Arthur Hiller Penn (September 27, 1922 – September 28, 2010) was an American director and producer of film, television and theater. Closely associated with the American New Wave, Penn directed critically acclaimed films throughout the 1960s such as the drama ''The Chase (1966 film), The Chase'' (1966), the biographical crime film ''Bonnie and Clyde (film), Bonnie and Clyde'' (1967) and the comedy ''Alice's Restaurant (film), Alice's Restaurant'' (1969). He also got attention for his revisionist Western ''Little Big Man (film), Little Big Man'' (1970). By the mid-1970s his films were received with much less enthusiasm. In the 1990s he returned to stage and television direction and production, including an executive producer role for the crime series ''Law & Order''. By his death in 2010, he had been nominated for three Academy Awards for Academy Award for Best Director, Best Director, a BAFTA Award, BAFTA, a Golden Globe Award, Golden Globe, two Primetime Emmy Award, Emmys, and two Directors Guild of America Awards. He was the recipient of several honorary accolades, including an Honorary Golden Bear, a Tony Award, and an Akira Kurosawa Award from the San Francisco International Film Festival.

Early years

Penn was born to a Russian Jewish family in Philadelphia, Pennsylvania, the son of Sonia (Greenberg), a nurse, and Harry Penn, a watchmaker. He was the younger brother of Irving Penn, the successful fashion photographer. During his early years, he moved in with his mother after she divorced his father. Some time after, he came back to his sickly father, leading him to run his father's watch repair shop. At 19, he was drafted into the United States Army for service during World War II (1943-1946). While stationed in Britain, he became interested in theater. He started to direct and take part in shows being put on for the soldiers around England at the time. As Penn grew up, he became increasingly interested in film, especially after seeing the Orson Welles film ''Citizen Kane''. He later attended Black Mountain College in North Carolina, and was a featured commentator in the documentary ''Fully Awake'' about the college.


