Cathedral Of Massa Marittima
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260px, View of the cathedral from the north-west 260px, The main portal Massa Marittima Cathedral ( it, Duomo di Massa Marittima; ''Cattedrale di San Cerbone'') is a
Roman Catholic Roman or Romans most often refers to: *Rome, the capital city of Italy * Ancient Rome, Roman civilization from 8th century BC to 5th century AD * Roman people, the people of ancient Rome *'' Epistle to the Romans'', shortened to ''Romans'', a let ...
cathedral A cathedral is a church that contains the '' cathedra'' () of a bishop, thus serving as the central church of a diocese, conference, or episcopate. Churches with the function of "cathedral" are usually specific to those Christian denominatio ...
in
Massa Marittima Massa Marittima (Latin: ''Massa Veternensis'') is a town and ''comune'' of the province of Grosseto, southern Tuscany, Italy, 49 km NNW of Grosseto. There are mineral springs, mines of iron, mercury, lignite and copper, with foundries, iron ...
,
Tuscany it, Toscano (man) it, Toscana (woman) , population_note = , population_blank1_title = , population_blank1 = , demographics_type1 = Citizenship , demographics1_footnotes = , demographics1_title1 = Italian , demogra ...
,
Italy Italy ( it, Italia ), officially the Italian Republic, ) or the Republic of Italy, is a country in Southern Europe. It is located in the middle of the Mediterranean Sea, and its territory largely coincides with the homonymous geographical ...
, dedicated to Saint Cerbonius. Formerly the episcopal seat of the Diocese of Massa Marittima, it is now that of the Diocese of Massa Marittima-Piombino.


Architecture

The cathedral measures by and is built on the ground plan of a
Latin cross A Latin cross or ''crux immissa'' is a type of cross in which the vertical beam sticks above the crossbeam, with the three upper arms either equally long or with the vertical topmost arm shorter than the two horizontal arms, and always with a mu ...
. The
façade A façade () (also written facade) is generally the front part or exterior of a building. It is a loan word from the French (), which means ' frontage' or ' face'. In architecture, the façade of a building is often the most important aspect ...
reveals the different influences which inspired the anonymous architect: the
blind arcade A blind arcade or blank arcade is an arcade (a series of arches) that has no actual openings and that is applied to the surface of a wall as a decorative element: i.e., the arches are not windows or openings but are part of the masonry face. It is ...
s in the lower part, decorated with circular openings and
lozenge Lozenge or losange may refer to: * Lozenge (shape), a type of rhombus *Throat lozenge, a tablet intended to be dissolved slowly in the mouth to suppress throat ailments *Lozenge (heraldry), a diamond-shaped object that can be placed on the field of ...
s, the
loggia In architecture, a loggia ( , usually , ) is a covered exterior gallery or corridor, usually on an upper level, but sometimes on the ground level of a building. The outer wall is open to the elements, usually supported by a series of columns ...
to in the middle part and the surmounting tympanum are in Pisan Romanesque style. The large
ogival An ogive ( ) is the roundly tapered end of a two-dimensional or three-dimensional object. Ogive curves and surfaces are used in engineering, architecture and woodworking. Etymology The earliest use of the word ''ogive'' is found in the 13th c ...
mullioned window A mullion is a vertical element that forms a division between units of a window or screen, or is used decoratively. It is also often used as a division between double doors. When dividing adjacent window units its primary purpose is a rigid supp ...
and the three
spire A spire is a tall, slender, pointed structure on top of a roof of a building or tower, especially at the summit of church steeples. A spire may have a square, circular, or polygonal plan, with a roughly conical or pyramidal shape. Spires a ...
s show instead a Sienese influence. The central portal flanked by two lion columns has five panels dating from the early 13th century illustrating the legend of Saint Cerbonius. The three central columns of the tympanum rest on three figures: a bearded man, a griffin and a horse. The bell tower is the original 13th-century one in the lower part while the upper area is a 19th-century addition. The polygonal
tambour In classical architecture, a tambour ( Fr.: "drum") is the inverted bell of the Corinthian capital around which are carved acanthus leaves for decoration. The term also applies to the wall of a circular structure, whether on the ground or rais ...
, standing at , is from the 15th century.


