''Boléro'' is a 1928 work for large orchestra by French composer

Maurice Ravel Joseph Maurice Ravel (7 March 1875 – 28 December 1937) was a French composer, pianist and conductor. He is often associated with Impressionism along with his elder contemporary Claude Debussy, although both composers rejected the term. In ...

. At least one observer has called it Ravel's most famous composition. It was also one of his last completed works before illness forced him into retirement.

Composition

The work's creation was set in motion by a commission from the dancer

Ida Rubinstein Ida Lvovna Rubinstein (russian: И́да Льво́вна Рубинште́йн; – 20 September 1960) was a Russian dancer, actress, art patron and Belle Époque figure. She performed with Diaghilev's Ballets Russes from 1909 to 1911 and ...

, who asked Ravel for an orchestral transcription of six pieces from

Isaac Albéniz Isaac Manuel Francisco Albéniz y Pascual (; 29 May 1860 – 18 May 1909) was a Spanish virtuoso pianist, composer, and conductor. He is one of the foremost composers of the Post-Romantic era who also had a significant influence on his conte ...

's set of piano pieces, ''

Iberia The Iberian Peninsula (), ** * Aragonese and Occitan: ''Peninsula Iberica'' ** ** * french: Péninsule Ibérique * mwl, Península Eibérica * eu, Iberiar penintsula also known as Iberia, is a peninsula in southwestern Europe, defi ...

''. While working on the transcription, Ravel was informed that Spanish conductor

Enrique Fernández Arbós Enrique Fernández Arbós (24 December 1863 – 2 June 1939) was a Spanish violinist, composer and conductor who divided much of his career between Madrid and London. He originally made his name as a virtuoso violinist and later as one of Spain's ...

had already orchestrated the movements, and that

copyright A copyright is a type of intellectual property that gives its owner the exclusive right to copy, distribute, adapt, display, and perform a creative work, usually for a limited time. The creative work may be in a literary, artistic, education ...

law prevented any other arrangement from being made. When Arbós heard of this, he said he would happily waive his rights and allow Ravel to orchestrate the pieces. But Ravel decided to orchestrate one of his own works instead, then changed his mind and decided to compose a completely new piece based on the ''

bolero Bolero is a genre of song which originated in eastern Cuba in the late 19th century as part of the trova tradition. Unrelated to the older Spanish dance of the same name, bolero is characterized by sophisticated lyrics dealing with love. It has ...

'', a Spanish dance musical form. While on vacation at

St Jean-de-Luz Saint-Jean-de-Luz (; eu, Donibane Lohitzune,Donibane Lohitzune

Gustave Samazeuilh __NOTOC__Gustave Marie Victor Fernand Samazeuilh (2 June 1877 in Bordeaux – 4 August 1967 in Paris) was a French composer and writer on music. He studied music with Ernest Chausson until the latter's death in 1899, and then attended the Schola ...

, saying, "Don't you think this theme has an insistent quality? I'm going to try and repeat it a number of times without any development, gradually increasing the orchestra as best I can."

Idries Shah Idries Shah (; hi, इदरीस शाह, ps, ادريس شاه, ur, ; 16 June 1924 – 23 November 1996), also known as Idris Shah, né Sayed Idries el- Hashimi (Arabic: سيد إدريس هاشمي) and by the pen name Arko ...

argues that the main theme is adapted from a melody composed for and used in

Sufi Sufism ( ar, ''aṣ-ṣūfiyya''), also known as Tasawwuf ( ''at-taṣawwuf''), is a mystic body of religious practice, found mainly within Sunni Islam but also within Shia Islam, which is characterized by a focus on Islamic spirituality, ...

training. Bruce L. Miller, Director of the Memory and Aging Center of the Weill Institute for Neurosciences at

UCSF The University of California, San Francisco (UCSF) is a public land-grant research university in San Francisco, California. It is part of the University of California system and is dedicated entirely to health science and life science. It condu ...

has, with colleagues, suggested that the repetition in the piece was caused by the onset of

progressive aphasia Primary progressive aphasia (PPA) is a type of neurological syndrome in which language capabilities slowly and progressively become impaired. As with other types of aphasia, the symptoms that accompany PPA depend on what parts of the left hemisphe ...

in Ravel, as a result of

frontotemporal dementia Frontotemporal dementia (FTD), or frontotemporal degeneration disease, or frontotemporal neurocognitive disorder, encompasses several types of dementia involving the progressive degeneration of frontal and temporal lobes. FTDs broadly present as ...

