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Ancient Greek art stands out among that of other ancient cultures for its development of naturalistic but idealized depictions of the human body, in which largely nude male figures were generally the focus of innovation. The rate of stylistic development between about 750 and 300 BC was remarkable by ancient standards, and in surviving works is best seen in
sculpture Sculpture is the branch of the visual arts that operates in three dimensions. Sculpture is the three-dimensional art work which is physically presented in the dimensions of height, width and depth. It is one of the plastic arts. Durable ...
. There were important innovations in painting, which have to be essentially reconstructed due to the lack of original survivals of quality, other than the distinct field of painted pottery.
Greek architecture Ancient Greek architecture came from the Greek-speaking people (''Hellenic'' people) whose culture flourished on the Greek mainland, the Peloponnese, the Aegean Islands, and in colonies in Anatolia and Italy for a period from about 900 BC u ...
, technically very simple, established a harmonious style with numerous detailed conventions that were largely adopted by
Roman architecture Ancient Roman architecture adopted the external language of classical Greek architecture for the purposes of the ancient Romans, but was different from Greek buildings, becoming a new architectural style. The two styles are often considered on ...
and are still followed in some modern buildings. It used a vocabulary of ornament that was shared with pottery, metalwork and other media, and had an enormous influence on
Eurasia Eurasia (, ) is the largest continental area on Earth, comprising all of Europe and Asia. Primarily in the Northern and Eastern Hemispheres, it spans from the British Isles and the Iberian Peninsula in the west to the Japanese archipelag ...
n art, especially after
Buddhism Buddhism ( , ), also known as Buddha Dharma and Dharmavinaya (), is an Indian religion or philosophical tradition based on teachings attributed to the Buddha. It originated in northern India as a -movement in the 5th century BCE, and ...
carried it beyond the expanded Greek world created by
Alexander the Great Alexander III of Macedon ( grc, Ἀλέξανδρος, Alexandros; 20/21 July 356 BC – 10/11 June 323 BC), commonly known as Alexander the Great, was a king of the ancient Greek kingdom of Macedon. He succeeded his father Philip II to ...
. The social context of Greek art included radical political developments and a great increase in prosperity; the equally impressive Greek achievements in
philosophy Philosophy (from , ) is the systematized study of general and fundamental questions, such as those about existence, reason, knowledge, values, mind, and language. Such questions are often posed as problems to be studied or resolved. ...
,
literature Literature is any collection of Writing, written work, but it is also used more narrowly for writings specifically considered to be an art form, especially prose fiction, drama, and poetry. In recent centuries, the definition has expanded to ...
and other fields are well known. The earliest art by Greeks is generally excluded from "ancient Greek art", and instead known as Greek Neolithic art followed by Aegean art; the latter includes
Cycladic art The ancient Cycladic culture flourished in the islands of the Aegean Sea from c. 3300 to 1100 BCE. Along with the Minoan civilization and Mycenaean Greece, the Cycladic people are counted among the three major Aegean cultures. Cycladic art ther ...
and the art of the Minoan and Mycenaean cultures from the Greek Bronze Age. The art of ancient Greece is usually divided stylistically into four periods: the
Geometric Geometry (; ) is, with arithmetic, one of the oldest branches of mathematics. It is concerned with properties of space such as the distance, shape, size, and relative position of figures. A mathematician who works in the field of geometry is ca ...
, Archaic, Classical, and
Hellenistic In Classical antiquity, the Hellenistic period covers the time in Mediterranean history after Classical Greece, between the death of Alexander the Great in 323 BC and the emergence of the Roman Empire, as signified by the Battle of Actium in ...
. The Geometric age is usually dated from about 1000 BC, although in reality little is known about art in Greece during the preceding 200 years, traditionally known as the
Greek Dark Ages The term Greek Dark Ages refers to the period of History of Greece, Greek history from the end of the Mycenaean civilization, Mycenaean palatial civilization, around 1100 BC, to the beginning of the Archaic Greece, Archaic age, around 750 ...
. The 7th century BC witnessed the slow development of the Archaic style as exemplified by the
black-figure Black-figure pottery painting, also known as the black-figure style or black-figure ceramic ( grc, , }), is one of the styles of painting on antique Greek vases. It was especially common between the 7th and 5th centuries BCE, although there are ...
style of vase painting. Around 500 BC, shortly before the onset of the
Persian Wars The Greco-Persian Wars (also often called the Persian Wars) were a series of conflicts between the Achaemenid Empire and Greek city-states that started in 499 BC and lasted until 449 BC. The collision between the fractious political world of the ...
(480 BC to 448 BC), is usually taken as the dividing line between the Archaic and the Classical periods, and the reign of
Alexander the Great Alexander III of Macedon ( grc, Ἀλέξανδρος, Alexandros; 20/21 July 356 BC – 10/11 June 323 BC), commonly known as Alexander the Great, was a king of the ancient Greek kingdom of Macedon. He succeeded his father Philip II to ...
(336 BC to 323 BC) is taken as separating the Classical from the Hellenistic periods. From some point in the 1st century BC onwards "Greco-Roman" is used, or more local terms for the Eastern Greek world. In reality, there was no sharp transition from one period to another. Forms of art developed at different speeds in different parts of the Greek world, and as in any age some artists worked in more innovative styles than others. Strong local traditions, and the requirements of local
cult In modern English, ''cult'' is usually a pejorative term for a social group that is defined by its unusual religious, spiritual, or philosophical beliefs and rituals, or its common interest in a particular personality, object, or goal. Thi ...
s, enable historians to locate the origins even of works of art found far from their place of origin. Greek art of various kinds was widely exported. The whole period saw a generally steady increase in prosperity and trading links within the Greek world and with neighbouring cultures. The survival rate of Greek art differs starkly between media. We have huge quantities of pottery and coins, much stone sculpture, though even more Roman copies, and a few large bronze sculptures. Almost entirely missing are painting, fine metal vessels, and anything in perishable materials including wood. The stone shell of a number of temples and theatres has survived, but little of their extensive decoration.


Pottery

By convention, finely painted vessels of all shapes are called "vases", and there are over 100,000 significantly complete surviving pieces, giving (with the inscriptions that many carry) unparalleled insights into many aspects of Greek life. Sculptural or architectural pottery, also very often painted, are referred to as
terracotta Terracotta, terra cotta, or terra-cotta (; ; ), in its material sense as an earthenware substrate, is a clay-based unglazed or glazed ceramic where the fired body is porous. In applied art, craft, construction, and architecture, terra ...
s, and also survive in large quantities. In much of the literature, "pottery" means only painted vessels, or "vases". Pottery was the main form of
grave goods Grave goods, in archaeology and anthropology, are the items buried along with the body. They are usually personal possessions, supplies to smooth the deceased's journey into the afterlife or offerings to the gods. Grave goods may be classed as a ...
deposited in tombs, often as "funerary urns" containing the
cremated Cremation is a method of final disposition of a dead body through burning. Cremation may serve as a funeral or post-funeral rite and as an alternative to burial. In some countries, including India and Nepal, cremation on an open-air pyre ...
ashes, and was widely exported. The famous and distinctive style of Greek vase-painting with figures depicted with strong outlines, with thin lines within the outlines, reached its peak from about 600 to 350 BC, and divides into the two main styles, almost reversals of each other, of
black-figure Black-figure pottery painting, also known as the black-figure style or black-figure ceramic ( grc, , }), is one of the styles of painting on antique Greek vases. It was especially common between the 7th and 5th centuries BCE, although there are ...
and
red-figure Red-figure vase painting is one of the most important styles of figural Greek vase painting. It developed in Athens around 520 BCE and remained in use until the late 3rd century BCE. It replaced the previously dominant style of black-figure va ...
painting, the other colour forming the background in each case. Other colours were very limited, normally to small areas of white and larger ones of a different purplish-red. Within the restrictions of these techniques and other strong conventions, vase-painters achieved remarkable results, combining refinement and powerful expression.
White ground technique White-ground technique is a style of white ancient Greek pottery and the painting in which figures appear on a white background. It developed in the region of Attica, dated to about 500 BC. It was especially associated with vases made for ritua ...
allowed more freedom in depiction, but did not wear well and was mostly made for burial.Cook, 24–26 Conventionally, the ancient Greeks are said to have made most pottery vessels for everyday use, not for display. Exceptions are the large Archaic monumental vases made as grave-markers, trophies won at games, such as the
Panathenaic Amphorae Panathenaic amphorae were the amphorae, large ceramic vessels, that contained the olive oil given as prizes in the Panathenaic Games. Some were and high. This oil came from the sacred grove of Athena at Akademia. The amphorae which held it ha ...
filled with olive oil, and pieces made specifically to be left in graves; some perfume bottles have a money-saving bottom just below the mouth, so a small quantity makes them appear full. In recent decades many scholars have questioned this, seeing much more production than was formerly thought as made to be placed in graves, as a cheaper substitute for metalware in both Greece and Etruria. Most surviving pottery consists of vessels for storing, serving or drinking liquids such as
amphora An amphora (; grc, ἀμφορεύς, ''amphoreús''; English plural: amphorae or amphoras) is a type of container with a pointed bottom and characteristic shape and size which fit tightly (and therefore safely) against each other in storag ...
e, kraters (bowls for mixing wine and water),
hydria The hydria ( el, ὑδρία; plural hydriai) is a form of Greek pottery from between the late Geometric period (7th century BC) and the Hellenistic period (3rd century BC). The etymology of the word hydria was first noted when it was stamped o ...
(water jars), libation bowls, oil and perfume bottles for the toilet, jugs and cups. Painted vessels for serving and eating food are much less common. Painted pottery was affordable even by ordinary people, and a piece "decently decorated with about five or six figures cost about two or three days' wages". Miniatures were also produced in large numbers, mainly for use as offerings at temples. In the Hellenistic period a wider range of pottery was produced, but most of it is of little artistic importance. In earlier periods even quite small Greek cities produced pottery for their own locale. These varied widely in style and standards. Distinctive pottery that ranks as art was produced on some of the Aegean islands, in
Crete Crete ( el, Κρήτη, translit=, Modern: , Ancient: ) is the largest and most populous of the Greek islands, the 88th largest island in the world and the fifth largest island in the Mediterranean Sea, after Sicily, Sardinia, Cyprus, ...
, and in the wealthy Greek colonies of southern Italy and Sicily. By the later Archaic and early Classical period, however, the two great commercial powers,
Corinth Corinth ( ; el, Κόρινθος, Kórinthos, ) is the successor to an ancient city, and is a former municipality in Corinthia, Peloponnese, which is located in south-central Greece. Since the 2011 local government reform, it has been part ...
and
Athens Athens ( ; el, Αθήνα, Athína ; grc, Ἀθῆναι, Athênai (pl.) ) is both the capital and largest city of Greece. With a population close to four million, it is also the seventh largest city in the European Union. Athens dominates a ...
, came to dominate. Their pottery was exported all over the Greek world, driving out the local varieties. Pots from Corinth and Athens are found as far afield as
Spain , image_flag = Bandera de España.svg , image_coat = Escudo de España (mazonado).svg , national_motto = '' Plus ultra'' (Latin)(English: "Further Beyond") , national_anthem = (English: "Royal March") , ...
and
Ukraine Ukraine ( uk, Україна, Ukraïna, ) is a country in Eastern Europe. It is the second-largest European country after Russia, which it borders to the east and northeast. Ukraine covers approximately . Prior to the ongoing Russian inva ...
, and are so common in
Italy Italy ( it, Italia ), officially the Italian Republic, ) or the Republic of Italy, is a country in Southern Europe. It is located in the middle of the Mediterranean Sea, and its territory largely coincides with the homonymous geographical ...
that they were first collected in the 18th century as "Etruscan vases". Many of these pots are mass-produced products of low quality. In fact, by the 5th century BC, pottery had become an industry and pottery painting ceased to be an important art form. The range of colours which could be used on pots was restricted by the technology of firing: black, white, red, and yellow were the most common. In the three earlier periods, the pots were left their natural light colour, and were decorated with slip that turned black in the kiln. Greek pottery is frequently signed, sometimes by the potter or the master of the pottery, but only occasionally by the painter. Hundreds of painters are, however, identifiable by their artistic personalities: where their signatures have not survived they are named for their subject choices, as "the
Achilles Painter The Achilles Painter was a vase-painter active ca. 470–425 BC. His name vase is an amphora, Vatican 16571, in the Vatican museums depicting Achilles and dated 450–445 BC. An armed and armored Achilles gazes pensively to the right with one ...
", by the potter they worked for, such as the Late Archaic "
Kleophrades Painter The Kleophrades Painter is the name given to the anonymous red-figure Athenian vase painter, who was active from approximately 510–470 BC and whose work, considered amongst the finest of the red-figure style, is identified by its stylistic trai ...
", or even by their modern locations, such as the Late Archaic "
Berlin Painter The Berlin Painter (active c. 490–460s BCE) is the conventional name given to an Attic Greek vase-painter who is widely regarded as a rival to the Kleophrades Painter, among the most talented vase painters of the early 5th century BCE (see P ...
".


History

The history of ancient Greek pottery is divided stylistically into five periods: * the Protogeometric from about 1050 BC * the Geometric from about 900 BC * the Late Geometric or Archaic from about 750 BC * the Black Figure from the early 7th century BC * and the Red Figure from about 530 BC During the
Protogeometric The Protogeometric style (or "Proto-Geometric") is a style of Ancient Greek pottery led by Athens produced between roughly 1030 and 900 BCE, in the first period of the Greek Dark Ages. After the collapse of the Mycenaean- Minoan Palace cultur ...
and
Geometric Geometry (; ) is, with arithmetic, one of the oldest branches of mathematics. It is concerned with properties of space such as the distance, shape, size, and relative position of figures. A mathematician who works in the field of geometry is ca ...
periods, Greek pottery was decorated with abstract designs, in the former usually elegant and large, with plenty of unpainted space, but in the Geometric often densely covering most of the surface, as in the large pots by the Dipylon Master, who worked around 750. He and other potters around his time began to introduce very stylised
silhouette A silhouette ( , ) is the image of a person, animal, object or scene represented as a solid shape of a single colour, usually black, with its edges matching the outline of the subject. The interior of a silhouette is featureless, and the silhou ...
figures of humans and animals, especially horses. These often represent funeral processions, or battles, presumably representing those fought by the deceased. The Geometric phase was followed by an Orientalizing period in the late 8th century, when a few animals, many either mythical or not native to Greece (like the
sphinx A sphinx ( , grc, σφίγξ , Boeotian: , plural sphinxes or sphinges) is a mythical creature with the head of a human, the body of a lion, and the wings of a falcon. In Greek tradition, the sphinx has the head of a woman, the haunches of ...
and lion respectively) were adapted from the Near East, accompanied by decorative motifs, such as the lotus and palmette. These were shown much larger than the previous figures. The Wild Goat Style is a regional variant, very often showing
goat The goat or domestic goat (''Capra hircus'') is a domesticated species of goat-antelope typically kept as livestock. It was domesticated from the wild goat (''C. aegagrus'') of Southwest Asia and Eastern Europe. The goat is a member of the a ...
s. Human figures were not so influenced from the East, but also became larger and more detailed. The fully mature black-figure technique, with added red and white details and incising for outlines and details, originated in
Corinth Corinth ( ; el, Κόρινθος, Kórinthos, ) is the successor to an ancient city, and is a former municipality in Corinthia, Peloponnese, which is located in south-central Greece. Since the 2011 local government reform, it has been part ...
during the early 7th century BC and was introduced into Attica about a generation later; it flourished until the end of the 6th century BC. The red-figure technique, invented in about 530 BC, reversed this tradition, with the pots being painted black and the figures painted in red. Red-figure vases slowly replaced the black-figure style. Sometimes larger vessels were engraved as well as painted. Erotic themes, both
heterosexual Heterosexuality is romantic attraction, sexual attraction or sexual behavior between people of the opposite sex or gender. As a sexual orientation, heterosexuality is "an enduring pattern of emotional, romantic, and/or sexual attractions" ...
and male
homosexual Homosexuality is romantic attraction, sexual attraction, or sexual behavior between members of the same sex or gender. As a sexual orientation, homosexuality is "an enduring pattern of emotional, romantic, and/or sexual attractions" to pe ...
, became common. By about 320 BC fine figurative vase-painting had ceased in Athens and other Greek centres, with the polychromatic Kerch style a final flourish; it was probably replaced by metalwork for most of its functions.
West Slope Ware The modern term West Slope pottery describes a type of Greek fine pottery from the Late Classical and Hellenistic periods. West Slope pottery was especially widespread in the Eastern Mediterranean region. The name was coined in 1901 by Carl Wat ...
, with decorative motifs on a black glazed body, continued for over a century after. Italian red-figure painting ended by about 300, and in the next century the relatively primitive Hadra vases, probably from
Crete Crete ( el, Κρήτη, translit=, Modern: , Ancient: ) is the largest and most populous of the Greek islands, the 88th largest island in the world and the fifth largest island in the Mediterranean Sea, after Sicily, Sardinia, Cyprus, ...
, Centuripe ware from
Sicily (man) it, Siciliana (woman) , population_note = , population_blank1_title = , population_blank1 = , demographics_type1 = Ethnicity , demographics1_footnotes = , demographi ...
, and
Panathenaic amphora Panathenaic amphorae were the amphorae, large ceramic vessels, that contained the olive oil given as prizes in the Panathenaic Games. Some were and high. This oil came from the sacred grove of Athena at Akademia. The amphorae which held it h ...
e, now a frozen tradition, were the only large painted vases still made. File:Pyxis geometric BM GR 1910-11-21-1.jpg, Late Geometric pyxis,
British Museum The British Museum is a public museum dedicated to human history, art and culture located in the Bloomsbury area of London. Its permanent collection of eight million works is among the largest and most comprehensive in existence. It docum ...
File:Corinthian jug 620 BC Staatliche Antikensammlungen.jpg, Corinthian orientalising jug, c. 620 BC, Antikensammlungen Munich File:Herakles Olympos Louvre F30 full.jpg, Black-figure olpe (wine vessel) by the
Amasis Painter The Amasis Painter (active around 550–510 BC in Athens) was an ancient Greek vase painter who worked in the black-figure technique. He owes his name to the signature of the potter Amasis ("Amasis made me"), who signed twelve works painted by ...
, depicting
Heracles Heracles ( ; grc-gre, Ἡρακλῆς, , glory/fame of Hera), born Alcaeus (, ''Alkaios'') or Alcides (, ''Alkeidēs''), was a divine hero in Greek mythology, the son of Zeus and Alcmene, and the foster son of Amphitryon.By his adoptiv ...
and
Athena Athena or Athene, often given the epithet Pallas, is an ancient Greek goddess associated with wisdom, warfare, and handicraft who was later syncretized with the Roman goddess Minerva. Athena was regarded as the patron and protectress of v ...
, c. 540 BC, Louvre File:Athena Herakles Staatliche Antikensammlungen 2648.jpg, Interior ( tondo) of a red figure kylix, depicting
Heracles Heracles ( ; grc-gre, Ἡρακλῆς, , glory/fame of Hera), born Alcaeus (, ''Alkaios'') or Alcides (, ''Alkeidēs''), was a divine hero in Greek mythology, the son of Zeus and Alcmene, and the foster son of Amphitryon.By his adoptiv ...
and
Athena Athena or Athene, often given the epithet Pallas, is an ancient Greek goddess associated with wisdom, warfare, and handicraft who was later syncretized with the Roman goddess Minerva. Athena was regarded as the patron and protectress of v ...
, by Phoinix (potter) and Douris (painter), c. 480-470 BC, Antikensammlungen Munich File:Maenad satyr Louvre G2.jpg, Detail of a red-figure
amphora An amphora (; grc, ἀμφορεύς, ''amphoreús''; English plural: amphorae or amphoras) is a type of container with a pointed bottom and characteristic shape and size which fit tightly (and therefore safely) against each other in storag ...
depicting a
satyr In Greek mythology, a satyr ( grc-gre, σάτυρος, sátyros, ), also known as a silenus or ''silenos'' ( grc-gre, σειληνός ), is a male nature spirit with ears and a tail resembling those of a horse, as well as a permanent, ex ...
assaulting a
maenad In Greek mythology, maenads (; grc, μαινάδες ) were the female followers of Dionysus and the most significant members of the Thiasus, the god's retinue. Their name literally translates as "raving ones". Maenads were known as Bassarids ...
, by Pamphaios (potter) and Oltos (painter), c. 520 BC, Louvre File:Visiting grave BM D73.jpg,
White-ground White-ground technique is a style of white ancient Greek pottery and the Greek vase painting, painting in which figures appear on a white background. It developed in the region of Attica, dated to about 500 BC. It was especially associated with ...
lekythos A lekythos (plural lekythoi) is a type of ancient Greek vessel used for storing oil (Greek λήκυθος), especially olive oil Olive oil is a liquid fat obtained from olives (the fruit of ''Olea europaea''; family Oleaceae), a traditiona ...
with a scene of mourning by the Reed Painter, c. 420-410 BC, British Museum File:Bowl maenad BM GR1898.11-21.2.jpg, Hellenistic relief bowl with the head of a
maenad In Greek mythology, maenads (; grc, μαινάδες ) were the female followers of Dionysus and the most significant members of the Thiasus, the god's retinue. Their name literally translates as "raving ones". Maenads were known as Bassarids ...
, 2nd century BC (?), British Museum


