(To each his own!), , is a

church cantata A church cantata or sacred cantata is a cantata intended to be performed during Christian liturgy. The genre was particularly popular in 18th-century Lutheran Germany, with many composers writing an extensive output: Gottfried Heinrich Stölzel, ...

Johann Sebastian Bach Johann Sebastian Bach (28 July 1750) was a German composer and musician of the late Baroque period. He is known for his orchestral music such as the '' Brandenburg Concertos''; instrumental compositions such as the Cello Suites; keyboard w ...

. He composed the work in

Weimar Weimar is a city in the state of Thuringia, Germany. It is located in Central Germany between Erfurt in the west and Jena in the east, approximately southwest of Leipzig, north of Nuremberg and west of Dresden. Together with the neighbouri ...

for the twenty-third Sunday after

Trinity The Christian doctrine of the Trinity (, from 'threefold') is the central dogma concerning the nature of God in most Christian churches, which defines one God existing in three coequal, coeternal, consubstantial divine persons: God the F ...

and first performed it on 24 November 1715. This work was part of Bach's sequence of monthly church cantatas for the Weimar court, which he began in 1714. It was the first piece performed after a mourning period of several months for Prince Johann Ernst. The text, written by the court poet

Salomon Franck Salomon (also Salomo) Franck, 6 March 1659 – 11 July 1725), was a German lawyer, scientist, and poet. Franck was working at Weimar at the same time as the composer Johann Sebastian Bach and he was the librettist of some of the best-kn ...

, is based on the prescribed gospel reading for the Sunday, " Render unto Caesar...", and includes several allusions to money and gold. The cantata has six

movement Movement may refer to: Common uses * Movement (clockwork), the internal mechanism of a timepiece * Motion, commonly referred to as movement Arts, entertainment, and media Literature * "Movement" (short story), a short story by Nancy Fu ...

s, beginning with an

aria In music, an aria (Italian: ; plural: ''arie'' , or ''arias'' in common usage, diminutive form arietta , plural ariette, or in English simply air) is a self-contained piece for one voice, with or without instrumental or orchestral accompanime ...

for

tenor A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The lo ...

, followed by two pairs of

recitative Recitative (, also known by its Italian name "''recitativo''" ()) is a style of delivery (much used in operas, oratorios, and cantatas) in which a singer is allowed to adopt the rhythms and delivery of ordinary speech. Recitative does not repea ...

s and arias, one for

bass Bass or Basses may refer to: Fish * Bass (fish), various saltwater and freshwater species Music * Bass (sound), describing low-frequency sound or one of several instruments in the bass range: ** Bass (instrument), including: ** Acoustic bass gui ...

and the other for the duet of

soprano A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261 Hz to "high A" (A5) = 880&n ...

and

alto The musical term alto, meaning "high" in Italian (Latin: ''altus''), historically refers to the contrapuntal part higher than the tenor and its associated vocal range. In 4-part voice leading alto is the second-highest part, sung in choruses by ...

, and a concluding chorale. Similar to other cantatas on words by Franck, the work is scored for a small Baroque chamber ensemble of two violins, viola, two cellos and continuo. Bach composed a unique

with a dark texture of a bass voice and two obbligato cellos. A duet has been described as a love duet and compared to operatic duets. The music of the closing chorale is lost, except for the continuo part. It is not clear if Bach set the

stanza In poetry, a stanza (; from Italian language, Italian ''stanza'' , "room") is a group of lines within a poem, usually set off from others by a blank line or Indentation (typesetting), indentation. Stanzas can have regular rhyme scheme, rhyme and ...

printed in the libretto from Heermann's "", or instead his "" by

Christian Keymann Christian Keymann (also ''Christian Keimann''; 27 February 1607 – 13 January 1662) was a German hymnwriter. He is known for writing the chorale "Meinen Jesum laß ich nicht" in 1658, which served as the base for Bach's chorale cantata '' Meinen J ...

