Baņuta Rubess

Baņuta Rubess (born 1956) is a Canadian theatre director, playwright, and professor. She co-wrote '' This is For You, Anna'' as a member of the Anna Project. Rubess was a co-recipient of the 1988 Floyd S. Chalmers Canadian Play Award for children's theatre for her play ''Thin Ice''.

Early life

Rubess was born in 1956 in Toronto to Latvian parents. She spent six years living in Germany as a child.

Rubess graduated with a BA honours in history and drama from Queen's University in 1977. In 1978, she received a Rhodes Scholarship to the University of Oxford. Rubess completed a doctorate of modern history at St Antony's College in 1982.

Career

In 1982, Rubess co-founded the 1982 Theatre Company in London, England.

Rubess was a member a theatre collective called The Midnight Hags, founded by Mary Ann Lambooy. The collective created a piece called ''Burning Times'' which premiered in August 1983 at The Theatre Centre. ''Burning Times'' used quotations from the ''Malleus Malificarum'' and told the story of female travellers who encountered the witch hunts. During the play's development, Lambooy disagreed with the other collective members about how they should run the collective. This dispute was so extreme as to have needed to be resolved by the Canadian Actor's Equity Association. After the initial production, Lambooy distanced herself from the collective and eventually wrote a letter to Nightwood Theatre to attempt to bar the group from re-staged ''Burning Times'' by invoking her copyright ownership.

Nightwood staged ''Burning Times'' under the name, ''Smoke Damage,'' in October 1983. The program for the production listed the play as being "written by Baņuta Rubess in collaboration with Peggy Christopherson, Mary Ann Lambooy, Ann-Marie MacDonald, Mary Marzo, Kim Renders, and Maureen White". Shortly thereafter, the authorship of ''Burning Times'' became the subject of a legal dispute. By December 1983, Lambooy stated that she would not give up copyright to ''Burning Times'' in addition to refusing to acknowledge Rubess as its principal author. The two parties came to the following agreement by the end of 1983:

"Rubess would receive all revenue up to $500 as playwright's royalties; any amount above that would be split as follows: 51 percent to Rubess, 45 percent to the ''Smoke Damage'' collective, and 4 percent to Lambooy."

Rubess was a member of The Anna Project which collectively created the play '' This is For You, Anna''. The Anna Project consisted of Rubess, Suzanne Odette Khuri, Ann-Marie MacDonald, Patricia Nichols, Tori Smith, Barb Taylor, and Maureen White, though the play is usually credited only to Khuri, Macdonald, Rubess, and White. ''This is For You, Anna'' was originally presented as a twenty-minute play and premiered as a full-length play in 1984. Rubess went on to perform ''This is For You, Anna'' on tour with the Anna Collective, usually playing the roles Marianne #3, Narrator, Allegra, Eena, Interviewer, and Woman 1.

In the fall of 1984, Rubess and Maureen White's co-adaptation of Deena Metzger ''The Women Who Slept With Men to Take the War Out of Them'' premiered with Nightwood Theatre at The Theatre Centre's R&D Festival. The pair were invited to the Playwright's Workshop in Montreal to further develop the piece.

Rubess' play ''Froth'', a theatrical exploration of shopping and materialism, premiered as a work-in-progress in 1994 as part of The Gathering, a women's theatre festival in Toronto. The production was staged at Kensington Market and featured Alisa Palmer, Susan McKenzie, and Rubess herself as actors. Two years later, ''Froth'' was performed again under the direction of Leah Cherniak. Rubess did not perform in the 1996 staging of ''Froth''. The 1996 cast was Palmer, McKenzie, Janet Burke, and Bonnie Kim.

From 1985 to 1988, Rubess served as a board member of Nightwood Theatre. In 1992, Rubess was appointed co-artistic associate of Theatre Passe Muraille. She continued on in that position until 1996.

Rubess has taught at the University of Toronto in the theatre department since 2011.

Select directorial credits

* 1985: ''Portrait of Dora'' by Hélène Cixous at Nightwood Theatre
* 1988: ''Goodnight Desdemona (Good Morning Juliet)'' by Ann-Marie MacDonald at Nightwood Theatre
* 1991: ''The Avenging Woman'' by Aspazija at The Berkley Theatre - co-directed with Neil Barlett
* 1994: ''Still Clowning'' by Martha Ross and Leah Cherniak at Theatre Passe Muraille
* 1995: ''The Stillborn Lover'' by Timothy Findley

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