Charles Edmund Brock
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Charles Edmund Brock (5 February 1870 – 28 February 1938) was a widely published English painter, line artist and book illustrator, who signed most of his work C. E. Brock. He was the eldest of four artist brothers, including
Henry Matthew Brock Henry Matthew Brock (11 July 187521 July 1960) was a British Illustration, illustrator and landscape painter of the late nineteenth and early twentieth century. He was one of The Brocks of Cambridge, four artist brothers, all of them illustrator ...
, also an illustrator.


Early life

Brock was born on 5 February 1870 in Holloway, London. The family later settled in Cambridge. He studied art briefly under sculptor Henry Wiles.


Name confusion

Charles Edmund Brock of Cambridge was sometimes confused with the unrelated Charles Edmond Brock (18821952) of London,To confuse things even more, the London Brock was registered at Charles Edmund at birth, but opted to use Edmond rather than Edmund as this second name. a portrait painter who painted members of the Royal Family and the aristocracy, and was the son of English Sculptor Thomas Brock RA (1 March 184722 August 1922). The confusion was so great that they even found themselves paying each other's bills. They solved by agreeing that Charles Edmund of Cambridge would stop using Edmund and that Charles Edmond of London would stop using Charles. In Graves' ''Dictionary of Contributors'' to the
Royal Academy The Royal Academy of Arts (RA) is an art institution based in Burlington House on Piccadilly in London. Founded in 1768, it has a unique position as an independent, privately funded institution led by eminent artists and architects. Its pur ...
he lists the Cambridge Brock as Charles E. Brock - Painter, and the London Brock as C. Edmond Brock - Painter. This was not the only confusion. One report of a Cambridge Council meeting attributed the Victoria Memorial to C. E. Brock. ''The name of the sculptor to which the commission for a bust of Queen Victoria is entrusted is Mr. Thomas Brock, R.A., and not, of course, Mr. C. E, Brock, stated by a mistake which crept into our report of the meeting last week.''


Work

Brock received his first book commission at the age of 20 in 1890. He became very successful, and illustrated books for authors such as Jonathan Swift, William Thackeray,
Jane Austen Jane Austen (; 16 December 1775 – 18 July 1817) was an English novelist known primarily for her six major novels, which interpret, critique, and comment upon the British landed gentry at the end of the 18th century. Austen's plots of ...
, Charles Dickens, and George Eliot. Brock also contributed pieces to several magazines such as '' The Quiver'', '' The Strand'', and ''
Pearsons Morleys Stores is a group of eight department stores in Greater London, a business-to-business furniture supply subsidiary called Morley's of Bicester Ltd and a department store & furniture centre called Camp Hopson of Newbury in Newbury, Berksh ...
''. He used the Cambridge college libraries for his "picture research." In illustration Brock is best known for his line work, initially working in the tradition of Hugh Thomson, but he was also a skilled colourist. As a painter he received plaudits for his realism and vibrancy he created in his work. Only a small quantity of his paintings have been located which is why their prices have been so high. Brock and his brothers maintained a Cambridge studio filled with various curios, antiques, furniture, and a costume collection. They owned a large collection of Regency era costume prints and fashion plates, and had clothes specially made as examples for certain costumes. Using these, family members modeled for each other. Unequivocally the most famous and valuable paintings in Brock's career were his golf paintings – ''The Bunker''; ''The Drive;'' and ''The Putt'' – all of which were painted in 1894 as part of the same series. These paintings were acquired together by a Japanese collector in 1991 for $1.5 million. The most valuable of these is ''The Putt'', which was repainted due to the position of the caddy and bystander as the commissioner of the painting wanted to bring himself, the putter, more into the forefront of the painting. The initial unsigned painting is considered to be the more impressive of the two versions, and is even used as the print for postcards and posters sold in many golf museums. Brock published 109 illustrationsTechnically, '' Punch'' called these illustrations sketches as they were accompanied by dialogue. Punch reserved the name cartoons for illustrations without any accompanying text, or only with a title. in Punch between 6 February 1901 and 30 March 1910. He output in Punch tapered off after 1905 and he did not publish any more work in Punch after 1910. Brock continued to work on book illustration and on portraits. Some of the portraits by Brock in national collections date from the 1920. He continued to illustrate books right up until hid death, with Gunby Hadath's ''Pamela: A Story for Girls'' (1938)This was one of the school stories for girls written under Hadath's female pseudonym, Florence Gunby Hadath. being one of the last books he illustrated. Books he was working on at the time of his death were completed by other illustrators. Brock was one of the twenty leading illustrators selected by Percy Bradshaw for a portfolio in his 1917/1918 '' The Art of the Illustrator''. Brock was an occasional exhibitor at various venues. He died on 28 February 1938 in Cambridge.


Style

The approach of C.E. Brock's work varied with the sort of story he was illustrating. Some was refined and described as "sensitive to the delicate, teacup-and-saucer primness and feminine outlook of the early Victorian novelists," while other work was "appreciative of the healthy, boisterous, thoroughly English characters" – soldiers, rustics, and "horsey types." Other illustrations were grotesqueries drawn to amuse children looking at or reading storybooks.


Assessment

Joseph Pennell in his ''Pen Drawing and Pen Draughtmanship . . .'' made the following assessment of Brock at the very start of his career as an illustrator: ''Mr. Brock has come out with "Hood’s Humorous Poems". His drawing can scarce be called original, — there are many reminiscences in it, — but his humour, dramatic action, and his arrangement are quite his own. H is sense of illustration is good, and is well shown in the concentration on the black horse and black cap of the huntsman in the title; possibly this is exaggerated, but it is a good sort of exaggeration. In the other drawing, " The Supper Superstition", the story is extremely well told with movement and go. There are several other drawings in the book quite as good; enough of them to prove that Mr. Brock has something to say for himself, besides showing how well he has studied other people.''


