In sociology, articulation labels the process by which particular

class Class or The Class may refer to: Common uses not otherwise categorized * Class (biology), a taxonomic rank * Class (knowledge representation), a collection of individuals or objects * Class (philosophy), an analytical concept used differently ...

es appropriate cultural forms and practices for their own use. The term appears to have originated from the work of

Antonio Gramsci Antonio Francesco Gramsci ( , , ; 22 January 1891 – 27 April 1937) was an Italian Marxist philosopher, journalist, linguist, writer, and politician. He wrote on philosophy, political theory, sociology, history, and linguistics. He was a fo ...

, specifically from his conception of superstructure.

Chantal Mouffe Chantal Mouffe (; born 17 June 1943) is a Belgian political theorist, formerly teaching at University of Westminster. She is best known for her contribution to the development—jointly with Ernesto Laclau, with whom she co-authored her most f ...

, Stuart Hall, and others have adopted or used it.Middleton, Richard

990 Year 990 ( CMXC) was a common year starting on Wednesday (link will display the full calendar) of the Julian calendar. Events By place Europe * Al-Mansur, ''de facto'' ruler of Al-Andalus, conquers the Castle of Montemor-o-Velho (mode ...

(2002). ''Studying Popular Music''. Philadelphia: Open University Press. . p. 8-9 Articulation (expression) theorizes the relationship between components of social formation or relationship between cultural and political economy. In this theory, cultural forms and practices (Antonio Gramsci's ''superstructure'' and Richard Middleton's ''instance'' or ''level of practice'') have relative autonomy; socio-economic structures of power do not determine them, but rather they relate to them. "The theory of articulation recognizes the complexity of cultural fields. It preserves a relative autonomy for cultural and ideological elements ... but also insists that those combinatory patterns that are actually constructed do mediate deep, objective patterns in the socio-economic formation, and that the mediation takes place in ''struggle'': the classes fight to articulate together constituents of the cultural repe oire in particular ways so that they are organized in terms of principles or sets of values determined by the position and interests of the class in the prevailing mode of production." This is because "the relationship between actual culture...on the one hand, and economically determined factors such as class position, on the other, is always problematical, incomplete, and the object of ideological work and struggle. ... Cultural relationships and cultural change are thus not predetermined; rather they are the product of negotiation, imposition, resistance, transformation, and so on....Thus particular cultural forms and practices cannot be attached mechanically or even paradigmatically to particular classes; nor, even, can particular interpretations, valuations, and uses of a single form or practice. In Stuart Hall's words (1981: 238), 'there are no wholly separate "cultures"...attached, in a relation of historical fixity, to specific "whole" classes'. However, "while elements of culture are not directly, eternally, or exclusively tied to specific economically determined factors such as class position, they ''are'' determined in the final instance by such factors, through the operation of articulating principles which ''are'' tied to class position". Articulating principles "operate by combining existing elements into new

pattern A pattern is a regularity in the world, in human-made design, or in abstract ideas. As such, the elements of a pattern repeat in a predictable manner. A geometric pattern is a kind of pattern formed of geometric shapes and typically repeated l ...

s or by attaching new

connotation A connotation is a commonly understood cultural or emotional association that any given word or phrase carries, in addition to its explicit or literal meaning, which is its denotation. A connotation is frequently described as either positive o ...

s to them". Examples of these processes in musical culture include the re-use of elements of

bourgeois The bourgeoisie ( , ) is a social class, equivalent to the middle or upper middle class. They are distinguished from, and traditionally contrasted with, the proletariat by their affluence, and their great cultural and financial capital. They ...

marches in

labor Labour or labor may refer to: * Childbirth, the delivery of a baby * Labour (human activity), or work ** Manual labour, physical work ** Wage labour, a socioeconomic relationship between a worker and an employer ** Organized labour and the labour ...

anthems or the assimilation of liberated (in the Marcusian sense)

countercultural A counterculture is a culture whose values and norms of behavior differ substantially from those of mainstream society, sometimes diametrically opposed to mainstream cultural mores.Eric Donald Hirsch. ''The Dictionary of Cultural Literacy''. Ho ...

1960s

rock Rock most often refers to: * Rock (geology), a naturally occurring solid aggregate of minerals or mineraloids * Rock music, a genre of popular music Rock or Rocks may also refer to: Places United Kingdom * Rock, Caerphilly, a location in Wales ...

into a tradition of bourgeois

bohemianism Bohemianism is the practice of an unconventional lifestyle, often in the company of like-minded people and with few permanent ties. It involves musical, artistic, literary, or spiritual pursuits. In this context, bohemians may be wanderers, a ...

and the combination of elements of black and white working-class music with elements of art music that created countercultural 1960s rock. Some scholars may prefer the theory of articulation, where "class does not coincide with the sign community",Volosinov, V. I. (1973) ''Marxism and the Philosophy of Language''. New York: Seminar Press. p. 23 to the theory of homology, where class does coincide with the sign community and where economic forces determine the superstructure. However, "it seems likely that some signifying structures are more easily articulated to the interests of one group than are some others" and cross-connotation, "when two or more different elements are made to connote, symbolize, or evoke each other", can set up "particularly strong articulative relationships". For example: Elvis Presley's linking of elements of "youth rebellion, working-class 'earthiness', and ethnic 'roots', each of which can evoke the others, all of which were articulated together, however briefly, by a moment of popular self-assertion".

References

Further reading