Metalwork

Fine metalwork was an important art in ancient Greece, but later production is very poorly represented by survivals, most of which come from the edges of the Greek world or beyond, from as far as France or Russia. Vessels and jewellery were produced to high standards, and exported far afield. Objects in silver, at the time worth more relative to gold than it is in modern times, were often inscribed by the maker with their weight, as they were treated largely as stores of value, and likely to be sold or re-melted before very long. During the Geometric and Archaic phases, the production of large metal vessels was an important expression of Greek creativity, and an important stage in the development of bronzeworking techniques, such as casting and repousse hammering. Early sanctuaries, especially Olympia, yielded many hundreds of tripod-bowl or sacrificial tripod vessels, mostly in
bronze Bronze is an alloy consisting primarily of copper, commonly with about 12–12.5% tin and often with the addition of other metals (including aluminium, manganese, nickel, or zinc) and sometimes non-metals, such as phosphorus, or metalloids suc ...
, deposited as
votive A votive offering or votive deposit is one or more objects displayed or deposited, without the intention of recovery or use, in a sacred place for religious purposes. Such items are a feature of modern and ancient societies and are generally ...
s. These had a shallow bowl with two handles raised high on three legs; in later versions the stand and bowl were different pieces. During the Orientalising period, such tripods were frequently decorated with figural
protome A protome (Greek προτομή) is a type of adornment that takes the form of the head and upper torso of either a human or an animal. History Protomes were often used to decorate ancient Greek architecture, sculpture, and pottery. Protomes we ...
s, in the shape of
griffin The griffin, griffon, or gryphon ( Ancient Greek: , ''gryps''; Classical Latin: ''grȳps'' or ''grȳpus''; Late and Medieval Latin: ''gryphes'', ''grypho'' etc.; Old French: ''griffon'') is a legendary creature with the body, tail, and ...
s,
sphinx A sphinx ( , grc, σφίγξ , Boeotian: , plural sphinxes or sphinges) is a mythical creature with the head of a human, the body of a lion, and the wings of a falcon. In Greek tradition, the sphinx has the head of a woman, the haunches of ...
es and other fantastic creatures. Swords, the Greek helmet and often body armour such as the
muscle cuirass In classical antiquity, the muscle cuirass ( la, lorica musculata), anatomical cuirass, or heroic cuirass is a type of cuirass made to fit the wearer's torso and designed to mimic an idealized male human physique. It first appears in late Archaic ...
were made of bronze, sometimes decorated in precious metal, as in the 3rd-century
Ksour Essef cuirass The Ksour Essef cuirass is an ancient triple-disc cuirass found in a Punic tomb in 1909 not far from Ksour Essef, Tunisia. This piece of armour, generally dated to the 3rd century BC, is of Italiote origin and comes from Southern Italy. It ...
. Armour and "shield-bands" are two of the contexts for strips of Archaic low relief scenes, which were also attached to various objects in wood; the band on the Vix Krater is a large example. Polished bronze mirrors, initially with decorated backs and kore handles, were another common item; the later "folding mirror" type had hinged cover pieces, often decorated with a relief scene, typically erotic. Coins are described below. From the late Archaic the best metalworking kept pace with stylistic developments in sculpture and the other arts, and Phidias is among the sculptors known to have practiced it. Hellenistic taste encouraged highly intricate displays of technical virtuousity, tending to "cleverness, whimsy, or excessive elegance". Many or most Greek pottery shapes were taken from shapes first used in metal, and in recent decades there has been an increasing view that much of the finest vase-painting reused designs by silversmiths for vessels with engraving and sections plated in a different metal, working from drawn designs. Exceptional survivals of what may have been a relatively common class of large bronze vessels are two volute kraters, for mixing wine and water. These are the
Vix Krater The Vix Grave is a burial mound near the village of Vix in northern Burgundy. The broader site is a prehistoric Celtic complex from the Late Hallstatt and Early La Tène periods, consisting of a fortified settlement and several burial mounds. ...
, c. 530 BC, 1.63m (5'4") high and over 200 kg (450 lbs) in weight, holding some 1,100 litres, and found in the burial of a Celtic woman in modern France, and the 4th-century
Derveni Krater The Derveni Krater is a volute krater, the most elaborate of its type, discovered in 1962 in a tomb at Derveni, not far from Thessaloniki, and displayed at the Archaeological Museum of Thessaloniki. Weighing 40 kg, it is made of a bronze wi ...
, 90.5 cm (35 in.) high. The elites of other neighbours of the Greeks, such as the
Thracians The Thracians (; grc, Θρᾷκες ''Thrāikes''; la, Thraci) were an Indo-European speaking people who inhabited large parts of Eastern and Southeastern Europe in ancient history.. "The Thracians were an Indo-European people who occupied ...
and
Scythians The Scythians or Scyths, and sometimes also referred to as the Classical Scythians and the Pontic Scythians, were an ancient Eastern * : "In modern scholarship the name 'Sakas' is reserved for the ancient tribes of northern and eastern Cent ...
, were keen consumers of Greek metalwork, and probably served by Greek goldsmiths settled in their territories, who adapted their products to suit local taste and functions. Such hybrid pieces form a large part of survivals, including the
Panagyurishte Treasure The Panagyurishte Treasure ( bg, Панагюрско златно съкровище) is a Thracian treasure. Discovery It was accidentally discovered on 8 December 1949 by three brothers, Pavel, Petko, and Michail Deikov, who worked togethe ...
,
Borovo Treasure The Borovo Treasure, also known as the Borovo Silver Treasure, is a Thracian hoard of five matching silver-gilt items discovered in late 1974 while ploughing a field in Borovo, Bulgaria. The treasure is kept in the history museum at Ruse. It ...
, and other
Thracian treasure The Thracians ( bg, Траки, grc, Θρᾷκες, la, Thraci) were a group of Indo-European tribes inhabiting a large area in Central and Southeastern Europe, centred in modern Bulgaria. They were bordered by the Scythians to the north, the ...
s, and several Scythian burials, which probably contained work by Greek artists based in the Greek settlements on the
Black Sea The Black Sea is a marginal mediterranean sea of the Atlantic Ocean lying between Europe and Asia, east of the Balkans, south of the East European Plain, west of the Caucasus, and north of Anatolia. It is bounded by Bulgaria, Georgia, Rom ...
. As with other luxury arts, the Macedonian royal cemetery at
Vergina Vergina ( el, Βεργίνα, ''Vergína'' ) is a small town in northern Greece, part of Veria municipality in Imathia, Central Macedonia. Vergina was established in 1922 in the aftermath of the population exchanges after the Treaty of Laus ...
has produced objects of top quality from the cusp of the Classical and Hellenistic periods. Jewellery for the Greek market is often of superb quality, with one unusual form being intricate and very delicate gold wreaths imitating plant-forms, worn on the head. These were probably rarely, if ever, worn in life, but were given as votives and worn in death. Many of the
Fayum mummy portrait Mummy portraits or Fayum mummy portraits are a type of naturalistic painted portrait on wooden boards attached to upper class mummies from Roman Egypt. They belong to the tradition of panel painting, one of the most highly regarded forms of art ...
s wear them. Some pieces, especially in the Hellenistic period, are large enough to offer scope for figures, as did the Scythian taste for relatively substantial pieces in gold. Olympiamuseum030 (cropped).jpg, Bronze
griffin The griffin, griffon, or gryphon ( Ancient Greek: , ''gryps''; Classical Latin: ''grȳps'' or ''grȳpus''; Late and Medieval Latin: ''gryphes'', ''grypho'' etc.; Old French: ''griffon'') is a legendary creature with the body, tail, and ...
head
protome A protome (Greek προτομή) is a type of adornment that takes the form of the head and upper torso of either a human or an animal. History Protomes were often used to decorate ancient Greek architecture, sculpture, and pottery. Protomes we ...
from Olympia, 7th century BC File:Chatillon-sur-Seine - Musée du Pays chatillonnais - Cratère de Vix - 012 (cropped).jpg, The
Vix Krater The Vix Grave is a burial mound near the village of Vix in northern Burgundy. The broader site is a prehistoric Celtic complex from the Late Hallstatt and Early La Tène periods, consisting of a fortified settlement and several burial mounds. ...
, a late Archaic monumental bronze vessel, exported to French Celts File:Greek - Caryatid Mirror with Aphrodite - Walters 54769.jpg, Fancy Early Classical bronze mirror with human
caryatid A caryatid ( or or ; grc, Καρυᾶτις, pl. ) is a sculpted female figure serving as an architectural support taking the place of a column or a pillar supporting an entablature on her head. The Greek term ''karyatides'' literally means "ma ...
handle, c. 460 BC File:Goldkranz aus Armento Totengranz.JPG, Golden wreath, 370-360, from southern Italy File:Rhyton Greek Thracian silver, end of 4th c BC, Prague Kinsky, NM-HM10 1407, 140856.jpg, Silver
rhyton A rhyton (plural rhytons or, following the Greek plural, rhyta) is a roughly conical container from which fluids were intended to be drunk or to be poured in some ceremony such as libation, or merely at table. A rhyton is typically formed in t ...
for the Thracian market, end 4th century File:4th cent. B.C. Greek gold and bronze drinking horn with head of Dionysus from Tamoikin Art Fund.jpg, 4th century BC Greek gold and bronze rhyton with head of Dionysus, Tamoikin Art Fund File:Fragment of a gold wreath.jpg, Fragment of a gold wreath, c. 320-300 BC, from a burial in
Crimea Crimea, crh, Къырым, Qırım, grc, Κιμμερία / Ταυρική, translit=Kimmería / Taurikḗ ( ) is a peninsula in Ukraine, on the northern coast of the Black Sea, that has been occupied by Russia since 2014. It has a p ...
File:0320 - Archaeological Museum, Athens - Gold hairnet - Photo by Giovanni Dall'Orto, Nov 11 2009.jpg, Gold hair ornament and net, 3rd century BC File:Miletopoli (oggi mysia in turchia), medaglioni ellenistici in argento, II-I sec ac. 02.JPG, Late Hellenistic silver medallion


Monumental sculpture

The Greeks decided very early on that the human form was the most important subject for artistic endeavour. Seeing their gods as having human form, there was little distinction between the sacred and the secular in art—the human body was both secular and sacred. A male
nude Nudity is the state of being in which a human is without clothing. The loss of body hair was one of the physical characteristics that marked the biological evolution of modern humans from their hominin ancestors. Adaptations related to h ...
of
Apollo Apollo, grc, Ἀπόλλωνος, Apóllōnos, label=genitive , ; , grc-dor, Ἀπέλλων, Apéllōn, ; grc, Ἀπείλων, Apeílōn, label=Arcadocypriot Greek, ; grc-aeo, Ἄπλουν, Áploun, la, Apollō, la, Apollinis, label= ...
or
Heracles Heracles ( ; grc-gre, Ἡρακλῆς, , glory/fame of Hera), born Alcaeus (, ''Alkaios'') or Alcides (, ''Alkeidēs''), was a divine hero in Greek mythology, the son of Zeus and Alcmene, and the foster son of Amphitryon.By his adoptiv ...
had only slight differences in treatment to one of that year's Olympic boxing champion. In the Archaic Period the most important sculptural form was the
kouros kouros ( grc, κοῦρος, , plural kouroi) is the modern term given to free-standing Ancient Greek sculptures that depict nude male youths. They first appear in the Archaic period in Greece and are prominent in Attica and Boeotia, with a les ...
(plural ''kouroi''), the standing male nude (See for example Biton and Kleobis). The kore (plural ''korai''), or standing clothed female figure, was also common, but since Greek society did not permit the public display of female nudity until the 4th century BC, the kore is considered to be of less importance in the development of sculpture. By the end of the period architectural sculpture on temples was becoming important. As with pottery, the Greeks did not produce
monumental sculpture The term monumental sculpture is often used in art history and criticism, but not always consistently. It combines two concepts, one of function, and one of size, and may include an element of a third more subjective concept. It is often used for ...
merely for artistic display. Statues were commissioned either by aristocratic individuals or by the state, and used for public memorials, as offerings to temples,
oracle An oracle is a person or agency considered to provide wise and insightful counsel or prophetic predictions, most notably including precognition of the future, inspired by deities. As such, it is a form of divination. Description The word ...
s and sanctuaries (as is frequently shown by inscriptions on the statues), or as markers for graves. Statues in the Archaic period were not all intended to represent specific individuals. They were depictions of an ideal—beauty, piety, honor or sacrifice. These were always depictions of young men, ranging in age from adolescence to early maturity, even when placed on the graves of (presumably) elderly citizens. ''Kouroi'' were all stylistically similar. Graduations in the social stature of the person commissioning the statue were indicated by size rather than artistic innovations. Unlike authors, those who practiced the visual arts, including sculpture, initially had a low social status in ancient Greece, though increasingly leading sculptors might become famous and rather wealthy, and often signed their work (unfortunately, often on the plinth, which typically became separated from the statue itself).
Plutarch Plutarch (; grc-gre, Πλούταρχος, ''Ploútarchos''; ; – after AD 119) was a Greek Middle Platonist philosopher, historian, biographer, essayist, and priest at the Temple of Apollo in Delphi. He is known primarily for hi ...
(''Life of Pericles'', II) said "we admire the work of art but despise the maker of it"; this was a common view in the ancient world. Ancient Greek sculpture is categorised by the usual stylistic periods of "Archaic", "Classical" and "Hellenistic", augmented with some extra ones mainly applying to sculpture, such as the Orientalizing Daedalic style and the Severe style of early Classical sculpture.


Materials, forms

Surviving ancient Greek sculptures were mostly made of two types of material. Stone, especially
marble Marble is a metamorphic rock composed of recrystallized carbonate minerals, most commonly calcite or dolomite. Marble is typically not foliated (layered), although there are exceptions. In geology, the term ''marble'' refers to metamorphose ...
or other high-quality limestones was used most frequently and carved by hand with metal tools. Stone sculptures could be free-standing fully carved in the round (statues), or only partially carved
relief Relief is a sculptural method in which the sculpted pieces are bonded to a solid background of the same material. The term '' relief'' is from the Latin verb ''relevo'', to raise. To create a sculpture in relief is to give the impression that th ...
s still attached to a background plaque, for example in architectural
frieze In architecture, the frieze is the wide central section part of an entablature and may be plain in the Ionic or Doric order, or decorated with bas-reliefs. Paterae are also usually used to decorate friezes. Even when neither columns nor ...
s or grave
stelai A stele ( ),Anglicized plural steles ( ); Greek plural stelai ( ), from Greek , ''stēlē''. The Greek plural is written , ''stēlai'', but this is only rarely encountered in English. or occasionally stela (plural ''stelas'' or ''stelæ''), wh ...
. Bronze statues were of higher status, but have survived in far smaller numbers, due to the reusability of metals. They were usually made in the
lost wax Lost-wax casting (also called "investment casting", "precision casting", or ''cire perdue'' which has been adopted into English from the French, ) is the process by which a duplicate metal sculpture (often silver, gold, brass, or bronze) is ...
technique.
Chryselephantine Chryselephantine sculpture (from Greek grc, χρυσός, chrysós, gold, label=none, and grc, ελεφάντινος, elephántinos, ivory, label=none) is sculpture made with gold and ivory. Chryselephantine cult statues enjoyed high status ...
, or gold-and-ivory, statues were the cult-images in temples and were regarded as the highest form of sculpture, but only some fragmentary pieces have survived. They were normally over-lifesize, built around a wooden frame, with thin carved slabs of
ivory Ivory is a hard, white material from the tusks (traditionally from elephants) and teeth of animals, that consists mainly of dentine, one of the physical structures of teeth and tusks. The chemical structure of the teeth and tusks of mammals i ...
representing the flesh, and sheets of
gold leaf Gold leaf is gold that has been hammered into thin sheets (usually around 0.1 µm thick) by goldbeating and is often used for gilding. Gold leaf is available in a wide variety of karats and shades. The most commonly used gold is 22-kara ...
, probably over wood, representing the garments, armour, hair, and other details. In some cases, glass paste, glass, and precious and semi-precious stones were used for detail such as eyes, jewellery, and weaponry. Other large
acrolithic An acrolith is a composite sculpture made of stone together with other materials such as wood or inferior stone such as limestone, as in the case of a figure whose clothed parts are made of wood, while the exposed flesh parts such as head, hands, ...
statues used stone for the flesh parts, and wood for the rest, and marble statues sometimes had
stucco Stucco or render is a construction material made of aggregates, a binder, and water. Stucco is applied wet and hardens to a very dense solid. It is used as a decorative coating for walls and ceilings, exterior walls, and as a sculptural and a ...
hairstyles. Most sculpture was painted (see below), and much wore real jewellery and had inlaid eyes and other elements in different materials. Terracotta was occasionally employed, for large statuary. Few examples of this survived, at least partially due to the fragility of such statues. The best known exception to this is a statue of
Zeus Zeus or , , ; grc, Δῐός, ''Diós'', label= genitive Boeotian Aeolic and Laconian grc-dor, Δεύς, Deús ; grc, Δέος, ''Déos'', label= genitive el, Δίας, ''Días'' () is the sky and thunder god in ancient Greek relig ...
carrying Ganymede found at Olympia, executed around 470 BC. In this case, the terracotta is painted. There were undoubtedly sculptures purely in wood, which may have been very important in early periods, but effectively none have survived.