Premiere and early performances

The composition was a sensational success when it premiered at the

Paris Opéra The Paris Opera (, ) is the primary opera and ballet company of France. It was founded in 1669 by Louis XIV as the , and shortly thereafter was placed under the leadership of Jean-Baptiste Lully and officially renamed the , but continued to be k ...

on 22 November 1928, with choreography by

Bronislava Nijinska Bronislava Nijinska (; pl, Bronisława Niżyńska ; russian: Бронисла́ва Фоми́нична Нижи́нская, Bronisláva Fomínična Nižínskaja; be, Браніслава Ніжынская, Branislava Nižynskaja; – Febr ...

and designs and scenario by

Alexandre Benois Alexandre Nikolayevich Benois (russian: Алекса́ндр Никола́евич Бенуа́, also spelled Alexander Benois; ,Salmina-Haskell, Larissa. ''Russian Paintings and Drawings in the Ashmolean Museum''. pp. 15, 23-24. Published by ...

. The orchestra of the Opéra was conducted by

Walther Straram Walther Straram (1876-1933) was an English conductor active in France during the early twentieth century. Life and career Walther Marrast was born in London in 1876. He used an anagram of his surname, Straram, professionally. He worked at the O ...

. Originally,

Ernest Ansermet Ernest Alexandre Ansermet (; 11 November 1883 – 20 February 1969)"Ansermet, Ernest" in ''The New Encyclopædia Britannica''. Chicago: Encyclopædia Britannica Inc., 15th edn., 1992, Vol. 1, p. 435. was a Swiss conductor. Biography Ansermet ...

had been engaged to conduct the entire ballet season, but the musicians refused to play under him. A scenario by Rubinstein and Nijinska was printed in the program for the premiere:

Inside a tavern in Spain, people dance beneath the brass lamp hung from the ceiling.
n response N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
to the cheers to join in, the female dancer has leapt onto the long table and her steps become more and more animated.

But Ravel had a different conception of the work: his preferred stage design was of an open-air setting with a factory in the background, reflecting the mechanical nature of the music. ''Boléro'' became Ravel's most famous composition, much to the surprise of the composer, who had predicted that most orchestras would refuse to play it. It is usually played as a purely orchestral work, only rarely staged as a ballet. According to a possibly apocryphal story from the premiere performance, a woman was heard shouting that Ravel was mad. When told about this, Ravel is said to have remarked that she had understood the piece. The piece was first published by the Parisian firm Durand in 1929. Arrangements were made for piano solo and piano duet (two people playing at one piano), and later, Ravel arranged a version for two pianos, published in 1930. The first recording was made by

Piero Coppola Piero Coppola (11 October 1888 – 17 March 1971) was an Italian conducting, conductor, piano, pianist and composer. Life and career Coppola was born in Milan; his parents were both singers. He studied at the Milan Conservatory, graduating in pi ...

for the

Gramophone Company The Gramophone Company Limited (The Gramophone Co. Ltd.), based in the United Kingdom and founded by Emil Berliner, was one of the early recording companies, the parent organisation for the ''His Master's Voice (HMV)'' label, and the European ...

on 8 January 1930. Ravel attended the recording session. The next day, he conducted the

Lamoureux Orchestra The Orchestre Lamoureux () officially known as the Société des Nouveaux-Concerts and also known as the Concerts Lamoureux) is an orchestral concert society which once gave weekly concerts by its own orchestra, founded in Paris by Charles Lamoureu ...

in his own recording for

Polydor Polydor Records Ltd. is a German-British record label that operates as part of Universal Music Group. It has a close relationship with Universal's Interscope Geffen A&M Records label, which distributes Polydor's releases in the United States. ...

. That same year, further recordings were made by

Serge Koussevitzky Sergei Alexandrovich KoussevitzkyKoussevitzky's original Russian forename is usually transliterated into English as either "Sergei" or "Sergey"; however, he himself adopted the French spelling "Serge", using it in his signature. (SeThe Koussevit ...

with the

Boston Symphony Orchestra The Boston Symphony Orchestra (BSO) is an American orchestra based in Boston, Massachusetts. It is the second-oldest of the five major American symphony orchestras commonly referred to as the " Big Five". Founded by Henry Lee Higginson in 1881, ...

and

Willem Mengelberg Joseph Wilhelm Mengelberg (28 March 1871 – 21 March 1951) was a Dutch conductor, famous for his performances of Beethoven, Brahms, Mahler and Strauss with the Concertgebouw Orchestra in Amsterdam. He is widely regarded as one of the greatest s ...

with the

Concertgebouw Orchestra The Royal Concertgebouw Orchestra ( nl, Koninklĳk Concertgebouworkest, ) is a Dutch symphony orchestra, based at the Amsterdam Royal Concertgebouw (concert hall). Considered one of the world's leading orchestras, Queen Beatrix conferred the "R ...

