Battement
   HOME

TheInfoList



OR:

In
ballet Ballet () is a type of performance dance that originated during the Italian Renaissance in the fifteenth century and later developed into a concert dance form in France and Russia. It has since become a widespread and highly technical form of ...
, battement is an alternating side-to-side movement of the working leg. Battements are typically performed in multiples, quickly and in rapid succession so that the working foot appears to be fluttering or vibrating. They are usually executed in front, to the side or in back The word ''battement'' is of French origin, meaning "beat".


Variations

Battements are performed or executed in a variety of modes or configurations, for example: * battement développé is usually a slow ''battement'' in which the leg is first lifted to ''retiré'' position, then fully extended (or "unfolded") passing through ''attitude'' position. *battement fondu is a ''battement'' (usually slower) from '' fondu'' (both knees bent, working foot on the ''cou-de-pied'' of the supporting leg) position and extends until both legs are straight. Upon completion, the working leg may be '' à terre'' or ''en l'air'' (touching the floor or raised). * battement frappé is a ''battement'' in which the foot moves from a flexed or 'cou-de-pied' position next to the ankle of the supporting leg, and extends out to a straight position quickly and forcefully, and by doing so hitting the floor (the so-called ''frappé''). In the Russian school the foot is wrapped around the ankle, rather than flexed and does not strike the floor. In this case, the ''frappé'' comprises the working foot striking the ankle of the supporting leg. ''Battements frappés'' can be executed ''double'', with beats alternating front and back of the standing leg's ankle before striking out. * battement glissé (French school, Royal Academy of Dance UK), also known as ''battement dégagé'' (Italian School, Cecchetti) or ''battement jeté'' (Russian school, Vaganova), is a rapid ''battement'' where the toes are normally raised to just a few centimeters above the floor (literally a "sliding" ''battement''). * battement lent is a slow ''battement'', normally taken as high as possible, which involves considerable control and strength. Both legs remain straight for the whole duration of the movement. * battement tendu is a battement where the extended foot never leaves the floor. The working foot slides forward or sideways or backwards from the fifth or
first position ''First Position'' is a 2011 American documentary film. It follows six young dancers preparing for the Youth America Grand Prix in New York City, an annual competition for dancers ages 9–19 to earn a place at an elite ballet company or school. ...
to reach the fourth or second position, lifting the heel off the floor and stretching the instep. It forms the preparation for many other positions, such as the ''ronds de jambe'' and ''pirouette'' positions. (stretched beating) * battement tendu jeté (Russian school), also known as ''battement dégagé'' (Cecchetti) or ''battement glissé'' (French school), is executed a few centimeters off of the floor with the raised leg oriented upwards at angles of up to 45 degrees. The Royal Academy of Dance UK refers to this step as battement jeté, and it is distinguished from battement glissé by being at a 45-degree angle (higher than a battement glissé, lower than a grand battement). * grand battement is a powerful ''battement'' action in which the dancer passes through dégagé and "throws" the working leg as high as possible, with both legs held straight. * grand battement en cloche is a ''grand battement'' that alternates forwards and backwards, passing through the first position of the feet (literally: large battement with pendulum movement). * petit battement is a ''battement'' in which the knee angle changes while the upper leg and thigh remain still. The working foot quickly alternates from the ''cou-de-pied'' position in the front to the ''cou-de-pied'' position in the back, slightly opening to the side.


References


See also

*
Can-can The can-can (also spelled cancan as in the original French /kɑ̃kɑ̃/) is a high-energy, physically demanding dance that became a popular music-hall dance in the 1840s, continuing in popularity in French cabaret to this day. Originally dance ...
*
Glossary of ballet Because ballet became formalized in France, a significant part of ballet terminology is in the French language. A À la seconde () (Literally "to second") If a step is done "à la seconde", it is done to the side. 'Second position'. It can also ...
{{Ballet Ballet technique Ballet terminology Articles containing video clips