, in a tune that appears as a

cantus firmus In music, a ''cantus firmus'' ("fixed melody") is a pre-existing melody forming the basis of a polyphonic composition. The plural of this Latin term is , although the corrupt form ''canti firmi'' (resulting from the grammatically incorrect tr ...

in movement 5.

History and text

On 2 March 1714 Bach was appointed concertmaster of the Weimar court orchestra (''Kapelle'') of the co-reigning dukes

Wilhelm Ernst Wilhelm Ernst (25 August 1905, in Gelsenkirchen – 23 July 1952, in Gelsenkirchen) was a German chess master. Biography He was a winner at Weidenau 1937. He played several times in German Chess Championship; took second, behind Kurt Richter, at ...

and Ernst August of Saxe-Weimar. As concertmaster, he assumed the principal responsibility for composing new works, specifically cantatas for the ''Schlosskirche'' (palace church), on a monthly schedule. Bach composed the cantata in 1715 for the 23rd Sunday after Trinity. The prescribed readings for the Sunday were from the

Epistle to the Philippians The Epistle to the Philippians is a Pauline epistle of the New Testament of the Christian Bible. The epistle is attributed to Paul the Apostle and Timothy is named with him as co-author or co-sender. The letter is addressed to the Christian chu ...

, "our conversation is in heaven" (), and from the

Gospel of Matthew The Gospel of Matthew), or simply Matthew. It is most commonly abbreviated as "Matt." is the first book of the New Testament of the Bible and one of the three synoptic Gospels. It tells how Israel's Messiah, Jesus, comes to his people and for ...

, the question about paying taxes, answered by " Render unto Caesar..." (). The librettist was

, the court poet in Weimar. He began with a paraphrase of the famous answer "Render unto Caesar" from the gospel, and included several allusions to money and gold (he was also the

numismatist A numismatist is a specialist in numismatics ("of coins"; from Late Latin ''numismatis'', genitive of ''numisma''). Numismatists include collectors, specialist dealers, and scholars who use coins and other currency in object-based research. Altho ...

of the Weimar court). Franck included a

from a

hymn A hymn is a type of song, and partially synonymous with devotional song, specifically written for the purpose of adoration or prayer, and typically addressed to a deity or deities, or to a prominent figure or personification. The word ''hymn'' ...

Johann Heermann Johann Heermann (11 October 158517 February 1647) was a German poet and hymnodist. He is commemorated in the Calendar of Saints of the Lutheran Church on 26 October with Philipp Nicolai and Paul Gerhardt. Life Heermann was born in Raudten (m ...

as the sixth and last

of this cantata, according to the printed libretto the final stanza of "Wo soll ich fliehen hin" (1630). The music of that chorale is lost; only the continuo part has survived. Recent scholarship found that Bach possibly chose to set a stanza from Heermann's "Meinen Jesum lass ich nicht" instead, in a tune he used instrumentally in movement 5, which would match the continuo part. Bach led the first performance on 24 November 1715. It was the first cantata performed after a period of mourning for Prince Johann Ernst from August to November. No account is extant of a later performance in Leipzig, but the Bach scholar

Christoph Wolff Christoph Wolff (born 24 May 1940) is a German musicologist. He is best known for his works on the music, life, and period of Johann Sebastian Bach. Christoph Wolff is an emeritus professor of Harvard University, and was part of the faculty sinc ...

writes: "it seems safe to assume that it was evived.

Scoring and structure

The cantata in structured in six movements, beginning with an

for

(T), followed by two pairs of

and aria, one for

(B), the other for the duet of

(S) and

(A), and a concluding chorale when all four parts are united. As with several other cantatas on words by Franck, it is scored for a small Baroque chamber ensemble of two

violin The violin, sometimes known as a ''fiddle'', is a wooden chordophone (string instrument) in the violin family. Most violins have a hollow wooden body. It is the smallest and thus highest-pitched instrument (soprano) in the family in regular ...

s (Vl),

viola The viola ( , also , ) is a string instrument that is bow (music), bowed, plucked, or played with varying techniques. Slightly larger than a violin, it has a lower and deeper sound. Since the 18th century, it has been the middle or alto voice of ...