Toscanini

Conductor

Arturo Toscanini Arturo Toscanini (; ; March 25, 1867January 16, 1957) was an Italian conductor. He was one of the most acclaimed and influential musicians of the late 19th and early 20th century, renowned for his intensity, his perfectionism, his ear for orch ...

gave the American premiere of ''Boléro'' with the

New York Philharmonic The New York Philharmonic, officially the Philharmonic-Symphony Society of New York, Inc., globally known as New York Philharmonic Orchestra (NYPO) or New York Philharmonic-Symphony Orchestra, is a symphony orchestra based in New York City. It is ...

on 14 November 1929. The performance was a great success, bringing "shouts and cheers from the audience" according to a ''

New York Times ''The New York Times'' (''the Times'', ''NYT'', or the Gray Lady) is a daily newspaper based in New York City with a worldwide readership reported in 2020 to comprise a declining 840,000 paid print subscribers, and a growing 6 million paid d ...

'' review, leading one critic to declare that "it was Toscanini who launched the career of the Boléro", and another to claim that Toscanini had made Ravel into "almost an American national hero". On 4 May 1930, Toscanini performed the work with the New York Philharmonic at the

as part of that orchestra's European tour. Toscanini's tempo was significantly faster than Ravel preferred, and Ravel signaled his disapproval by refusing to respond to Toscanini's gesture during the audience ovation. An exchange took place between the two men backstage after the concert. According to one account, Ravel said, "It's too fast", to which Toscanini responded, "You don't know anything about your own music. It's the only way to save the work". According to another report, Ravel said, "That's not my tempo". Toscanini replied, "When I play it at your tempo, it is not effective", to which Ravel retorted, "Then do not play it". Four months later, Ravel attempted to smooth over relations with Toscanini by sending him a note explaining that "I have always felt that if a composer does not take part in the performance of a work, he must avoid the ovations" and, ten days later, inviting Toscanini to conduct the premiere of his

Piano Concerto for the Left Hand This is a list of concertos and concertante works for piano left-hand and orchestra. The first piano solo was an arrangement by Johannes Brahms of the Chaconne from Johann Sebastian Bach's Partita for Violin No. 2, BWV 1004, published in 1878. ...

, an invitation that was declined.

Early popularity

The Toscanini affair became a ''

cause célèbre A cause célèbre (,''Collins English Dictionary – Complete and Unabridged'', 12th Edition, 2014. S.v. "cause célèbre". Retrieved November 30, 2018 from https://www.thefreedictionary.com/cause+c%c3%a9l%c3%a8bre ,''Random House Kernerman Webs ...

'' and further increased the fame of ''Boléro''. Other factors in the work's renown were the large number of early performances, gramophone records, including Ravel's own, transcriptions and radio broadcasts, together with the 1934 motion picture ''Bolero'' starring

George Raft George Raft (born George Ranft; September 26, 1901 – November 24, 1980) was an American film actor and dancer identified with portrayals of gangsters in crime melodramas of the 1930s and 1940s. A stylish leading man in dozens of movies, Raft is ...

and

Carole Lombard Carole Lombard (born Jane Alice Peters; October 6, 1908 – January 16, 1942) was an American actress, particularly noted for her energetic, often off-beat roles in screwball comedies. In 1999, the American Film Institute ranked Lombard 2 ...

, in which the music plays an important role.

Music

''Boléro'' is written for a large orchestra consisting of: * ''woodwinds'':

piccolo The piccolo ( ; Italian for 'small') is a half-size flute and a member of the woodwind family of musical instruments. Sometimes referred to as a "baby flute" the modern piccolo has similar fingerings as the standard transverse flute, but the so ...

, 2

flute The flute is a family of classical music instrument in the woodwind group. Like all woodwinds, flutes are aerophones, meaning they make sound by vibrating a column of air. However, unlike woodwind instruments with reeds, a flute is a reedless ...

s (one doubling on piccolo), 2

oboe The oboe ( ) is a type of double reed woodwind instrument. Oboes are usually made of wood, but may also be made of synthetic materials, such as plastic, resin, or hybrid composites. The most common oboe plays in the treble or soprano range. A ...

s (one doubling on

oboe d'amore The oboe d'amore (; Italian for "oboe of love"), less commonly , is a double reed woodwind musical instrument in the oboe family. Slightly larger than the oboe, it has a less assertive and a more tranquil and serene tone, and is considered the me ...

cor anglais The cor anglais (, or original ; plural: ''cors anglais''), or English horn in North America, is a double-reed woodwind instrument in the oboe family. It is approximately one and a half times the length of an oboe, making it essentially an alto ...

