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The Basilica of the Immaculate Conception ( pt, Basílica Nossa Senhora da Conceição da Praia), or the Basilica of the Conception, is a church in Salvador,
Bahia Bahia ( , , ; meaning "bay") is one of the 26 states of Brazil, located in the Northeast Region of the country. It is the fourth-largest Brazilian state by population (after São Paulo, Minas Gerais, and Rio de Janeiro) and the 5th-largest b ...
,
Brazil Brazil ( pt, Brasil; ), officially the Federative Republic of Brazil (Portuguese: ), is the largest country in both South America and Latin America. At and with over 217 million people, Brazil is the world's fifth-largest country by area ...
. It is affiliated with the Catholic Church and was built in 1623, making it one of the oldest parishes in the
Roman Catholic Archdiocese of São Salvador da Bahia The Archdiocese of São Salvador da Bahia ( la, Archidioecesis Sancti Salvatoris in Brasilia) is part of the Roman Catholic Church in Brazil. The Archbishop of São Salvador da Bahia also carries the title Primate of Brazil. The archdiocese i ...
. It was the first church built by the first governor-general of Brazil,
Tomé de Sousa Tomé de Sousa (1503–1579) was the first governor-general of the Portuguese colony of Brazil from 1549 until 1553. He was a nobleman and soldier born in Rates, Póvoa de Varzim. Sousa was born a noble and participated in military expeditions in ...
. The current structure was prefabricated in Portugal and assembled in Salvador; its construction began in 1739 and ended in the mid 19th century. The art historian
Germain Bazin Germain René Michel Bazin (24 September 1901 – 2 May 1990) was a French art historian, curator at the Louvre Museum from 1951 to 1965.Bazin, Germain ené_Michel">Bazin,_Germain_[René_Michel/nowiki>,_''Dictionary_of_Art__...
_classifies_the_church_as_Portuguese_in_design,_rather_than_part_of_the_Bahian_tradition_of_religious_structures_of_the_17th_and_18th_century. Its_monumental_façade_is_a_hybrid_of_ ené_Michel">Bazin,_Germain_[René_Michel/nowiki>,_''Dictionary_of_Art__...
_classifies_the_church_as_Portuguese_in_design,_rather_than_part_of_the_Bahian_tradition_of_religious_structures_of_the_17th_and_18th_century. Its_monumental_façade_is_a_hybrid_of_Baroque_architecture">Baroque_and_Neoclassical_architecture.html" ;"title="Baroque_architecture.html" ;"title="ené Michel/nowiki>">ené Michel">Bazin, Germain [René Michel/nowiki>, ''Dictionary of Art ...
classifies the church as Portuguese in design, rather than part of the Bahian tradition of religious structures of the 17th and 18th century. Its monumental façade is a hybrid of Baroque architecture">Baroque and Neoclassical architecture">Neoclassical styles, and is based on church façades of the period in Portugal. The building was designed by Manuel Cardoso Saldanha; the master bricklayer and architect Eugénio da Mota prepared the stonework in Portugal and accompanied it to Salvador. Its elevation to the status of basilica took place in 1946. Pope Pius XII declared Our Lady of Conception the sole patron of the State of Bahia. Robert C. Smith described the structure as the "first and most complete expression in Brazil of the new Baroque style that succeeded Mannerism in Portugal in the early years of John V's reign." The Portuguese art historian João Miguel dos Santos Simões stated that "Among the remarkable examples of 18th-century architecture that the Portuguese built on Brazilian soil, this one, honoring the patron saint of the Kingdom, stands out in historical importance and majesty."


Location

The Basilica of the Immaculate Conception faces directly northwest onto the
Bay of All Saints The Bay of All Saints ( pt, Baía de Todos os Santos), also known as All Saints' Bay and Todos os Santos Bay, is the principal bay of the Brazilian state of Bahia, to which it gave its name. It sits on the eastern coast of Brazil, surrounding p ...
. The church once sat on the shore of the bay, and parts of the church, notably the
chancel In church architecture, the chancel is the space around the altar, including the choir and the sanctuary (sometimes called the presbytery), at the liturgical east end of a traditional Christian church building. It may terminate in an apse. Ov ...
, were built directly into the cliff between the lower and upper city. Prior to its elevation to a basilica, it was known as the ''Igreja da Nossa Senhora da Conceição da Praia'', or literally "Our Lady of the Conception of the Beach." Landfill and extensive port expansion of the ''cidade baixa'', or lower city of Salvador, was carried out in the 19th century. The church no longer sits directly on the bay, but rather faces a facility of the Brazilian Navy. The port facilities of the 19th century were replaced by high-rise buildings and a commercial center in the 20th century, in contrast to the Baroque-style structure.


