Cathedral Of Nocera Umbra
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The church of Saint Maria Assunta is a Catholic parish church in Nocera Umbra, in Umbria, and co-cathedral of the diocese of Assisi-Nocera Umbra-Gualdo Tadino.


History

The cathedral (''Ecclesia Maior'') of Nocera probably rests on the foundations of a temple dedicated to the goddess Favonia, who gave the name to one of the two tribes of the founders of Nocera ( Umbrian:''Noukria'', "the New"), the ''Favonienses''. The church existed for sure before the year thousand, and was the most ancient church of the territory. The most probable location is the top of the hill where medieval Nocera rose. During the middle ages the town was a best equipped fortress ("fortissima arx nucerina") ramparted by the Lombards in defense of the
Duchy of Spoleto The Duchy of Spoleto (, ) was a Lombard territory founded about 570 in central Italy by the Lombard ''dux'' Faroald. Its capital was the city of Spoleto. Lombards The Lombards had invaded Italy in 568 AD and conquered much of it, establishing ...
against the Byzantines who controlled Gualdo Tadino and Gubbio.Sigismondi (1979), pp. 295-296 The '' dedicatio'' is surely that one of '' Maria Assunta'', festivity that in the west reached its apogee in the centuries VIII-IX. Historical documents attest the existence of a Romanesque cathedral already in the XI-XII century. In the XI century the church was the family chapel of the comital family. The shrine – named ''Sancta Maria infra Arcem'' ("St. Mary in the fortress") – lay inside the city fortress, destroyed by Emperor Frederick II in the struggle between
Guelphs and Ghibellines The Guelphs and Ghibellines (, , ; it, guelfi e ghibellini ) were factions supporting the Pope and the Holy Roman Emperor, respectively, in the Italian city-states of Central Italy and Northern Italy. During the 12th and 13th centuries, ri ...
in 1248.Sigismondi (1979), pp. 340-341 Abandoned in ruins, in this period the church then called '' Sancta Maria vetus'', placed where today is the church of S. Giovanni of the monastery of the Poor Clares, assumed the function of cathedral. Only in the mid-fifteenth century was undertaken the reconstruction of the old cathedral: the work began in 1448, exactly two hundred years after its devastation.AA.VV. (2004), p. 404. In July 1487 were buried in the church the
relic In religion, a relic is an object or article of religious significance from the past. It usually consists of the physical remains of a saint or the personal effects of the saint or venerated person preserved for purposes of veneration as a tangi ...
s of St. Raynald, patron saint of the city, whose remains rest today under the high altar. The
bell tower A bell tower is a tower that contains one or more bells, or that is designed to hold bells even if it has none. Such a tower commonly serves as part of a Christian church, and will contain church bells, but there are also many secular bell tower ...
was finished in 1544. Further interventions were carried out in the 18th century with the transformation of the cathedral in Baroque style, and in the 19th century. The facade was completed in 1925. The church was the cathedral of the Diocese of Nocera Umbra–Gualdo Tadino until its fusion with the
Diocese of Assisi The Italian Catholic Diocese of Assisi-Nocera Umbra-Gualdo Tadino ( la, Dioecesis Assisiensis-Nucerina-Tadinensis) in Umbria, has existed since 1986. In that year the historic Diocese of Assisi, known as the birthplace of Francis of Assisi, was ...
in 1986. It became the co-cathedral of the newly formed Diocese of Assisi-Nocera Umbra-Gualdo Tadino.


Architecture and Decoration


Exterior

Of the 11th century construction remains the Romanesque portal decorated with vine sheets and animals on the left side of the building. The facade, which is rather incongruously choked by the ''Campanaccio'', the tower which is the only remain of the Trinci's castle, has stone decorations and a central
Oculus Oculus (a term from Latin ''oculus'', meaning 'eye'), may refer to the following Architecture * Oculus (architecture), a circular opening in the centre of a dome or in a wall Arts, entertainment, and media * ''Oculus'' (film), a 2013 American ...
. The bell tower has a little rear dome.