Interior

The interior has a
basilica In Ancient Roman architecture, a basilica is a large public building with multiple functions, typically built alongside the town's Forum (Roman), forum. The basilica was in the Latin West equivalent to a stoa in the Greek East. The building ...
plan with an
apse In architecture, an apse (plural apses; from Latin 'arch, vault' from Ancient Greek 'arch'; sometimes written apsis, plural apsides) is a semicircular recess covered with a hemispherical vault or semi-dome, also known as an '' exedra''. ...
and two aisles, divided by cylindrical columns and
cruciform Cruciform is a term for physical manifestations resembling a common cross or Christian cross. The label can be extended to architectural shapes, biology, art, and design. Cruciform architectural plan Christian churches are commonly describe ...
pilaster In classical architecture, a pilaster is an architectural element used to give the appearance of a supporting column and to articulate an extent of wall, with only an ornamental function. It consists of a flat surface raised from the main wal ...
s which end in complex composite capitals. Next to the entrance door, under the 14th century
triptych A triptych ( ; from the Greek adjective ''τρίπτυχον'' "''triptukhon''" ("three-fold"), from ''tri'', i.e., "three" and ''ptysso'', i.e., "to fold" or ''ptyx'', i.e., "fold") is a work of art (usually a panel painting) that is divided ...
of the ''Madonna Enthroned with Child and Saints'', is a Roman sarcophagus from the 4th century. On the right of the counter-façade is a series of panels in soft stone, dating from the
High Middle Ages The High Middle Ages, or High Medieval Period, was the period of European history that lasted from AD 1000 to 1300. The High Middle Ages were preceded by the Early Middle Ages and were followed by the Late Middle Ages, which ended around AD 150 ...
or, according to some sources, to the 12th-13th century. Over the panels are frescoes of the
Crucifixion Crucifixion is a method of capital punishment in which the victim is tied or nailed to a large wooden cross or beam and left to hang until eventual death from exhaustion and asphyxiation. It was used as a punishment by the Persians, Carthagi ...
, of the 14th century, and the legend of Saint Julian, of the 15th century. The central rose window has rare stained glass of the Sienese School. On the left is the monumental baptismal font, with a rectangular bath surmounted by a small temple. The
baptistery In Christian architecture the baptistery or baptistry (Old French ''baptisterie''; Latin ''baptisterium''; Greek , 'bathing-place, baptistery', from , baptízein, 'to baptize') is the separate centrally planned structure surrounding the baptismal ...
dates from 1267. The south aisle houses paintings/sculptures of the ''Madonna in Glory'' by Antonio Nasini (late 17th century) and the '' Nativity of the Virgin'' by
Rutilio Manetti Rutilio di Lorenzo Manetti (c. 1571 – 22 July 1639) was an Italian painter of late- Mannerism or proto- Baroque, active mainly in Siena. Biography He was influenced and/or taught by the local artists Francesco Vanni and Ventura Salimbeni. He is ...
(16th century). In the chapel on the right of the presbytery is a painted cross by Segna di Bonaventura (14th century). The wooden pulpit is of the 17th century. Also by Rutilio Manetti are the paintings/sculptures of the ''
Immaculate Conception The Immaculate Conception is the belief that the Virgin Mary was free of original sin from the moment of her conception. It is one of the four Marian dogmas of the Catholic Church, meaning that it is held to be a divinely revealed truth w ...
'' and the ''Eternal Father'' in the chapel to the right of the major one. The
high altar An altar is a table or platform for the presentation of religious offerings, for sacrifices, or for other ritualistic purposes. Altars are found at shrines, temples, churches, and other places of worship. They are used particularly in paganis ...
, in marble (1626), has a
polychrome Polychrome is the "practice of decorating architectural elements, sculpture, etc., in a variety of colors." The term is used to refer to certain styles of architecture, pottery or sculpture in multiple colors. Ancient Egypt Colossal statu ...
wooden
crucifix A crucifix (from Latin ''cruci fixus'' meaning "(one) fixed to a cross") is a cross with an image of Jesus on it, as distinct from a bare cross. The representation of Jesus himself on the cross is referred to in English as the ''corpus'' (Lati ...
by
Giovanni Pisano Giovanni Pisano (c. 1250 – c. 1315) was an Italian sculptor, painter and architect, who worked in the cities of Pisa, Siena and Pistoia. He is best known for his sculpture which shows the influence of both the French Gothic and the Ancient ...
(early 14th century). At the foot of the altar are two wooden angels from the 15th century, by Domenico di Niccolò dei Cori. Behind it is the ''Ark of Saint Cerbonius'', which was created in 1342, with reliefs depicting stories of the saint. On the right wall is a 15th-century fresco of ''Saint Cerbonius Accompanied by Ducks'', while a ''
Maestà Maestà , the Italian word for "majesty", designates a classification of images of the enthroned Madonna with the child Jesus, the designation generally implying accompaniment by angels, saints, or both. The ''Maestà'' is an extension of the "Se ...
'' attributed to
Duccio di Buoninsegna Duccio di Buoninsegna ( , ; – ) was an Italian painter active in Siena, Tuscany, in the late 13th and early 14th century. He was hired throughout his life to complete many important works in government and religious buildings around Italy. Ducc ...
(1316) can be seen in the chapel to the left of the major one, together with an '' Annunciation'' by
Raffaello Vanni Raffaello Vanni (1590 ca-1673) was an Italian painter of the Baroque. Biography He was born at Siena. He first trained with his father, Francesco Vanni, who died in 1610. He was afterwards sent to Rome, and recommended to the care of Antonio C ...
(17th century). The crypt houses small statues of prophets and saints by an unknown mid-14th-century Sienese sculptor, and a 15th-century fresco, ''Crucifixion with Saint Cerbonius and Saint Bonaventura of Siena''.


Sources

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External links


Massa Marittima Cathedral interiors
{{coord, 43.0497, N, 10.8879, E, source:kolossus-itwiki, display=title Romanesque architecture in Tuscany Churches in the province of Grosseto Roman Catholic churches in Tuscany
Massa Marittima Massa Marittima (Latin: ''Massa Veternensis'') is a town and ''comune'' of the province of Grosseto, southern Tuscany, Italy, 49 km NNW of Grosseto. There are mineral springs, mines of iron, mercury, lignite and copper, with foundries, iron ...
Cathedrals in Tuscany Massa Marittima