Bamboula, Op. 2 (Gottschalk)
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''Bamboula'', Op. 2, is a
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composition Composition or Compositions may refer to: Arts and literature *Composition (dance), practice and teaching of choreography *Composition (language), in literature and rhetoric, producing a work in spoken tradition and written discourse, to include v ...
for
piano The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboa ...
written by
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composer A composer is a person who writes music. The term is especially used to indicate composers of Western classical music, or those who are composers by occupation. Many composers are, or were, also skilled performers of music. Etymology and Defi ...
Louis Moreau Gottschalk Louis Moreau Gottschalk (May 8, 1829 – December 18, 1869) was an American composer and pianist, best known as a virtuoso performer of his own romantic piano works. He spent most of his working career outside the United States. Life and car ...
during a delirium of
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in the
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town of Clermont-sur-l'Oise in the summer of 1848. Dedicated "à sa Majesté Isabelle II, Reine des Espagnes", it is the first of the so-called set of four "
Louisiana Creole Louisiana Creole ( lou, Kréyòl Lalwizyàn, links=no) is a French-based creole language spoken by fewer than 10,000 people, mostly in the state of Louisiana. It is spoken today by people who may racially identify as White, Black, mixed, and N ...
pieces" that Gottschalk composed between 1848 and 1851.


Musical analysis

According to the ''Dictionary of the English/Creole of Trinidad & Tobago'', the term "bamboula" refers to "a kind of vigorous African-based dance with singing and drumming", possibly from the Southern
Kikongo Kongo or Kikongo is one of the Bantu languages spoken by the Kongo people living in the Democratic Republic of the Congo, the Republic of the Congo, Gabon and Angola. It is a tonal language. It was spoken by many of those who were taken from th ...
(
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) language, in which it means "a word which transfers the force of external things into oneself"; and in the Jola languages "", "war dance" (Eastern Kikongo: "ignite"). An early 1950
Haitian Vodou Haitian Vodou is an African diasporic religion that developed in Haiti between the 16th and 19th centuries. It arose through a process of syncretism between several traditional religions of West and Central Africa and Roman Catholicism. There is ...
ritual recording by
Harold Courlander Harold Courlander (September 18, 1908 – March 15, 1996) was an American novelist, folklorist, and anthropologist and an expert in the study of Haitian life. The author of 35 books and plays and numerous scholarly articles, Courlander specialize ...
, "Baboule Dance (three drums)", shows a traditional rhythmic drum pattern very similar to the specific rhythm found in Gottschalk's ''Bamboula''. This is evidence that the bamboula was an old dance based on a particular rhythm that Gottschalk heard in his youth; many
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in
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Merriam-Webster.
; french: La Nouvelle-Orléans , es, Nuev ...
had come from Haiti and reference the term "bamboula"; this rhythm can also be found in various
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islands. A 1954
biguine Biguine ( , ; gcf, label=Antillean Creole, bigin) is a rhythm-centric style of music that originated from Saint Pierre, Martinique in the 19th century. It fuses Bèlè and 19th-century French ballroom dance steps with African rhythms. History ...
-style recording, "Bamboula", made in April 1954 (with added lyrics in creole French) by Abel Beauregard Et l'Orchestre Créole Matou from Guadeloupe, is a cover version based on Gottschalk's ''Bamboula''. Being based on two Creole melodies ('' Musieu Bainjo'' and ''Quan' patate la cuite''), ''Bamboula'' was published with the subtitle ''Danse des nègres'' at the Bureau Central de la Musique on 22 April 1849 by Escudier (a Paris publisher); many unauthorized copies were issued in
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shortly thereafter. Its first concert performance occurred on the evening of 17 April 1849 at the Salle Pleyel during Gottschalk's second appearance as a professional pianist. The composition—written in the
key Key or The Key may refer to: Common meanings * Key (cryptography), a piece of information that controls the operation of a cryptography algorithm * Key (lock), device used to control access to places or facilities restricted by a lock * Key (map ...
of D-flat major, with a strongly rhythmically marked melody—is organized into three sections (AAB). The introduction begins with a concluding gesture in the bass range, mimicking a drum beat. The second is a transposition of the first theme, while the third is underlined by a heavily syncopated melody in the relative minor (B-flat minor). With a duple
time signature The time signature (also known as meter signature, metre signature, or measure signature) is a notational convention used in Western musical notation to specify how many beats (pulses) are contained in each measure (bar), and which note value ...
and an ''Allegro'' tempo marking, the composition features many shifting moods and virtuosic passages.


References


External links

* * {{Portal bar, Classical music, Music Compositions for solo piano 1845 compositions Compositions by Louis Moreau Gottschalk Piano compositions by American composers Piano compositions in the Romantic era Compositions in D-flat major