Canon EF-S 17–55mm Lens
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The Canon EF-S 17–55mm 2.8 IS USM is a standard
zoom lens A zoom lens is a mechanical assembly of lens elements for which the focal length (and thus angle of view) can be varied, as opposed to a fixed-focal-length (FFL) lens (see prime lens). A true zoom lens, also called a parfocal lens, is one ...
for
Canon Canon or Canons may refer to: Arts and entertainment * Canon (fiction), the conceptual material accepted as official in a fictional universe by its fan base * Literary canon, an accepted body of works considered as high culture ** Western can ...
digital single-lens reflex camera A digital single-lens reflex camera (digital SLR or DSLR) is a digital camera that combines the optics and the mechanisms of a single-lens reflex camera with a digital imaging sensor. The reflex design scheme is the primary difference between ...
s with an EF-S lens mount. The field of view has a
35 mm equivalent focal length In photography, the 35 mm equivalent focal length is a measure that indicates the angle of view of a particular combination of a camera lens and film or sensor size. The term is popular because in the early years of digital photography, m ...
of 27–88mm.


Reception


Praise

It is praised as "one of the best general/multi-purpose lenses available", and ideal for available light photography on a Canon
APS-C Advanced Photo System type-C (APS-C) is an image sensor format approximately equivalent in size to the Advanced Photo System film negative in its C ("Classic") format, of 25.1×16.7 mm, an aspect ratio of 3:2 and Ø 31.15 mm field d ...
camera. The fast 2.8 aperture, combined with 3-stop
image stabilization Image stabilization (IS) is a family of techniques that reduce blurring associated with the motion of a camera or other imaging device during exposure. Generally, it compensates for pan and tilt (angular movement, equivalent to yaw and pit ...
, makes the 17–55 very useful in low light compared to an unstabilized 3.5–5.6
Canon EF-S 18–55mm lens The Canon EF-S 18–55mm lens 3.5–5.6 is a Canon-produced wide-angle to mid telephoto zoom lens for digital single-lens reflex cameras with an EF-S lens mount. The field of view has a 35 mm equivalent focal length of 28.8–88mm, and it is a ...
, which is a frequent
kit lens A kit lens is a "starter" lens which can be sold with an interchangeable-lens camera such as a single-lens reflex camera. It is generally an inexpensive lens priced at the lowest end of the manufacturer's range so as to not add much to a camera ki ...
, and thus the 17–55 is much more suited for hand holding and available-light photography. Newer versions of the 18–55 kit lens include 4-stop image stabilization, but remain slower aperture, partly addressing this concern.


Criticism

This lens has been criticized by one review as prone to
flare A flare, also sometimes called a fusée, fusee, or bengala in some Latin-speaking countries, is a type of pyrotechnic that produces a bright light or intense heat without an explosion. Flares are used for distress signaling, illumination, ...
when the sun is in the frame. The 17–55 suffers from
vignetting In photography and optics, vignetting is a reduction of an image's brightness or saturation toward the periphery compared to the image center. The word ''vignette'', from the same root as ''vine'', originally referred to a decorative border ...
at 2.8 of 0.5–1 EV throughout the focal range, though current Canon bodies are able to correct this by storing the vignetting data within the camera memory.
Chromatic aberration In optics, chromatic aberration (CA), also called chromatic distortion and spherochromatism, is a failure of a lens to focus all colors to the same point. It is caused by dispersion: the refractive index of the lens elements varies with the wave ...
is a relative weakness at the wide end (at the edges and corners), but is quite low for a zoom lens in this range.
Barrel distortion In geometric optics, distortion is a deviation from rectilinear projection; a projection in which straight lines in a scene remain straight in an image. It is a form of aberration in optical systems, optical aberration. Radial distortion Al ...
is evident at the wide end. Some users have reported dust gathering inside the lens.


Quality

The 17–55mm is not an L-series lens, but it has two UD (ultra-low dispersion) lens elements, which are largely reserved for L-series lenses, and some say that the 17–55 has comparable image quality to L-series lenses. Some regard the decision to not designate the lens as L-class as marketing-driven, but being EF-S it will not fit on a full-frame body—therefore, at least under current Canon marketing strategy, cannot be labeled L-series. "The resolution figures are among the very best seen so far for an APS-C standard zoom lens." The build quality is inferior to L-series lenses (plastic body, not magnesium alloy), though superior to the EF-S 17–85mm lens.


Similar lenses

Unlike most other EF-S lenses, the 17–55mm does not have a direct equivalent in the range of traditional EF lenses. As a general purpose EF-S zoom lens, the alternatives to the 17–55mm are the EF-S 18–55mm 3.5–5.6, which is a cheaper kit lens; the EF-S 17–85mm 4–5.6 IS USM, which is midway between the 18–55mm and 17–55mm in some respects – depending on which version of the 18–55 one is comparing – and boasts a longer telephoto end; and the newer EF-S 15–85mm 3.5–5.6 IS USM, which has similar build quality to the 17–55mm and the largest focal length range of the group. The 17–55 is at times compared to the EF 17–40mm 4L USM, which has similar image quality (despite the latter being L series and the 17–55 not being so designated), though the 17–55's faster aperture and IS make it more suited (by one stop) for hand-holding and available light photography. Also, it can be compared to the three Canon EF 24–70 mm L lenses. Two of the 24–70 lenses have the same 2.8 maximum aperture as the 17–55, but no image stabilization; the newest 24–70 has a maximum 4 aperture but adds stabilization. When mounted on their equivalent cameras (full-frame for the 24–70, and crop for the 17–55), the two lenses have similar focal lengths. The IS system of the 17–55 gives that lens an advantage over the 24–70 2.8 in lower light by reducing the amount of camera shake. The 17–55 and the 24–70 4 are both stabilized, but the 17–55 has a one-stop advantage over that version of the 24–70. The EF 28–90mm, though having corresponding full-frame equivalent focal length, is an inexpensive kit lens and is not comparable to the 17–55mm, having slower aperture, a variable maximum aperture, lower image quality, and no image stabilization.


References


External links

*
Press Release and Specifications
at
dpreview ''Digital Photography Review'', also known as ''DPReview,'' is a website about digital cameras and digital photography, established in November 1998. The website provides comprehensive reviews of digital cameras, lenses and accessories, buying g ...
{{DEFAULTSORT:Canon Ef-S 17-55mm Lens 17-55mm Camera lenses introduced in 2006