Archaic

Bronze Age
Cycladic art The ancient Cycladic culture flourished in the islands of the Aegean Sea from c. 3300 to 1100 BCE. Along with the Minoan civilization and Mycenaean Greece, the Cycladic people are counted among the three major Aegean cultures. Cycladic art ther ...
, to about 1100 BC, had already shown an unusual focus on the human figure, usually shown in a straightforward frontal standing position with arms folded across the stomach. Among the smaller features only noses, sometimes eyes, and female breasts were carved, though the figures were apparently usually painted and may have originally looked very different. Inspired by the monumental stone sculpture of
Egypt Egypt ( ar, مصر , ), officially the Arab Republic of Egypt, is a List of transcontinental countries, transcontinental country spanning the North Africa, northeast corner of Africa and Western Asia, southwest corner of Asia via a land bridg ...
and
Mesopotamia Mesopotamia ''Mesopotamíā''; ar, بِلَاد ٱلرَّافِدَيْن or ; syc, ܐܪܡ ܢܗܪ̈ܝܢ, or , ) is a historical region of Western Asia situated within the Tigris–Euphrates river system, in the northern part of the ...
, during the Archaic period the Greeks began again to carve in stone: Greek mercenaries and merchants were active abroad, as in Egypt in the service of Pharaoh
Psamtik I Wahibre Psamtik I ( Ancient Egyptian: ) was the first pharaoh of the Twenty-sixth Dynasty of Egypt, the Saite period, ruling from the city of Sais in the Nile delta between 664–610 BC. He was installed by Ashurbanipal of the Neo-Assyrian Empir ...
(664–610 BC), and were exposed to the monumental art of these countries. It is generally agreed that "Egyptian statuary of the 2nd millennium BC gave the decisive impulse for the innovation of Greek sculpture in life-size and in hyper formats in the Archaic Period during the late 7th century." Free-standing figures share the solidity and frontal stance characteristic of Eastern models, but their forms are more dynamic than those of Egyptian sculpture, as for example the
Lady of Auxerre The relatively small (75 cm high) limestone Cretan sculpture called the Lady of Auxerre (or Kore of Auxerre), at the Louvre Museum in Paris depicts an archaic Greek goddess of c. 650 - 625 BCE. It is a '' Kore'' ("maiden"), perhaps a vo ...
and Torso of Hera (Early Archaic period, c. 660–580 BC, both in the Louvre, Paris). After about 575 BC, figures, such as these, both male and female, wore the so-called
archaic smile The archaic smile was used by sculptors in Archaic Greece, especially in the second quarter of the 6th century BCE, possibly to suggest that their subject was alive and infused with a sense of well-being. One of the most famous examples of the ar ...
. This expression, which has no specific appropriateness to the person or situation depicted, may have been a device to give the figures a distinctive human characteristic. Three types of figures were used—the standing nude youth (kouros), the standing draped girl (kore) and, less frequently, the seated woman. All emphasize and generalize the essential features of the human figure and show an increasingly accurate comprehension of human anatomy. The youths were either sepulchral or votive statues. Examples are Apollo (Metropolitan Museum of Art, New York), an early work; the
Strangford Apollo The Strangford Apollo is an Ancient Greek sculpture of a nude boy, with the arms and lower legs missing. It dates to around 490 BC, making it one of the latest examples of the kouros type of statue, and is made of Parian marble. The sculpture ...
from
Anafi Anafi or Anaphe ( el, Ανάφη; grc, Ἀνάφη) is a Greek island community in the Cyclades. In 2011, it had a population of 271. Its land area is . It lies east of the island of Thíra (Santorini). Anafi is part of the Thira regional un ...
(British Museum, London), a much later work; and the Anavyssos Kouros (
National Archaeological Museum of Athens The National Archaeological Museum ( el, Εθνικό Αρχαιολογικό Μουσείο) in Athens houses some of the most important artifacts from a variety of archaeological locations around Greece from prehistory to late antiquity. It is ...
). More of the musculature and skeletal structure is visible in this statue than in earlier works. The standing, draped girls have a wide range of expression, as in the sculptures in the
Acropolis Museum of Athens The Old Acropolis Museum ( el, (Παλαιό) Μουσείο Ακρόπολης ''(Palaio) Mouseio Akropolis'') was an archaeological museum located in Athens, Greece on the archeological site of Acropolis. It is built in a niche at the eastern ...
. Their drapery is carved and painted with the delicacy and meticulousness common in the details of sculpture of this period. Archaic reliefs have survived from many tombs, and from larger buildings at Foce del Sele (now in the museum at
Paestum Paestum ( , , ) was a major ancient Greek city on the coast of the Tyrrhenian Sea in Magna Graecia (southern Italy). The ruins of Paestum are famous for their three ancient Greek temples in the Doric order, dating from about 550 to 450 BC, whi ...
) in Italy, with two groups of
metope In classical architecture, a metope (μετόπη) is a rectangular architectural element that fills the space between two triglyphs in a Doric frieze, which is a decorative band of alternating triglyphs and metopes above the architrave of a bu ...
panels, from about 550 and 510, and the
Siphnian Treasury The Siphnian Treasury was a building at the Ancient Greek cult centre of Delphi, erected to host the offerings of the polis, or city-state, of Siphnos. It was one of a number of treasuries lining the "Sacred Way", the processional route throug ...
at Delphi, with
frieze In architecture, the frieze is the wide central section part of an entablature and may be plain in the Ionic or Doric order, or decorated with bas-reliefs. Paterae are also usually used to decorate friezes. Even when neither columns nor ...
s and a small
pediment Pediments are gables, usually of a triangular shape. Pediments are placed above the horizontal structure of the lintel, or entablature, if supported by columns. Pediments can contain an overdoor and are usually topped by hood moulds. A pedim ...
. Parts, all now in local museums, survive of the large triangular pediment groups from the
Temple of Artemis, Corfu The Temple of Artemis is an Archaic Greek temple in Corfu, Greece, built in around 580 BC in the ancient city of Korkyra (or Corcyra), now called Corfu. It is found on the property of the Saint Theodore monastery, which is located in the sub ...
(c. 580), dominated by a huge
Gorgon A Gorgon ( /ˈɡɔːrɡən/; plural: Gorgons, Ancient Greek: Γοργών/Γοργώ ''Gorgṓn/Gorgṓ'') is a creature in Greek mythology. Gorgons occur in the earliest examples of Greek literature. While descriptions of Gorgons vary, the te ...
, and the
Old Temple of Athena The Old Temple of Athena or the Archaios Neos ( Greek: Ἀρχαῖος Νεώς) was an archaic Greek limestone Doric temple on the Acropolis of Athens probably built in the second half of the sixth-century BCE, and which housed the xoanon of ...
in Athens (c. 530-500). Image:KAMA Kouros Porte Sacrée.jpg, Dipylon Kouros, c. 600 BC, Athens,
Kerameikos Kerameikos (, ) also known by its Latinized form Ceramicus, is an area of Athens, Greece, located to the northwest of the Acropolis, which includes an extensive area both within and outside the ancient city walls, on both sides of the Dipylon ...
Museum Image:ACMA Moschophoros.jpg, The
Moschophoros Moschophoros (Greek: μοσχοφόρος "calf-bearer") is an ancient Greek statue of the Archaic period, also known in English as ''The Calf Bearer''. It was excavated in fragments in the Perserschutt in the Acropolis of Athens in 1864. The st ...
or calf-bearer, c. 570 BC, Athens,
Acropolis Museum The Acropolis Museum ( el, Μουσείο Ακρόπολης, ''Mouseio Akropolis'') is an archaeological museum focused on the findings of the archaeological site of the Acropolis of Athens. The museum was built to house every artifact found on ...
Image:ACMA 679 Kore 1.JPG,
Peplos Kore The Peplos Kore is one of the most well-known examples of Archaic Greek art. Kore is a type of archaic Greek statue that portray a young woman with a stiff posture looking straight forward. Although this statue is one of the most famous examples ...
, c. 530 BC, Athens,
Acropolis Museum The Acropolis Museum ( el, Μουσείο Ακρόπολης, ''Mouseio Akropolis'') is an archaeological museum focused on the findings of the archaeological site of the Acropolis of Athens. The museum was built to house every artifact found on ...
Image:006MAD Frieze.jpg,
Frieze In architecture, the frieze is the wide central section part of an entablature and may be plain in the Ionic or Doric order, or decorated with bas-reliefs. Paterae are also usually used to decorate friezes. Even when neither columns nor ...
of the
Siphnian Treasury The Siphnian Treasury was a building at the Ancient Greek cult centre of Delphi, erected to host the offerings of the polis, or city-state, of Siphnos. It was one of a number of treasuries lining the "Sacred Way", the processional route throug ...
,
Delphi Delphi (; ), in legend previously called Pytho (Πυθώ), in ancient times was a sacred precinct that served as the seat of Pythia, the major oracle who was consulted about important decisions throughout the ancient classical world. The orac ...
, depicting a
Gigantomachy In Greek and Roman mythology, the Giants, also called Gigantes (Greek: Γίγαντες, ''Gígantes'', Γίγας, ''Gígas''), were a race of great strength and aggression, though not necessarily of great size. They were known for the Giganto ...
, c. 525 BC, Delphi Archaeological Museum File:Kouros Anaphe BM B475.jpg, The
Strangford Apollo The Strangford Apollo is an Ancient Greek sculpture of a nude boy, with the arms and lower legs missing. It dates to around 490 BC, making it one of the latest examples of the kouros type of statue, and is made of Parian marble. The sculpture ...
, 500-490, one of the last ''kouroi'' File:Testa di uomo barbato da una statua funebre o votiva, da atene o egina, 530-540 ac ca.JPG, The
Sabouroff head The Sabouroff head is a Late Archaic Greece, Archaic Greek marble sculpture. It is dated to circa 550 BC, 550–525 BC. This head of a Kouros was named after Peter Alexandrovich Saburov, a collector of ancient Greek sculpture and antiquities. It i ...
, an important example of Late Archaic Greek marble sculpture, ca. 550-525 BCE. Image:Perserschutt.gif, The '' Perserschutt'', or "Persian rubble", dating from the destruction of
Athens Athens ( ; el, Αθήνα, Athína ; grc, Ἀθῆναι, Athênai (pl.) ) is both the capital and largest city of Greece. With a population close to four million, it is also the seventh largest city in the European Union. Athens dominates a ...
in 480/479 BC during the
Second Persian invasion of Greece The second Persian invasion of Greece (480–479 BC) occurred during the Greco-Persian Wars, as King Xerxes I of Persia sought to conquer all of Greece. The invasion was a direct, if delayed, response to the defeat of the first Persian invasio ...
offer a clear datation marker for Archaic statuary.


Classical

In the Classical period there was a revolution in Greek statuary, usually associated with the introduction of
democracy Democracy (From grc, δημοκρατία, dēmokratía, ''dēmos'' 'people' and ''kratos'' 'rule') is a form of government in which the people have the authority to deliberate and decide legislation (" direct democracy"), or to choose g ...
and the end of the aristocratic culture associated with the ''kouroi''. The Classical period saw changes in the style and function of sculpture. Poses became more naturalistic (see the
Charioteer of Delphi The ''Charioteer of Delphi'', also known as ''Heniokhos'' ( el, Ἡνίοχος, the rein-holder), is a statue surviving from Ancient Greece, and an example of ancient bronze sculpture. The life-size (1.8m) Janson, H.W. (1995) ''History of Art' ...
for an example of the transition to more naturalistic sculpture), and the technical skill of Greek sculptors in depicting the human form in a variety of poses greatly increased. From about 500 BC statues began to depict real people. The statues of Harmodius and Aristogeiton set up in Athens to mark the overthrow of the
tyranny A tyrant (), in the modern English usage of the word, is an absolute ruler who is unrestrained by law, or one who has usurped a legitimate ruler's sovereignty. Often portrayed as cruel, tyrants may defend their positions by resorting to ...
were said to be the first public monuments to actual people. At the same time sculpture and statues were put to wider uses. The great temples of the Classical era such as the
Parthenon The Parthenon (; grc, Παρθενών, , ; ell, Παρθενώνας, , ) is a former temple on the Athenian Acropolis, Greece, that was dedicated to the goddess Athena during the fifth century BC. Its decorative sculptures are considere ...
in Athens, and the Temple of Zeus at Olympia, required relief sculpture for decorative
frieze In architecture, the frieze is the wide central section part of an entablature and may be plain in the Ionic or Doric order, or decorated with bas-reliefs. Paterae are also usually used to decorate friezes. Even when neither columns nor ...
s, and sculpture in the round to fill the triangular fields of the
pediment Pediments are gables, usually of a triangular shape. Pediments are placed above the horizontal structure of the lintel, or entablature, if supported by columns. Pediments can contain an overdoor and are usually topped by hood moulds. A pedim ...
s. The difficult aesthetic and technical challenge stimulated much in the way of sculptural innovation. Unfortunately these works survive only in fragments, the most famous of which are the
Parthenon Marbles The Elgin Marbles (), also known as the Parthenon Marbles ( el, Γλυπτά του Παρθενώνα, lit. "sculptures of the Parthenon"), are a collection of Classical Greek marble sculptures made under the supervision of the architect and sc ...
, half of which are in the British Museum. Funeral statuary evolved during this period from the rigid and impersonal kouros of the Archaic period to the highly personal family groups of the Classical period. These monuments are commonly found in the suburbs of Athens, which in ancient times were cemeteries on the outskirts of the city. Although some of them depict "ideal" types—the mourning mother, the dutiful son—they increasingly depicted real people, typically showing the departed taking his dignified leave from his family. They are among the most intimate and affecting remains of the ancient Greeks. In the Classical period for the first time we know the names of individual sculptors. Phidias oversaw the design and building of the
Parthenon The Parthenon (; grc, Παρθενών, , ; ell, Παρθενώνας, , ) is a former temple on the Athenian Acropolis, Greece, that was dedicated to the goddess Athena during the fifth century BC. Its decorative sculptures are considere ...
.
Praxiteles Praxiteles (; el, Πραξιτέλης) of Athens, the son of Cephisodotus the Elder, was the most renowned of the Attica sculptors of the 4th century BC. He was the first to sculpt the nude female form in a life-size statue. While no indubita ...
made the female nude respectable for the first time in the Late Classical period (mid-4th century): his
Aphrodite of Knidos The Aphrodite of Knidos (or Cnidus) was an Ancient Greek sculpture of the goddess Aphrodite created by Praxiteles of Athens around the 4th century BC. It is one of the first life-sized representations of the nude female form in Greek history, di ...
, which survives in copies, was said by Pliny to be the greatest statue in the world. The most famous works of the Classical period for contemporaries were the colossal Statue of Zeus at Olympia and the
Statue of Athena Parthenos The statue of Athena Parthenos ( grc, Παρθένος Ἀθηνᾶ, lit=Athena the Virgin) was a monumental chryselephantine sculpture of the goddess Athena. Attributed to Phidias and dated to the mid-fifth century BCE, it was an offering fro ...
in the Parthenon. Both were
chryselephantine Chryselephantine sculpture (from Greek grc, χρυσός, chrysós, gold, label=none, and grc, ελεφάντινος, elephántinos, ivory, label=none) is sculpture made with gold and ivory. Chryselephantine cult statues enjoyed high status ...
and executed by Phidias or under his direction, and are now lost, although smaller copies (in other materials) and good descriptions of both still exist. Their size and magnificence prompted emperors to seize them in the
Byzantine The Byzantine Empire, also referred to as the Eastern Roman Empire or Byzantium, was the continuation of the Roman Empire primarily in its eastern provinces during Late Antiquity and the Middle Ages, when its capital city was Constantinopl ...
period, and both were removed to
Constantinople la, Constantinopolis ota, قسطنطينيه , alternate_name = Byzantion (earlier Greek name), Nova Roma ("New Rome"), Miklagard/Miklagarth (Old Norse), Tsargrad ( Slavic), Qustantiniya (Arabic), Basileuousa ("Queen of Cities"), Megalopolis (" ...
, where they were later destroyed in fires. Image:Diadoumenos-Atenas.jpg, Copy of Polyclitus' Diadumenos,
National Archaeological Museum, Athens The National Archaeological Museum ( el, Εθνικό Αρχαιολογικό Μουσείο) in Athens houses some of the most important artifacts from a variety of archaeological locations around Greece from prehistory to late antiquity. It i ...
Image:Aphrodite Braschi Glyptothek Munich 258.jpg, So-called Venus Braschi by
Praxiteles Praxiteles (; el, Πραξιτέλης) of Athens, the son of Cephisodotus the Elder, was the most renowned of the Attica sculptors of the 4th century BC. He was the first to sculpt the nude female form in a life-size statue. While no indubita ...
, type of the Knidian Aphrodite, Munich
Glyptothek The Glyptothek () is a museum in Munich, Germany, which was commissioned by the Bavarian King Ludwig I to house his collection of Greek and Roman sculptures (hence γλυπτο- ''glypto-'' "sculpture", from the Greek verb γλύφειν ''glyphe ...
Image:NAMA X15118 Marathon Boy 3.JPG, The Marathon Youth, 4th-century BC bronze statue, possibly by
Praxiteles Praxiteles (; el, Πραξιτέλης) of Athens, the son of Cephisodotus the Elder, was the most renowned of the Attica sculptors of the 4th century BC. He was the first to sculpt the nude female form in a life-size statue. While no indubita ...
,
National Archaeological Museum, Athens The National Archaeological Museum ( el, Εθνικό Αρχαιολογικό Μουσείο) in Athens houses some of the most important artifacts from a variety of archaeological locations around Greece from prehistory to late antiquity. It i ...
Image:0002MAN-Hermes.jpg,
Hermes Hermes (; grc-gre, Ἑρμῆς) is an Olympian deity in ancient Greek religion and mythology. Hermes is considered the herald of the gods. He is also considered the protector of human heralds, travellers, thieves, merchants, and orat ...
, possibly by
Lysippos Lysippos (; grc-gre, Λύσιππος) was a Greek sculptor of the 4th century BC. Together with Scopas and Praxiteles, he is considered one of the three greatest sculptors of the Classical Greek era, bringing transition into the Hellenistic p ...
,
National Archaeological Museum, Athens The National Archaeological Museum ( el, Εθνικό Αρχαιολογικό Μουσείο) in Athens houses some of the most important artifacts from a variety of archaeological locations around Greece from prehistory to late antiquity. It i ...