History


Early history

The present church structure is the third to be built on the site.
Tomé de Sousa Tomé de Sousa (1503–1579) was the first governor-general of the Portuguese colony of Brazil from 1549 until 1553. He was a nobleman and soldier born in Rates, Póvoa de Varzim. Sousa was born a noble and participated in military expeditions in ...
(1503-1579), the first governor-general of the Portuguese colony of Brazil, established a primitive settlement and chapel in 1549 on the site of the current church in the initial period of construction of Salvador. Father
Manuel da Nóbrega Manuel da Nóbrega (old spelling ''Manoel da Nóbrega'') (18 October 1517 – 18 October 1570) was a Portuguese Jesuit priest and first Provincial of the Society of Jesus in colonial Brazil. Together with José de Anchieta, he was very influe ...
(1517-1570) and six Jesuit clergymen personally built a small mud-walled chapel at the base of the slope between the current upper and lower city. The chapel was dedicated to Our Lady of the Conception and housed an image of the saint brought by Tomé de Sousa from Portugal. The site sits close to the oceanfront and was a place of worship for sailors and tradesmen arriving in Brazil; they christened the church the Conception of the Beach (''Conceição da Praia''), a name that remained during subsequent reconstructions.


17th century

The growth of the population of the Cidade Baixa and area near the port of Salvador necessitated the construction of a larger church. Marcos Teixeira de Mendonça (1578-1624), a bishop and resistance leader against the Dutch attacks against Brazil, expanded the structure in 1623. It was renamed Matriz da Nova Freguesia de Nossa Senhora da Conceição da Praia and was financed by wealthy Portuguese merchants in the area.


18th century

The Santíssimo Sacramento da Imaculada Conceição, a fraternal order, decided to completely rebuild the church in 1736. The military engineer Manuel Cardoso de Saldanha planned the church and Manuel Vicente, a master stonemason, supervised its construction. The master bricklayer and architect Eugénio da Mota prepared the ''lioz'' stonework in Portugal and accompanied it to Salvador. The import of ''lioz'' stonework from Portugal for use as architectural elements in Brazil began in the 16th century; it additionally served as
ballast Ballast is material that is used to provide stability to a vehicle or structure. Ballast, other than cargo, may be placed in a vehicle, often a ship or the gondola of a balloon or airship, to provide stability. A compartment within a boat, ship ...
for Portuguese ships travelling to Brazil. The church is the second in Brazil constructed entirely of ''lioz'', the first being the Jesuit church of Salvador, now the Cathedral Basilica of Salvador. The art historian Germain Bazin classifies it as the only Portuguese church in Bahia, and outside of the progression of design of other religious structures in the region. Construction on the church began in 1739 but was delayed in 1758 by a financial downturn in Bahia. The woodcarver Lourenço Rodrigues Lançarote completed the elaborate side altars in 1765; he had earlier completed similar work in the
Church of the Third Order of Mount Carmel The Church of the Third Order of Mount Carmel ( pt, Igreja da Ordem Terceira do Carmo, also known as the ''Igreja da Ordem Terceira do Monte do Carmo'') is an 18th-century Roman Catholic church in Salvador, Bahia, Brazil. It is located adjacent t ...
. João Moreira de Espírito Santo completed the high altar between 1765 and 1773. The new structure, still unfinished, was dedicated on December 8 of the same year by the Archbishop of Bahia, Frei Manuel de Santa Inês Ferreira (1704-1771). Eugénio da Mota returned to Lisbon in 1769, "aged and nearly blind". The structure, but not its interior decorative elements, were completed in 1773.


19th century

Four Portuguese masons succeeded Da Mota. The completion of the central section and left wing of the church in 1820 marked the end of major construction of the structure. By 1820 the fraternal order had spent 208,234,000 Portuguese réis on the church, making it one of the costliest in Bahia. The massive staircase in ''lioz'' and right wing of the structure were completed in 1850. The church of the Immaculate Conception received the title of minor basilica by the Apostolic Letter "Coruscantis sideris" of the 7 of October 1946, by decision of the
Holy See The Holy See ( lat, Sancta Sedes, ; it, Santa Sede ), also called the See of Rome, Petrine See or Apostolic See, is the jurisdiction of the Pope in his role as the bishop of Rome. It includes the apostolic episcopal see of the Diocese of R ...
.


Structure

The Basilica of the Immaculate Conception has a monumental façade of lioz, with straight lines and rectangular details. The façade is flanked by two diagonal towers which "give a baroque touch to the design of the church box." The church is noted for its use of natural light: it has a copula above the chancel and faces directly west to utilize light from the Bay of All Saints via numerous doors and windows.


Church bells

The basilica has 16 church bells. They served as an alarm system to the entire city of Salvador from the 18th century. The bells fell into disuse by 1990. They were restored and reactivated in 2021, and ring at 12 noon and 6pm. The bells can additionally play hymns for special occasions.