(Va), two

cello The cello ( ; plural ''celli'' or ''cellos'') or violoncello ( ; ) is a Bow (music), bowed (sometimes pizzicato, plucked and occasionally col legno, hit) string instrument of the violin family. Its four strings are usually intonation (music), t ...

s (Vc) and

basso continuo Basso continuo parts, almost universal in the Baroque era (1600–1750), provided the harmonic structure of the music by supplying a bassline and a chord progression. The phrase is often shortened to continuo, and the instrumentalists playing th ...

(Bc). In the following table of the movements, the scoring,

keys Key or The Key may refer to: Common meanings * Key (cryptography), a piece of information that controls the operation of a cryptography algorithm * Key (lock), device used to control access to places or facilities restricted by a lock * Key (map ...

and

time signature The time signature (also known as meter signature, metre signature, or measure signature) is a notational convention used in Western musical notation to specify how many beats (pulses) are contained in each measure (bar), and which note value ...

s are taken from

Alfred Dürr Alfred Dürr (3 March 1918 – 7 April 2011) was a German musicologist. He was a principal editor of the Neue Bach-Ausgabe, the second edition of the complete works of Johann Sebastian Bach. Professional career Dürr studied musicology and Clas ...

, using the symbol for common time (4/4). The instruments are shown separately for winds and strings, while the continuo, playing throughout, is not shown.

Music

The opening

da capo Da capo (, also , ) is an Italian musical term that means "from the beginning" (literally, "from the head"). It is often abbreviated as D.C. The term is a directive to repeat the previous part of music, often used to save space, and thus is an ...

aria for tenor is based on a paraphrase of "Render to Caesar": "Nur jedem das Seine". The aria features an unusual

ritornello A ritornello (Italian; "little return") is a recurring passage in Baroque music for orchestra or chorus. Early history The earliest use of the term "ritornello" in music referred to the final lines of a fourteenth-century madrigal, which were usu ...

in which the strings assume a motif introduced by the continuo, which is then repeated several times through all parts. The movement is a

da capo aria The da capo aria () is a musical form for arias that was prevalent in the Baroque era. It is sung by a soloist with the accompaniment of instruments, often a small orchestra. The da capo aria is very common in the musical genres of opera and orator ...

emphasizing dualism and debt. Craig Smith remarks that it is "almost academic in its metrical insistence". The second movement is a secco bass

, "" (You are, my God, the Giver of all gifts). It has been described as "operatic in its intensity and subtle adjustments of character". The recitative is remarkable for its "aggressive, even belligerent" conclusion. The following bass aria, "" (Let my heart be the coin), has an unusual and unique accompaniment of two

obbligato In Western classical music, ''obbligato'' (, also spelled ''obligato'') usually describes a musical line that is in some way indispensable in performance. Its opposite is the marking ''ad libitum''. It can also be used, more specifically, to indica ...

cellos with continuo. The cellos present an imitative motif to introduce the bass.

John Eliot Gardiner Sir John Eliot Gardiner (born 20 April 1943) is an English conductor, particularly known for his performances of the works of Johann Sebastian Bach. Life and career Born in Fontmell Magna, Dorset, son of Rolf Gardiner and Marabel Hodgkin, Gard ...

, who conducted the

Bach Cantata Pilgrimage The Monteverdi Choir was founded in 1964 by Sir John Eliot Gardiner for a performance of the ''Vespro della Beata Vergine'' in King's College Chapel, Cambridge. A specialist Baroque ensemble, the Choir has become famous for its stylistic convic ...

in 2000, comments that Bach "conjures up an irresistible picture of two coin-polishers at work, a sort of eighteenth-century sorcerer goading his apprentice", observing that "two cellos polish away in contrary motion with wide intervalic leaps". Bach was interested in coins and precious metals. The conductor Craig Smith compares the dark texture to the "descent into the earth in Wagner's ''

Das Rheingold ''Das Rheingold'' (; ''The Rhinegold''), WWV 86A, is the first of the four music dramas that constitute Richard Wagner's ''Der Ring des Nibelungen'' (English: ''The Ring of the Nibelung''). It was performed, as a single opera, at the National ...