Hellenistic

The transition from the Classical to the Hellenistic period occurred during the 4th century BC. Following the conquests of
Alexander the Great Alexander III of Macedon ( grc, Ἀλέξανδρος, Alexandros; 20/21 July 356 BC – 10/11 June 323 BC), commonly known as Alexander the Great, was a king of the ancient Greek kingdom of Macedon. He succeeded his father Philip II to ...
(336 BC to 323 BC), Greek culture spread as far as
India India, officially the Republic of India (Hindi: ), is a country in South Asia. It is the List of countries and dependencies by area, seventh-largest country by area, the List of countries and dependencies by population, second-most populous ...
, as revealed by the excavations of
Ai-Khanoum Ai-Khanoum (, meaning ''Lady Moon''; uz, Oyxonim) is the archaeological site of a Hellenistic city in Takhar Province, Afghanistan. The city, whose original name is unknown, was probably founded by an early ruler of the Seleucid Empire and se ...
in eastern
Afghanistan Afghanistan, officially the Islamic Emirate of Afghanistan,; prs, امارت اسلامی افغانستان is a landlocked country located at the crossroads of Central Asia and South Asia. Referred to as the Heart of Asia, it is borde ...
, and the civilization of the
Greco-Bactrians The Bactrian Kingdom, known to historians as the Greco-Bactrian Kingdom or simply Greco-Bactria, was a Hellenistic-era Greek state, and along with the Indo-Greek Kingdom, the easternmost part of the Hellenistic world in Central Asia and the Indi ...
and the
Indo-Greeks The Indo-Greek Kingdom, or Graeco-Indian Kingdom, also known historically as the Yavana Kingdom (Yavanarajya), was a Hellenistic period, Hellenistic-era Ancient Greece, Greek kingdom covering various parts of Afghanistan and the northwestern r ...
.
Greco-Buddhist art The Greco-Buddhist art or Gandhara art of the north Indian subcontinent is the artistic manifestation of Greco-Buddhism, a cultural syncretism between Ancient Greek art and Buddhism. It had mainly evolved in the ancient region of Gandhara. The ...
represented a syncretism between Greek art and the visual expression of Buddhism. Thus Greek art became more diverse and more influenced by the cultures of the peoples drawn into the Greek orbit. In the view of some art historians, it also declined in quality and originality. This, however, is a judgement which artists and art-lovers of the time would not have shared. Indeed, many sculptures previously considered as classical masterpieces are now recognised as being Hellenistic. The technical ability of Hellenistic sculptors is clearly in evidence in such major works as the
Winged Victory of Samothrace The ''Winged Victory of Samothrace'', or the ''Nike of Samothrace'', is a votive monument originally found on the island of Samothrace, north of the Aegean Sea. It is a masterpiece of Greek sculpture from the Hellenistic era, dating from the be ...
, and the
Pergamon Altar The Pergamon Altar () was a monumental construction built during the reign of the Ancient Greek King Eumenes II in the first half of the 2nd century BC on one of the terraces of the acropolis of Pergamon in Asia Minor. The structure was 35.64 ...
. New centres of Greek culture, particularly in sculpture, developed in
Alexandria Alexandria ( or ; ar, ٱلْإِسْكَنْدَرِيَّةُ ; grc-gre, Αλεξάνδρεια, Alexándria) is the second largest city in Egypt, and the largest city on the Mediterranean coast. Founded in by Alexander the Great, Alexandri ...
,
Antioch Antioch on the Orontes (; grc-gre, Ἀντιόχεια ἡ ἐπὶ Ὀρόντου, ''Antiókheia hē epì Oróntou'', Learned ; also Syrian Antioch) grc-koi, Ἀντιόχεια ἡ ἐπὶ Ὀρόντου; or Ἀντιόχεια ἡ ἐπ� ...
,
Pergamum Pergamon or Pergamum ( or ; grc-gre, Πέργαμον), also referred to by its modern Greek form Pergamos (), was a rich and powerful ancient Greek city in Mysia. It is located from the modern coastline of the Aegean Sea on a promontory on th ...
, and other cities, where the new monarchies were lavish patrons. By the 2nd century the rising power of
Rome , established_title = Founded , established_date = 753 BC , founder = King Romulus ( legendary) , image_map = Map of comune of Rome (metropolitan city of Capital Rome, region Lazio, Italy).svg , map_caption ...
had also absorbed much of the Greek tradition—and an increasing proportion of its products as well. During this period sculpture became more naturalistic, and also expressive; the interest in depicting extremes of emotion being sometimes pushed to extremes. Genre subjects of common people, women, children, animals and domestic scenes became acceptable subjects for sculpture, which was commissioned by wealthy families for the adornment of their homes and gardens; the ''
Boy with Thorn ''Boy with Thorn'', also called ''Fedele'' (Fedelino) or ''Spinario'', is a Greco-Roman Hellenistic bronze sculpture of a boy withdrawing a thorn from the sole of his foot, now in the Palazzo dei Conservatori, Rome. There is a Roman marble vers ...
'' is an example. Realistic portraits of men and women of all ages were produced, and sculptors no longer felt obliged to depict people as ideals of beauty or physical perfection. The world of
Dionysus In ancient Greek religion and Greek mythology, myth, Dionysus (; grc, wikt:Διόνυσος, Διόνυσος ) is the god of the grape-harvest, winemaking, orchards and fruit, vegetation, fertility, insanity, ritual madness, religious ecstas ...
, a pastoral idyll populated by
satyr In Greek mythology, a satyr ( grc-gre, σάτυρος, sátyros, ), also known as a silenus or ''silenos'' ( grc-gre, σειληνός ), is a male nature spirit with ears and a tail resembling those of a horse, as well as a permanent, ex ...
s,
maenad In Greek mythology, maenads (; grc, μαινάδες ) were the female followers of Dionysus and the most significant members of the Thiasus, the god's retinue. Their name literally translates as "raving ones". Maenads were known as Bassarids ...
s, nymphs and sileni, had been often depicted in earlier vase painting and figurines, but rarely in full-size sculpture. Now such works were made, surviving in copies including the
Barberini Faun The life-size ancient but much restored marble statue known as the ''Barberini Faun'', ''Fauno Barberini'' or ''Drunken Satyr'' is now in the Glyptothek in Munich, Germany. A faun is the Roman equivalent of a Greek satyr. In Greek mythology, saty ...
, the
Belvedere Torso __NOTOC__ The Belvedere Torso is a tall fragmentary marble statue of a male nude, known to be in Rome from the 1430s, and signed prominently on the front of the base by "Apollonios, son of Nestor, Athenian", who is unmentioned in ancient literat ...
, and the '' Resting Satyr''; the
Furietti Centaurs The Furietti Centaurs (known as the Old Centaur and Young Centaur, or Older Centaur and Younger Centaur, when being treated separately) are a pair of Hellenistic or Roman grey-black marble sculptures of centaurs based on Hellenistic models. One i ...
and ''
Sleeping Hermaphroditus The ''Sleeping Hermaphroditus'' is an ancient marble sculpture depicting Hermaphroditus life size. In 1620, Italian artist Gian Lorenzo Bernini sculpted the mattress upon which the statue now lies. The form is partly derived from ancient portray ...
'' reflect related themes. At the same time, the new Hellenistic cities springing up all over
Egypt Egypt ( ar, مصر , ), officially the Arab Republic of Egypt, is a List of transcontinental countries, transcontinental country spanning the North Africa, northeast corner of Africa and Western Asia, southwest corner of Asia via a land bridg ...
,
Syria Syria ( ar, سُورِيَا or سُورِيَة, translit=Sūriyā), officially the Syrian Arab Republic ( ar, الجمهورية العربية السورية, al-Jumhūrīyah al-ʻArabīyah as-Sūrīyah), is a Western Asian country loc ...
, and
Anatolia Anatolia, tr, Anadolu Yarımadası), and the Anatolian plateau, also known as Asia Minor, is a large peninsula in Western Asia and the westernmost protrusion of the Asian continent. It constitutes the major part of modern-day Turkey. The re ...
required statues depicting the gods and heroes of Greece for their temples and public places. This made sculpture, like pottery, an industry, with the consequent standardisation and some lowering of quality. For these reasons many more Hellenistic statues have survived than is the case with the Classical period. Some of the best known Hellenistic sculptures are the ''
Winged Victory of Samothrace The ''Winged Victory of Samothrace'', or the ''Nike of Samothrace'', is a votive monument originally found on the island of Samothrace, north of the Aegean Sea. It is a masterpiece of Greek sculpture from the Hellenistic era, dating from the be ...
'' (2nd or 1st century BC), the statue of
Aphrodite Aphrodite ( ; grc-gre, Ἀφροδίτη, Aphrodítē; , , ) is an ancient Greek goddess associated with love, lust, beauty, pleasure, passion, and procreation. She was syncretized with the Roman goddess . Aphrodite's major symbols incl ...
from the island of
Melos Milos or Melos (; el, label=Modern Greek, Μήλος, Mílos, ; grc, Μῆλος, Mêlos) is a volcanic Greek island in the Aegean Sea, just north of the Sea of Crete. Milos is the southwesternmost island in the Cyclades group. The '' Venus ...
known as the ''
Venus de Milo The ''Venus de Milo'' (; el, Αφροδίτη της Μήλου, Afrodíti tis Mílou) is an ancient Greek sculpture that was created during the Hellenistic period, sometime between 150 and 125 BC. It is one of the most famous works of ancient ...
'' (mid-2nd century BC), the
Dying Gaul Dying is the final stage of life which will eventually lead to death. Diagnosing dying is a complex process of clinical decision-making, and most practice checklists facilitating this diagnosis are based on cancer diagnoses. Signs of dying ...
(about 230 BC), and the monumental group ''
Laocoön and His Sons The statue of ''Laocoön and His Sons'', also called the Laocoön Group ( it, Gruppo del Laocoonte), has been one of the most famous ancient sculptures ever since it was excavated in Rome in 1506 and placed on public display in the Vatican Museums ...
'' (late 1st century BC). All these statues depict Classical themes, but their treatment is far more sensuous and emotional than the austere taste of the Classical period would have allowed or its technical skills permitted. The multi-figure group of statues was a Hellenistic innovation, probably of the 3rd century, taking the epic battles of earlier temple pediment reliefs off their walls, and placing them as life-size groups of statues. Their style is often called "
baroque The Baroque (, ; ) is a style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished in Europe from the early 17th century until the 1750s. In the territories of the Spanish and Portuguese empires including ...
", with extravagantly contorted body poses, and intense expressions in the faces. The reliefs on the
Pergamon Altar The Pergamon Altar () was a monumental construction built during the reign of the Ancient Greek King Eumenes II in the first half of the 2nd century BC on one of the terraces of the acropolis of Pergamon in Asia Minor. The structure was 35.64 ...
are the nearest original survivals, but several well known works are believed to be Roman copies of Hellenistic originals. These include the
Dying Gaul Dying is the final stage of life which will eventually lead to death. Diagnosing dying is a complex process of clinical decision-making, and most practice checklists facilitating this diagnosis are based on cancer diagnoses. Signs of dying ...
and
Ludovisi Gaul The ''Ludovisi Gaul'' (sometimes called "The Galatian Suicide") is an ancient Roman statue depicting a Gallic man plunging a sword into his breast as he holds up the dying body of his wife. This sculpture is a marble copy of a now lost Greek bronz ...
, as well as a less well known ''Kneeling Gaul'' and others, all believed to copy Pergamene commissions by
Attalus I Attalus I ( grc, Ἄτταλος Α΄), surnamed ''Soter'' ( el, , "Savior"; 269–197 BC) ruled Pergamon, an Ionian Greek polis (what is now Bergama, Turkey), first as dynast, later as king, from 241 BC to 197 BC. He was the fi ...
to commemorate his victory around 241 over the
Gauls The Gauls ( la, Galli; grc, Γαλάται, ''Galátai'') were a group of Celtic peoples of mainland Europe in the Iron Age and the Roman period (roughly 5th century BC to 5th century AD). Their homeland was known as Gaul (''Gallia''). They sp ...
of
Galatia Galatia (; grc, Γαλατία, ''Galatía'', "Gaul") was an ancient area in the highlands of central Anatolia, roughly corresponding to the provinces of Ankara and Eskişehir, in modern Turkey. Galatia was named after the Gauls from Thrace ...
, probably comprising two groups. The '' Laocoön Group'', the ''
Farnese Bull The ''Farnese Bull'' ( it, Toro Farnese), formerly in the Farnese collection in Rome, is a massive Roman elaborated copy of a Hellenistic sculpture. It is the largest single sculpture yet recovered from antiquity. Along with the rest of the Fa ...
'', '' Menelaus supporting the body of Patroclus'' ("Pasquino group"), '' Arrotino'', and the
Sperlonga sculptures The Sperlonga sculptures are a large and elaborate ensemble of ancient sculptures discovered in 1957 in the grounds of the former villa of the Emperor Tiberius at Sperlonga, on the coast between Rome and Naples. As reconstructed, the sculpt ...
, are other examples. From the 2nd century the
Neo-Attic Neo-Attic or Atticizing is a sculptural style, beginning in Hellenistic sculpture and vase-painting of the 2nd century BC and climaxing in Roman art of the 2nd century AD, copying, adapting or closely following the style shown in reliefs and stat ...
or Neo-Classical style is seen by different scholars as either a reaction to baroque excesses, returning to a version of Classical style, or as a continuation of the traditional style for cult statues. Workshops in the style became mainly producers of copies for the Roman market, which preferred copies of Classical rather than Hellenistic pieces. Discoveries made since the end of the 19th century surrounding the (now submerged) ancient Egyptian city of Heracleum include a 4th-century BC, unusually sensual, detailed and feministic (as opposed to deified) depiction of
Isis Isis (; ''Ēse''; ; Meroitic: ''Wos'' 'a''or ''Wusa''; Phoenician: 𐤀𐤎, romanized: ʾs) was a major goddess in ancient Egyptian religion whose worship spread throughout the Greco-Roman world. Isis was first mentioned in the Old Kin ...
, marking a combination of Egyptian and Hellenistic forms beginning around the time of Egypt's conquest by
Alexander the Great Alexander III of Macedon ( grc, Ἀλέξανδρος, Alexandros; 20/21 July 356 BC – 10/11 June 323 BC), commonly known as Alexander the Great, was a king of the ancient Greek kingdom of Macedon. He succeeded his father Philip II to ...
. However this was untypical of Ptolemaic court sculpture, which generally avoided mixing Egyptian styles with its fairly conventional Hellenistic style, while temples in the rest of the country continued using late versions of traditional Egyptian formulae. Scholars have proposed an "Alexandrian style" in Hellenistic sculpture, but there is in fact little to connect it with Alexandria. Hellenistic sculpture was also marked by an increase in scale, which culminated in the
Colossus of Rhodes The Colossus of Rhodes ( grc, ὁ Κολοσσὸς Ῥόδιος, ho Kolossòs Rhódios gr, Κολοσσός της Ρόδου, Kolossós tes Rhódou) was a statue of the Greek sun-god Helios, erected in the city of Rhodes, on the Greek is ...
(late 3rd century), which was the same size as the
Statue of Liberty The Statue of Liberty (''Liberty Enlightening the World''; French: ''La Liberté éclairant le monde'') is a colossal neoclassical sculpture on Liberty Island in New York Harbor in New York City, in the United States. The copper statue, ...
. The combined effect of earthquakes and looting have destroyed this as well as other very large works of this period. File:Seleucid prince Massimo Inv1049.jpg, The
Hellenistic Prince The ''Hellenistic Prince'', ''Seleucid Prince'', or ''Terme Ruler'' is a Greek bronze statue, 204 centimetres high, made in the 2nd century BC, now in the collections of the Palazzo Massimo alle Terme in Rome. It was found in 1885, together with th ...
, a bronze statue originally thought to be a
Seleucid The Seleucid Empire (; grc, Βασιλεία τῶν Σελευκιδῶν, ''Basileía tōn Seleukidōn'') was a Greek state in West Asia that existed during the Hellenistic period from 312 BC to 63 BC. The Seleucid Empire was founded by the ...
, or
Attalus II Attalus II Philadelphus ( Greek: Ἄτταλος Β΄ ὁ Φιλάδελφος, ''Attalos II Philadelphos'', which means "Attalus the brother-loving"; 220–138 BC) was a Greek King of Pergamon and the founder of the city of Attalia (Antal ...
of
Pergamon Pergamon or Pergamum ( or ; grc-gre, Πέργαμον), also referred to by its modern Greek form Pergamos (), was a rich and powerful ancient Greek city in Mysia. It is located from the modern coastline of the Aegean Sea on a promontory on th ...
, now considered a portrait of a Roman general, made by a Greek artist working in Rome in the 2nd century BC. File:Ac.nike.jpg, The ''
Winged Victory of Samothrace The ''Winged Victory of Samothrace'', or the ''Nike of Samothrace'', is a votive monument originally found on the island of Samothrace, north of the Aegean Sea. It is a masterpiece of Greek sculpture from the Hellenistic era, dating from the be ...
'' (Hellenistic),
The Louvre The Louvre ( ), or the Louvre Museum ( ), is the world's most-visited museum, and an historic landmark in Paris, France. It is the home of some of the best-known works of art, including the '' Mona Lisa'' and the ''Venus de Milo''. A centra ...
,
Paris Paris () is the capital and most populous city of France, with an estimated population of 2,165,423 residents in 2019 in an area of more than 105 km² (41 sq mi), making it the 30th most densely populated city in the world in 2020. Si ...
File:Laocoon Pio-Clementino Inv1059-1064-1067.jpg, ''
Laocoön and His Sons The statue of ''Laocoön and His Sons'', also called the Laocoön Group ( it, Gruppo del Laocoonte), has been one of the most famous ancient sculptures ever since it was excavated in Rome in 1506 and placed on public display in the Vatican Museums ...
'' (Late Hellenistic),
Vatican Museum The Vatican Museums ( it, Musei Vaticani; la, Musea Vaticana) are the public museums of the Vatican City. They display works from the immense collection amassed by the Catholic Church and the papacy throughout the centuries, including several of ...
File:NAMA Jockey Artémision.jpg, Late Hellenistic bronze of a mounted jockey,
National Archaeological Museum, Athens The National Archaeological Museum ( el, Εθνικό Αρχαιολογικό Μουσείο) in Athens houses some of the most important artifacts from a variety of archaeological locations around Greece from prehistory to late antiquity. It i ...


Figurines


Terracotta figurines

Clay is a material frequently used for the making of votive statuettes or idols, even before the Minoan civilization and continuing until the Roman period. During the 8th century BC tombs in
Boeotia Boeotia ( ), sometimes Latinized as Boiotia or Beotia ( el, Βοιωτία; modern: ; ancient: ), formerly known as Cadmeis, is one of the regional units of Greece. It is part of the region of Central Greece. Its capital is Livadeia, and its ...
often contain "bell idols", female statuettes with mobile legs: the head, small compared to the remainder of the body, is perched at the end of a long neck, while the body is very full, in the shape of a bell. Archaic heroon tombs, for local heroes, might receive large numbers of crudely-shaped figurines, with rudimentary figuration, generally representing characters with raised arms. By the Hellenistic period most terracotta figurines have lost their religious nature, and represent characters from everyday life.
Tanagra figurine The Tanagra figurines were a mold-cast type of Greek terracotta figurines produced from the later fourth century BC, named after the Boeotian town of Tanagra, where many were excavated and which has given its name to the whole class. However, the ...
s, from one of several centres of production, are mass-manufactured using moulds, and then painted after firing. Dolls, figures of fashionably-dressed ladies and of actors, some of these probably portraits, were among the new subjects, depicted with a refined style. These were cheap, and initially displayed in the home much like modern ornamental figurines, but were quite often buried with their owners. At the same time, cities like
Alexandria Alexandria ( or ; ar, ٱلْإِسْكَنْدَرِيَّةُ ; grc-gre, Αλεξάνδρεια, Alexándria) is the second largest city in Egypt, and the largest city on the Mediterranean coast. Founded in by Alexander the Great, Alexandri ...
,
Smyrna Smyrna ( ; grc, Σμύρνη, Smýrnē, or , ) was a Greek city located at a strategic point on the Aegean coast of Anatolia. Due to its advantageous port conditions, its ease of defence, and its good inland connections, Smyrna rose to prom ...
or Tarsus produced an abundance of grotesque figurines, representing individuals with deformed members, eyes bulging and contorting themselves. Such figurines were also made from bronze. For painted architectural terracottas, see
Architecture Architecture is the art and technique of designing and building, as distinguished from the skills associated with construction. It is both the process and the product of sketching, conceiving, planning, designing, and constructing buildings ...
below.


Metal figurines

Figurines made of metal, primarily bronze, are an extremely common find at early Greek sanctuaries like Olympia, where thousands of such objects, mostly depicting animals, have been found. They are usually produced in the
lost wax Lost-wax casting (also called "investment casting", "precision casting", or ''cire perdue'' which has been adopted into English from the French, ) is the process by which a duplicate metal sculpture (often silver, gold, brass, or bronze) is ...
technique and can be considered the initial stage in the development of Greek bronze sculpture. The most common motifs during the Geometric period were horses and deer, but dogs, cattle and other animals are also depicted. Human figures occur occasionally. The production of small metal votives continued throughout Greek antiquity. In the Classical and Hellenistic periods, more elaborate bronze statuettes, closely connected with
monumental sculpture The term monumental sculpture is often used in art history and criticism, but not always consistently. It combines two concepts, one of function, and one of size, and may include an element of a third more subjective concept. It is often used for ...
, also became common. High quality examples were keenly collected by wealthy Greeks, and later Romans, but relatively few have survived. Image:Bell idol Louvre CA 573.jpg, Bell Idol, 7th century BC Image:Bronze horse Louvre Br90.jpg, 8th-century BC bronze votive horse from Olympia File:New Comedy actor MBA Lyon E272-54.jpg, Actor from the
New Comedy Ancient Greek comedy was one of the final three principal dramatic forms in the theatre of classical Greece (the others being tragedy and the satyr play). Athenian comedy is conventionally divided into three periods: Old Comedy, Middle Comedy, an ...
, about 200 BC File:Lady in blue Louvre MNB907.jpg,
Tanagra figurine The Tanagra figurines were a mold-cast type of Greek terracotta figurines produced from the later fourth century BC, named after the Boeotian town of Tanagra, where many were excavated and which has given its name to the whole class. However, the ...
of fashionable lady, 32.5 cm (12.8 in), 330-300 BC