After making a name for himself as a director of quality television dramas, Penn made his feature debut with ''The Left Handed Gun'' (1958) for Warner Brothers. A retelling of the Billy the Kid legend, it was distinguished by Paul Newman's sharp portrayal of the outlaw as a psychologically troubled youth (the role was originally intended for the archetypal portrayer of troubled teens James Dean). The production was completed in only 23 days, but Warner Brothers reedited the film against his wishes with a new ending he disapproved of. The film failed upon release in North America, but was well received in Europe. Penn's second film was ''The Miracle Worker'' (1962), the story of Anne Sullivan's struggle to teach the blind and deaf Helen Keller how to communicate. It garnered two Academy Awards for its leads Anne Bancroft and Patty Duke. Penn had won a Tony Award for directing the stage production, written by William Gibson (playwright), William Gibson, also starring Bancroft and Duke, and he had directed Bancroft's Broadway debut in playwright Gibson's first Broadway production, ''Two for the Seesaw''. Penn began working on ''The Train (1964 film), The Train'' in France in June and August 1963 when star Burt Lancaster had Penn fired after three days of Penn's filming and called on John Frankenheimer to take over the film. In 1965 Penn directed ''Mickey One''. Heavily influenced by the French New Wave, it was the dreamlike story of a standup comedian (played by Warren Beatty) on the run from sinister, ambiguous forces. In 2010, Penn commented: "You know, you could not have gone through the Second World War with all that nonsense with Russia being an ally and then being the big black monster. It was an absurd time. Joseph McCarthy, The McCarthy period was ridiculous and humiliating, deeply humiliating. When I finally did 'Mickey One', it was in repudiation of the kind of fear that overtook free people to the point where they were telling on each other and afraid to speak out. It just astonished me, really astonished me. I mean, I was a vet, so it was nothing like what we thought we were fighting for." Penn's next film was ''The Chase (1966 film), The Chase'' (1966) a thriller following events in a small corrupt Southern town on the day an escaped convict, played by Robert Redford, returns. Although not a major success, ''The Chase'' nonetheless caught the mood of the turbulent times, a 'state of the nation' tale of racism, corruption and the violence endemic in American society. Also that year, he directed the stage version of the thriller ''Wait Until Dark'' starring Lee Remick and Robert Duvall. He reunited with Warren Beatty for the gangster film ''Bonnie and Clyde (film), Bonnie and Clyde'' (1967). The film went on to become a worldwide phenomenon. It was strongly influenced by the French New Wave and itself went on to make a huge impression on a younger generation of filmmakers. Indeed, there was a strong resurgence in the "love on the run" subgenre in the wake of ''Bonnie and Clyde,'' peaking with ''Badlands (film), Badlands'' (1973; in which Penn received acknowledgement in the credits). Beatty had given him 10% of the potential profits of the film before production started and the success of the film earned Penn over $2 million. At the time he had completed ''Bonnie and Clyde'', Penn was residing in Stockbridge, Massachusetts,when he heard a story of a large-scale littering incident that had happened in the town two years prior. He contacted Arlo Guthrie, received permission to adapt his song "Alice's Restaurant Massacree" into a film, and secured Guthrie's participation as well as several other Stockbridge town residents while filming in many of the same locations where the events took place. The film ''Alice's Restaurant (film), Alice's Restaurant'' was released in 1969.Cummings, Paula (November 21, 2017)
Interview: Arlo Guthrie Carries On Thanksgiving Traditions And Fulfills Family Legacy
''NYS Music''. Retrieved October 25, 2018.
His next film was ''Little Big Man (film), Little Big Man'' (1970), a "shaggy dog" account of the life of a white man (played by Dustin Hoffman) who gets adopted into the Cheyenne tribe. In 1973 Penn provided a segment for a promotional film for the Olympics titled ''Visions of Eight'' along with several other major directors such as John Schlesinger and Miloš Forman. His next film was ''Night Moves (1975 film), Night Moves'' (1975) about a private detective (played by Gene Hackman) on the trail of a runaway. Next came ''The Missouri Breaks'' (1976), a ramshackle, eccentric story of a horse thief (Jack Nicholson) facing off with an eccentric bounty hunter (played by Marlon Brando). In the 1980s, Penn's career began to lose its momentum with critics and audiences. ''Four Friends (1981 film), Four Friends'' (1981) was a traumatic look back at the 1960s. ''Target (1985 film), Target'' (1985) was a mainstream thriller reuniting the director with Gene Hackman, and ''Dead of Winter'' (1987) was a horror/thriller. Subsequently, Penn returned to work in television, including as an executive producer for the crime series ''Law & Order''. Penn maintained an affiliation with Yale University, occasionally teaching classes there.

Personal life

In 1955, he married actress Peggy Maurer. They had two children: son Matthew Penn and daughter,Molly Penn. In July 2009, Penn was hospitalized with pneumonia. In July 2010, Penn reflected on his life and career, including his relationship with Alger Hiss:


Penn died in Manhattan, on September 28, 2010, a day after his 88th birthday from congestive heart failure.