''". The aria is in three thematic sections: "enjoining", "melodramatically rhetoric", and "imprecatory". The fourth movement is a soprano and alto duet recitative, "" (I would gladly, o God, give you my heart). It is rhythmically metrical and presents five sections based on mood and text. The recitative is "high and light but very complicated in its myriad of detail". The duet aria, "" (Take me from myself and give me to You!), again for soprano and alto, is in

triple time Triple metre (or Am. triple meter, also known as triple time) is a musical metre characterized by a ''primary'' division of 3 beats to the bar, usually indicated by 3 (simple) or 9 (compound) in the upper figure of the time signature, with , , ...

. The tune of

's hymn "Meinen Jesum lass ich nicht" (I will not let go of my Jesus) is interwoven in the texture as a

of the upper strings in

unison In music, unison is two or more musical parts that sound either the same pitch or pitches separated by intervals of one or more octaves, usually at the same time. ''Rhythmic unison'' is another term for homorhythm. Definition Unison or per ...

. The movement is a "love duet" characterized by "antiphonal avowals of commitment" to God rather than a carnal desire. The musicologist Julian Mincham compares its presentation to

Monteverdi Claudio Giovanni Antonio Monteverdi (baptized 15 May 1567 – 29 November 1643) was an Italian composer, choirmaster and string player. A composer of both secular and sacred music, and a pioneer in the development of opera, he is considered ...

's ''

L'incoronazione di Poppea ''L'incoronazione di Poppea'' ( SV 308, ''The Coronation of Poppaea'') is an Italian opera by Claudio Monteverdi. It was Monteverdi's last opera, with a libretto by Giovanni Francesco Busenello, and was first performed at the Teatro Santi Giovanni ...

''. The movement begins with sparse scoring and becomes more richly textured as it progresses, adding the chorale tune. The final movement, possibly "Führ auch mein Herz und Sinn" (Also lead my heart and mind), is a four-part chorale setting, marked "Chorale in semplice stylo"; however, only the continuo line is extant. While the libretto shows that a stanza from Heermann's "Wo soll ich fliehen hin" was to be used, sung to a melody by

Christian Friedrich Witt Christian Friedrich Witt, or Witte (c. 1660 – 13 April 1716) was a German composer, music editor and teacher. Biography He was born in Altenburg, where his father, Johann Ernst Witt, was court organist; he had come from Denmark around 1650 w ...

, the Bach scholar

Andreas Glöckner Andreas Glöckner (born 1950 in Sondershausen) is a German musicologist, a Bach scholar who has served as the dramaturge of the Bachfest Leipzig. Career Glöckner studied musicology at the University of Leipzig. He worked at the Bach Archive L ...

found that the continuo part matches the tune in the previous movement, which appeared in a hymnal published by Witt.

Recordings

Amsterdam Baroque Orchestra & Choir The Amsterdam Baroque Orchestra & Choir is a Dutch early-music group based in Amsterdam. The Amsterdam Baroque Orchestra & Choir was created in two stages by the conductor, organist and harpsichordist Ton Koopman. He founded the Amsterdam Baroqu ...

Ton Koopman Antonius Gerhardus Michael Koopman (; born 2 October 1944), known professionally as Ton Koopman, is a Dutch conductor, organist, harpsichordist, and musicologist, primarily known for being the founder and director of the Amsterdam Baroque Orches ...

. ''J. S. Bach: Complete Cantatas Vol. 3''. Erato, 1995. *

Bach Collegium Japan Bach Collegium Japan (BCJ) is composed of an orchestra and a chorus specializing in Baroque music, playing on period instruments. It was founded in 1990 by Masaaki Suzuki with the purpose of introducing Japanese audiences to European Baroque music ...