Architecture

Architecture (meaning buildings executed to an aesthetically considered design) ceased in Greece from the end of the Mycenaean period (about 1200 BC) until the 7th century, when urban life and prosperity recovered to a point where public building could be undertaken. Since most Greek buildings in the Archaic and Early Classical periods were made of wood or
mudbrick A mudbrick or mud-brick is an air-dried brick, made of a mixture of loam, mud, sand and water mixed with a binding material such as rice husks or straw. Mudbricks are known from 9000 BCE, though since 4000 BCE, bricks have also been ...
, nothing remains of them except a few ground-plans, and there are almost no written sources on early architecture or descriptions of buildings. Most of our knowledge of Greek architecture comes from the surviving buildings of the Late Archaic, Classical, Hellenistic and Roman periods (since
ancient Roman architecture Ancient Roman architecture adopted the external language of classical Greek architecture for the purposes of the ancient Romans, but was different from Greek buildings, becoming a new architectural style. The two styles are often considered one ...
heavily used Greek styles), and from late written sources such as
Vitruvius Vitruvius (; c. 80–70 BC – after c. 15 BC) was a Roman architect and engineer during the 1st century BC, known for his multi-volume work entitled '' De architectura''. He originated the idea that all buildings should have three attribut ...
(1st century BC). This means that there is a strong bias towards temples, the most common major buildings to survive. Here the squared blocks of stone used for walls were useful for later buildings, and so often all that survives are parts of columns and
metope In classical architecture, a metope (μετόπη) is a rectangular architectural element that fills the space between two triglyphs in a Doric frieze, which is a decorative band of alternating triglyphs and metopes above the architrave of a bu ...
s that were harder to recycle. For most of the period a strict stone
post and lintel In architecture, post and lintel (also called prop and lintel or a trabeated system) is a building system where strong horizontal elements are held up by strong vertical elements with large spaces between them. This is usually used to hold up ...
system of construction was used, held in place only by gravity.
Corbelling In architecture, a corbel is a structural piece of stone, wood or metal jutting from a wall to carry a superincumbent weight, a type of bracket. A corbel is a solid piece of material in the wall, whereas a console is a piece applied to the st ...
was known in Mycenean Greece, and the
arch An arch is a vertical curved structure that spans an elevated space and may or may not support the weight above it, or in case of a horizontal arch like an arch dam, the hydrostatic pressure against it. Arches may be synonymous with vau ...
was known from the 5th century at the latest, but hardly any use was made of these techniques until the Roman period. Wood was only used for ceilings and roof timbers in prestigious stone buildings. The use of large terracotta roof tiles, only held in place by grooving, meant that roofs needed to have a low pitch. Until Hellenistic times only public buildings were built using the formal stone style; these included above all temples, and the smaller treasury buildings which often accompanied them, and were built at
Delphi Delphi (; ), in legend previously called Pytho (Πυθώ), in ancient times was a sacred precinct that served as the seat of Pythia, the major oracle who was consulted about important decisions throughout the ancient classical world. The orac ...
by many cities. Other building types, often not roofed, were the central
agora The agora (; grc, ἀγορά, romanized: ', meaning "market" in Modern Greek) was a central public space in ancient Greek city-states. It is the best representation of a city-state's response to accommodate the social and political order o ...
, often with one or more colonnaded
stoa A stoa (; plural, stoas,"stoa", ''Oxford English Dictionary'', 2nd Ed., 1989 stoai, or stoae ), in ancient Greek architecture, is a covered walkway or portico, commonly for public use. Early stoas were open at the entrance with columns, usuall ...
around it, theatres, the gymnasium and
palaestra A palaestra ( or ; also (chiefly British) palestra; grc-gre, παλαίστρα) was any site of an ancient Greek wrestling school. Events requiring little space, such as boxing and wrestling, took place there. Palaestrae functioned both in ...
or wrestling-school, the
ekklesiasterion In Ancient Greece, the ''ekklesiasterion'' (ἐκκλησιαστήριον) was the meeting place of the popular assembly ('' ekklesia'') in a democratic Greek city-state (''polis'', plural ''poleis''). Venue In a few ''poleis'' the ''ekklesi ...
or
bouleuterion A bouleuterion ( grc-gre, βουλευτήριον, ''bouleutērion''), also translated as and was a building in ancient Greece which housed the council of citizens (, ''boulē'') of a democratic city state. These representatives assembled a ...
for assemblies, and the
propylaea In ancient Greek architecture, a propylaea, propylea or propylaia (; Greek: προπύλαια) is a monumental gateway. They are seen as a partition, specifically for separating the secular and religious pieces of a city. The prototypical Gr ...
or monumental gateways. Round buildings for various functions were called a tholos, and the largest stone structures were often defensive city walls. Tombs were for most of the period only made as elaborate mausolea around the edges of the Greek world, especially in Anatolia. Private houses were built around a courtyard where funds allowed, and showed blank walls to the street. They sometimes had a second story, but very rarely basements. They were usually built of rubble at best, and relatively little is known about them; at least for males, much of life was spent outside them. A few palaces from the Hellenistic period have been excavated. Temples and some other buildings such as the treasuries at Delphi were planned as either a cube or, more often, a rectangle made from
limestone Limestone ( calcium carbonate ) is a type of carbonate sedimentary rock which is the main source of the material lime. It is composed mostly of the minerals calcite and aragonite, which are different crystal forms of . Limestone forms w ...
, of which Greece has an abundance, and which was cut into large blocks and dressed. This was supplemented by columns, at least on the entrance front, and often on all sides. Other buildings were more flexible in plan, and even the wealthiest houses seem to have lacked much external ornament. Marble was an expensive building material in Greece: high quality marble came only from Mt Pentelus in
Attica Attica ( el, Αττική, Ancient Greek ''Attikḗ'' or , or ), or the Attic Peninsula, is a historical region that encompasses the city of Athens, the capital of Greece and its countryside. It is a peninsula projecting into the Aegean ...
and from a few islands such as
Paros Paros (; el, Πάρος; Venetian: ''Paro'') is a Greek island in the central Aegean Sea. One of the Cyclades island group, it lies to the west of Naxos, from which it is separated by a channel about wide. It lies approximately south-east of ...
, and its transportation in large blocks was difficult. It was used mainly for sculptural decoration, not structurally, except in the very grandest buildings of the Classical period such as the
Parthenon The Parthenon (; grc, Παρθενών, , ; ell, Παρθενώνας, , ) is a former temple on the Athenian Acropolis, Greece, that was dedicated to the goddess Athena during the fifth century BC. Its decorative sculptures are considere ...
in Athens. There were two main
classical order An order in architecture is a certain assemblage of parts subject to uniform established proportions, regulated by the office that each part has to perform. Coming down to the present from Ancient Greek and Ancient Roman civilization, the arc ...
s of Greek architecture, the
Doric Doric may refer to: * Doric, of or relating to the Dorians of ancient Greece ** Doric Greek, the dialects of the Dorians * Doric order, a style of ancient Greek architecture * Doric mode, a synonym of Dorian mode * Doric dialect (Scotland) * Doric ...
and the Ionic, with the
Corinthian order The Corinthian order ( Greek: Κορινθιακός ρυθμός, Latin: ''Ordo Corinthius'') is the last developed of the three principal classical orders of Ancient Greek architecture and Roman architecture. The other two are the Doric order ...
only appearing in the Classical period, and not becoming dominant until the Roman period. The most obvious features of the three orders are the capitals of the columns, but there are significant differences in other points of design and decoration between the orders. These names were used by the Greeks themselves, and reflected their belief that the styles descended from the Dorian and Ionian Greeks of the Dark Ages, but this is unlikely to be true. The Doric was the earliest, probably first appearing in stone in the earlier 7th century, having developed (though perhaps not very directly) from predecessors in wood. It was used in mainland Greece and the Greek colonies in Italy. The Ionic style was first used in the cities of Ionia (now the west coast of Turkey) and some of the Aegean islands, probably beginning in the 6th century. The Doric style was more formal and austere, the Ionic more relaxed and decorative. The more ornate Corinthian order was a later development of the Ionic, initially apparently only used inside buildings, and using Ionic forms for everything except the capitals. The famous and well-preserved
Choragic Monument of Lysicrates The Choragic Monument of Lysicrates near the Acropolis of Athens was erected by the ''choregos'' Lysicrates, a wealthy patron of musical performances in the Theater of Dionysus, to commemorate the prize in the dithyramb contest of the City Dio ...
near the
Acropolis of Athens The Acropolis of Athens is an ancient citadel located on a rocky outcrop above the city of Athens and contains the remains of several ancient buildings of great architectural and historical significance, the most famous being the Parthenon. Th ...
(335/334) is the first known use of the Corinthian order on the exterior of a building. Most of the best known surviving Greek buildings, such as the Parthenon and the
Temple of Hephaestus The Temple of Hephaestus or ''Hephaisteion'' (also "Hephesteum" or "Hephaesteum"; grc, Ἡφαιστεῖον, ell, Ναός Ηφαίστου, and formerly called in error the Theseion or "Theseum"; grc, Θησεῖον, ell, Θησείο), ...
in Athens, are Doric. The
Erechtheum The Erechtheion (latinized as Erechtheum /ɪˈrɛkθiəm, ˌɛrɪkˈθiːəm/; Ancient Greek: Ἐρέχθειον, Greek: Ερέχθειο) or Temple of Athena Polias is an ancient Greek Ionic temple-telesterion on the north side of the Acropoli ...
, next to the Parthenon, however, is Ionic. The Ionic order became dominant in the Hellenistic period, since its more decorative style suited the aesthetic of the period better than the more restrained Doric. Some of the best surviving Hellenistic buildings, such as the
Library of Celsus The Library of Celsus ( el, Βιβλιοθήκη του Κέλσου) is an ancient Roman building in Ephesus, Anatolia, now part of Selçuk, Turkey. The building was commissioned in the 110s A.D. by a consul, Gaius Julius Aquila, as a funerary ...
, can be seen in Turkey, at cities such as
Ephesus Ephesus (; grc-gre, Ἔφεσος, Éphesos; tr, Efes; may ultimately derive from hit, 𒀀𒉺𒊭, Apaša) was a city in ancient Greece on the coast of Ionia, southwest of present-day Selçuk in İzmir Province, Turkey. It was built i ...
and
Pergamum Pergamon or Pergamum ( or ; grc-gre, Πέργαμον), also referred to by its modern Greek form Pergamos (), was a rich and powerful ancient Greek city in Mysia. It is located from the modern coastline of the Aegean Sea on a promontory on th ...
. But in the greatest of Hellenistic cities,
Alexandria Alexandria ( or ; ar, ٱلْإِسْكَنْدَرِيَّةُ ; grc-gre, Αλεξάνδρεια, Alexándria) is the second largest city in Egypt, and the largest city on the Mediterranean coast. Founded in by Alexander the Great, Alexandri ...
in
Egypt Egypt ( ar, مصر , ), officially the Arab Republic of Egypt, is a List of transcontinental countries, transcontinental country spanning the North Africa, northeast corner of Africa and Western Asia, southwest corner of Asia via a land bridg ...
, almost nothing survives. File:Santuario Delfos.jpg, Model of the processional way at
Ancient Delphi Delphi (; ), in legend previously called Pytho (Πυθώ), in ancient times was a sacred precinct that served as the seat of Pythia, the major oracle who was consulted about important decisions throughout the ancient classical world. The orac ...
, without much of the statuary shown. Image:The great theater of Epidaurus, designed by Polykleitos the Younger in the 4th century BC, Sanctuary of Asklepeios at Epidaurus, Greece (14015010416).jpg, The
Ancient Theatre of Epidaurus The Ancient Theatre of Epidaurus is a theatre in the Greek city of Epidaurus, located on the southeast end of the sanctuary dedicated to the ancient Greek God of medicine, Asclepius. It is built on the west side of Cynortion Mountain, near modern ...
, 4th century BC Image:Erechtheum Acropolis Athens.jpg, The Erechtheion on the
Acropolis of Athens The Acropolis of Athens is an ancient citadel located on a rocky outcrop above the city of Athens and contains the remains of several ancient buildings of great architectural and historical significance, the most famous being the Parthenon. Th ...
, late 5th century BC File:The Choragic Monument of Lysicrates in Athens on February 25, 2021.jpg,
Choragic Monument of Lysicrates The Choragic Monument of Lysicrates near the Acropolis of Athens was erected by the ''choregos'' Lysicrates, a wealthy patron of musical performances in the Theater of Dionysus, to commemorate the prize in the dithyramb contest of the City Dio ...
, Athens, 335/334


Coin design

Coins were (probably) invented in
Lydia Lydia ( Lydian: ‎𐤮𐤱𐤠𐤭𐤣𐤠, ''Śfarda''; Aramaic: ''Lydia''; el, Λυδία, ''Lȳdíā''; tr, Lidya) was an Iron Age kingdom of western Asia Minor located generally east of ancient Ionia in the modern western Turkish pro ...
in the 7th century BC, but they were first extensively used by the Greeks, and the Greeks set the canon of coin design which has been followed ever since. Coin design today still recognisably follows patterns descended from ancient Greece. The Greeks did not see coin design as a major art form, although some were expensively designed by leading goldsmiths, especially outside Greece itself, among the Central Asian kingdoms and in Sicilian cities keen to promote themselves. Nevertheless, the durability and abundance of coins have made them one of the most important sources of knowledge about Greek aesthetics.Cook, 171–172 Greek coins are the only art form from the ancient Greek world which can still be bought and owned by private collectors of modest means. The most widespread coins, used far beyond their native territories and copied and forged by others, were the Athenian
tetradrachm The tetradrachm ( grc-gre, τετράδραχμον, tetrádrachmon) was a large silver coin that originated in Ancient Greece. It was nominally equivalent to four drachmae. Over time the tetradrachm effectively became the standard coin of the An ...
, issued from c. 510 to c. 38 BC, and in the Hellenistic age the
Macedon Macedonia (; grc-gre, Μακεδονία), also called Macedon (), was an ancient kingdom on the periphery of Archaic and Classical Greece, and later the dominant state of Hellenistic Greece. The kingdom was founded and initially ruled ...
ian tetradrachm, both silver. These both kept the same familiar design for long periods.Boardman, 68–69 Greek designers began the practice of putting a profile portrait on the
obverse Obverse and its opposite, reverse, refer to the two flat faces of coins and some other two-sided objects, including paper money, flags, seals, medals, drawings, old master prints and other works of art, and printed fabrics. In this usage, ...
of coins. This was initially a symbolic portrait of the patron god or goddess of the city issuing the coin:
Athena Athena or Athene, often given the epithet Pallas, is an ancient Greek goddess associated with wisdom, warfare, and handicraft who was later syncretized with the Roman goddess Minerva. Athena was regarded as the patron and protectress of v ...
for
Athens Athens ( ; el, Αθήνα, Athína ; grc, Ἀθῆναι, Athênai (pl.) ) is both the capital and largest city of Greece. With a population close to four million, it is also the seventh largest city in the European Union. Athens dominates a ...
,
Apollo Apollo, grc, Ἀπόλλωνος, Apóllōnos, label=genitive , ; , grc-dor, Ἀπέλλων, Apéllōn, ; grc, Ἀπείλων, Apeílōn, label=Arcadocypriot Greek, ; grc-aeo, Ἄπλουν, Áploun, la, Apollō, la, Apollinis, label= ...
at Corinth,
Demeter In ancient Greek religion and Greek mythology, mythology, Demeter (; Attic Greek, Attic: ''Dēmḗtēr'' ; Doric Greek, Doric: ''Dāmā́tēr'') is the Twelve Olympians, Olympian goddess of the harvest and agriculture, presiding over crops, ...
at Thebes and so on. Later, heads of heroes of Greek mythology were used, such as
Heracles Heracles ( ; grc-gre, Ἡρακλῆς, , glory/fame of Hera), born Alcaeus (, ''Alkaios'') or Alcides (, ''Alkeidēs''), was a divine hero in Greek mythology, the son of Zeus and Alcmene, and the foster son of Amphitryon.By his adoptiv ...
on the coins of
Alexander the Great Alexander III of Macedon ( grc, Ἀλέξανδρος, Alexandros; 20/21 July 356 BC – 10/11 June 323 BC), commonly known as Alexander the Great, was a king of the ancient Greek kingdom of Macedon. He succeeded his father Philip II to ...
. The first human portraits on coins were those of
Achaemenid Empire The Achaemenid Empire or Achaemenian Empire (; peo, 𐎧𐏁𐏂, , ), also called the First Persian Empire, was an ancient Iranian empire founded by Cyrus the Great in 550 BC. Based in Western Asia, it was contemporarily the largest em ...
Satrap A satrap () was a governor of the provinces of the ancient Median and Achaemenid Empires and in several of their successors, such as in the Sasanian Empire and the Hellenistic empires. The satrap served as viceroy to the king, though with cons ...
s in
Asia Minor Anatolia, tr, Anadolu Yarımadası), and the Anatolian plateau, also known as Asia Minor, is a large peninsula in Western Asia and the westernmost protrusion of the Asian continent. It constitutes the major part of modern-day Turkey. The re ...
, starting with the exiled Athenian general
Themistocles Themistocles (; grc-gre, Θεμιστοκλῆς; c. 524–459 BC) was an Athenian politician and general. He was one of a new breed of non-aristocratic politicians who rose to prominence in the early years of the Athenian democracy. As ...
who became a Satrap of Magnesia circa 450 BC, and continuing especially with the dynasts of
Lycia Lycia ( Lycian: 𐊗𐊕𐊐𐊎𐊆𐊖 ''Trm̃mis''; el, Λυκία, ; tr, Likya) was a state or nationality that flourished in Anatolia from 15–14th centuries BC (as Lukka) to 546 BC. It bordered the Mediterranean Sea in what is ...
towards the end of the 5th century. Greek cities in Italy such as
Syracuse Syracuse may refer to: Places Italy * Syracuse, Sicily, or spelled as ''Siracusa'' * Province of Syracuse United States *Syracuse, New York **East Syracuse, New York ** North Syracuse, New York * Syracuse, Indiana *Syracuse, Kansas *Syracuse, M ...
began to put the heads of real people on coins in the 4th century BC, as did the Hellenistic successors of Alexander the Great in
Egypt Egypt ( ar, مصر , ), officially the Arab Republic of Egypt, is a List of transcontinental countries, transcontinental country spanning the North Africa, northeast corner of Africa and Western Asia, southwest corner of Asia via a land bridg ...
,
Syria Syria ( ar, سُورِيَا or سُورِيَة, translit=Sūriyā), officially the Syrian Arab Republic ( ar, الجمهورية العربية السورية, al-Jumhūrīyah al-ʻArabīyah as-Sūrīyah), is a Western Asian country loc ...
and elsewhere. On the reverse of their coins the Greek cities often put a symbol of the city: an owl for Athens, a dolphin for Syracuse and so on. The placing of inscriptions on coins also began in Greek times. All these customs were later continued by the Romans. The most artistically ambitious coins, designed by goldsmiths or gem-engravers, were often from the edges of the Greek world, from new colonies in the early period and new kingdoms later, as a form of marketing their "brands" in modern terms. Of the larger cities,
Corinth Corinth ( ; el, Κόρινθος, Kórinthos, ) is the successor to an ancient city, and is a former municipality in Corinthia, Peloponnese, which is located in south-central Greece. Since the 2011 local government reform, it has been part ...
and
Syracuse Syracuse may refer to: Places Italy * Syracuse, Sicily, or spelled as ''Siracusa'' * Province of Syracuse United States *Syracuse, New York **East Syracuse, New York ** North Syracuse, New York * Syracuse, Indiana *Syracuse, Kansas *Syracuse, M ...
also issued consistently attractive coins. Some of the
Greco-Bactrian The Bactrian Kingdom, known to historians as the Greco-Bactrian Kingdom or simply Greco-Bactria, was a Hellenistic-era Greek state, and along with the Indo-Greek Kingdom, the easternmost part of the Hellenistic world in Central Asia and the India ...
coins are considered the finest examples of Greek coins with large portraits with "a nice blend of realism and idealization", including the largest coins to be minted in the Hellenistic world: the largest gold coin was minted by Eucratides (reigned 171–145 BC), the largest silver coin by the Indo-Greek king Amyntas Nikator (reigned c. 95–90 BC). The portraits "show a degree of individuality never matched by the often bland depictions of their royal contemporaries further West". Image:Tetradrachme.wmt.jpg,
Macedon Macedonia (; grc-gre, Μακεδονία), also called Macedon (), was an ancient kingdom on the periphery of Archaic and Classical Greece, and later the dominant state of Hellenistic Greece. The kingdom was founded and initially ruled ...
ian
tetradrachm The tetradrachm ( grc-gre, τετράδραχμον, tetrádrachmon) was a large silver coin that originated in Ancient Greece. It was nominally equivalent to four drachmae. Over time the tetradrachm effectively became the standard coin of the An ...
with image of
Alexander the Great Alexander III of Macedon ( grc, Ἀλέξανδρος, Alexandros; 20/21 July 356 BC – 10/11 June 323 BC), commonly known as Alexander the Great, was a king of the ancient Greek kingdom of Macedon. He succeeded his father Philip II to ...
as
Heracles Heracles ( ; grc-gre, Ἡρακλῆς, , glory/fame of Hera), born Alcaeus (, ''Alkaios'') or Alcides (, ''Alkeidēs''), was a divine hero in Greek mythology, the son of Zeus and Alcmene, and the foster son of Amphitryon.By his adoptiv ...
, after 330 BC Image:BMC 193.jpg, Drachm of
Aegina Aegina (; el, Αίγινα, ''Aígina'' ; grc, Αἴγῑνα) is one of the Saronic Islands of Greece in the Saronic Gulf, from Athens. Tradition derives the name from Aegina, the mother of the hero Aeacus, who was born on the island an ...
with tortoise and stamp, after 404 BC File:Silver didrachm Heraclea MBA Lyon.jpg,
Heracles Heracles ( ; grc-gre, Ἡρακλῆς, , glory/fame of Hera), born Alcaeus (, ''Alkaios'') or Alcides (, ''Alkeidēs''), was a divine hero in Greek mythology, the son of Zeus and Alcmene, and the foster son of Amphitryon.By his adoptiv ...
fighting the Nemean lion. Silver coin from Heraclea Lucania File:Moneta d'argento di siracusa, 415-400 ac. circa, testa di aretusa.JPG, Arethusa on a coin of
Syracuse, Sicily Syracuse ( ; it, Siracusa ; scn, Sarausa ), ; grc-att, Συράκουσαι, Syrákousai, ; grc-dor, Συράκοσαι, Syrā́kosai, ; grc-x-medieval, Συρακοῦσαι, Syrakoûsai, ; el, label=Modern Greek, Συρακούσε� ...
, 415–400


Painting

The Greeks seem to have valued painting above even sculpture, and by the Hellenistic period the informed appreciation and even the practice of painting were components in a gentlemanly education. The
ekphrasis The word ekphrasis, or ecphrasis, comes from the Greek for the written description of a work of art produced as a rhetorical or literary exercise, often used in the adjectival form ekphrastic. It is a vivid, often dramatic, verbal descrip ...
was a literary form consisting of a description of a work of art, and we have a considerable body of literature on Greek painting and painters, with further additions in Latin, though none of the treatises by artists that are mentioned have survived. Unfortunately we have hardly any of the most prestigious sort of paintings, on wood panel or in
fresco Fresco (plural ''frescos'' or ''frescoes'') is a technique of mural painting executed upon freshly laid ("wet") lime plaster. Water is used as the vehicle for the dry-powder pigment to merge with the plaster, and with the setting of the plast ...
, that this literature was concerned with. The contrast with vase-painting is total. There are no mentions of that in literature at all, but over 100,000 surviving examples, giving many individual painters a respectable surviving oeuvre. Our idea of what the best Greek painting was like must be drawn from a careful consideration of parallels in vase-painting, late Greco-Roman copies in
mosaic A mosaic is a pattern or image made of small regular or irregular pieces of colored stone, glass or ceramic, held in place by plaster/mortar, and covering a surface. Mosaics are often used as floor and wall decoration, and were particularly pop ...
and fresco, some very late examples of actual painting in the Greek tradition, and the ancient literature. There were several interconnected traditions of painting in ancient Greece. Due to their technical differences, they underwent somewhat differentiated developments. Early painting seems to have developed along similar lines to vase-painting, heavily reliant on outline and flat areas of colour, but then flowered and developed at the time that vase-painting went into decline. By the end of the Hellenistic period, technical developments included modelling to indicate contours in forms, shadows, foreshortening, some probably imprecise form of perspective, interior and landscape backgrounds, and the use of changing colours to suggest distance in landscapes, so that "Greek artists had all the technical devices needed for fully illusionistic painting".


