Carole Steyn (née Moss) (born 1938, in

Manchester Manchester () is a city in Greater Manchester, England. It had a population of 552,000 in 2021. It is bordered by the Cheshire Plain to the south, the Pennines to the north and east, and the neighbouring city of Salford to the west. The t ...

) is a British abstract and figurative painter, sculptor, pastellist and ceramicist who works with a wide range of materials and lives in London. Steyn's work draws on a range of influences, including her Russian Constructivism-inspired freestanding sculptures; and Bas-Reliefs reminiscent of Nevelson and Camargo.

Biography

Steyn studied at the

Académie Julian The Académie Julian () was a private art school for painting and sculpture founded in Paris, France, in 1867 by French painter and teacher Rodolphe Julian (1839–1907) that was active from 1868 through 1968. It remained famous for the number a ...

in Paris in 1953 and the Saint Martin's School of Art from 1954 to 1956, then studied sculpture at the Camden Arts Centre in 1968. Carole had a series of solo exhibitions at the Drian Galleries in London in the 1970s. In 1973, 1974 and 1975 Steyn exhibited with the

Free Painters and Sculptors Free Painters and Sculptors (FPS) is an artist-led organisation based in London, England, which regularly exhibits every year. It played a pivotal role in the establishment of abstract art in the 1950s and 1960s. History Background FPS ...

at the Mall Galleries in London.'''' In 1974, 1975 and 1976 she exhibited with the Women's International Art Club at the Drian Galleries and Camden Arts Centre.U Richmond (2016)
Women's International Art Club (WIAC)
Archives Hub. Accessed September 2016. In 1988 Steyn featured in ''Out of the Doll's House'', a BBC2 mini series of eight films, which explored the way women's lives have changed in the 20th century. Carole also took part in ''Hanging Out'', a project to explore youth culture both now and in the 1950s and 1960s. Commenting on her time at Saint Martin's School of Art during the 1950s Carole said "We were called beatniks sometimes and adopted maybe some so-called Bohemian attitudes at St. Martins…".

Early career

Steyn's early abstract relief work used organic materials such as eggs, nuts and seeds to create seabed effects which reflected her interest in the emotive power of the sea. Her ''Seabed'' collages captured the flow, colour and rhythm of the ocean floor. In her Blue Seabed Manifesto, Steyn said "The deep blue sea has a moody and turbulent vibe. It also bears mystical and fertility connotations." A favourite of Drain Galleries during the 1970s and 1980s, Steyn's solo exhibitions included works using the medium of nylon bonded clay to produce rippling floriform shapes which conveyed the force of growth and the dynamic, swirling movements of water.James Burr, 'Around the Galleries', ''Apollo'' Magazine, Vol C1, No.160, June 1975, p. 480. Retrieved 2 February 2019. Carole exhibited multiple styles of sculpture and relief for her 1981 solo show at the Drian which celebrated themes centred around nature, life and death. The ''Fertility'' section used eggs and nuts as symbols of the life force and her ''Flow'' series was a development of her 1975 exhibition. The ''Bones'' series consisted of bones constructed into collage bas-reliefs and her ''Universal Trees of Life'' works celebrated the continuity of nature. By her 1985 solo exhibition Steyn's collages and sculptures were smaller and more painterly, exhibited alongside nine large abstract oil paintings which hinted at the essence of light. Her accompanying manifesto included the following statements: "living art is a struggle between formal perfection and creative emotion" and "my only security is the knowledge that sometimes I may be able to make something beautiful".

Solo exhibitions

* 1971, ''Abstract relief, eggs, nuts'', Drian Gallieries, London * 1975, ''New Abstract reliefs, Flow period'', Drian Gallieries, London * 1981, ''First Retrospective Exhibition'', Drian Gallieries, London * 1985, ''Abstract oil paintings and new abstract collages'', Drian Gallieries, London * 1987, ''Reliefs and Paintings and Pastels'', Jablonski Gallery, London * 1991, ''Oils, Pastels, Drawings, Prints'', Galerie Harounoff, LondonWomen's International Art Club
Artist Biographies: British and Irish Artists of the 20th Century. Accessed July 2016.

Group exhibitions

* 1968, ''Abstract relief'', Redmark Gallery, London * 1972,

Mansard Gallery Heal's ("Heal and Son Ltd") is a British furniture retail company comprising seven stores, selling a range of furniture, lighting and home accessories. For over two centuries, it has been known for promoting modern design and employing ta ...

, Heal's, London * 1972, O'Hana Gallery, London * 1973,

, The Mall Galleries, London * 1973, ''Sculptures and Reliefs'', Drian Galleries, London * 1973, Ben Uri Gallery, London * 1974,

, The Mall Galleries, London * 1974, ''The Feminine Eye'', Women's International Art Club, Drian Galleries, LondonU Richmond (2016)
Women's International Art Club (WIAC)
Archives Hub. Accessed September 2016. * 1975, ''FPS Trends 1975: Painting and Sculpture'',

, The Mall Galleries, London * 1975, Women's International Art Club, Camden Arts Centre, London * 1976, Women's International Art Club, London

Galleries and museums

Steyn's work is held in the following collections, galleries and museums. * The Schools Collection, Sheffield, UK * National Museum, Warsaw, Poland * National Museum, Gdańsk, Poland

References

External links

BBC series Out of the Doll's House
{{DEFAULTSORT:Steyn, Carole 1938 births Living people 20th-century English painters 20th-century English women artists 21st-century English painters 21st-century English women artists Académie Julian alumni Alumni of Saint Martin's School of Art Artists from Manchester English women painters Modern painters