol, liner notes to ''Cheo Marquetti, Legends of Latin Music'' CD * Helio Orovio, liner notes to ''Cheo Marquetti, Región Matancera'' CD
The Díaz-Ayala Music Collection
at the FIU Green Library {{DEFAULTSORT:Marquetti, Cheo 1909 births 1967 deaths 20th-century Cuban male singers