Panel and wall painting

The most common and respected form of art, according to authors like Pliny or
Pausanias Pausanias ( el, Παυσανίας) may refer to: *Pausanias of Athens, lover of the poet Agathon and a character in Plato's ''Symposium'' *Pausanias the Regent, Spartan general and regent of the 5th century BC * Pausanias of Sicily, physician of t ...
, were
panel painting A panel painting is a painting made on a flat panel of wood, either a single piece or a number of pieces joined together. Until canvas became the more popular support medium in the 16th century, panel painting was the normal method, when not paint ...
s, individual, portable paintings on wood boards. The techniques used were encaustic (wax) painting and
tempera Tempera (), also known as egg tempera, is a permanent, fast-drying painting medium consisting of colored pigments mixed with a water-soluble binder medium, usually glutinous material such as egg yolk. Tempera also refers to the paintings done ...
. Such paintings normally depicted figural scenes, including
portrait A portrait is a painting, photograph, sculpture, or other artistic representation of a person, in which the face and its expressions are predominant. The intent is to display the likeness, personality, and even the mood of the person. For this ...
s and
still-life A still life (plural: still lifes) is a work of art depicting mostly inanimate subject matter, typically commonplace objects which are either natural (food, flowers, dead animals, plants, rocks, shells, etc.) or man-made (drinking glasses, bo ...
s; we have descriptions of many compositions. They were collected and often displayed in public spaces.
Pausanias Pausanias ( el, Παυσανίας) may refer to: *Pausanias of Athens, lover of the poet Agathon and a character in Plato's ''Symposium'' *Pausanias the Regent, Spartan general and regent of the 5th century BC * Pausanias of Sicily, physician of t ...
describes such exhibitions at Athens and
Delphi Delphi (; ), in legend previously called Pytho (Πυθώ), in ancient times was a sacred precinct that served as the seat of Pythia, the major oracle who was consulted about important decisions throughout the ancient classical world. The orac ...
. We know the names of many famous painters, mainly of the Classical and Hellenistic periods, from literature (see expandable list to the right). The most famous of all ancient Greek painters was Apelles of Kos, whom
Pliny the Elder Gaius Plinius Secundus (AD 23/2479), called Pliny the Elder (), was a Roman author, naturalist and natural philosopher, and naval and army commander of the early Roman Empire, and a friend of the emperor Vespasian. He wrote the encyclopedic ' ...
lauded as having "surpassed all the other painters who either preceded or succeeded him." Unfortunately, due to the perishable nature of the materials used and the major upheavals at the end of antiquity, not one of the famous works of Greek panel painting has survived, nor even any of the copies that doubtlessly existed, and which give us most of our knowledge of Greek sculpture. We have slightly more significant survivals of mural compositions. The most important surviving Greek examples from before the Roman period are the fairly low-quality
Pitsa panels The Pitsa panels or Pitsa tablets are a group of painted wooden tablets found near Pitsa, Corinthia (Greece). They are the earliest surviving examples of Greek panel painting. Location The four panels, two of them highly fragmentary, were discov ...
from c. 530 BC, the
Tomb of the Diver The Tomb of the Diver, located in Paestum, is known for the mysterious subject matter of the frescos adorning the walls. The origin of this tomb is somewhat mysterious as well. There has been scholarly debate about whether the tomb was built by a ...
from
Paestum Paestum ( , , ) was a major ancient Greek city on the coast of the Tyrrhenian Sea in Magna Graecia (southern Italy). The ruins of Paestum are famous for their three ancient Greek temples in the Doric order, dating from about 550 to 450 BC, whi ...
, and various paintings from the royal tombs at
Vergina Vergina ( el, Βεργίνα, ''Vergína'' ) is a small town in northern Greece, part of Veria municipality in Imathia, Central Macedonia. Vergina was established in 1922 in the aftermath of the population exchanges after the Treaty of Laus ...
. More numerous paintings in Etruscan and
Campania (man), it, Campana (woman) , population_note = , population_blank1_title = , population_blank1 = , demographics_type1 = , demographics1_footnotes = , demographics1_title1 = , demographics1_info1 = , demog ...
n tombs are based on Greek styles. In the Roman period, there are a number of wall paintings in
Pompeii Pompeii (, ) was an ancient city located in what is now the ''comune'' of Pompei near Naples in the Campania region of Italy. Pompeii, along with Herculaneum and many villas in the surrounding area (e.g. at Boscoreale, Stabiae), was burie ...
and the surrounding area, as well as in Rome itself, some of which are thought to be copies of specific earlier masterpieces. In particular copies of specific wall-paintings have been confidently identified in the
Alexander Mosaic The ''Alexander Mosaic,'' also known as the ''Battle of Issus Mosaic'', is a Roman floor mosaic originally from the House of the Faun in Pompeii (an alleged imitation of a Philoxenus of Eretria or Apelles' painting, 4th century BC) that dates ...
and
Villa Boscoreale Villa Boscoreale is a name given to any of several Roman villas discovered in the district of Boscoreale, Italy. They were all buried and preserved by the eruption of Mount Vesuvius in 79 AD, along with Pompeii and Herculaneum. The only one v ...
. There is a large group of much later Greco-Roman archaeological survivals from the dry conditions of Egypt, the
Fayum mummy portraits Mummy portraits or Fayum mummy portraits are a type of naturalistic painted portrait on wooden boards attached to upper class mummies from Roman Egypt. They belong to the tradition of panel painting, one of the most highly regarded forms of art ...
, together with the similar
Severan Tondo The Severan Tondo or Berlin Tondo from circa 200 AD, is one of the few preserved examples of panel painting from Classical Antiquity, depicting the first two generations of the imperial Severan dynasty, whose members ruled the Roman Empire in the ...
, and a small group of painted
portrait miniature A portrait miniature is a miniature portrait painting, usually executed in gouache, watercolor, or enamel. Portrait miniatures developed out of the techniques of the miniatures in illuminated manuscripts, and were popular among 16th-century eli ...
s in gold glass.
Byzantine The Byzantine Empire, also referred to as the Eastern Roman Empire or Byzantium, was the continuation of the Roman Empire primarily in its eastern provinces during Late Antiquity and the Middle Ages, when its capital city was Constantinopl ...
icons An icon () is a religious work of art, most commonly a painting, in the cultures of the Eastern Orthodox, Oriental Orthodox, and Catholic churches. They are not simply artworks; "an icon is a sacred image used in religious devotion". The most c ...
are also derived from the encaustic panel painting tradition, and Byzantine
illuminated manuscript An illuminated manuscript is a formally prepared document where the text is often supplemented with flourishes such as borders and miniature illustrations. Often used in the Roman Catholic Church for prayers, liturgical services and psalms, th ...
s sometimes continued a Greek illusionistic style for centuries. The tradition of wall painting in Greece goes back at least to the Minoan and Mycenaean
Bronze Age The Bronze Age is a historic period, lasting approximately from 3300 BC to 1200 BC, characterized by the use of bronze, the presence of writing in some areas, and other early features of urban civilization. The Bronze Age is the second pri ...
, with the lavish fresco decoration of sites like
Knossos Knossos (also Cnossos, both pronounced ; grc, Κνωσός, Knōsós, ; Linear B: ''Ko-no-so'') is the largest Bronze Age archaeological site on Crete and has been called Europe's oldest city. Settled as early as the Neolithic period, the na ...
,
Tiryns Tiryns or (Ancient Greek: Τίρυνς; Modern Greek: Τίρυνθα) is a Mycenaean archaeological site in Argolis in the Peloponnese, and the location from which the mythical hero Heracles performed his Twelve Labours. It lies south of M ...
and
Mycenae Mycenae ( ; grc, Μυκῆναι or , ''Mykē̂nai'' or ''Mykḗnē'') is an archaeological site near Mykines in Argolis, north-eastern Peloponnese, Greece. It is located about south-west of Athens; north of Argos; and south of Corinth. ...
. It is not clear, whether there is any continuity between these antecedents and later Greek wall paintings. Wall paintings are frequently described in Pausanias, and many appear to have been produced in the Classical and Hellenistic periods. Due to the lack of architecture surviving intact, not many are preserved. The most notable examples are a monumental Archaic 7th-century BC scene of
hoplite Hoplites ( ) ( grc, ὁπλίτης : hoplítēs) were citizen-soldiers of Ancient Greek city-states who were primarily armed with spears and shields. Hoplite soldiers used the phalanx formation to be effective in war with fewer soldiers. The ...
combat from inside a temple at Kalapodi (near Thebes), and the elaborate frescoes from the 4th-century "Grave of Phillipp" and the "Tomb of Persephone" at
Vergina Vergina ( el, Βεργίνα, ''Vergína'' ) is a small town in northern Greece, part of Veria municipality in Imathia, Central Macedonia. Vergina was established in 1922 in the aftermath of the population exchanges after the Treaty of Laus ...
in
Macedon Macedonia (; grc-gre, Μακεδονία), also called Macedon (), was an ancient kingdom on the periphery of Archaic and Classical Greece, and later the dominant state of Hellenistic Greece. The kingdom was founded and initially ruled ...
ia, or the tomb at
Agios Athanasios, Thessaloniki Agios Athanasios ( gr, Άγιος Αθανάσιος,) is a town and a former municipality in the Thessaloniki regional unit, Greece. Since the 2011 local government reform it is part of the municipality Chalkidona, of which it is a municipal un ...
, sometimes suggested to be closely linked to the high-quality panel paintings mentioned above. The unusual survival of the Tomb of the Palmettes (3rd-century BC, excavated in 1971) with painting in good condition includes portraits of the couple buried inside on the tympanum. Greek wall painting tradition is also reflected in contemporary grave decorations in the Greek colonies in
Italy Italy ( it, Italia ), officially the Italian Republic, ) or the Republic of Italy, is a country in Southern Europe. It is located in the middle of the Mediterranean Sea, and its territory largely coincides with the homonymous geographical ...
, e.g. the famous
Tomb of the Diver The Tomb of the Diver, located in Paestum, is known for the mysterious subject matter of the frescos adorning the walls. The origin of this tomb is somewhat mysterious as well. There has been scholarly debate about whether the tomb was built by a ...
at
Paestum Paestum ( , , ) was a major ancient Greek city on the coast of the Tyrrhenian Sea in Magna Graecia (southern Italy). The ruins of Paestum are famous for their three ancient Greek temples in the Doric order, dating from about 550 to 450 BC, whi ...
. Some scholars suggest that the celebrated Roman frescoes at sites like
Pompeii Pompeii (, ) was an ancient city located in what is now the ''comune'' of Pompei near Naples in the Campania region of Italy. Pompeii, along with Herculaneum and many villas in the surrounding area (e.g. at Boscoreale, Stabiae), was burie ...
are the direct descendants of Greek tradition, and that some of them copy famous panel paintings. File:Hellenistic terracotta funerary wall painting.jpg,
Hellenistic Greek Koine Greek (; Koine el, ἡ κοινὴ διάλεκτος, hē koinè diálektos, the common dialect; ), also known as Hellenistic Greek, common Attic, the Alexandrian dialect, Biblical Greek or New Testament Greek, was the common supra-reg ...
terracotta Terracotta, terra cotta, or terra-cotta (; ; ), in its material sense as an earthenware substrate, is a clay-based unglazed or glazed ceramic where the fired body is porous. In applied art, craft, construction, and architecture, terra ...
funerary
wall painting A mural is any piece of graphic artwork that is painted or applied directly to a wall, ceiling or other permanent substrate. Mural techniques include fresco, mosaic, graffiti and marouflage. Word mural in art The word ''mural'' is a Spanish ...
, 3rd century BC File:Ancient Mieza, Macedonian tombs of Lefkadia, Tomb of Lyson and Kallikles a72b9b998c2e98a1390dbae9e032ea1c.jpg,
Ancient Macedonia Macedonia (; grc-gre, Μακεδονία), also called Macedon (), was an ancient kingdom on the periphery of Archaic and Classical Greece, and later the dominant state of Hellenistic Greece. The kingdom was founded and initially ruled by ...
n paintings of armour, arms, and gear from the
Tomb of Lyson and Kallikles The Tomb of Lyson and Kallikles is an ancient Macedonian tomb of the Hellenistic period in Mieza (modern Lefkadia, near Naousa, Imathia), noted for the quality of its painted decoration. The tomb was originally built for the brothers Lyson and ...
in ancient Mieza (modern-day Lefkadia),
Imathia Imathia ( el, Ημαθία ) is one of the regional units of Greece. It is part of the region of Central Macedonia, within the geographic region of Macedonia. The capital of Imathia is the city of Veroia. Administration The regional unit Ima ...
,
Central Macedonia Central Macedonia ( el, Κεντρική Μακεδονία, Kentrikí Makedonía, ) is one of the thirteen administrative regions of Greece, consisting of the central part of the geographical and historical region of Macedonia. With a populat ...
, Greece, 2nd century BC. File:Thureophoroi CROPPED.jpg, A stele of Dioskourides, dated 2nd century BC, showing a Ptolemaic ''thyreophoros'' soldier, a characteristic example of the "
Romanization Romanization or romanisation, in linguistics, is the conversion of text from a different writing system to the Roman (Latin) script, or a system for doing so. Methods of romanization include transliteration, for representing written text, a ...
" of the Ptolemaic army File:Ancient Mieza, Macedonian tombs of Lefkadia, The Tomb of Jugdement 545fddcedb8f434cdb346f41dbd838ec.jpg, Fresco from the Tomb of Judgment in ancient Mieza (modern-day Lefkadia),
Imathia Imathia ( el, Ημαθία ) is one of the regional units of Greece. It is part of the region of Central Macedonia, within the geographic region of Macedonia. The capital of Imathia is the city of Veroia. Administration The regional unit Ima ...
,
Central Macedonia Central Macedonia ( el, Κεντρική Μακεδονία, Kentrikí Makedonía, ) is one of the thirteen administrative regions of Greece, consisting of the central part of the geographical and historical region of Macedonia. With a populat ...
, Greece, depicting religious imagery of the afterlife, 4th century BC File:Hades and Persephone, Vergina.jpg, A fresco showing
Hades Hades (; grc-gre, ᾍδης, Háidēs; ), in the ancient Greek religion and myth, is the god of the dead and the king of the underworld, with which his name became synonymous. Hades was the eldest son of Cronus and Rhea, although this also ...
and
Persephone In ancient Greek mythology and religion, Persephone ( ; gr, Περσεφόνη, Persephónē), also called Kore or Cora ( ; gr, Κόρη, Kórē, the maiden), is the daughter of Zeus and Demeter. She became the queen of the underworld aft ...
riding in a
chariot A chariot is a type of cart driven by a charioteer, usually using horses to provide rapid motive power. The oldest known chariots have been found in burials of the Sintashta culture in modern-day Chelyabinsk Oblast, Russia, dated to c. 2000&n ...
, from the tomb of Queen
Eurydice I of Macedon Eurydice ( Greek: – from ευρύς ''eurys'', "wide" and δίκη ''dike'', "right, custom, usage, law; justice", literally "wide justice") was an Ancient Macedonian queen and wife of king Amyntas III of Macedon. She was the daughter of ...
at
Vergina Vergina ( el, Βεργίνα, ''Vergína'' ) is a small town in northern Greece, part of Veria municipality in Imathia, Central Macedonia. Vergina was established in 1922 in the aftermath of the population exchanges after the Treaty of Laus ...
, Greece, 4th century BC File:Banquet, tombe d'Agios Athanasios.jpg, A
banquet A banquet (; ) is a formal large meal where a number of people consume food together. Banquets are traditionally held to enhance the prestige of a host, or reinforce social bonds among joint contributors. Modern examples of these purposes i ...
scene from a Macedonian tomb of
Agios Athanasios, Thessaloniki Agios Athanasios ( gr, Άγιος Αθανάσιος,) is a town and a former municipality in the Thessaloniki regional unit, Greece. Since the 2011 local government reform it is part of the municipality Chalkidona, of which it is a municipal un ...
, 4th century BC; six men are shown reclining on couches, with food arranged on nearby tables, a male servant in attendance, and female musicians providing entertainment. File:Thueros affresco.jpg, Fresco of an ancient Macedonian soldier (''
thorakitai The ''thorakitai'' ( el, θωρακίται, singular: θωρακίτης, ''thorakites'') were a type of soldier in Hellenistic armies similar to the ''thureophoroi''. The literal translation of the term is "cuirassiers", which suggests that they ...
'') wearing
chainmail Chain mail (properly called mail or maille but usually called chain mail or chainmail) is a type of armour consisting of small metal rings linked together in a pattern to form a mesh. It was in common military use between the 3rd century BC and ...
armor and bearing a ''
thureos A thyreos ( grc, θυρεός) was a large oval shield which was commonly used in Hellenistic armies from the 3rd century BC onwards. It was adopted from the Galatians, probably first by the Illyrians, then by the Thracians before becoming common ...
'' shield, 3rd century BC File:UrumqiWarrior.jpg, The
Sampul tapestry The Sampul tapestry is an ancient woolen wall-hanging found at the Tarim Basin settlement of Sampul in Lop County, Hotan Prefecture, Xinjiang, China, close to ancient city of Khotan. The object has many Hellenistic period features, including a ...
, a woollen wall hanging from
Lop County Lop, United States National Geospatial-Intelligence Agency County (, Uyghur: ), also Luopu, United States National Geospatial-Intelligence Agency (from Mandarin Chinese), is a county in Hotan Prefecture, in the southwest of the Xinjiang Uyghu ...
,
Hotan Prefecture Hotan PrefectureThe official spelling is "Hotan" according to (also known as Gosthana, Gaustana, Godana, Godaniya, Khotan, Hetian, Hotien) is located in the Tarim Basin region of southwestern Xinjiang, China, bordering the Tibet Autonomous Region ...
,
Xinjiang Xinjiang, SASM/GNC: ''Xinjang''; zh, c=, p=Xīnjiāng; formerly romanized as Sinkiang (, ), officially the Xinjiang Uygur Autonomous Region (XUAR), is an autonomous region of the People's Republic of China (PRC), located in the northwes ...
,
China China, officially the People's Republic of China (PRC), is a country in East Asia. It is the world's List of countries and dependencies by population, most populous country, with a Population of China, population exceeding 1.4 billion, slig ...
, showing a possibly Greek soldier from the
Greco-Bactrian kingdom The Bactrian Kingdom, known to historians as the Greco-Bactrian Kingdom or simply Greco-Bactria, was a Hellenistic-era Greek state, and along with the Indo-Greek Kingdom, the easternmost part of the Hellenistic world in Central Asia and the Ind ...
(250–125 BC), with
blue eyes Eye color is a polygenic phenotypic character determined by two distinct factors: the pigmentation of the eye's iris and the frequency-dependence of the scattering of light by the turbid medium in the stroma of the iris. In humans, the p ...
, wielding a spear, and wearing what appears to be a
diadem A diadem is a type of crown, specifically an ornamental headband worn by monarchs and others as a badge of royalty. Overview The word derives from the Greek διάδημα ''diádēma'', "band" or "fillet", from διαδέω ''diadéō'', " ...
headband; depicted above him is a
centaur A centaur ( ; grc, κένταυρος, kéntauros; ), or occasionally hippocentaur, is a creature from Greek mythology with the upper body of a human and the lower body and legs of a horse. Centaurs are thought of in many Greek myths as bein ...
, from
Greek mythology A major branch of classical mythology, Greek mythology is the body of myths originally told by the ancient Greeks, and a genre of Ancient Greek folklore. These stories concern the origin and nature of the world, the lives and activities o ...
, a common motif in
Hellenistic art Hellenistic art is the art of the Hellenistic period generally taken to begin with the death of Alexander the Great in 323 BC and end with the conquest of the Greek world by the Romans, a process well underway by 146 BCE, when the Greek mainlan ...
;
Xinjiang Region Museum The Xinjiang Uyghur Autonomous Region Museum, or Xinjiang Museum, is located in Urumqi, Xinjiang, China. Its address is 581 Xibei Road, Urumqi. The museum holds over 40,000 items of various cultural relics and specimens, including 381 nationa ...
. File:Encaustic on marble, portrait of a young man from a grave stele, with an inscription ΘΕΟΔΩΡΟΣ ΧΑΙΡΕ Theodoros Farewell 2.png, A
Hellenistic Greek Koine Greek (; Koine el, ἡ κοινὴ διάλεκτος, hē koinè diálektos, the common dialect; ), also known as Hellenistic Greek, common Attic, the Alexandrian dialect, Biblical Greek or New Testament Greek, was the common supra-reg ...
encaustic painting Encaustic painting, also known as hot wax painting, is a form of painting that involves a heated wax medium to which colored pigments have been added. The molten mix is applied to a surface—usually prepared wood, though canvas and other mate ...
on a marble tombstone depicting the portrait of a young man named Theodoros, dated 1st century BC during the period of
Roman Greece Greece in the Roman era describes the Roman conquest of Greece, as well as the period of Greek history when Greece was dominated first by the Roman Republic and then by the Roman Empire. The Roman era of Greek history began with the Corinthian ...
,
Archaeological Museum of Thebes The Archaeological Museum of Thebes is a museum in Thebes, Greece. Mouseio2.jpg Amts105.jpg File:Amth02.jpg Man and antelope, painting on larnax, Tanagra, Late Helladic III, AM Thebes, 0127.jpg Bull-leaping, painting on larnax, Tanagra, Late Hella ...


Polychromy: painting on statuary and architecture

Much of the figural or architectural sculpture of ancient Greece was painted colourfully. This aspect of Greek stonework is described as
polychrome Polychrome is the "practice of decorating architectural elements, sculpture, etc., in a variety of colors." The term is used to refer to certain styles of architecture, pottery or sculpture in multiple colors. Ancient Egypt Colossal statu ...
(from
Greek Greek may refer to: Greece Anything of, from, or related to Greece, a country in Southern Europe: *Greeks, an ethnic group. *Greek language, a branch of the Indo-European language family. **Proto-Greek language, the assumed last common ancestor ...
''πολυχρωμία'', ''πολύ'' = many and ''χρώμα'' = colour). Due to intensive weathering, polychromy on sculpture and architecture has substantially or totally faded in most cases. Although the word ''polychrome'' is created from the combining of two Greek words, it was not used in ancient Greece. The term was coined in the early nineteenth century by Antoine Chrysostôme Quatremère de Quincy.


Architecture

Painting was also used to enhance the visual aspects of architecture. Certain parts of the superstructure of Greek temples were habitually painted since the Archaic period. Such architectural polychromy could take the form of bright colours directly applied to the stone (evidenced e.g. on the
Parthenon The Parthenon (; grc, Παρθενών, , ; ell, Παρθενώνας, , ) is a former temple on the Athenian Acropolis, Greece, that was dedicated to the goddess Athena during the fifth century BC. Its decorative sculptures are considere ...
, or of elaborate patterns, frequently architectural members made of terracotta (Archaic examples at Olympia and
Delphi Delphi (; ), in legend previously called Pytho (Πυθώ), in ancient times was a sacred precinct that served as the seat of Pythia, the major oracle who was consulted about important decisions throughout the ancient classical world. The orac ...
). Sometimes, the terracottas also depicted figural scenes, as do the 7th-century BC terracotta
metope In classical architecture, a metope (μετόπη) is a rectangular architectural element that fills the space between two triglyphs in a Doric frieze, which is a decorative band of alternating triglyphs and metopes above the architrave of a bu ...
s from
Thermon Thermos (; also known as Thermon or Thermum; grc-gre, Θέρμος) was an ancient Greek sanctuary, which served as the regular meeting place of the Aetolian League. Its focal point was the temple of Apollo Thermios, famous for the archaic ter ...
.


