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Charles Baker ( New York City – active 1839 – 1888) was a 19th-century
American American(s) may refer to: * American, something of, from, or related to the United States of America, commonly known as the "United States" or "America" ** Americans, citizens and nationals of the United States of America ** American ancestry, pe ...
landscape A landscape is the visible features of an area of land, its landforms, and how they integrate with natural or man-made features, often considered in terms of their aesthetic appeal.''New Oxford American Dictionary''. A landscape includes the ...
painter Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and ai ...
.Charles Baker (Active 1839–1888)
Quest Royal Fine Art. Retrieved on 2012-05-21.
He was also active as a saddler,
gunsmith A gunsmith is a person who repairs, modifies, designs, or builds guns. The occupation differs from an armorer, who usually replaces only worn parts in standard firearms. Gunsmiths do modifications and changes to a firearm that may require a very h ...
,
importer An import is the receiving country in an export from the sending country. Importation and exportation are the defining financial transactions of international trade. In international trade, the importation and exportation of goods are limited ...
, and silver plate artisan. Baker exhibited at the National Academy from 1839 to 1873 and at the
American Art-Union The American Art-Union (1839–1851) was a subscription-based organization whose goal was to enlighten and educate an American public to a national art, while providing a support system for the viewing and sales of art “executed by artists in th ...
in 1847. He was one of the founders of the Art League of New York.Charles Baker (c. 1839 - after 1888)
AskArt. Retrieved on 2012-05-21.


Painting

Charles Baker worked in New York at the beginning of the Hudson River School movement. He created idyllic landscape paintings of an early American wilderness and particularly enjoyed painting the scenic vistas of the White Mountains in New Hampshire. He was deeply influenced by the dramatic work of Thomas Cole and painted in a romantic style clearly tied to Cole's sublime aesthetic.
Art historian Art history is the study of aesthetic objects and visual expression in historical and stylistic context. Traditionally, the discipline of art history emphasized painting, drawing, sculpture, architecture, ceramics and decorative arts; yet today ...
s have suggested that he went so far as to produce copies of several of Cole's paintings.


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19th-century American painters American male painters American landscape painters Hudson River School painters 1839 births 1888 deaths Painters from New York (state) 19th-century American male artists {{US-painter-1830s-stub