Examples of complete book illustrations

The following examples show what a complete set of illustrations for a single book look like.


An adventure novel

Brock illustrated a new edition of Sir Walter Scott's
Ivanhoe ''Ivanhoe: A Romance'' () by Walter Scott is a historical novel published in three volumes, in 1819, as one of the Waverley novels. Set in England in the Middle Ages, this novel marked a shift away from Scott’s prior practice of setting st ...
for Service & Paton in 1897. The new edition had 16 full page illustrations. New illustrations were one of the ways in which publishers tried to sell titles were had already had a number of editions. The illustrations are by courtesy of The British Library the whole book is available on-line. The illustrations for Ivanhoe would have benefited from the props that the Brock's kept in their studio to serve as examples for arms, clothing, and so on. File:Illustration by C E Brock for Ivanhoe - opposite page015.jpg, Whipping File:Illustration by C E Brock for Ivanhoe - opposite page046.jpg, Palmer File:Illustration by C E Brock for Ivanhoe - opposite page103.jpg, Challenge File:Illustration by C E Brock for Ivanhoe - opposite page152.jpg, Quarter-staff File:Illustration by C E Brock for Ivanhoe - opposite page165.jpg, Harp File:Illustration by C E Brock for Ivanhoe - opposite page189.jpg, Seized File:Illustration by C E Brock for Ivanhoe - opposite page194.jpg, Torture File:Illustration by C E Brock for Ivanhoe - opposite page256.jpg, Haughty File:Illustration by C E Brock for Ivanhoe - opposite page283.jpg, Curious File:Illustration by C E Brock for Ivanhoe - opposite page295.jpg, Hard blow File:Illustration by C E Brock for Ivanhoe - opposite page330.jpg, Rope-led File:Illustration by C E Brock for Ivanhoe - opposite page352.jpg, Arrogance File:Illustration by C E Brock for Ivanhoe - opposite page385.jpg, Pleading File:Illustration by C E Brock for Ivanhoe - opposite page406.jpg, Signal File:Illustration by C E Brock for Ivanhoe - opposite page076.jpg, Contrition File:Illustration by C E Brock for Ivanhoe - opposite page424.jpg, Yield


A book for children

Lucas Malet was the pseudonym of Mary St Leger Kingsley (4 June 1852 – 27 October 1931), a Victorian novelist. Although most of here output was for adults, she did produce some
juvenile fiction Young adult fiction (YA) is a category of fiction written for readers from 12 to 18 years of age. While the genre is primarily targeted at adolescents, approximately half of YA readers are adults. The subject matter and genres of YA correlate ...
In 1887, Kegan Paul & Co.Keegan Paul & Co has long ago been subsumed into Routledge. published Malet's short The British Library Catalogue shows that the 8º size book had 168-page in the 1887 edition and 175 in the 1909 edition. book ''Little Peter: A Christmas Morality for Children of any Age'' with nine full page illustrations including the frontispiece, and several smaller ones, by Paul Hardy.The edition with the illustrations by Paul Hardy is available on Project Gutenberg and elsewhere. The book tells the story of a small boy who befriends a very ugly and socially-despised man, who saves him in the end. The story was apparently popular as it was reprinted numerous times, most recently in 2010. In 1909,
Henry Frowde Oxford University Press (OUP) is the university press of the University of Oxford. It is the largest university press in the world, and its printing history dates back to the 1480s. Having been officially granted the legal right to print books ...
and
Hodder & Stoughton Hodder & Stoughton is a British publishing house, now an imprint (trade name), imprint of Hachette (publisher), Hachette. History Early history The firm has its origins in the 1840s, with Matthew Hodder's employment, aged 14, with Messrs ...
's joint venture reissued the book, but this time with eight full-page colour illustrations, including the frontispiece, by Charles Brock. The costs of colour illustration had decreased significantly since the 1887 edition, and colour was now the norm for books for younger children. This was good news for an artist as versatile as Brock, as it increased the options for selling his work. The following illustrations show the story in outline. File:Illustration for "Little Peter- A Christmas Morality for Children of Any Age" MET DP800816.jpg, First File:Illustration for "Little Peter- A Christmas Morality for Children of Any Age" MET DP800817.jpg, Second File:Illustration for "Little Peter- A Christmas Morality for Children of Any Age" MET DP800818.jpg, Third File:Illustration for "Little Peter- A Christmas Morality for Children of Any Age" MET DP800819.jpg, Fourth File:Illustration for "Little Peter- A Christmas Morality for Children of Any Age" MET DP800820.jpg, Fifth File:Illustration for "Little Peter- A Christmas Morality for Children of Any Age" MET DP800821.jpg, Sixth File:Illustration for "Little Peter- A Christmas Morality for Children of Any Age" MET DP800822.jpg, Seventh File:Illustration for "Little Peter- A Christmas Morality for Children of Any Age" MET DP800823.jpg, Eight


Notes


References


External links


works by Charles Edmund Brock
in public collections in the UK.

of John Venn by Brock, and a link to a site about Venn * * *
UNCG American Publishers' Trade Binding: C.E. Brock


* ttps://www.flickr.com/search/?tags=artist:name=%22Charles%20Edmund%20Brock%22 C. E. Brock's illustrations from the British Library Flickr account*
MyNDIR (My Norse Digital Image repository)
illustrations by C. E. Brock from ''Heroes of Asgard'' (1930). Clicking on the thumbnail will give you the full image and information concerning it. {{DEFAULTSORT:Brock, C.E. 1870 births 1938 deaths 19th-century illustrators of fairy tales 20th-century illustrators of fairy tales Artists from London English illustrators