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{, class="wikitable sortable" !Year !Title ! class="unsortable", Notes , - , 1958 , ''The Left Handed Gun'' , , - , 1962 , ''The Miracle Worker (1962 film), The Miracle Worker'' , SIGNIS, OCIC Award (San Sebastián International Film Festival)
nominated–Academy Award for Best Director
nominated–Directors Guild of America Award for Outstanding Directing – Feature Film , - , rowspan="2", 1965 , ''Mickey One'' , nominated–Golden Lion, Golden Venice Lion , - , ''The Train (1965 film), The Train'' , uncredited
replaced by John Frankenheimer during 1st week of filming , - , 1966 , ''The Chase (1966 film), The Chase'' , , - , 1967 , ''Bonnie and Clyde (film), Bonnie and Clyde'' , Bodil Award for Best American Film
Kinema Junpo, Kinema Junpo Award for Best Foreign Film
Kinema Junpo, Kinema Junpo Award for Best Foreign Director
Mar del Plata International Film Festival, Mar del Plata Festival Award for Best Film (International Competition)
Mar del Plata International Film Festival, Mar del Plata Critics Award for Best Film
nominated–Academy Award for Best Director
nominated–BAFTA Award for Best Film
nominated–Golden Globe Award for Best Director
nominated–Directors Guild of America Award for Outstanding Directing – Feature Film , - , 1969 , ''Alice's Restaurant (film), Alice's Restaurant'' , nNominated–Academy Award for Best Director
nominated–Writers Guild of America Award for Best Original Screenplay , - , 1970 , ''Little Big Man (film), Little Big Man'' , FIPRESCI Award, FIPRESCI Prize (Moscow International Film Festival) , - , 1973 , ''Visions of Eight'' , segment: "The Highest" , - , 1975 , ''Night Moves (1975 film), Night Moves'' , , - , 1976 , ''The Missouri Breaks'' , , - , 1981 , ''Four Friends (1981 film), Four Friends'' , , - , 1985 , ''Target (1985 film), Target'' , , - , 1987 , ''Dead of Winter'' , , - , 1989 , ''Penn & Teller Get Killed'' , , - , 1995 , ''Lumière and Company'' , 1 segment


{, class="wikitable sortable" !Year !Title ! class="unsortable" , Notes , - , 1958 , ''Two for the Seesaw'' , nominated–Tony Award for Best Direction of a Play , - , 1959 , ''The Miracle Worker (play), The Miracle Worker'' , Tony Award for Best Direction of a Play , - , rowspan="3", 1960 , ''An Evening with Mike Nichols and Elaine May'' , , - , ''All the Way Home (play), All the Way Home'' , nominated–Tony Award for Best Direction of a Play , - , ''Toys in the Attic (play), Toys in the Attic'' , , - , 1962 , ''In the Courting House'' , , - , 1963 , ''Lorenzo'' , , - , 1964 , ''Golden Boy (musical), Golden Boy'' , , - , 1966 , ''Wait Until Dark'' , , - , 1976 , ''Sly Fox'' , , - , 1977 , ''Golda'' , , - , 1982 , ''Monday After the Miracle'' , , - , 2000 , ''Who's Afraid of Virginia Woolf?'' , , - , 2002 , ''Fortune's Fool'' ,


{, class="wikitable sortable" !Year !Title ! class="unsortable" , Notes , - , 1953 , ''Gulf Playhouse'' , 7 episodes , - , rowspan="2", 1953–1955 , ''Goodyear Television Playhouse'' , 6 episodes , - , ''The Philco Television Playhouse'' , 11 episodes , - , 1954 , ''Justice'' , episode: "Man on the Hunt" , - , 1954–1955 , ''Producers' Showcase'' , 2 episodes , - , 1955–1956 , ''Playwrights '56'' , 7 episodes , - , 1957–1958 , ''Playhouse 90'' , 5 episodes
nominated–Primetime Emmy Award for Outstanding Directing for a Drama Series, Primetime Emmy Award for Best Direction – One Hour , - , 1968 , ''Flesh and Blood (1968 film), Flesh and Blood'' , TV movie , - , 1993 , ''The Portrait (1993 film), The Portrait'' , TV movie , - , 1996 , ''Inside (1996 film), Inside'' , TV movie , - , 2000–2001 , ''Law & Order'' , executive producer – 13 episodes
nominated–Primetime Emmy Award for Outstanding Drama Series , - , 2001 , ''100 Centre Street'' , episode: "The Fix"


External links

* * *
Arthur Penn at Senses of Cinema

– slideshow by ''The New York Times''
Literature on Arthur Penn
* {{DEFAULTSORT:Penn, Arthur 1922 births 2010 deaths American film directors Jewish theatre directors Broadway theatre directors Film producers from New York (state) American people of Russian-Jewish descent Television producers from New York City Bard College faculty Honorary Golden Bear recipients Tony Award winners Television producers from Pennsylvania Film producers from Pennsylvania 20th-century American businesspeople