Barbara La Marr

Barbara La Marr (born Reatha Dale Watson; July 28, 1896 – January 30, 1926) was an American film actress and screenwriter who appeared in twenty-seven films during her career between 1920 and 1926. La Marr was also noted by the media for her beauty, dubbed as the "Girl Who Is Too Beautiful," as well as her tumultuous personal life.

Born in Yakima, Washington, La Marr spent her early life in the Pacific Northwest before relocating with her family to California when she was a teenager. After performing in vaudeville and working as a dancer in New York City, she moved to Los Angeles with her second husband and became a screenwriter for Fox Film Corporation, writing several successful films for the company. La Marr was finally "discovered" by Douglas Fairbanks, who gave her a prominent role in '' The Nut'' (1921), then cast her as Milady de Winter in his production of ''The Three Musketeers'' (1921). After two further career-boosting films with director Rex Ingram (''The Prisoner of Zenda'' and '' Trifling Women'', both with Ramon Novarro), La Marr signed with Arthur H. Sawyer to make several films for various studios, including '' The Hero'' (1923), ''Souls for Sale'' (1923), and '' The Shooting of Dan McGrew'' (1924), the first and last of which she co-wrote.

During her career, La Marr became known as the pre-eminent vamp of the 1920s; she partied and drank heavily, once remarking to the press that she only slept two hours a night. In 1924, La Marr's health began to falter after a series of crash diets for comeback roles further affected her lifestyle, leading to her death from pulmonary tuberculosis and nephritis at age 29. She was posthumously honored on the Hollywood Walk of Fame for her contributions to the film industry.

Early life

Barbara La Marr was born in 1896 as Reatha Dale Watson to William and Rosana "Rose" Watson in Yakima, Washington (La Marr later claimed she was born in Richmond, Virginia). Her father was an editor for a newspaper and her mother, a native of Corvallis, Oregon, already had one son, Henry, and a daughter, Violet, from a previous marriage. La Marr's parents had wed some time during 1884, and had a son, William Watson, Jr., born in June 1886, ten years before she was born. Through her mother, La Marr was of German and English descent.

In the 1920s, the elder Watson became a vaudeville comedian under the stage name of Billy Devore. The Watsons lived in various locations in Washington and Oregon during La Marr's formative years. By 1900, she was living with her parents in Portland, Oregon, with her brother William, her half-sister Violet Ross, and Violet's husband Arvel Ross. As a child, La Marr also performed as a dancer in vaudeville, and made her acting debut as Little Eva in a Tacoma stage production of ''Uncle Tom's Cabin'' in 1904.

By 1910, La Marr was living in Fresno, California, with her parents. Some time after 1911, the family moved to Los Angeles, and La Marr worked at a department store. La Marr also appeared in burlesque shows. In January 1913, her half-sister, now going by the name of Violet Ake, took her 16-year-old sister on a three-day automobile excursion with a man named C.C. Boxley. They drove up to Santa Barbara, but after a few days, La Marr felt that they were not going to let her return home. Ake and Boxley finally let La Marr return to Los Angeles after they realized that warrants were issued for their arrests, accusing them of kidnapping. This episode was published in several newspapers, and La Marr even testified against her sister, but the case eventually was dropped. La Marr's name appeared frequently in newspaper headlines during the next few years. In November 1914, she came back to California from Arizona and announced that she was the newly widowed wife of a rancher named Jack Lytell and that they were supposedly married in Mexico. She also stated that she loathed the name Reatha and preferred to be called by the childhood nickname "Beth."

Career

Early years and screenwriting

After marrying and moving in with her third husband, vaudevillian Ben Deely, La Marr, who at one time had aspirations of being a poet, found employment writing screenplays at Fox Film Corporation using the name Folly Lyell. She wrote numerous scenarios for studio shorts at Fox and United Artists, many of which she based on her life, earning over US$10,000 during her tenure at the studios. She was credited as writer Barbara La Marr Deely on the films ''The Mother of His Children'', ''The Rose of Nome'', ''Flame of Youth'', ''The Little Grey Mouse'', and ''The Land of Jazz'' (all released in 1920).

La Marr continued to write short screenplays for the studio and supported herself by dancing in various cities across the country, including New York City, Chicago, New Orleans