Ambushed From Ten Sides
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"Ambush from Ten Sides" () is a classical piece written for the
pipa The pipa, pípá, or p'i-p'a () is a traditional Chinese musical instrument, belonging to the plucked category of instruments. Sometimes called the "Chinese lute", the instrument has a pear-shaped wooden body with a varying number of frets rang ...
. "Ambush" is written in the "Wu" or martial style, and is about the
Battle of Gaixia The Battle of Gaixia was a last stand fought in December 203 BC during the Chu–Han Contention between the forces of Liu Bang (later Emperor Gaozu of Han) and Xiang Yu. The battle concluded with victory for Liu Bang, who proclaimed himself Emp ...
in 202 BC during which General
Xiang Yu Xiang Yu (, –202 BC), born Xiang Ji (), was the Hegemon-King (Chinese: 霸王, ''Bà Wáng'') of Western Chu during the Chu–Han Contention period (206–202 BC) of China. A noble of the Chu state, Xiang Yu rebelled against the Qin dynas ...
was defeated by
Liu Bang Emperor Gaozu of Han (256 – 1 June 195 BC), born Liu Bang () with courtesy name Ji (季), was the founder and first emperor of the Han dynasty, reigning in 202–195 BC. His temple name was "Taizu" while his posthumous name was Emper ...
. This is the same subject matter as " The King Doffs His Armor" (霸王卸甲), but is written from a different perspective. "Ambush from Ten Sides" is considered a masterpiece in Chinese classical music. The difficulty of the piece ensures that it is normally played by
virtuoso A virtuoso (from Italian ''virtuoso'' or , "virtuous", Late Latin ''virtuosus'', Latin ''virtus'', "virtue", "excellence" or "skill") is an individual who possesses outstanding talent and technical ability in a particular art or field such as ...
s.


Theme

This is a Chinese classical pipa music whose composition describes the decisive battle in 202 B.C. at Gaixia (southeast of today's Linbi County, Anhui Province) between the two armies of Chu and Han. This piece gives an overall view of the battle, while "The King Doffs His Armor" focused on Xiang Yu and his defeat. ''Ambush from Ten Sides'' provides a vivid depiction, in the form of musical narrative, of the fierce and stirring scenes of the battle and the desolate and solemn scenes of the defeated Xiang Yu, and ends with the triumph of the victor. A wide variety of performance techniques of ''pipa'' are brought into full play in this piece that produce a majestic and passionate narrative which is sharp in artistic image, exalting in melody, and ultimately thrilling.


Origin

An early treatment of this theme was a piece called "Chu Han" (楚漢) from the late Ming/early Qing period, described in ''Sizhao Tangji'' (四照堂集) by Wang Youding (王猷定, 1598-1662). It was noted as a particularly outstanding virtuoso performance by Tang Yingceng (湯應曾), and it is possible that this piece is an early version of "Ambush from Ten Sides". The actual piece of music with the title "Ambush from Ten Sides" first appeared in 1818 in the collection of lute music scores ''Nanbei Erpai Miben Pipapu Zhenzhuan'' (南北二派祕本琵琶譜真傳) compiled by Hua Qiuping from
Wuxi Wuxi (, ) is a city in southern Jiangsu province, eastern China, by car to the northwest of downtown Shanghai, between Changzhou and Suzhou. In 2017 it had a population of 3,542,319, with 6,553,000 living in the entire prefecture-level city ar ...
. A number of different versions appeared later; these may vary in the number of sections but they are consistent in their musical content.


Structure

"Ambush from All Sides" is in the form of multi-sectional ''da'' (large) category of traditional pipa composition. The currently popular music piece consists of a number of short sections, each with a generalized title. Different versions exist, and they may not all share the same sections. The beginning sections of the music focus on the description of the assembled army of the Han. The music in these sections is forceful and lively, with percussive sounds on pipa imitating drums and horns. The beat of drums gets gradually faster to depict the increasingly tense atmosphere before the onset of the battle. The main part of the music is played in a rapid manner, utilising a variety of pipa techniques to describe the furious battle between the armies of Chu and Han, such as flipping, sweeping, circular fingering, wringing, rolling, and halting. The last few sections of the music depict Xiang Yu's defeat, then his suicide beside the Wujiang River. The melody is mournful and tragic to reflect the desolation and sadness of Xiang Yu. Finally, the climax of the piece depicts the triumphant of the victor Liu Bang. Today "Ambush from All Sides" still remains one of the most popular ''pipa'' music pieces in China.


References

* http://www.cso.org/


External links


Performance of ''Ambush from Ten Sides''
by
Liu Fang Liu Fang  1974) is a Chinese–Canadian musician who is one of the most prominent '' pipa'' players in the world. Described in the media as the "empress of pipa" (''L'actualité''), "divine mediator" (World), "the greatest ambassadress of ...
{{Authority control Chinese traditional music Chu–Han Contention Qing dynasty art