Baulu Kuan
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Baulu Kuan (born 1930) is a Chinese-American artist and curator.


Biography

Baulu Kuan was born in Northern
China China, officially the People's Republic of China (PRC), is a country in East Asia. It is the world's most populous country, with a population exceeding 1.4 billion, slightly ahead of India. China spans the equivalent of five time zones and ...
in the 1930 and named Neihan Kuan by her father. She was born and raised in the traditions of Confucianism, Daoism, and Buddhism. She was raised in an intellectual family that encouraged the practice of traditional
calligraphy Calligraphy (from el, link=y, καλλιγραφία) is a visual art related to writing. It is the design and execution of lettering with a pen, ink brush, or other writing instrument. Contemporary calligraphic practice can be defined as "t ...
and painting. Kuan's family was also the conduit to her finding catholicism because they would bring her and her siblings to catholic missionary hospitals if they were sick and sent them to catholic school. Kuan admired the nuns and their free will to enter monastic life and so in 1948, Neihan Kuan left China and went to Taiwan where she met the Benedictine Sisters, entered the monastery, and became Baulu Kuan, OSB. Later in the 1950s she moved to the Saint Benedict's Monastery in
St. Joseph, Minnesota St. Joseph is a city in Stearns County, Minnesota, Stearns County, Minnesota, United States. The population was 6,534 at the 2010 United States Census, 2010 census and according to 2019 census estimates is now 7,351. It is home to the College of S ...
where she currently resides.


Art work

In her undergraduate schooling at the
College of St. Benedict The College of Saint Benedict and Saint John's University are two closely related private, Catholic higher education institutions in Minnesota. The College of Saint Benedict is a women's college located in St. Joseph, while Saint John's Univ ...
, Kuan pursued a double major in art and literature and a minor in education. She worked closely under her mentor, colleague, and friend, Sister Thomas Carey, who largely influenced Kuan's art. Later she completed her master's thesis in painting in June 1968 at the University of Iowa with the piece, ''Interior Portrait.'' She worked in the many artistic styles that took hold in popularity throughout her life:
fauvism Fauvism /ˈfoʊvɪzm̩/ is the style of ''les Fauves'' (French language, French for "the wild beasts"), a group of early 20th-century modern artists whose works emphasized painterly qualities and strong colour over the Representation (arts), repr ...
,
cubism Cubism is an early-20th-century avant-garde art movement that revolutionized European painting and sculpture, and inspired related movements in music, literature and architecture. In Cubist artwork, objects are analyzed, broken up and reassemble ...
, and
abstract expressionism Abstract expressionism is a post–World War II art movement in American painting, developed in New York City in the 1940s. It was the first specifically American movement to achieve international influence and put New York at the center of the ...
. She also made many traditional Chinese ink drawings and woodblock prints. Her work interacts with her unique background as a Chinese-American Catholic nun, containing many elements Eastern aesthetics with Western biblical themes.


Teaching

In Minnesota, Kuan taught high school students in St. Cloud and Cold Spring. Later after pursuing her masters, she taught
Studio Art An art school is an educational institution with a primary focus on the visual arts, including fine art – especially illustration, painting, photography, sculpture, and graphic design. Art schools can offer elementary, secondary, post-seco ...
and Art History for 34 years at the College of St. Benedict. She did much of her scholarship and study on non-western art under the guidance of Sister Mary David Olheiser, Dean, with the goal of establishing more courses in non-western areas. She also received numerous grants and fellowships from
Harvard Harvard University is a private Ivy League research university in Cambridge, Massachusetts. Founded in 1636 as Harvard College and named for its first benefactor, the Puritan clergyman John Harvard, it is the oldest institution of higher le ...
, Yale, and Santa Barbara, allowing her to travel and take students on study trips to learn about art and culture around the globe including Mesoamerica, New Guinea, West Africa, China, Tibet, and Europe. In the 1980s when China re-opened its borders to travel, Kuan led her first of many archaeology trips there. Through study and teaching abroad in China, Kuan forged the strong relationship between Southwest University in China and the College of St. Benedict and St. Johns University, which remains today. In February 1997, Kuan attended the College Art Association (CAA) Conference in New York which was exploring issues in non-western art. Some of the topics on discussion that year were: "The Problematics of East and West," "Making Asian Art History: Principles of Comparison Between Chinese and Western Painting," and "Modern or Chinese: Revival of Tradition at the Age of Modernism."


Collecting

While on her travels and study abroad trips, Baulu Kuan collected many artifacts around the world. In 1971 in the West African nations of Senegal, Gabon, Benin, Togo, Nigeria, and the Ivory Coast she collected masks, textiles, jewelry, and statues. In 1973 Baulu Kuan and Caprician Weaver, OSB traveled to New Guinea to study the area's art and anthropology. Here they traversed the land via many traditional and local modes of transportation like tree-hollowed boats, thatched stretchers, outrigger canoes, bush plane, and by foot. Here they collected grass skirts, masks, and various wood carvings. Baulu Kuan has also collected art and artifacts from China, West Africa, and Mesoamerica while leading study abroad trips and teaching abroad. These collected artifacts are kept in the permanent collection at the College of St. Benedict and the Benedictine Monastery.


Curating

Baulu Kuan OSB has also curated exhibitions and published art books throughout her life. Baulu Kuan and Nancy Hynes wrote the book ''Sister Thomas Carey, O.S.B. : the Light Within'' published in 2003 which presents collected writings about and imagery of the art of Sister Thomas Carey O.S.B. Kuan presented her own show, ''A Lifetime Pursuit: Journeying into the art of Baulu Kuan, OSB'', in the Heahn Museum Gallery at the College of St. Benedict Monastery from April 30, 2017 to December 23, 2017. This show was a
retrospective A retrospective (from Latin ''retrospectare'', "look back"), generally, is a look back at events that took place, or works that were produced, in the past. As a noun, ''retrospective'' has specific meanings in medicine, software development, popu ...
of her own art, her students' art, works of art and artifacts she collected during her travels, and photographs she took on these trips. Later that year she curated the show, ''A Lifetime Pursuit Continues'' presented in the Gorecki Gallery and Gallery Lounge at the College of St. Benedict from November 6, 2017 to January 7, 2018. This show featured art by former colleagues and students, some of whom are internationally known, and also a few of her own works as well. These works ranged from ink drawings, scrolls, traditional woodblock prints, paintings, and sculptural works. Also included in the show was a collection of traditional Chinese art tools such as brushes and stamps and their cases.


References

{{DEFAULTSORT:Kuan, Baulu 1930 births Living people 20th-century American Roman Catholic nuns American art historians American women artists Benedictine nuns Chinese emigrants to the United States College of Saint Benedict and Saint John's University alumni University of Iowa alumni Women art historians American women historians 21st-century American Roman Catholic nuns American women curators American curators