Summary
In a narrow back alley in Tokyo lies a café called ''Funiculi Funicula''. In the café, customers have the opportunity to travel back to a time of their choosing, as long as they follow a long list of rules. There is only one seat in the café that allows time travel; the seat is only available when the ghost that usually occupies it goes for a toilet break; once back in time, customers can't leave the seat; the only people in the past who can be met are people who have visited the café; whatever happens in the past, the present won't change; and, most importantly, the customer has to return to the present before their cup of coffee goes cold (around 1 hour). The novel follows the stories of the café staff, notably the barista Kazu, and four different customers. The first customer is a businesswoman named Fumiko, tries to repair her relationship with her boyfriend after he left the country for a job in the United States. The second customer, a nurse named Kohtake, tries to find a letter her Alzheimer-stricken husband wrote. The third customer, a bar owner named Hirai, who tries to initiate a conversation with her sister, whom she's been avoiding. The fourth customer is one of the café co-owners, named Kei, tries to go to the future to talk to her unborn daughter. Through the stories of its four characters, the author delivers a compelling message: the past cannot be altered, but the future remains open and full of possibilities."History
The story originally began as a play, before being adapted into a novel in 2015. The novel was then translated into English by Geoffrey Trousselot. In 2017, a sequel was released in Japan: '' Before the Coffee Gets Cold: Tales from the Café''. A second sequel '' Before Your Memory Fades'' was published in 2018 and in 2021, a third one called ''Before We Say Goodbye'' was released. The fourth sequel was published in Japanese in 2023, but unlike the other sequels (as of December 2023), it has not been translated into English yet. In 2018, the novel was adapted into the film ''Reception
Terry Hong of '' The Christian Science Monitor'' stated that the "narrative is occasionally uneven and tends to meander" but that the author "has a surprising, unerring ability to find lasting emotional resonance." Ian J. Battaglia of the ''References
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