, 2

clarinet The clarinet is a musical instrument in the woodwind family. The instrument has a nearly cylindrical bore and a flared bell, and uses a single reed to produce sound. Clarinets comprise a family of instruments of differing sizes and pitches ...

s (one doubles on

E-flat clarinet The E-flat (E) clarinet is a member of the clarinet family, smaller than the more common B clarinet and pitched a perfect fourth higher. It is typically considered the sopranino or piccolo member of the clarinet family and is a transposing inst ...

bass clarinet The bass clarinet is a musical instrument of the clarinet family. Like the more common soprano B clarinet, it is usually pitched in B (meaning it is a transposing instrument on which a written C sounds as B), but it plays notes an octave bel ...

, 2

saxophone The saxophone (often referred to colloquially as the sax) is a type of single-reed woodwind instrument with a conical body, usually made of brass. As with all single-reed instruments, sound is produced when a reed on a mouthpiece vibrates to pr ...

s ( sopranino and

soprano A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261 Hz to "high A" (A5) = 880&n ...

doubling

tenor A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The lo ...

), 2

bassoon The bassoon is a woodwind instrument in the double reed family, which plays in the tenor and bass ranges. It is composed of six pieces, and is usually made of wood. It is known for its distinctive tone color, wide range, versatility, and virtuo ...

contrabassoon The contrabassoon, also known as the double bassoon, is a larger version of the bassoon, sounding an octave lower. Its technique is similar to its smaller cousin, with a few notable differences. Differences from the bassoon The reed is consi ...

* ''brass'': 4

horn Horn most often refers to: *Horn (acoustic), a conical or bell shaped aperture used to guide sound ** Horn (instrument), collective name for tube-shaped wind musical instruments *Horn (anatomy), a pointed, bony projection on the head of various ...

s, 4

trumpet The trumpet is a brass instrument commonly used in classical and jazz ensembles. The trumpet group ranges from the piccolo trumpet—with the highest register in the brass family—to the bass trumpet, pitched one octave below the standard ...

s (3 in C, one in D), 3

trombone The trombone (german: Posaune, Italian, French: ''trombone'') is a musical instrument in the Brass instrument, brass family. As with all brass instruments, sound is produced when the player's vibrating lips cause the Standing wave, air column ...

s (2 tenor and one bass trombone),

bass tuba The tuba (; ) is the lowest-pitched musical instrument in the brass instrument, brass family. As with all brass instruments, the sound is produced by lip vibrationa buzzinto a mouthpiece (brass), mouthpiece. It first appeared in the mid-19th&n ...

* 3

timpani Timpani (; ) or kettledrums (also informally called timps) are musical instruments in the percussion family. A type of drum categorised as a hemispherical drum, they consist of a membrane called a head stretched over a large bowl traditionall ...

''and 4 percussionists'': 2

snare drum The snare (or side drum) is a percussion instrument that produces a sharp staccato sound when the head is struck with a drum stick, due to the use of a series of stiff wires held under tension against the lower skin. Snare drums are often used ...

bass drum The bass drum is a large drum that produces a note of low definite or indefinite pitch. The instrument is typically cylindrical, with the drum's diameter much greater than the drum's depth, with a struck head at both ends of the cylinder. Th ...

, pair of

cymbal A cymbal is a common percussion instrument. Often used in pairs, cymbals consist of thin, normally round plates of various alloys. The majority of cymbals are of indefinite pitch, although small disc-shaped cymbals based on ancient designs soun ...

tam-tam A gongFrom Indonesian and ms, gong; jv, ꦒꦺꦴꦁ ; zh, c=鑼, p=luó; ja, , dora; km, គង ; th, ฆ้อง ; vi, cồng chiêng; as, কাঁহ is a percussion instrument originating in East Asia and Southeast Asia. Gongs ...

celesta The celesta or celeste , also called a bell-piano, is a struck idiophone operated by a keyboard. It looks similar to an upright piano (four- or five-octave), albeit with smaller keys and a much smaller cabinet, or a large wooden music box ( ...

and

harp The harp is a stringed musical instrument that has a number of individual strings running at an angle to its soundboard; the strings are plucked with the fingers. Harps can be made and played in various ways, standing or sitting, and in orche ...

* ''

strings String or strings may refer to: *String (structure), a long flexible structure made from threads twisted together, which is used to tie, bind, or hang other objects Arts, entertainment, and media Films * ''Strings'' (1991 film), a Canadian anim ...