Sculpture

Most Greek sculptures were painted in strong and bright colors; this is called "
polychromy Polychrome is the "practice of decorating architectural elements, sculpture, etc., in a variety of colors." The term is used to refer to certain styles of architecture, pottery or sculpture in multiple colors. Ancient Egypt Colossal statu ...
". The paint was frequently limited to parts depicting clothing, hair, and so on, with the skin left in the natural color of the stone or bronze, but it could also cover sculptures in their totality; female skin in marble tended to be uncoloured, while male skin might be a light brown. The painting of Greek sculpture should not merely be seen as an enhancement of their sculpted form, but has the characteristics of a distinct style of art.Woodford, 173–174; Cook, 75–76, 88, 93–94, 99 For example, the pedimental sculptures from the
Temple of Aphaia The Temple of Aphaia ( el, Ναός Αφαίας) or Afea is located within a sanctuary complex dedicated to the goddess Aphaia on the Greek island of Aigina, which lies in the Saronic Gulf. Formerly known as the Temple of Jupiter Panhellenius, ...
on
Aegina Aegina (; el, Αίγινα, ''Aígina'' ; grc, Αἴγῑνα) is one of the Saronic Islands of Greece in the Saronic Gulf, from Athens. Tradition derives the name from Aegina, the mother of the hero Aeacus, who was born on the island an ...
have recently been demonstrated to have been painted with bold and elaborate patterns, depicting, amongst other details, patterned clothing. The polychromy of stone statues was paralleled by the use of different materials to distinguish skin, clothing and other details in
chryselephantine sculpture Chryselephantine sculpture (from Greek grc, χρυσός, chrysós, gold, label=none, and grc, ελεφάντινος, elephántinos, ivory, label=none) is sculpture made with gold and ivory. Chryselephantine cult statues enjoyed high stat ...
s, and by the use of different metals to depict lips, fingernails, etc. on high-quality bronzes like the
Riace bronzes The ''Riace bronzes'' (Italian: ''Bronzi di Riace'', ), also called the Riace Warriors, are two full-size Greek bronzes of naked bearded warriors, cast about 460–450 BC that were found in the sea in 1972 near Riace, Calabria, in southern ...
.


Vase painting

The most copious evidence of ancient Greek painting survives in the form of vase paintings. These are described in the "
pottery Pottery is the process and the products of forming vessels and other objects with clay and other ceramic materials, which are fired at high temperatures to give them a hard and durable form. Major types include earthenware, stoneware and ...
" section above. They give at least some sense of the
aesthetics Aesthetics, or esthetics, is a branch of philosophy that deals with the nature of beauty and taste, as well as the philosophy of art (its own area of philosophy that comes out of aesthetics). It examines aesthetic values, often expressed t ...
of Greek painting. The techniques involved, however, were very different from those used in large-format painting. The same probably applies to the subject matter depicted. Vase painters appear to have usually been specialists within a pottery workshop, neither painters in other media nor potters. It should also be kept in mind that vase painting, albeit by far the most conspicuous surviving source on ancient Greek painting, was not held in the highest regard in antiquity, and is never mentioned in Classical literature.


Mosaics

Mosaic A mosaic is a pattern or image made of small regular or irregular pieces of colored stone, glass or ceramic, held in place by plaster/mortar, and covering a surface. Mosaics are often used as floor and wall decoration, and were particularly pop ...
s were initially made with rounded pebbles, and later glass with
tesserae A tessera (plural: tesserae, diminutive ''tessella'') is an individual tile, usually formed in the shape of a square, used in creating a mosaic. It is also known as an abaciscus or abaculus. Historical tesserae The oldest known tessera ...
which gave more colour and a flat surface. They were popular in the Hellenistic period, at first as decoration for the floors of palaces, but eventually for private homes.Chamoux, 375 Often a central ''emblema'' picture in a central panel was completed in much finer work than the surrounding decoration.
Xenia motif The ''xenia'' motif in Roman mosaic is a still life motif consisting of a grouping of various items, mostly edible, representing a generous offering (a ''xenia'') from a wealthy host to guests. The items are often spread across different compartm ...
s, where a house showed examples of the variety of foods guests might expect to enjoy, provide most of the surviving specimens of Greek
still-life A still life (plural: still lifes) is a work of art depicting mostly inanimate subject matter, typically commonplace objects which are either natural (food, flowers, dead animals, plants, rocks, shells, etc.) or man-made (drinking glasses, bo ...
. In general mosaic must be considered as a secondary medium copying painting, often very directly, as in the
Alexander Mosaic The ''Alexander Mosaic,'' also known as the ''Battle of Issus Mosaic'', is a Roman floor mosaic originally from the House of the Faun in Pompeii (an alleged imitation of a Philoxenus of Eretria or Apelles' painting, 4th century BC) that dates ...
. The ''Unswept Floor'' by
Sosus of Pergamon Sosus of Pergamon was a Greek mosaic artist of the second century BC. He is the only mosaic artist whose name was recorded in literature. After the conquests of Alexander the Great, the Greeks of major centers such as Pergamon and Alexandria disp ...
(c. 200 BC) was an original and famous ''
trompe-l'œil ''Trompe-l'œil'' ( , ; ) is an artistic term for the highly realistic optical illusion of three-dimensional space and objects on a two-dimensional surface. ''Trompe l'oeil'', which is most often associated with painting, tricks the viewer into ...
'' piece, known from many Greco-Roman copies. According to John Boardman, Sosus is the only mosaic artist whose name has survived; his ''Doves'' are also mentioned in literature and copied. However, Katherine M. D. Dunbabin asserts that two different mosaic artists left their signatures on mosaics of Delos. The artist of the 4th-century BC Stag Hunt Mosaic perhaps also left his signature as
Gnosis Gnosis is the common Greek noun for knowledge ( γνῶσις, ''gnōsis'', f.). The term was used among various Hellenistic religions and philosophies in the Greco-Roman world. It is best known for its implication within Gnosticism, where it ...
, although this word may be a reference to the abstract concept of knowledge. Mosaics are a significant element of surviving
Macedonian Macedonian most often refers to someone or something from or related to Macedonia. Macedonian(s) may specifically refer to: People Modern * Macedonians (ethnic group), a nation and a South Slavic ethnic group primarily associated with North Ma ...
art, with a large number of examples preserved in the ruins of
Pella Pella ( el, Πέλλα) is an ancient city located in Central Macedonia, Greece. It is best-known for serving as the capital city of the ancient Greek kingdom of Macedon, and was the birthplace of Alexander the Great. On site of the ancient cit ...
, the ancient Macedonian capital, in today's
Central Macedonia Central Macedonia ( el, Κεντρική Μακεδονία, Kentrikí Makedonía, ) is one of the thirteen administrative regions of Greece, consisting of the central part of the geographical and historical region of Macedonia. With a populat ...
. Mosaics such as the "Stag Hunt Mosaic and Lion Hunt" mosaic demonstrate illusionist and three dimensional qualities generally found in Hellenistic paintings, although the rustic Macedonian pursuit of hunting is markedly more pronounced than other themes. The 2nd-century-BC mosaics of
Delos The island of Delos (; el, Δήλος ; Attic: , Doric: ), near Mykonos, near the centre of the Cyclades archipelago, is one of the most important mythological, historical, and archaeological sites in Greece. The excavations in the island ar ...
, Greece were judged by
François Chamoux François Chamoux (4 April 1915 – 21 October 2007) was a French Hellenist and archaeologist, a member of the Académie des inscriptions et belles-lettres.Where he was elected in 1981 to replace André Parrot. Biography Chamoux attended lyc ...
as representing the pinnacle of Hellenistic mosaic art, with similar styles that continued throughout the
Roman period The Roman Empire ( la, Imperium Romanum ; grc-gre, Βασιλεία τῶν Ῥωμαίων, Basileía tôn Rhōmaíōn) was the post- Republican period of ancient Rome. As a polity, it included large territorial holdings around the Mediter ...
and perhaps laid the foundations for the widespread use of mosaics in the
Western world The Western world, also known as the West, primarily refers to the various nations and states in the regions of Europe, North America, and Oceania.
through to the
Middle Ages In the history of Europe, the Middle Ages or medieval period lasted approximately from the late 5th to the late 15th centuries, similar to the post-classical period of global history. It began with the fall of the Western Roman Empire ...
. File:The Abduction of Persephone by Pluto, Amphipolis.jpg, A
mosaic A mosaic is a pattern or image made of small regular or irregular pieces of colored stone, glass or ceramic, held in place by plaster/mortar, and covering a surface. Mosaics are often used as floor and wall decoration, and were particularly pop ...
of the Kasta Tomb in
Amphipolis Amphipolis ( ell, Αμφίπολη, translit=Amfipoli; grc, Ἀμφίπολις, translit=Amphipolis) is a municipality in the Serres regional unit, Macedonia, Greece. The seat of the municipality is Rodolivos. It was an important ancient Gr ...
depicting the abduction of
Persephone In ancient Greek mythology and religion, Persephone ( ; gr, Περσεφόνη, Persephónē), also called Kore or Cora ( ; gr, Κόρη, Kórē, the maiden), is the daughter of Zeus and Demeter. She became the queen of the underworld aft ...
by
Pluto Pluto (minor-planet designation: 134340 Pluto) is a dwarf planet in the Kuiper belt, a ring of trans-Neptunian object, bodies beyond the orbit of Neptune. It is the ninth-largest and tenth-most-massive known object to directly orbit the S ...
, 4th century BC File:Central panel of the Abduction of Helen by Theseus Mosaic Floor, detail of the charioteer, from the House of the Abduction of Helen, (c. 300 BC), Ancient Pella (6913935544).jpg, Central panel of the Abduction of
Helen Helen may refer to: People * Helen of Troy, in Greek mythology, the most beautiful woman in the world * Helen (actress) (born 1938), Indian actress * Helen (given name), a given name (including a list of people with the name) Places * Helen, ...
by
Theseus Theseus (, ; grc-gre, Θησεύς ) was the mythical king and founder-hero of Athens. The myths surrounding Theseus his journeys, exploits, and friends have provided material for fiction throughout the ages. Theseus is sometimes describ ...
, floor
mosaic A mosaic is a pattern or image made of small regular or irregular pieces of colored stone, glass or ceramic, held in place by plaster/mortar, and covering a surface. Mosaics are often used as floor and wall decoration, and were particularly pop ...
, detail of the
chariot A chariot is a type of cart driven by a charioteer, usually using horses to provide rapid motive power. The oldest known chariots have been found in burials of the Sintashta culture in modern-day Chelyabinsk Oblast, Russia, dated to c. 2000&n ...
eer, from the House of the Abduction of Helen, (c. 300 BC), ancient
Pella Pella ( el, Πέλλα) is an ancient city located in Central Macedonia, Greece. It is best-known for serving as the capital city of the ancient Greek kingdom of Macedon, and was the birthplace of Alexander the Great. On site of the ancient cit ...
File:Lion hunt mosaic from Pella.jpg,
Alexander the Great Alexander III of Macedon ( grc, Ἀλέξανδρος, Alexandros; 20/21 July 356 BC – 10/11 June 323 BC), commonly known as Alexander the Great, was a king of the ancient Greek kingdom of Macedon. He succeeded his father Philip II to ...
(left), wearing a '' kausia'' and fighting an
Asiatic lion The Asiatic lion is a population of '' Panthera leo leo'' that today survives in the wild only in India. Since the turn of the 20th century, its range has been restricted to Gir National Park and the surrounding areas in the Indian state of Gujar ...
with his friend
Craterus Craterus or Krateros ( el, Κρατερός; c. 370 BC – 321 BC) was a Macedonian general under Alexander the Great and one of the Diadochi. Throughout his life he was a loyal royalist and supporter of Alexander the Great.Anson, Edward M. (20 ...
(detail); late 4th-century BC
mosaic A mosaic is a pattern or image made of small regular or irregular pieces of colored stone, glass or ceramic, held in place by plaster/mortar, and covering a surface. Mosaics are often used as floor and wall decoration, and were particularly pop ...
from
Pella Pella ( el, Πέλλα) is an ancient city located in Central Macedonia, Greece. It is best-known for serving as the capital city of the ancient Greek kingdom of Macedon, and was the birthplace of Alexander the Great. On site of the ancient cit ...
File:Palazzo dei gran maestri di rodi, sala del cavalluccio, mosaico della ninfa sull'ippocampo, da kos, periodo romano, 02.JPG,
Mosaic A mosaic is a pattern or image made of small regular or irregular pieces of colored stone, glass or ceramic, held in place by plaster/mortar, and covering a surface. Mosaics are often used as floor and wall decoration, and were particularly pop ...
of a
nymph A nymph ( grc, νύμφη, nýmphē, el, script=Latn, nímfi, label=Modern Greek; , ) in ancient Greek folklore is a minor female nature deity. Different from Greek goddesses, nymphs are generally regarded as personifications of nature, are ...
from the Palace of the Grand Master of the Knights of Rhodes, 2nd century BC File:Delos Museum Mosaik Dionysos 06.jpg, The winged god
Dionysus In ancient Greek religion and Greek mythology, myth, Dionysus (; grc, wikt:Διόνυσος, Διόνυσος ) is the god of the grape-harvest, winemaking, orchards and fruit, vegetation, fertility, insanity, ritual madness, religious ecstas ...
riding a tiger, from the House of Dionysus in
Delos The island of Delos (; el, Δήλος ; Attic: , Doric: ), near Mykonos, near the centre of the Cyclades archipelago, is one of the most important mythological, historical, and archaeological sites in Greece. The excavations in the island ar ...
, Greece, 2nd century BC File:Hellenistic mosaic floor panel of an Alexandrine parakeet from Pergamon, 2nd century BC, Pergamon Museum (8408107096).jpg, Detail of floor panel with
Alexandrine parakeet The Alexandrine parakeet (''Psittacula eupatria''), also known as the Alexandrine parrot, is a medium-sized parrot in the genus Psittacula of the family Psittaculidae. It is named after Alexander the Great, who transported numerous birds fro ...
,
Pergamon Pergamon or Pergamum ( or ; grc-gre, Πέργαμον), also referred to by its modern Greek form Pergamos (), was a rich and powerful ancient Greek city in Mysia. It is located from the modern coastline of the Aegean Sea on a promontory on th ...
modern
Turkey Turkey ( tr, Türkiye ), officially the Republic of Türkiye ( tr, Türkiye Cumhuriyeti, links=no ), is a transcontinental country located mainly on the Anatolian Peninsula in Western Asia, with a small portion on the Balkan Peninsula ...
, middle 2nd century BC (reigns of
Eumenes II Eumenes II Soter (; grc-gre, Εὐμένης Σωτήρ; ruled 197–159 BC) was a ruler of Pergamon, and a son of Attalus I Soter and queen Apollonis and a member of the Attalid dynasty of Pergamon. Biography The eldest son of king Attalus ...
and
Attalus II Attalus II Philadelphus ( Greek: Ἄτταλος Β΄ ὁ Φιλάδελφος, ''Attalos II Philadelphos'', which means "Attalus the brother-loving"; 220–138 BC) was a Greek King of Pergamon and the founder of the city of Attalia (Antal ...
) File:Ptolemaic roundel from a mosaic floor decorated with a dog and a gilded askos, from Alexandria, Egypt, c. 200-150 BC.jpg, Ptolemaic mosaic of a dog and ''askos'' wine vessel from Hellenistic Egypt, dated 200-150 BC File:Mosaic of Berenice II, Ptolemaic Queen and joint ruler with Ptolemy III of Egypt, Thmuis, Egypt.jpg, Hellenistic mosaic from
Thmuis Thmuis (; Greek: ; ar, Tell El-Timai) was a city in Lower Egypt, located on the canal east of the Nile, between its Tanitic and Mendesian branches. Its ruins are near the modern city of Timayy al-Imdid. History During the Ptolemaic period, ...
(
Mendes Mendes ( grc-gre, Μένδης, '' gen''.: ), the Greek name of the ancient Egyptian city of Djedet, also known in ancient Egypt as Per-Banebdjedet ("The Domain of the Ram Lord of Djedet") and Anpet, is known today as Tell El-Ruba ( ar, تل ا ...
), Egypt, signed by Sophilos c. 200 BC; Ptolemaic Queen
Berenice II Berenice II Euergetis (267 or 266 BC – 221 BC; , '' Berenikē Euergetis'', "Berenice the Benefactress") was queen regnant of Cyrenaica from 258 BC to 246 BC and co-regent queen of Ptolemaic Egypt from 246 BC to 222 BC as the wife of Ptolemy III. ...
(joint ruler with her husband
Ptolemy III , predecessor = Ptolemy II , successor = Ptolemy IV , nebty = ''ḳn nḏtj-nṯrw jnb-mnḫ-n-tꜢmrj'Qen nedjtinetjeru inebmenekhentamery''The brave one who has protected the gods, a potent wall for The Beloved Land , nebty_hier ...
) as the personification of Alexandria.


Engraved gems

The
engraved gem An engraved gem, frequently referred to as an intaglio, is a small and usually semi-precious gemstone that has been carved, in the Western tradition normally with images or inscriptions only on one face. The engraving of gemstones was a major lux ...
was a luxury art with high prestige;
Pompey Gnaeus Pompeius Magnus (; 29 September 106 BC – 28 September 48 BC), known in English as Pompey or Pompey the Great, was a leading Roman general and statesman. He played a significant role in the transformation of ...
and
Julius Caesar Gaius Julius Caesar (; ; 12 July 100 BC – 15 March 44 BC), was a Roman general and statesman. A member of the First Triumvirate, Caesar led the Roman armies in the Gallic Wars before defeating his political rival Pompey in a civil war, an ...
were among later collectors. The technique has an ancient tradition in the
Near East The ''Near East''; he, המזרח הקרוב; arc, ܕܢܚܐ ܩܪܒ; fa, خاور نزدیک, Xāvar-e nazdik; tr, Yakın Doğu is a geographical term which roughly encompasses a transcontinental region in Western Asia, that was once the hist ...
, and
cylinder seal A cylinder seal is a small round cylinder, typically about one inch (2 to 3 cm) in length, engraved with written characters or figurative scenes or both, used in ancient times to roll an impression onto a two-dimensional surface, generally ...
s, whose design only appears when rolled over damp clay, from which the flat ring type developed, spread to the Minoan world, including parts of
Greece Greece,, or , romanized: ', officially the Hellenic Republic, is a country in Southeast Europe. It is situated on the southern tip of the Balkans, and is located at the crossroads of Europe, Asia, and Africa. Greece shares land borders wi ...
and
Cyprus Cyprus ; tr, Kıbrıs (), officially the Republic of Cyprus,, , lit: Republic of Cyprus is an island country located south of the Anatolian Peninsula in the eastern Mediterranean Sea. Its continental position is disputed; while it is ...
. The Greek tradition emerged under Minoan influence on mainland
Helladic Helladic chronology is a relative dating system used in archaeology and art history. It complements the Minoan chronology scheme devised by Sir Arthur Evans for the categorisation of Bronze Age artefacts from the Minoan civilization within a h ...
culture, and reached an apogee of subtlety and refinement in the Hellenistic period. Round or oval Greek gems (along with similar objects in bone and ivory) are found from the 8th and 7th centuries BC, usually with animals in energetic geometric poses, often with a border marked by dots or a rim. Early examples are mostly in softer stones. Gems of the 6th century are more often oval, with a scarab back (in the past this type was called a "scarabaeus"), and human or divine figures as well as animals; the scarab form was apparently adopted from
Phoenicia Phoenicia () was an ancient thalassocratic civilization originating in the Levant region of the eastern Mediterranean, primarily located in modern Lebanon. The territory of the Phoenician city-states extended and shrank throughout their his ...
. The forms are sophisticated for the period, despite the usually small size of the gems. In the 5th century gems became somewhat larger, but still only 2–3 centimetres tall. Despite this, very fine detail is shown, including the eyelashes on one male head, perhaps a portrait. Four gems signed by Dexamenos of
Chios Chios (; el, Χίος, Chíos , traditionally known as Scio in English) is the fifth largest Greek island, situated in the northern Aegean Sea. The island is separated from Turkey by the Chios Strait. Chios is notable for its exports of mast ...
are the finest of the period, two showing
heron The herons are long-legged, long-necked, freshwater and coastal birds in the family Ardeidae, with 72 recognised species, some of which are referred to as egrets or bitterns rather than herons. Members of the genera ''Botaurus'' and ''Ixobrychu ...
s. Relief carving became common in 5th century BC Greece, and gradually most of the spectacular carved gems were in relief. Generally a relief image is more impressive than an intaglio one; in the earlier form the recipient of a document saw this in the impressed sealing wax, while in the later reliefs it was the owner of the seal who kept it for himself, probably marking the emergence of gems meant to be collected or worn as
jewellery Jewellery ( UK) or jewelry ( U.S.) consists of decorative items worn for personal adornment, such as brooches, rings, necklaces, earrings, pendants, bracelets, and cufflinks. Jewellery may be attached to the body or the clothes. From a w ...
pendant A pendant is a loose-hanging piece of jewellery, generally attached by a small loop to a necklace, which may be known as a "pendant necklace". A pendant earring is an earring with a piece hanging down. Its name stems from the Latin word ' ...
s in necklaces and the like, rather than used as seals – later ones are sometimes rather large to use to seal letters. However inscriptions are usually still in reverse ("mirror-writing") so they only read correctly on impressions (or by viewing from behind with transparent stones). This aspect also partly explains the collecting of impressions in plaster or wax from gems, which may be easier to appreciate than the original. Larger
hardstone carving Hardstone carving is a general term in art history and archaeology for the artistic carving of predominantly semi-precious stones (but also of gemstones), such as jade, rock crystal (clear quartz), agate, onyx, jasper, serpentinite, or carn ...
s and cameos, which are rare in intaglio form, seem to have reached Greece around the 3rd century; the Farnese Tazza is the only major surviving Hellenistic example (depending on the dates assigned to the
Gonzaga Cameo The Gonzaga Cameo is a Hellenistic engraved gem; a cameo of the ''capita jugata'' variety cut out from the three layers of an Indian sardonyx, dating from perhaps the 3rd century BC.
and the
Cup of the Ptolemies The Cup of the Ptolemies (French: ''Coupe des Ptolémées''), also known as the Cup of Saint Denis, is an onyx cameo two-handled cup, or ''kantharos''. The cup, decorated with Dionysiac vignettes and emblems, was carved at some point in Class ...
), but other glass-paste imitations with portraits suggest that gem-type cameos were made in this period. The conquests of Alexander had opened up new trade routes to the Greek world and increased the range of gemstones available.