Interior

The interior of the church is the first complete example of the Baroque style of
John V of Portugal Dom John V ( pt, João Francisco António José Bento Bernardo; 22 October 1689 – 31 July 1750), known as the Magnanimous (''o Magnânimo'') and the Portuguese Sun King (''o Rei-Sol Português''), was King of Portugal from 9 December 17 ...
; it was partially altered in the Neoclassical style in the 19th century. The high altar is ornate, with monumental Solomonic columns, an altar in silver, and an image of Our Lady of the Conception at center. The master carver João Moreira do Espírito Santo completed the carving of the high altar in cedar between 1765 and 1773. Domingos Luiz Soares, among others, is responsible for the gilding of the high altar. The Italianate
Solomonic column The Solomonic column, also called Barley-sugar column, is a helical column, characterized by a spiraling twisting shaft like a corkscrew. It is not associated with a specific classical order, although most examples have Corinthian or Composite c ...
s, which are white with gilded floral garlands and acanthus details, resemble those of the
baldachin A baldachin, or baldaquin (from it, baldacchino), is a canopy of state typically placed over an altar or throne. It had its beginnings as a cloth canopy, but in other cases it is a sturdy, permanent architectural feature, particularly over hi ...
of
St. Peter's Basilica The Papal Basilica of Saint Peter in the Vatican ( it, Basilica Papale di San Pietro in Vaticano), or simply Saint Peter's Basilica ( la, Basilica Sancti Petri), is a church built in the Renaissance style located in Vatican City, the papal e ...
. A copula and two massive oculi in the chancel ceiling provides natural light to the chancel and high altar. The chancel additionally has a rich collection of baroque-style furniture in ''jacaranda'' wood and candlesticks and lamps in silver. The portals between the nave and chancel and the lateral portals are in an Italianate style, and the only baroque elements of the interior of the church.


Nave ceiling

The ceiling of the nave has a large-scale painting of Our Lady of the Conception. It was painted in the Italianate Baroque
illusionist Magic, which encompasses the subgenres of illusion, stage magic, and close up magic, among others, is a performing art in which audiences are entertained by tricks, effects, or illusions of seemingly impossible feats, using natural means. It ...
style and by José Joaquim da Rocha (c. 1737–1807). The painting was executed in oil on wood between 1772 and 1776. João Miguel dos Santos Simões considers it Rocha's most important work.


Side chapels

The church has eight side chapels: three along each side of the nave and one at either side of the high altar. The chapel at the right of the higher altar is dedicated to the Holy Christ (''Capela do Santo Cristo''). At the left of the nave, from left to right: *Chapel of Saint Joseph (''Capela de São José'') *Chapel of Our Lady of Sorrows (''Capela de Nossa Senhora das Dôres'') *Chapel of Saint John the Baptist (''Capela de São João Batista''), with an image of Our Lady of Fátima below At the right of the nave, from left to right: *Chapel of Our Lady of the Rosary (''Capela Nossa Senhora do Rosário''), with an image of Saint Pantaleon below *Chapel of Saint Anthony (''Capela de Santo Antônio''), with an image of Saint Joseph below *Chapel of Saint Benedict (''Capela de Sao Benedito'')


Baptismal font

A large-scale baptismal font sits in a niche at the rear of the nave. It is of rare marble of the Arrábida region of Portugal, and is a dark reddish-brown color. The walls of the niche are lined with blue, yellow, and white
azulejo ''Azulejo'' (, ; from the Arabic ''al- zillīj'', ) is a form of Spanish and Portuguese painted tin-glazed ceramic tilework. ''Azulejos'' are found on the interior and exterior of churches, palaces, ordinary houses, schools, and nowadays, r ...
s.


Patio

A lateral corridor on the north side of the nave leads to an interior patio with a fountain. The lateral corridor is simple and decorated with azulejos of the 19th century, while the patio and its elements are entirely constructed of ''lioz''. The patio has a staircase leading to the meeting room of the Brotherhood.


Protected status

The Basilica of the Immaculate Conception was listed as a historic structure by the
National Institute of Historic and Artistic Heritage The National Historic and Artistic Heritage Institute (, IPHAN) is a heritage register of the federal government of Brazil. It is responsible for the preservation of buildings, monuments, structures, objects and sites, as well as the register and ...
in 1938. It is listed in the Book of Historical Works process no. 112-T, inscription no. 126.


Access

The Basilica of the Immaculate Conception is located in the Comercio district near the Lacerda Elevator and Modelo Market and may be visited.


See also

*
Roman Catholicism in Brazil , native_name_lang = pt , image = Basilica of Aparecida - Aparecida 2014 (4).jpg , imagewidth = 230px , alt = , caption = The Basilica of the National Shrine of Our Lady of Aparecida in ...
*
Our Lady of the Immaculate Conception The Immaculate Conception is the belief that the Virgin Mary was free of original sin from the moment of her conception. It is one of the four Marian dogmas of the Catholic Church, meaning that it is held to be a divinely revealed truth w ...


References

{{DEFAULTSORT:Immaculate Conception, Church Basilica churches in Brazil Salvador 17th-century Roman Catholic church buildings in Brazil Historic Center (Salvador, Bahia) National heritage sites of Bahia Portuguese colonial architecture in Brazil Roman Catholic churches completed in 1623 1623 establishments in the Portuguese Empire