Baba Yaga (film)

''Baba Yaga'' is a 1973 giallo film directed by Corrado Farina based on the Guido Crepax '' Valentina'' comic series. The film stars Carroll Baker, Isabelle De Funès and George Eastman. The subject is Valentina Rosselli, a Milanese photographer, who meets a middle-aged seductress who inexplicably calls herself "Baba Yaga."

Plot

Valentina Rosselli ( Isabelle De Funès) is a Milanese photographer with a knack for controversial shoots. Her friend and lover, Arno (George Eastman), is a director. One night, on her way home, Valentina gets struck by a car driven by a middle-aged blonde (Carroll Baker) who introduces herself as "Baba Yaga" and tells Valentina their meeting was preordained. After driving Valentina home, Baba Yaga snatches the clip from her garter belt, saying she needs a personal object from her and that she will return it tomorrow. That night, Valentina has a series of vivid and sexually charged dreams. Baba Yaga invites Valentina to her old home to take some photographs. At the house, Baba Yaga shows an ostensible sexual interest in Valentina and gives her a doll dressed in leather fetish wear. Valentina soon realizes Baba Yaga is using the doll to control her.

Cast

* Carroll Baker as Baba Yaga
* Isabelle De Funès as Valentina Rosselli
* George Eastman as Arno Treves
* Ely Galleani as Annette, the doll
* Angela Covello as Toni
* Mario Mattia Giorgetti as Carlo
* Daniela Balzaretti as Romina
* Sergio Masieri as Sandro

Production

''Baba Yaga'' was an adaptation of Guido Crepax's comic series ''Valentina''. Crepax had previously done film work with Tinto Brass who commissioned him to create the storyboards for his thriller film ''Deadly Sweet''. Brass had at one point considered adapting the story ''La forza di gravità'' from the ''Valentina'' comics to a film, but abandoned the idea when he felt that it would be impossible to portray Crepax's visual sensibilities to a film. Director Corrado Farina had admired Crepax's work, going as far to make a short documentary film ''Freud a fumetti'' (1970) which explored his comics. Farina noted that he had been disappointed by other works based on comics as "none of the filmmakers who embarked on that task had been able to deepen the relationship between the language of comics and that of film." Farina decided to explore the fantastical elements of Crepax's comics as opposed to the more erotic overtones.

During pre-production Farina signed a deal with producer Turi Vasile, which led him to Franco Committeri who later took over for Vasile as the film's financial backer. Farina made changes to the script by removing the character Philip Rembrandt and turning a small character in the comic, that of film director Arno Treves into a role as large as Valentina. After finishing the script, Committeri left the project after the release of Marco Bellocchio's '' Slap the Monster on Page One'' (1972). Farina had to find a new producer, and eventually signed with a company called 14 luglio Cinematografica. A French film production company is also credited, but this was predominantly done for tax reasons. The French connections eventually led to the casting of Isabelle De Funès as Valentina. Farina was not happy with her in the role, as his first choice had been Elsa Martinelli. He eventually had to choose between De Funès and Stefania Casini. The director initially had wanted the popular Italian singer Ornella Vanoni for the role of Baba Yaga in the film. He eventually cast Anne Heywood who left the project as shooting began. This led to Farina casting Carroll Baker in haste. George Eastman was cast as Arno. Farina was unfamiliar with the actor at the time but found that "he proved to be fit for the role. He had the right looks.".

After completing shooting and post-production on the film, Farina left for a vacation. On returning, he found that producers had edited nearly half an hour out of his film, who found it too slow. The cuts made to this film were done on the negative of the film, making Farina lose his original edit of ''Baba Yaga''. Farina was furious and threatened to take his name off the film. With the help of assistant director Giuilio Berruti, they tried to re-edit ''Baba Yaga'' but since the original version was lost, they could not complete it per their original idea.

Release

Before ''Baba Yagas release in Italy, the Italian Board of Censors ordered two cuts: the first being a long shot of De Funes full frontal nudity and the moment where Baker undresses before Valentina.
''Baba Yaga'' was released in Italy in 1973. Film historian and critic Roberto Curti stated that the film had poor box-office results due to bad distribution in Italy.

The film was shown as the 1973 Trieste Science Fiction Festival. ''Baba Yaga'' was released in the United States on DVD and Blu-Ray by Blue Underground.

Reception

Curti noted that most critics panned the film. In a contemporary review, Geoff Brown (''Monthly Film Bulletin'') reviewed an 81-minute dubbed version of the film. Brown noted that due to 20 minutes of the film being cut and through the English-language dub, the film had lost some of Farina's socio-political arguments". Brown noted that most of these comments however are brought down to "modish chit-chat" ranging through ideas that Valentina preferred Laurel & Hardy to Jean-Luc Godard. Brown's review noted that the film was an "airily directed horror-and-sex tale in the Bava tradition" and that it could "hold its own with ease" and that the film "looks as thought it may be swallowed up by its surface of esoteric chic. The movie's backbone of mainstream horror just about pulls it through."

From retrospective reviews, Danny Shipka, who discussed this film in his book on European exploitation films, noted that the film is "never uninteresting and the comic book style in which many of the scenes, especially the sex scenes are filmed is well handled" as well as that it was "not altogether successful mix of Guido Crepax's Italian comic book genius and European exploitation", concluding that it "seems to be lacking the "spark" that made the comic books so memorable." Film critic and horror author Kim Newman referred to the film as "enormously boring". ''TV Guide'' referred to the film as an "exceptionally handsome example of 1970s Italian pop-exploitation filmmaking sweetened by Piero Umilani's lounge-jazz score," and praised Baker's performance, but noted that she was "physically wrong for the role; her elaborate lace-and-beribboned costumes sometimes make her look more like a fleshy Miss Havisham than a sleekly predatory sorceress".

References

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{{DEFAULTSORT:Baba Yaga
1973 films
1973 LGBT-related films
Baba Yaga
BDSM in films
Italian erotic horror films
Films about photographers
Films based on Italian comics
Films directed by Corrado Farina
Films scored by Piero Umiliani
Films set in Milan
French horror fiction
Italian supernatural horror films
1970s Italian-language films
Italian LGBT-related films
Lesbian-related films
Live-action films based on comics
Censored films
1970s Italian films
French LGBT-related films