'' The instrumentation calls for a sopranino saxophone in F, which never existed (modern sopraninos are in E). At the first performance, both the sopranino and soprano saxophone parts were played on the B soprano saxophone, a tradition that continues to this day.

Structure

''Boléro'' is "Ravel's most straightforward composition in any medium". The music is in

C major C major (or the key of C) is a major scale based on C, consisting of the pitches C, D, E, F, G, A, and B. C major is one of the most common keys used in music. Its key signature has no flats or sharps. Its relative minor is A minor and ...

, time, beginning ''

pianissimo In music, the dynamics of a piece is the variation in loudness between notes or phrases. Dynamics are indicated by specific musical notation, often in some detail. However, dynamics markings still require interpretation by the performer dependin ...

'' and rising in a continuous

crescendo In music, the dynamics of a piece is the variation in loudness between notes or phrases. Dynamics are indicated by specific musical notation, often in some detail. However, dynamics markings still require interpretation by the performer dependi ...

to ''

fortissimo In music, the dynamics of a piece is the variation in loudness between notes or phrases. Dynamics are indicated by specific musical notation, often in some detail. However, dynamics markings still require interpretation by the performer dependi ...

possibile'' (as loud as possible). It is built over an unchanging

ostinato In music, an ostinato (; derived from Italian word for ''stubborn'', compare English ''obstinate'') is a motif or phrase that persistently repeats in the same musical voice, frequently in the same pitch. Well-known ostinato-based pieces include ...

rhythm played 169 times on one or more

s that remains constant throughout the piece: On top of this rhythm two melodies are heard, each 18 bars long, and each played twice alternately. The first melody is

diatonic Diatonic and chromatic are terms in music theory that are most often used to characterize Scale (music), scales, and are also applied to musical instruments, Interval (music), intervals, Chord (music), chords, Musical note, notes, musical sty ...

, and the second introduces more jazz-influenced elements, with

syncopation In music, syncopation is a variety of rhythms played together to make a piece of music, making part or all of a tune or piece of music off-beat. More simply, syncopation is "a disturbance or interruption of the regular flow of rhythm": a "place ...

and flattened notes (technically it is mostly in the

Phrygian mode The Phrygian mode (pronounced ) can refer to three different musical modes: the ancient Greek ''tonos'' or ''harmonia,'' sometimes called Phrygian, formed on a particular set of octave species or scales; the Medieval Phrygian mode, and the modern ...

). The first melody descends through one

octave In music, an octave ( la, octavus: eighth) or perfect octave (sometimes called the diapason) is the interval between one musical pitch and another with double its frequency. The octave relationship is a natural phenomenon that has been refer ...

, the second through two octaves. The bass line and accompaniment are initially played on

pizzicato Pizzicato (, ; translated as "pinched", and sometimes roughly as "plucked") is a playing technique that involves plucking the strings of a string instrument. The exact technique varies somewhat depending on the type of instrument : * On bowed ...

strings, mainly using rudimentary tonic and dominant notes. Tension is provided by the contrast between the steady percussive rhythm, and the "expressive vocal melody trying to break free". Interest is maintained by constant re

orchestration Orchestration is the study or practice of writing music for an orchestra (or, more loosely, for any musical ensemble, such as a concert band) or of adapting music composed for another medium for an orchestra. Also called "instrumentation", orc ...

of the theme, leading to a variety of

timbre In music, timbre ( ), also known as tone color or tone quality (from psychoacoustics), is the perceived sound quality of a musical note, sound or musical tone, tone. Timbre distinguishes different types of sound production, such as choir voice ...

s, and by a steady

. Both themes are repeated eight times. At the climax, the first theme is repeated a ninth time, then the second theme takes over and breaks briefly into a new tune in

E major E major (or the key of E) is a major scale based on E, consisting of the pitches E, F, G, A, B, C, and D. Its key signature has four sharps. Its relative minor is C-sharp minor and its parallel minor is E minor. Its enharmonic equivalent, ...

before finally returning to the tonic key of C major. The melody is passed among different instruments: (1) flute, (2) clarinet, (3) bassoon, (4) Eclarinet, (5) oboe d'amore, (6) trumpet and flute (latter is not heard clearly and in higher octave than the first part), (7) tenor saxophone, (8) soprano saxophone, (9) horn, piccolos and celesta; (10) oboe, English horn and clarinet; (11) trombone, (12) some of the wind instruments, (13) first violins and some wind instruments, (14) first and second violins together with some wind instruments, (15) violins and some of the wind instruments, (16) some instruments in the orchestra, and finally (17) most but not all of the instruments in the orchestra (with bass drum, cymbals and tam-tam). While the melody continues to be played in C throughout, from the middle onward other instruments double it in different

key Key or The Key may refer to: Common meanings * Key (cryptography), a piece of information that controls the operation of a cryptography algorithm * Key (lock), device used to control access to places or facilities restricted by a lock * Key (map ...

