Chapel Of Our Lady Of Victory
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The Chapel of Our Lady of Victory ( pt, Capela de Nossa Senhora do Vencimento) is an abandoned 18th-century
Roman Catholic Roman or Romans most often refers to: *Rome, the capital city of Italy *Ancient Rome, Roman civilization from 8th century BC to 5th century AD *Roman people, the people of ancient Rome *'' Epistle to the Romans'', shortened to ''Romans'', a lette ...
chapel located in
São Francisco do Conde São Francisco do Conde is a municipality in the state of Bahia in the North-East region of Brazil. São Francisco do Conde covers , and has a population of 40,245 with a population density of 150 inhabitants per square kilometer. It is located f ...
,
Bahia Bahia ( , , ; meaning "bay") is one of the 26 Federative units of Brazil, states of Brazil, located in the Northeast Region, Brazil, Northeast Region of the country. It is the fourth-largest Brazilian state by population (after São Paulo (sta ...
,
Brazil Brazil ( pt, Brasil; ), officially the Federative Republic of Brazil (Portuguese: ), is the largest country in both South America and Latin America. At and with over 217 million people, Brazil is the world's fifth-largest country by area ...
. It was dedicated to
Our Lady of Victory Our or OUR may refer to: * The possessive form of " we" * Our (river), in Belgium, Luxembourg, and Germany * Our, Belgium, a village in Belgium * Our, Jura, a commune in France * Office of Utilities Regulation (OUR), a government utility regulato ...
. The chapel was once adjacent to the plantation house of the Engenho do Paramirim. The chapel covers and is noted for its large, Byzantine-style domes covered in blue and white industrial tiles imported from Portugal. The chapel is in ruins and its images and baptismal font were first taken to Usina Cinco Rios, a sugarcane factory; the factory is now in ruins and the location of the chapel contents are unknown.


History

The Paramirim Sugar Plantation was established in the mid-18th century by Frutuoso Vicente Viana, also the owner of the Madruga plantation in present-day
São Francisco do Conde São Francisco do Conde is a municipality in the state of Bahia in the North-East region of Brazil. São Francisco do Conde covers , and has a population of 40,245 with a population density of 150 inhabitants per square kilometer. It is located f ...
. The construction of the chapel dates to at least 1757, when Vigário Miguel Teixeira Pinto reported on the chapel as part of his report on the freguesia of Nossa Senhora do Monte do Recôncavo. The chapel was built by the owner of the Paramirim Sugar Plantation, who owned other plantations and properties in the interior Recôncavo region of Bahia. The chapel was built in the 18th century in the
Baroque The Baroque (, ; ) is a style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished in Europe from the early 17th century until the 1750s. In the territories of the Spanish and Portuguese empires including t ...
style. The movement to replace Baroque architectural elements with the Neoclassical spread from Salvador to the interior of Bahia in the 19th century; this was reflected in the renovation of the plantation house, now lost, and the Neoclassical design of the chapel altar. Imperial palms (''
Roystonea oleracea ''Roystonea oleracea'', sometimes known as the Caribbean royal palm, palmiste, imperial palm or cabbage palm, is a species of palm which is native to the Lesser Antilles, Colombia, Venezuela, and Trinidad and Tobago. It is also reportedly natural ...
'') were introduced from France via Portugal in the early 19th century. The imported seeds were expensive, and presence of the palms among the rolling hills indicated the power and prestige of both plantations and some religious institutions, especially in the Recôncavo. Two of the palms from the period remain in front of the chapel. The Paramirim plantation was sold to the owner of the Usina Cinco Rios, a sugarcane processing factory in São Sebastião do Passé, in 1956. A baptismal font in
lioz Lioz (), also known as Royal Stone (''pedra real''), is a type of limestone, originating in Portugal, from the Lisbon region . It is famed for its use as an ornamental stone, resulting in its proliferation in palaces, cathedrals, and importan ...
marble and images of the church were relocated to Usina Cinco Rios in this period. The factory is now in ruins and the location of the baptismal font and images is unknown.


Location

The Chapel of Our Lady of Victory sits on a bluff in the Mataripe district of São Francisco do Conde, at the highest elevation in the district. The ruins of the plantation house are located adjacent to the west facade of the structure, and the former workers quarters are located to the east. A French-style garden was constructed near the chapel and plantation house in the early 19th century; it is now lost. Imperial palms are located to the left and right of the facade.


Structure

The Chapel of Our Lady of Victory is built of mixed masonry with two towers on either side of the facade. The towers are topped by distinctive, tiled Byzantine-style domes, a style unique among Bahian churches and chapels. The tiles on the domes were industrially produced in Portugal; they have a blue floral geometric design at center on a white background. Semi-oval openings are placed on all four sides of the belfries of both towers. The chapel lacks windows at the
choir A choir ( ; also known as a chorale or chorus) is a musical ensemble of singers. Choral music, in turn, is the music written specifically for such an ensemble to perform. Choirs may perform music from the classical music repertoire, which ...
level, which are instead placed on the two towers. Cross-shaped openings are placed in the tower at the base of the domes. Each of the sacristies, located to the left and right of the nave, had two portals with arches spanning the length of the chapel. The
Rococo Rococo (, also ), less commonly Roccoco or Late Baroque, is an exceptionally ornamental and theatrical style of architecture, art and decoration which combines asymmetry, scrolling curves, gilding, white and pastel colours, sculpted moulding, ...
-style facade was added when the chapel was renovated in the 19th century. It is composed of stucco and has complex design elements across the entire surface. An archivolt above the portal has three small relief plaques with an anchor, cross, and heart in each. A relief of an eight-pointed star is located between the portal and pediment with a shell design at its base. A large relief of a dove, as a symbol of the
Holy Spirit In Judaism, the Holy Spirit is the divine force, quality, and influence of God over the Universe or over his creatures. In Nicene Christianity, the Holy Spirit or Holy Ghost is the third person of the Trinity. In Islam, the Holy Spirit acts as ...
, is prominently placed within the archivolt. The doors have three
pilaster In classical architecture Classical architecture usually denotes architecture which is more or less consciously derived from the principles of Greek and Roman architecture of classical antiquity, or sometimes even more specifically, from the ...
s to either side; the first has a long diamond pattern with a rosette at center, the second has a relief of brickwork, and the third has the design of a simple column.