Ornament

The synthesis in the Archaic period of the native repertoire of simple geometric motifs with imported, mostly plant-based, motifs from further east created a sizeable vocabulary of ornament, which artists and craftsmen used with confidence and fluency. Today this vocabulary is seen above all in the large corpus of painted pottery, as well as in architectural remains, but it would have originally been used in a wide range of media, as a later version of it is used in European
Neoclassicism Neoclassicism (also spelled Neo-classicism) was a Western cultural movement in the decorative and visual arts, literature, theatre, music, and architecture that drew inspiration from the art and culture of classical antiquity. Neoclassicism ...
. Elements in this vocabulary include the geometrical
meander A meander is one of a series of regular sinuous curves in the channel of a river or other watercourse. It is produced as a watercourse erodes the sediments of an outer, concave bank ( cut bank) and deposits sediments on an inner, convex ban ...
or "Greek key",
egg-and-dart Egg-and-dart, also known as egg-and-tongue, egg-and-anchor, or egg-and-star, is an ornamental device adorning the fundamental quarter-round, convex ovolo profile of moulding, consisting of alternating details on the face of the ovolo—typicall ...
,
bead and reel Bead and reel is an architectural motif, usually found in sculptures, moldings and numismatics. It consists in a thin line where beadlike elements alternate with cylindrical ones. It is found throughout the modern Western world in architectural d ...
,
Vitruvian scroll The Vitruvian scroll is a scroll pattern used in architectural moldings and borders in other media. It is also known as the Vitruvian wave, wave scroll, or running dog pattern. The pattern resembles waves in water or a series of parchment scrol ...
, guilloche, and from the plant world the stylized acanthus leaves,
volute A volute is a spiral, scroll-like ornament that forms the basis of the Ionic order, found in the capital of the Ionic column. It was later incorporated into Corinthian order and Composite column capitals. Four are normally to be found on an Ion ...
,
palmette The palmette is a motif in decorative art which, in its most characteristic expression, resembles the fan-shaped leaves of a palm tree. It has a far-reaching history, originating in ancient Egypt with a subsequent development through the art ...
and half-palmette, plant scrolls of various kinds, rosette,
lotus flower ''Nelumbo nucifera'', also known as sacred lotus, Laxmi lotus, Indian lotus, or simply lotus, is one of two extant species of aquatic plant in the family Nelumbonaceae. It is sometimes colloquially called a water lily, though this more often re ...
, and papyrus flower. Originally used prominently on Archaic vases, as figurative painting developed these were usually relegated to serve as borders demarcating edges of the vase or different zones of decoration. Greek architecture was notable for developing sophisticated conventions for using mouldings and other architectural ornamental elements, which used these motifs in a harmoniously integrated whole. Even before the Classical period, this vocabulary had influenced Celtic art, and the expansion of the Greek world after Alexander, and the export of Greek objects still further afield, exposed much of
Eurasia Eurasia (, ) is the largest continental area on Earth, comprising all of Europe and Asia. Primarily in the Northern and Eastern Hemispheres, it spans from the British Isles and the Iberian Peninsula in the west to the Japanese archipelag ...
to it, including the regions in the north of the Indian subcontinent where Buddhism was expanding, and creating
Greco-Buddhist art The Greco-Buddhist art or Gandhara art of the north Indian subcontinent is the artistic manifestation of Greco-Buddhism, a cultural syncretism between Ancient Greek art and Buddhism. It had mainly evolved in the ancient region of Gandhara. The ...
. As Buddhism spread across
Central Asia Central Asia, also known as Middle Asia, is a region of Asia that stretches from the Caspian Sea in the west to western China and Mongolia in the east, and from Afghanistan and Iran in the south to Russia in the north. It includes the fo ...
to China and the rest of
East Asia East Asia is the eastern region of Asia, which is defined in both geographical and ethno-cultural terms. The modern states of East Asia include China, Japan, Mongolia, North Korea, South Korea, and Taiwan. China, North Korea, South Korea ...
, in a form that made great use of religious art, versions of this vocabulary were taken with it and used to surround images of buddhas and other religious images, often with a size and emphasis that would have seemed excessive to the ancient Greeks. The vocabulary was absorbed into the ornament of India, China, Persia and other Asian countries, as well as developing further in
Byzantine art Byzantine art comprises the body of Christian Greek artistic products of the Eastern Roman Empire, as well as the nations and states that inherited culturally from the empire. Though the empire itself emerged from the decline of Rome and lasted u ...
. The Romans took over the vocabulary more or less in its entirety, and although much altered, it can be traced throughout European
medieval art The medieval art of the Western world covers a vast scope of time and place, over 1000 years of art in Europe, and at certain periods in Western Asia and Northern Africa. It includes major art movements and periods, national and regional art, ge ...
, especially in plant-based ornament.
Islamic art Islamic art is a part of Islamic culture and encompasses the visual arts produced since the 7th century CE by people who lived within territories inhabited or ruled by Muslim populations. Referring to characteristic traditions across a wide ra ...
, where ornament largely replaces figuration, developed the Byzantine plant scroll into the full, endless
arabesque The arabesque is a form of artistic decoration consisting of "surface decorations based on rhythmic linear patterns of scrolling and interlacing foliage, tendrils" or plain lines, often combined with other elements. Another definition is "Foli ...
, and especially from the
Mongol conquests The Mongol invasions and conquests took place during the 13th and 14th centuries, creating history's largest contiguous empire: the Mongol Empire ( 1206-1368), which by 1300 covered large parts of Eurasia. Historians regard the Mongol devastatio ...
of the 14th century received new influences from China, including the descendants of the Greek vocabulary. From the Renaissance onwards, several of these Asian styles were represented on textiles,
porcelain Porcelain () is a ceramic material made by heating substances, generally including materials such as kaolinite, in a kiln to temperatures between . The strength and translucence of porcelain, relative to other types of pottery, arises main ...
and other goods imported into Europe, and influenced ornament there, a process that still continues.


Other arts

Although glass was made in Cyprus by the 9th century BC, and was considerably developed by the end of the period, there are only a few survivals of glasswork from before the Greco-Roman period that show the artistic quality of the best work. Most survivals are small perfume bottles, in fancy coloured "feathered" styles similar to other Mediterranean glass.
Hellenistic glass Hellenistic glass was glass produced during the Hellenistic period, from the conquests of Alexander the Great (356-323 BC) to the expansion of the Roman Empire (second half of the 1st century BC - 476) in the Mediterranean, Europe, western Asia a ...
became cheaper and accessible to a wider population. No Greek furniture has survived, but there are many images of it on vases and memorial reliefs, for example that to Hegeso. It was evidently often very elegant, as were the styles derived from it from the 18th century onwards. Some pieces of carved ivory that were used as inlays have survived, as at Vergina, and a few ivory carvings; this was a luxury art that could be of very fine quality. It is clear from vase paintings that the Greeks often wore elaborately patterned clothes, and skill at weaving was the mark of the respectable woman. Two luxurious pieces of cloth survive, from the tomb of
Philip of Macedon Philip II of Macedon ( grc-gre, Φίλιππος ; 382 – 21 October 336 BC) was the king (''basileus'') of the ancient kingdom of Macedonia from 359 BC until his death in 336 BC. He was a member of the Argead dynasty, founders of the a ...
. There are numerous references to decorative hangings for both homes and temples, but none of these have survived.


Diffusion and legacy

Ancient Greek art has exercised considerable influence on the culture of many countries all over the world, above all in its treatment of the human figure. In the West Greek architecture was also hugely influential, and in both East and West the influence of Greek decoration can be traced to the modern day. Etruscan and
Roman art The art of Ancient Rome, and the territories of its Republic and later Empire, includes architecture, painting, sculpture and mosaic work. Luxury objects in metal-work, gem engraving, ivory carvings, and glass are sometimes considered to be min ...
were largely and directly derived from Greek models, and Greek objects and influence reached into
Celtic art Celtic art is associated with the peoples known as Celts; those who spoke the Celtic languages in Europe from pre-history through to the modern period, as well as the art of ancient peoples whose language is uncertain, but have cultural and styli ...
north of the Alps, as well as all around the Mediterranean world and into Persia. In the East,
Alexander the Great Alexander III of Macedon ( grc, Ἀλέξανδρος, Alexandros; 20/21 July 356 BC – 10/11 June 323 BC), commonly known as Alexander the Great, was a king of the ancient Greek kingdom of Macedon. He succeeded his father Philip II to ...
's conquests initiated several centuries of exchange between Greek, Central Asian and Indian cultures, which was greatly aided by the spread of
Buddhism Buddhism ( , ), also known as Buddha Dharma and Dharmavinaya (), is an Indian religion or philosophical tradition based on teachings attributed to the Buddha. It originated in northern India as a -movement in the 5th century BCE, and ...
, which early on picked up many Greek traits and motifs in
Greco-Buddhist art The Greco-Buddhist art or Gandhara art of the north Indian subcontinent is the artistic manifestation of Greco-Buddhism, a cultural syncretism between Ancient Greek art and Buddhism. It had mainly evolved in the ancient region of Gandhara. The ...
, which were then transmitted as part of a cultural package to
East Asia East Asia is the eastern region of Asia, which is defined in both geographical and ethno-cultural terms. The modern states of East Asia include China, Japan, Mongolia, North Korea, South Korea, and Taiwan. China, North Korea, South Korea ...
, even as far as
Japan Japan ( ja, 日本, or , and formally , ''Nihonkoku'') is an island country in East Asia. It is situated in the northwest Pacific Ocean, and is bordered on the west by the Sea of Japan, while extending from the Sea of Okhotsk in the n ...
, among artists who were no doubt completely unaware of the origin of the motifs and styles they used. Following the
Renaissance The Renaissance ( , ) , from , with the same meanings. is a period in European history marking the transition from the Middle Ages to modernity and covering the 15th and 16th centuries, characterized by an effort to revive and surpass ide ...
in Europe, the
humanist Humanism is a philosophical stance that emphasizes the individual and social potential and agency of human beings. It considers human beings the starting point for serious moral and philosophical inquiry. The meaning of the term "human ...
aesthetic and the high technical standards of Greek art inspired generations of European artists, with a major revival in the movement of
Neoclassicism Neoclassicism (also spelled Neo-classicism) was a Western cultural movement in the decorative and visual arts, literature, theatre, music, and architecture that drew inspiration from the art and culture of classical antiquity. Neoclassicism ...
which began in the mid-18th century, coinciding with easier access from Western Europe to Greece itself, and a renewed importation of Greek originals, most notoriously the
Elgin Marbles The Elgin Marbles (), also known as the Parthenon Marbles ( el, Γλυπτά του Παρθενώνα, lit. "sculptures of the Parthenon"), are a collection of Classical Greece, Classical Greek marble sculptures made under the supervision of th ...
from the Parthenon. Well into the 19th century, the
classical tradition The Western classical tradition is the reception of classical Greco-Roman antiquity by later cultures, especially the post-classical West, involving texts, imagery, objects, ideas, institutions, monuments, architecture, cultural artifacts, ritu ...
derived from Greece dominated the art of the western world.


Historiography

The Hellenized Roman upper classes of the Late Republic and Early Empire generally accepted Greek superiority in the arts without many quibbles, though the praise of Pliny for the sculpture and painting of pre-Hellenistic artists may be based on earlier Greek writings rather than much personal knowledge. Pliny and other classical authors were known in the Renaissance, and this assumption of Greek superiority was again generally accepted. However critics in the Renaissance and much later were unclear which works were actually Greek. As a part of the
Ottoman Empire The Ottoman Empire, * ; is an archaic version. The definite article forms and were synonymous * and el, Оθωμανική Αυτοκρατορία, Othōmanikē Avtokratoria, label=none * info page on book at Martin Luther University ...
, Greece itself could only be reached by a very few western Europeans until the mid-18th century. Not only the Greek vases found in the Etruscan cemeteries, but also (more controversially) the Greek temples of Paestum were taken to be Etruscan, or otherwise Italic, until the late 18th century and beyond, a misconception prolonged by Italian nationalist sentiment. The writings of
Johann Joachim Winckelmann Johann Joachim Winckelmann (; ; 9 December 17178 June 1768) was a German art historian and archaeologist. He was a pioneering Hellenist who first articulated the differences between Greek, Greco-Roman and Roman art. "The prophet and foundin ...
, especially his books ''Thoughts on the Imitation of Greek Works in Painting and Sculpture'' (1750) and ''Geschichte der Kunst des Alterthums'' ("History of Ancient Art", 1764) were the first to distinguish sharply between ancient Greek, Etruscan, and Roman art, and define periods within Greek art, tracing a trajectory from growth to maturity and then imitation or decadence that continues to have influence to the present day. The full disentangling of Greek statues from their later Roman copies, and a better understanding of the balance between Greekness and Roman-ness in Greco-Roman art was to take much longer, and perhaps still continues. Greek art, especially sculpture, continued to enjoy an enormous reputation, and studying and copying it was a large part of the training of artists, until the downfall of
Academic art Academic art, or academicism or academism, is a style of painting and sculpture produced under the influence of European academies of art. Specifically, academic art is the art and artists influenced by the standards of the French Académie ...
in the late 19th century. During this period, the actual known corpus of Greek art, and to a lesser extent architecture, has greatly expanded. The study of vases developed an enormous literature in the late 19th and 20th centuries, much based on the identification of the hands of individual artists, with Sir
John Beazley Sir John Davidson Beazley, (; 13 September 1885 – 6 May 1970) was a British classical archaeologist and art historian, known for his classification of Attic vases by artistic style. He was Professor of Classical Archaeology and Art at the Un ...
the leading figure. This literature generally assumed that vase-painting represented the development of an independent medium, only in general terms drawing from stylistic development in other artistic media. This assumption has been increasingly challenged in recent decades, and some scholars now see it as a secondary medium, largely representing cheap copies of now lost metalwork, and much of it made, not for ordinary use, but to deposit in burials.See Rasmussen, "Adopting an Approach", by Martin Robertson and Mary Beard, also the preface to ''Ancient Greek Pottery'' (Ashmolean Handbooks) by Michael Vickers (1991)


See also

* Dionysian art *
Death in ancient Greek art The theme of death within ancient Greek art has continued from the Early Bronze Age all the way through to the Hellenistic period. The Greeks used architecture, pottery, and funerary objects as different mediums through which to portray death. Th ...
* Parthian art *
List of ancient Greek temples This list of ancient Greek temples covers temples built by the Hellenic people from the 6th century BC until the 2nd century AD on mainland Greece and in Hellenic towns in the Aegean Islands, Asia Minor, Sicily and Italy ("Magna Graecia"), wher ...
*
National Archaeological Museum of Athens The National Archaeological Museum ( el, Εθνικό Αρχαιολογικό Μουσείο) in Athens houses some of the most important artifacts from a variety of archaeological locations around Greece from prehistory to late antiquity. It is ...
*
Classical architecture Classical architecture usually denotes architecture which is more or less consciously derived from the principles of Greek and Roman architecture of classical antiquity, or sometimes even more specifically, from the works of the Roman architect ...


Notes


References

* "Beazley" The Classical Art Research Centre, Oxford University
Beazley Archive
– Extensive website on classical gems; page titles used as references * Boardman, John ed., ''The Oxford History of Classical Art'',
Oxford University Press Oxford University Press (OUP) is the university press of the University of Oxford. It is the largest university press in the world, and its printing history dates back to the 1480s. Having been officially granted the legal right to print book ...
, 1993, * Burnett, Andrew, ''Coins; Interpreting the Past'', University of California/British Museum, 1991, * Chamoux, Françios, ''Hellenistic Civilization'', translated by Michel Roussel, Oxford: Blackwell Publishing, 2002
981 Year 981 ( CMLXXXI) was a common year starting on Saturday (link will display the full calendar) of the Julian calendar. Events Births * Abu'l-Qasim al-Husayn ibn Ali al-Maghribi, Arab statesman (d. 1027) * Giovanni Orseolo, Venetian ...
. * Cohen, Ada, ''Art in the Era of Alexander the Great: Paradigms of Manhood and Their Cultural Traditions'', New York: Cambridge University Press, 2010, * Cook, R.M., ''Greek Art'', Penguin, 1986 (reprint of 1972), * Dunbabin, Katherine, M. D., ''Mosaics of the Greek and Roman World'', Cambridge:
Cambridge University Press Cambridge University Press is the university press of the University of Cambridge. Granted letters patent by King Henry VIII in 1534, it is the oldest university press in the world. It is also the King's Printer. Cambridge University Pr ...
, 1999, * Hardiman, Craig I., (2010). "Classical Art to 221 BC", In Roisman, Joseph; Worthington, Ian, ''A Companion to Ancient Macedonia'', Oxford: Wiley-Blackwell, 2010, . * Honour, Hugh, ''Neo-classicism. Style and Civilisation'' 1968 (reprinted 1977), Penguin * Howgego, Christopher, ''Ancient History from Coins'', Routledge, 1995, * Karouzou, Semni, ''National Museum : Illustrated Guide to the Museum'' (NM of Athens), 1980, Ekdotike Athenon S.A., (later edition) * Rasmussen, Tom, Spivey, Nigel, eds., ''Looking at Greek Vases'', 1991, Cambridge University Press,
google books
* Rawson, Jessica, ''Chinese Ornament: The Lotus and the Dragon'', 1984, British Museum Publications, * Smith, R.R.R., ''Hellenistic Sculpture, a handbook'', Thames & Hudson, 1991, * Williams, Dyfri. ''Masterpieces of Classical Art'', 2009, British Museum Press, * Woodford, Susan, ''An Introduction To Greek Art'', 1986, Duckworth, * ''Greece: From Mycenae to the Parthenon'', Henri Stierlin,
TASCHEN Taschen is a luxury art book publisher founded in 1980 by Benedikt Taschen in Cologne, Germany. As of January 2017, Taschen is co-managed by Benedikt and his eldest daughter, Marlene Taschen. History The company began as Taschen Comics, ...
, 2004


Further reading

* *Betancourt, Philip P. ''Introduction to Aegean Art''. Philadelphia: INSTAP Academic Press, 2007. *Burn, Lucilla. ''Hellenistic Art: From Alexander the Great to Augustus''. Los Angeles: J. Paul Getty Museum, 2004. *Coldstream, J. N. ''Geometric Greece: 900-700 BC''. 2nd ed. London: Routledge, 2003. *Jenkins, Ian, Celeste Farge, and Victoria Turner. ''Defining Beauty: The Body In Ancient Greek Art''. London: British Museum, 2015. *Langdon, Susan Helen. ''Art and Identity In Dark Age Greece, 1100--700 B.C.E.'' Cambridge: Cambridge University Press, 2008. *Ling, Roger. ''Making Classical Art: Process & Practice''. Stroud, Gloucestershire: Tempus, 2000. *Moon, Warren G. ''Ancient Greek Art and Iconography''. Madison: University of Wisconsin Press, 1983. *Pedley, John Griffiths. ''Greek Art and Archaeology''. 5th ed. Upper Saddle River, N.J.: Prentice Hall, 2012. *Plantzos, Dimitris. ''Hellenistic Engraved Gems''. Oxford: Clarendon Press, 1999. *Pollitt, J. J. ''Art In the Hellenistic Age''. Cambridge: Cambridge University Press, 1986. *--. ''Art and Experience In Classical Greece''. Cambridge: Cambridge University Press, 1972. *Smith, Tyler Jo, and Dimitris Plantzos. ''A Companion to Greek Art''. Somerset: Wiley, 2012. *Stewart, Andrew F. ''Classical Greece and the Birth of Western Art''. Cambridge: Cambridge University Press, 2008. *Yatromanolakis, Dimitrios. ''Epigraphy of Art: Ancient Greek Vase-Inscriptions and Vase-Paintings''. Oxford: Archaeopress, 2016.


External links


Greek Art History Resource


* {{DEFAULTSORT:Ancient Greek Art Greek art Arts in Greece ja:ギリシア美術