''Armida'' is an

opera Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a libr ...

Antonín Dvořák Antonín Leopold Dvořák ( ; ; 8 September 1841 – 1 May 1904) was a Czech composer. Dvořák frequently employed rhythms and other aspects of the folk music of Moravia and his native Bohemia, following the Romantic-era nationalist example ...

in four acts, set to a libretto by

Jaroslav Vrchlický Jaroslav Vrchlický (; 17 February 1853 – 9 September 1912) was a Czech lyrical poet. He was nominated for the Nobel prize in literature eight times. Life He was born Emilius Jakob Frida in Louny. He lived ten years with his uncle, a pa ...

that was originally based on

Torquato Tasso Torquato Tasso ( , also , ; 11 March 154425 April 1595) was an Italian poet of the 16th century, known for his 1591 poem ''Gerusalemme liberata'' ( Jerusalem Delivered), in which he depicts a highly imaginative version of the combats between ...

's epic ''

La Gerusalemme liberata ''Jerusalem Delivered'', also known as ''The Liberation of Jerusalem'' ( it, La Gerusalemme liberata ; ), is an epic poem by the Italian poet Torquato Tasso, first published in 1581, that tells a largely mythified version of the First Crusade i ...

''. Dvořák's opera was first performed at Prague's National Theatre on 25 March 1904; the score was published as opus 115 in 1941. In terms of genre, ''Armida'' represents the culmination of Dvořák's experimentation with a

Wagnerian Wilhelm Richard Wagner ( ; ; 22 May 181313 February 1883) was a German composer, theatre director, polemicist, and conductor who is chiefly known for his operas (or, as some of his mature works were later known, "music dramas"). Unlike most op ...

style of opera composition, though much of the music belongs to Dvořák's own genre. Vrchlický's libretto parallels the one that Philippe Quinault wrote for

Jean-Baptiste Lully Jean-Baptiste Lully ( , , ; born Giovanni Battista Lulli, ; – 22 March 1687) was an Italian-born French composer, guitarist, violinist, and dancer who is considered a master of the French Baroque music style. Best known for his operas ...

in their opera of the same name.

Roles

Synopsis

In the Royal gardens of Damascus the call to prayer is heard. Ismen enters with news of the approaching Franks, but tries to dissuade the King from a confrontation: let him instead send his daughter (whose hand Ismen has been seeking) to sow dissention. She balks, but changes her mind when Ismen uses his magic to show her the enemy camp, recognizing Rinald as the knight she has just dreamed of. Armida arrives in the crusader's camp and meets Rinald, who brings her into the council where she tells a story of a usurping uncle having blinded the king and chased her into the desert. Rinald cannot wait for the commander of an expedition to restore her kingdom to be chosen by lot and is caught leaving camp with her by the hermit Peter, but the lovers are aided in their escape by Ismen, driving a chariot pulled by dragons. Rinald and Armida are entertained in her garden by sirens and fairies. Ismen is disguised as an old man and tries to destroy the palace, but finding his powers no match for Armida's sorcery, he goes to Rinald's companions and claims to be a convert. Glad of his help, they accept from him the Archangel

Michael Michael may refer to: People * Michael (given name), a given name * Michael (surname), including a list of people with the surname Michael Given name "Michael" * Michael (archangel), ''first'' of God's archangels in the Jewish, Christian and ...

's diamond shield, which they use to bring Rinald out of the palace, which collapses as soon as Armida gives way to grief. Rinald asks forgiveness for abandoning his comrades and his mission. As the crusaders advance on Damascus the battle passes through the camp and Rinald kills Ismen and faces a black knight, who drops his sword when he curses Armida's name. Only after stabbing her does he recognize her and baptise her as she dies in his arms.

References

* *Vocal score prepared by Karel Šolc, introduction by Otakar Šourek, Orbis (Prague) 1941.

External links

Armida on a comprehensive Dvorak site
{{DEFAULTSORT:Armida (Dvorak) Operas by Antonín Dvořák 1904 operas Operas Operas set in the Levant Operas based on works by Torquato Tasso Czech-language operas