Background and writing
The song has since become one of the bands signature songs, receiving high praise from music critics and fans alike. According to ''Post Punk'', Elizabeth Fraser "displays one of the most impressive soprano’ in the history of modern music, resembling some sort of exotic songbird from a higher dimension" with music critic Steve Sutherland claiming that through the song, Fraser seemed to portray someone as having "the voice of god". The song was released as the only single from the ''Blue Bell Knoll'' album. Speaking about the overall recording, writing and production of the album, bassist Simon Raymonde said "That whole period was incredibly fertile, even just before Blue Bell Knoll, with This Mortal Coil projects that I was deeply involved with, the Victorialand album hich Fraser and Guthrie recorded as a duoand the Harold Budd collaboration, we were all super busy and – seemingly – fairly happy. Things seemed to be pretty good. We were at our most creative during that period, 1985 through 1990" Speaking about the creative process of "Carolyn's Fingers", Raymonde stated that "the recording of Blue Bell Knoll was the first time we had a studio with our own key and a front door we could shut and just get on with it. And that made a massive difference as the three of us were getting on and understanding what we were trying to do; it all gelled pretty well in that period." It had been noted that during the songs production, Robin Guthrie did not utilise the rhythm section of the song to its full and higher potential. Although never confirmed by Guthrie or the band themselves, this may be largely due to Guthrie's intention and vision of placing Fraser's vocals and singing ability at the forefront of the song to make it standout more and give the band their unique sound. Lead singer Fraser had a strong affection for both the track and the overall album, citing that "for the first time in years and I cried, I just thought it was so lovely. It was quite a difficult time, and I think we just decided to throw ourselves into the creativity."Release and reception
Writing in ''AllMusic Magazine'', Ned Raggett claims that "Carolyn's Fingers" is the clear standout track from the album. He describes the song as being "perhaps the strongest individual Cocteau song since "Aikea-Guinea," with Fraser singing against herself over a rough, hip-hop-inspired rhythm while Guthrie peels off a fantastic main guitar melody and Raymonde contributes some supple bass work." Danny Reiley, writing for ''The Quitetus'' praises the way that the preceding songs on the album "appear to lead up nicely to Carolyn's Fingers', that beautifully concise, naïve rush of psychedelic dance-pop". The release of "Carolyn's Fingers" was the first single to be released by the band in the US, where it marked a point where the Cocteau Twins decided to aim directly for the pleasure of listeners. Frazer's soprano vocals over an ecstatically lush production was highly praised by music critics. The song was released as the first and only single from the band's ''Blue Bell Knoll'' album. This was common of the band, who preferred to releaseMusic video
During the time of the release, it was uncommon for the Cocteau Twins to release a single with an accompanying music video. Due to increased popularity and pressure from their record labelLegacy
Since its original release, "Carolyn's Fingers" has since been considered a fan favourite and one of the bands most popular and successful releases through their career. Fraser's vocal ability on the track has received praise for her "glossolalic vocals". Frequently performed on live tours by the band since its release, it was also commonly performed by the band on television appearances, namely on '' Later... with Jools Holland'' in 1994.Track listing
The track listing for the single released is as follows: # "Carolyn's Fingers" –3:06 # "Ella Megalast Burls Forever" – 3:36Charts
See also
* Cocteau Twins discographyReferences
{{Cocteau Twins 1988 singles 1988 songs Cocteau Twins songs 4AD singles