s. The first such doubling involves a horn playing the melody in C, while a celeste doubles it 2 and 3 octaves above and two piccolos play the melody in the keys of G and E, respectively. This functions as a reinforcement of the first, second, third, and fourth overtones of each note of the melody (though the "G major" is 2 cents flat, and the "E major" is 14 cents sharp). The other significant "key doubling" involves sounding the melody a 5th above or a 4th below, in G major. Other than these "key doublings", Ravel simply harmonizes the melody with diatonic chords. The following table shows how the composition is played by what instruments (in order): The accompaniment becomes gradually thicker and louder until the whole orchestra is playing at the very end. Just before the end (rehearsal number 18 in the score), there is a sudden change of key to E major, but C major is reestablished after just eight bars. Six bars from the end, the bass drum, cymbals, and tam-tam make their first entry, and the trombones play raucous

glissandi In music, a glissando (; plural: ''glissandi'', abbreviated ''gliss.'') is a glide from one pitch to another (). It is an Italianized musical term derived from the French ''glisser'', "to glide". In some contexts, it is distinguished from the co ...

while the whole orchestra beats out the rhythm that has been played on the snare drum from the very first bar. Finally, the work descends from a dissonant B minor over F minor chord to a C major chord.

Tempo and duration

The

tempo In musical terminology, tempo (Italian, 'time'; plural ''tempos'', or ''tempi'' from the Italian plural) is the speed or pace of a given piece. In classical music, tempo is typically indicated with an instruction at the start of a piece (often ...

indication in the score is ''Tempo di Bolero, moderato assai'' ("tempo of a

, very moderate"). In Ravel's copy of the score, the printed

metronome A metronome, from ancient Greek μέτρον (''métron'', "measure") and νομός (nomós, "custom", "melody") is a device that produces an audible click or other sound at a regular interval that can be set by the user, typically in beats pe ...

mark of 76 per quarter is crossed out and 66 is substituted. Later editions of the score suggest a tempo of 72. Ravel's own recording from January 1930 starts at approximately 66 per quarter, slightly slowing down later on to 60–63. Its total duration is 15 minutes 50 seconds. Coppola's first recording, at which Ravel was present, has a similar duration of 15 minutes 40 seconds. Ravel said in an interview with ''

The Daily Telegraph ''The Daily Telegraph'', known online and elsewhere as ''The Telegraph'', is a national British daily broadsheet newspaper published in London by Telegraph Media Group and distributed across the United Kingdom and internationally. It was fo ...

'' that the piece lasts 17 minutes. An average performance lasts about 15 minutes, with the slowest recordings, such as that by Ravel's associate

Pedro de Freitas Branco Pedro de Freitas Branco (1896 – 1963) was a Portuguese conductor and composer. Life and career Branco was born in Lisbon, and studied music with Tomás Vaz de Borba and Luís de Freitas Branco (his elder brother). He founded the Portuguese Op ...

, extending well beyond 18 minutes and the fastest, such as

Leopold Stokowski Leopold Anthony Stokowski (18 April 1882 – 13 September 1977) was a British conductor. One of the leading conductors of the early and mid-20th century, he is best known for his long association with the Philadelphia Orchestra and his appeara ...

's 1940 recording with the All American Youth Orchestra, approaching 12 minutes. In May 1994, with the

Munich Philharmonic The Munich Philharmonic (german: Münchner Philharmoniker, links=no) is a German symphony orchestra located in the city of Munich. It is one of Munich's four principal orchestras, along with the Bavarian Radio Symphony Orchestra, the Munich Rad ...

on tour in Cologne, conductor

Sergiu Celibidache Sergiu Celibidache (; 14 August 1996) was a Romanian conductor, composer, musical theorist, and teacher. Educated in his native Romania, and later in Paris and Berlin, Celibidache's career in music spanned over five decades, including tenures as ...

at the age of 82 gave a performance that lasted 17 minutes and 53 seconds, perhaps a record in the modern era. At Coppola's first recording, Ravel indicated strongly that he preferred a steady tempo, criticizing the conductor for getting faster at the end of the work. According to Coppola's own report:

Maurice Ravel... did not have confidence in me for the ''Boléro''. He was afraid that my Mediterranean temperament would overtake me, and that I would rush the tempo. I assembled the orchestra at the Salle Pleyel, and Ravel took a seat beside me. Everything went well until the final part, where, in spite of myself, I increased the tempo by a fraction. Ravel jumped up, came over and pulled at my jacket: "not so fast", he exclaimed, and we had to begin again.