Interior

The interior of the chapel has a
nave The nave () is the central part of a church, stretching from the (normally western) main entrance or rear wall, to the transepts, or in a church without transepts, to the chancel. When a church contains side aisles, as in a basilica-type ...
,
chancel In church architecture, the chancel is the space around the altar, including the choir and the sanctuary (sometimes called the presbytery), at the liturgical east end of a traditional Christian church building. It may terminate in an apse. Ove ...
, two sacristies on either side of the nave, arched side galleries, and an ossuary. The nave and chancel are of equal width; the chancel is accessed via a large marble slab, now broken. Both the nave and chancel had marble floors. The nave flooring is in a black and white square and triangular pattern. The ceiling of the nave is flat, while that of the chancel is vaulted. The nave and chancel are separated by a chancel arch. The walls of the nave and chancel were lined with semi-industrial
azulejos ''Azulejo'' (, ; from the Arabic ''al- zillīj'', ) is a form of Spanish and Portuguese painted tin-glazed ceramic tilework. ''Azulejos'' are found on the interior and exterior of churches, palaces, ordinary houses, schools, and nowadays, rest ...
. The chapel once had a choir at the rear of the nave; a single wooden beam is the only remnant of the choir. A pulpit was located to the left of the nave that was accessed via a small staircase in the left-hand sacristy. Both the pulpit and it staircase are now missing, but its stone volute pediment, once painted blue, remains. A window with a wooden shutter with ornate lattice-work once connected the right sacristy to the chancel; it is now missing. The high altar was designed in the Neoclassical style and is composed of
stucco Stucco or render is a construction material made of aggregates, a binder, and water. Stucco is applied wet and hardens to a very dense solid. It is used as a decorative coating for walls and ceilings, exterior walls, and as a sculptural and a ...
. It was painted green and has a floral pattern in relief. The altar had a large niche at center that once housed an image of Our Lady of Victory. Oval-shaped oculi are placed to the left and right of the high altar; the left of the chancel had a door to the ossuary, and the right of the chancel opened to the right-side sacristy. The
lavabo A lavabo is a device used to provide water for the washing of hands. It consists normally of a ewer or container of some kind to pour water, and a bowl to catch the water as it falls off the hands. In ecclesiastical usage it refers to all of: the b ...
dated to the 18th century and was composed of
lioz Lioz (), also known as Royal Stone (''pedra real''), is a type of limestone, originating in Portugal, from the Lisbon region . It is famed for its use as an ornamental stone, resulting in its proliferation in palaces, cathedrals, and importan ...
limestone and the baptismal font was of Carrara marble, all imported from Portugal. The lavabo and baptismal fonts are now lost.


Condition

The chapel is now in an advanced state of ruin; the portals and windows are missing, the roof of the sacristy has collapsed, and all interior elements have been removed. The plantation house of the Paramirim Plantation is entirely in ruins.


Protected status

The Chapel of Our Lady of Victory lacks municipal, state, or federal protection. It is recognized as a heritage site of Portuguese history by the Calouste Gulbenkian Foundation.


References

{{reflist, 2, refs= {{cite book , last = Azevedo , first = Esterzilda , title = Engenhos do Recôncavo Baiano , publisher = Monumenta, IPHAN, Ministério da Cultura, Brasil, Governo Federal , location = Brasília, Brazil , year = 2009 , isbn = 9788573341546 {{cite web , last = Azevedo , first = Esterzilda Berenstein , url= https://www.hpip.org/en/Heritage/Details/1207 , title= Chapel of Our Lady of Victory , publisher=Heritage of Portuguese Influence/Património de Influência Portuguesa , year = 2012 , place = Lisbon, Portugal , accessdate=2019-07-10 {{cite book , last=Secretaria da Indústria, Comércio e Turismo (Bahia, Brazil) , title=IPAC-BA: inventário de proteção do acervo cultural , volume = 3 , location=Salvador, Brazil , publisher=Secretaria da Indústria e Comércio , year=1997 , pages=195–196 {{cite book , last = Rosa , first = Dora , title = Salvador e a Baía de Todos os Santos: guía de arquitectura e paisagem; Salvador y la Bahía de Todos los Santos: guía de arquitectura y paisaje , publisher = Consejería de Obras Públicas y Vivienda Governo do Estado da Bahia , location = Sevilla , year = 2012 , isbn = 9788475952826 , page =459 {{cite conference , last=Tolentino , first=Mônica Martins Andrade , title=A utilização do HBIM na documentação, na gestão e na preservação do Patrimônio Arquitetônico , language=pt , conference=SIGRADI , publisher=SIGRADI , place=Florianópolis , year=2016 Roman Catholic churches in Bahia 18th-century Roman Catholic church buildings in Brazil State heritage sites of Bahia Portuguese colonial architecture in Brazil