Interior

Internally, the building has a single large nave with side chapels and a semicircular apse, and is richly decorated with
stucco Stucco or render is a construction material made of aggregates, a binder, and water. Stucco is applied wet and hardens to a very dense solid. It is used as a decorative coating for walls and ceilings, exterior walls, and as a sculptural and a ...
es. In the fourth chapel to the left there is a cycle of
Marian iconography Iconography, as a branch of art history, studies the identification, description and interpretation of the content of images: the subjects depicted, the particular compositions and details used to do so, and other elements that are distinct fro ...
fresco Fresco (plural ''frescos'' or ''frescoes'') is a technique of mural painting executed upon freshly laid ("wet") lime plaster. Water is used as the vehicle for the dry-powder pigment to merge with the plaster, and with the setting of the plaste ...
es ('' Presentation of the Virgin to the temple'', ''
Annunciation The Annunciation (from Latin '), also referred to as the Annunciation to the Blessed Virgin Mary, the Annunciation of Our Lady, or the Annunciation of the Lord, is the Christian celebration of the biblical tale of the announcement by the ange ...
'', '' Assumption with Charles Borromeo and
Saint Anne According to Christian apocryphal and Islamic tradition, Saint Anne was the mother of Mary and the maternal grandmother of Jesus. Mary's mother is not named in the canonical gospels. In writing, Anne's name and that of her husband Joachim come o ...
'', ''Saints'') commissioned in 1619 by the '' comune'' of Nocera to Giulio Cesare Angeli. In the third chapel to the left there are many reliquaries and a fresco of 1514. The decoration of the apse is due to Elpidio Petrignani. Many works once in the church have been moved to in municipal
Pinacotheca A pinacotheca (Latin borrowing from grc, πινακοθήκη, pinakothēkē = grc, πίναξ, pinax, (painted) board, tablet, label=none + grc, θήκη, thēkē, box, chest, label=none) was a picture gallery in either ancient Greece or anc ...
in the church of San Francesco: among them, the
altarpiece An altarpiece is an artwork such as a painting, sculpture or relief representing a religious subject made for placing at the back of or behind the altar of a Christian church. Though most commonly used for a single work of art such as a painting o ...
''Adoration of the Child with angels, Saints, Coronation of Virgin Mary, Apostles'' painted in 1483 from Niccolò di Liberatore detto l'Alunno, and the ''Meeting of Saint Anne and
Joachim Joachim (; ''Yəhōyāqīm'', "he whom Yahweh has set up"; ; ) was, according to Christian tradition, the husband of Saint Anne and the father of Mary, the mother of Jesus. The story of Joachim and Anne first appears in the Biblical apocryphal ...
at the
Porta Aurea The Walls of Constantinople ( el, Τείχη της Κωνσταντινουπόλεως) are a series of defensive stone walls that have surrounded and protected the city of Constantinople (today Istanbul in Turkey) since its founding as the ...
, Immaculate Conception, Saints'' painted between the centuries XV and XVI from Matteo di Pietro da Gualdo, which was previously placed in the chapel of the Immaculate. In the
sacristy A sacristy, also known as a vestry or preparation room, is a room in Christian churches for the keeping of vestments (such as the alb and chasuble) and other church furnishings, sacred vessels, and parish records. The sacristy is usually located ...
are noteworthy the majolica floor and paintings of 17th century: among them, ''Jesus Child sleeping and John the Baptist Child'' by Anonymous Roman sec. XVII; ''John the Baptist Child'' by anonymous Umbrian sec. XVII; and a cross painted by an anonymous Umbrian of the XIII century, previously kept in the Church of S. Martino.


References


Sources

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External links

{{DEFAULTSORT:Maria Assunta, Nocera Umbra 15th-century Roman Catholic church buildings in Italy Baroque architecture in Umbria Churches in the province of Perugia