Ravel's preference for a slower tempo is confirmed by his unhappiness with Toscanini's performance, as reported above. Toscanini's 1939 recording with the

NBC Symphony Orchestra The NBC Symphony Orchestra was a radio orchestra conceived by David Sarnoff, the president of the Radio Corporation of America, especially for the conductor Arturo Toscanini. The NBC Symphony performed weekly radio concert broadcasts with Tosca ...

has a duration of 13 minutes 25 seconds.

Reception

Ravel was a stringent critic of his own work. During the composition of ''Boléro'', he said to

Joaquín Nin Joaquín Nin y Castellanos (29 September 1879, Havana – 24 October 1949, Havana) was a Cuban pianist and composer. Nin was the father of Anaïs Nin. Biography He was son of the Catalan writer Joaquin Nin Tudó and Àngela Castellanos Perdom ...

that the work had "no form, properly speaking, no development, no or almost no modulation". In a 1931 interview with ''

,'' he spoke about the work as follows: Reprinted in .

It constitutes an experiment in a very special and limited direction, and should not be suspected of aiming at achieving anything different from, or anything more than, it actually does achieve. Before its first performance, I issued a warning to the effect that what I had written was a piece lasting seventeen minutes and consisting wholly of "orchestral tissue without music"—of one very long, gradual crescendo. There are no contrasts, and practically no invention except the plan and the manner of execution.

In 1934, in his book ''Music Ho!'',

Constant Lambert Leonard Constant Lambert (23 August 190521 August 1951) was a British composer, conductor, and author. He was the founder and music director of the Royal Ballet, and (alongside Ninette de Valois and Frederick Ashton) he was a major figure in th ...

wrote: "There is a definite limit to the length of time a composer can go on writing in one dance rhythm (this limit is obviously reached by Ravel towards the end of '' La valse'' and towards the beginning of ''Boléro'')." Literary critic

Allan Bloom Allan David Bloom (September 14, 1930 – October 7, 1992) was an American philosopher, classicist, and academician. He studied under David Grene, Leo Strauss, Richard McKeon, and Alexandre Kojève. He subsequently taught at Cornell Universi ...

commented in his 1987 bestseller ''

The Closing of the American Mind ''The Closing of the American Mind: How Higher Education Has Failed Democracy and Impoverished the Souls of Today's Students'' is a 1987 book by the philosopher Allan Bloom, in which the author criticizes the openness of relativism, in academia a ...

'', "Young people know that rock has the beat of

sexual intercourse Sexual intercourse (or coitus or copulation) is a sexual activity typically involving the insertion and thrusting of the penis into the vagina for sexual pleasure or reproduction.Sexual intercourse most commonly means penile–vaginal penetrat ...

. That is why Ravel's ''Bolero'' is the one piece of classical music that is commonly known and liked by them." In a 2011 article for ''

The Cambridge Quarterly ''The Cambridge Quarterly'' is a literary journal. It often publishes articles on cinema, music, painting, and sculpture. It also endows a prize for, and publishes, the best Cambridge University The University of Cambridge is a Public univers ...

'', Michael Lanford wrote, "throughout his life, Maurice Ravel was captivated by the act of creation outlined in

Edgar Allan Poe Edgar Allan Poe (; Edgar Poe; January 19, 1809 – October 7, 1849) was an American writer, poet, editor, and literary critic. Poe is best known for his poetry and short stories, particularly his tales of mystery and the macabre. He is wide ...

's '' Philosophy of Composition''." Since, in his words, ''Boléro'' defies "traditional methods of musical analysis owing to its melodic, rhythmic, and harmonic repetitiveness," he offers an analysis that "corresponds to Ravel's documented reflections on the creative process and the aesthetic precepts outlined in Poe's ''Philosophy of Composition''." Lanford also contends that ''Boléro'' was quite possibly a deeply personal work for Ravel. As evidence, Lanford cites Ravel's admissions that the rhythms of ''Boléro'' were inspired by the machines of his father's factory and melodic materials came from a

berceuse A berceuse is "a musical composition usually in time that resembles a lullaby". Otherwise it is typically in triple meter. Tonally most berceuses are simple, often merely alternating tonic and dominant harmonies; since the intended effect is ...

