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The were a group of dissolute writers who expressed the aimlessness and identity crisis of post- World War II Japan. While not comprising a true literary school, the Buraiha writers were linked together by a similar approach to the subject matter and literary style. The main characters in works of the Buraiha feature
anti-hero An antihero (sometimes spelled as anti-hero) or antiheroine is a main character in a story who may lack conventional heroic qualities and attributes, such as idealism, courage, and morality. Although antiheroes may sometimes perform actio ...
es that are dissolute and aimless. Their work was based on criticism of the complete body of pre-war Japanese literature as well as American social values that were introduced into Japanese society with the occupation. Their work did not appeal to any one particular group, and their range was not well defined.


Writers

The term mainly applied to Ango Sakaguchi,
Osamu Dazai was a Japanese author. A number of his most popular works, such as '' The Setting Sun'' (''Shayō'') and '' No Longer Human'' (''Ningen Shikkaku''), are considered modern-day classics. His influences include Ryūnosuke Akutagawa, Murasaki Shik ...
and
Sakunosuke Oda was a Japanese writer. He is often grouped together with Osamu Dazai and Ango Sakaguchi as the '' Buraiha.'' Literally meaning ruffian or hoodlum faction, this label was not a matter of a stylistic school but one bestowed upon them by conserva ...
, however, it also often referred to others, such as
Jun Ishikawa was the pen name of a modernist author, translator and literary critic active in Shōwa period Japan. His real name (written in the same ''kanji'') was Ishikawa Kiyoshi. Early life Ishikawa was born in the Asakusa district of Tokyo as the son o ...
, Itō Sei,
Jun Takami was the pen-name of a Japanese novelist and poet active in Shōwa period Japan. His real name was Takami Yoshio. Early life Takami was born in Mikuni, Fukui (part of the present-day city of Sakai),Tanaka Hidemitsu and Kazuo Dan. Further, according to Takeo Okuno, the group also included Miyoshi Jūrō and Taiko Hirabayashi.


Lifestyle

Buraiha writers are sometimes referred to as the "
decadent The word decadence, which at first meant simply "decline" in an abstract sense, is now most often used to refer to a perceived decay in standards, morals, dignity, religious faith, honor, discipline, or skill at governing among the members of ...
s" in the west because of the decadent lifestyle they lead, spending time in bars, using narcotics, and having frequent sexual relationships. A prime example of this is Ango Sakaguchi, who shocked the Japanese public by his publication of an essay entitled . This, according to one critic, "allowed the Japanese people, especially the youth of Japan, to redeem its sense of self and begin life in the postwar period."


Term

The term "burai", which was bestowed on the group by conservative critics, literally meaning undependable, refers to someone whose behavior goes against traditional social conventions. Because of the subversive nature of their works, they were initially referred to as the after an
Edo Edo ( ja, , , "bay-entrance" or "estuary"), also romanized as Jedo, Yedo or Yeddo, is the former name of Tokyo. Edo, formerly a ''jōkamachi'' (castle town) centered on Edo Castle located in Musashi Province, became the ''de facto'' capital of ...
-era literary movement, but the terms was replaced as less irreverent works became popular.


References

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Further reading

*Literary Mischief: Sakaguchi Ango, Culture, and the War, edited by James Dorsey and Doug Slaymaker, with translations by James Dorsey. Lanham, MA: Lexington Books, 2010. (Critical essays by Doug Slaymaker, James Dorsey, Robert Steen, Karatani Kojin, and Ogino Anna; translations of "Nihon bunka shikan" Personal View of Japanese Culture, 1942 "Shinju" earls, 1942 "Darakuron" iscourse on Decadence, 1946 and "Zoku darakuron" iscourse on Decadence, Part II, 1946) *Dorsey, James. “Culture, Nationalism, and Sakaguchi Ango,” Journal of Japanese Studies vol. 27, no. 2 (Summer 2001), pp. 347~379. *Dorsey, James. “Sakaguchi Ango,” in Modern Japanese Writers, ed. Jay Rubin (New York: Charles Scribner's Sons, 2000), pp. 31~48. Buraiha