Masaaki Suzuki is a Japanese organist, harpsichordist and conductor, and the founder and music director of the Bach Collegium Japan. With this ensemble he is recording the complete choral works of Johann Sebastian Bach for the Swedish label BIS Records, for whi ...

. ''J. S. Bach: Cantatas Vol. 4''. BIS, 1996. *

Gächinger Kantorei Gächinger Kantorei (Gächingen Chorale) is an internationally known German mixed choir, founded by Helmuth Rilling in 1954 in Gächingen (part of St. Johann close to Reutlingen) and conducted by him until 2013, succeeded by Hans-Christoph Radema ...

Bach-Collegium Stuttgart Bach-Collegium Stuttgart is an internationally known German instrumental ensemble, founded by Helmuth Rilling in 1965 to accompany the Gächinger Kantorei in choral music with orchestra. Its members are mostly orchestra musicians from Germany and S ...

Helmuth Rilling Helmuth Rilling (born 29 May 1933) is a German choral conductor and an academic teacher. He is the founder of the Gächinger Kantorei (1954), the Bach-Collegium Stuttgart (1965), the Oregon Bach Festival (1970), the Internationale Bachakademie S ...

. ''Die Bach Kantate''.

Hänssler Hänssler-Verlag is a German music publishing house founded in 1919 as Musikverlag Hänssler by Friedrich Hänssler Senior (died 1972) to publish church music. The company is now based in Holzgerlingen. Since 1972 Hänssler Verlag has also publish ...

, 1977. *

Holland Boys Choir Pieter Jan Leusink (born 5 April 1958 in Elburg) is a Dutch conductor of classical music. He studied organ in Zwolle at the Municipal Conservatory and took conducting lessons from Gottfried van der Horst. He founded the Stadsknapenkoor Elburg (E ...

Netherlands Bach Collegium The Netherlands Bach Collegium is a Baroque orchestra based in the Netherlands. It is conducted by Pieter Jan Leusink. They are noted for their Complete Cantatas Brilliant Series, a recording of the complete Bach cantata, sacred cantatas by Johann S ...

Pieter Jan Leusink Pieter Jan Leusink (born 5 April 1958 in Elburg) is a Dutch conductor of classical music. He studied organ in Zwolle at the Municipal Conservatory and took conducting lessons from Gottfried van der Horst. He founded the Stadsknapenkoor Elburg ( ...

. ''Bach Edition Vol. 11''. Brilliant Classics, 1999. *

Monteverdi Choir The Monteverdi Choir was founded in 1964 by Sir John Eliot Gardiner for a performance of the ''Vespro della Beata Vergine'' in King's College Chapel, Cambridge. A specialist Baroque ensemble, the Choir has become famous for its stylistic convic ...

English Baroque Soloists The English Baroque Soloists is a chamber orchestra playing on period instruments, formed in 1978 by English conductor Sir John Eliot Gardiner. Its repertoire comprises music from the early Baroque to the Classical period. History The English B ...

. ''Bach Cantatas Vol. 12''. Soli Deo Gloria, 2000.

Notes

References

External links

*
Nur jedem das Seine BWV 163; BC A 158 / Sacred cantata (23rd Sunday after Trinity)

Bach Digital Bach Digital (German: ), developed by the Bach Archive in Leipzig, is an online database which gives access to information on compositions by Johann Sebastian Bach and members of Bach family, his family. Early manuscripts of such compositions are ...

BWV 163 Nur jedem das Seine
English translation,

University of Vermont The University of Vermont (UVM), officially the University of Vermont and State Agricultural College, is a Public university, public Land-grant university, land-grant research university in Burlington, Vermont. It was founded in 1791 and is amon ...

{{DISPLAYTITLE:''Nur jedem das Seine'', BWV 163 Church cantatas by Johann Sebastian Bach 1715 compositions