Ravel's mother sang to him at nighttime. Lanford also proposes that ''Boléro'' is imbued with tragedy, observing that the snare drum "dehumanizes one of the most sensuously connotative aspects of the bolero", "instruments with the capacity for melodic expression mimic the machinery," and the melody consistently ends with a descending

tetrachord In music theory, a tetrachord ( el, τετράχορδoν; lat, tetrachordum) is a series of four notes separated by three intervals. In traditional music theory, a tetrachord always spanned the interval of a perfect fourth, a 4:3 frequency propo ...

In popular culture

The piece gained new attention after it was prominently featured in the 1979 romantic comedy '' 10'', costarring

Dudley Moore Dudley Stuart John Moore CBE (19 April 193527 March 2002) was an English actor, comedian, musician and composer. Moore first came to prominence in the UK as a leading figure in the British satire boom of the 1960s. He was one of the four writ ...

and

Bo Derek Bo Derek (born Mary Cathleen Collins, November 20, 1956) is an American actress and model. Her breakthrough film role was in the romantic comedy '' 10'' (1979). Her first husband John Derek directed her in '' Fantasies''; '' Tarzan, the Ape Man ...

. This resulted in massive sales, generated an estimated $1 million in royalties and briefly made Ravel the best-selling classical composer 40 years after his death. The ice dancing pair

Torvill and Dean Torvill and Dean (Jayne Torvill and Christopher Dean) are English ice dancers and former British Ice Figure and Dance Championships, British, European Figure Skating Championships, European, Figure skating at the Olympic Games, Olympic, and Wor ...

danced to a six-minute version of the work in winning the gold medal in

ice dancing Ice dance (sometimes referred to as ice dancing) is a discipline of figure skating that historically draws from ballroom dancing. It joined the World Figure Skating Championships in 1952, and became a Winter Olympic Games medal sport in 1976. Ac ...

at the

1984 Winter Olympics The 1984 Winter Olympics, officially known as the XIV Olympic Winter Games (Serbo-Croatian and Slovene: ''XIV. Zimske olimpijske igre''; Cyrillic: XIV Зимске олимпијске игре; mk, XIV Зимски олимписки игр ...

, receiving perfect 6.0s for artistic merit. The eight-minute short film '' Le batteur du Boléro'' (1992) by

Patrice Leconte Patrice Leconte (; born 12 November 1947) is a French film director, actor, comic strip writer, and screenwriter. Life and career Leconte grew up in Tours, and began making little amateur films at 15. He went to Paris in 1967 and studied at Insti ...

concentrates on the drummer, played by

Jacques Villeret Jacques Villeret (; 6 February 1951 – 28 January 2005) was a French actor, best known internationally for his role as François Pignon in the comedy ''Le Dîner de Cons''. During his career, he earned many awards including the prestigious ...

, and the problems of his musical part. The film was screened out of competition at the

1992 Cannes Film Festival The 45th Cannes Film Festival was held from 7 to 18 May 1992. The Palme d'Or went to the ''Den goda viljan'' by Bille August. The festival opened with ''Basic Instinct'', directed by Paul Verhoeven and closed with ''Far and Away'', directed by Ro ...

. This song played during the torch-lighting ceremony of the

2020 Tokyo Olympics The , officially the and also known as , was an international multi-sport event held from 23 July to 8 August 2021 in Tokyo, Japan, with some preliminary events that began on 21 July. Tokyo was selected as the host city during the 1 ...

. It was used by

Kamila Valieva Kamila Valeryevna Valieva (russian: Камила Валерьевна Валиева; born 26 April 2006) is a Russian figure skater. She is the 2022 European champion, 2021 Rostelecom Cup champion, 2021 Skate Canada International champion, ...

in her record-breaking 2021-22 season's free skate program.

Public domain

This piece's copyright expired on 1 May 2016 for many countries, but not worldwide. The work is public domain in Canada, China, Japan, New Zealand, South Africa, and many others where the copyright term is "Life + 50 years". It is also public domain in the European Union (where the term is Life + 70 years). In the U.S., ''Boléro'' remains under copyright until 1 January 2025 as it was first published in 1929 with the prescribed copyright notice. The last remaining rights owner, Evelyne Pen de Castel, has entered a number of claims that the work was in fact co-composed with the designer Alexandre Benois. The effect would be to extend the copyright until 2039. The claims have been rejected repeatedly by French courts and the French authors society Sacem.

References

Notes

Bibliography

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External links

* * {{DEFAULTSORT:Bolero Compositions by Maurice Ravel Ballets by Maurice Ravel 1928 ballet premieres Ballets by Bronislava Nijinska 1928 compositions Compositions in C major Stefan Zweig Collection