Aïs (Xenakis)
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''Aïs'' is a composition for amplified baritone, solo percussion, and large orchestra by Greek composer Iannis Xenakis written in 1980.


Composition

The title ''Aïs'' comes from
Aidos Aidos or Aedos (;Greek: , ) was the Greek goddess of shame, modesty, respect, and humility. Aidos, as a quality, was that feeling of reverence or shame which restrains men from wrong. It also encompassed the emotion that a rich person might feel ...
, with which Xenakis references "the domain of the dead, he
Hades Hades (; grc-gre, ᾍδης, Háidēs; ), in the ancient Greek religion and myth, is the god of the dead and the king of the underworld, with which his name became synonymous. Hades was the eldest son of Cronus and Rhea, although this also ...
of the shadows". It was commissioned by Bayerischer Rundfunk and finished in 1980. It then premiered on February 13, 1981, at the Herkulessaal der Residenz, at the Musica Viva festival. Baritone Spyros Sakkas and percussionist
Sylvio Gualda Sylvio may refer to: *Sylvio Breleur (born 1978), French Guiana football player *Sylvio de Lellis (born 1923), the second son of the Baron Admiral Armando de Lellis *Sylvio Hoffmann Mazzi (born 1908), former Brazilian football player * Sylvio Lazza ...
gave the first performance with the
Symphonieorchester des Bayerischen Rundfunks The Bavarian Radio Symphony Orchestra (german: Symphonieorchester des Bayerischen Rundfunks, BRSO) is a German radio orchestra. Based in Munich, Germany, it is one of the city's four orchestras. The BRSO is one of two full-size symphony orchestr ...
, with conductor
Michel Tabachnik Michel Tabachnik (born November 10, 1942) is a Swiss conductor and composer with an international career. Promoter of contemporary music, he has premiered a dozen works by Iannis Xenakis, among others. He is also the author of essays on music ...
. It was then published by
Éditions Salabert Francis Salabert (born François-Joseph-Charles Salabert, 27 July 1884 – 28 December 1946) was an innovative and influential French music publisher, who was the head of Éditions Salabert in the first half of the twentieth century. Biography ...
in 1988.


Structure

''Aïs'' is a single-movement piece for amplified baritone, solo percussion, and large orchestra. The orchestra is made up of 96 musicians in total: four
flute The flute is a family of classical music instrument in the woodwind group. Like all woodwinds, flutes are aerophones, meaning they make sound by vibrating a column of air. However, unlike woodwind instruments with reeds, a flute is a reedless ...
s (fourth flute doubling
piccolo The piccolo ( ; Italian for 'small') is a half-size flute and a member of the woodwind family of musical instruments. Sometimes referred to as a "baby flute" the modern piccolo has similar fingerings as the standard transverse flute, but the so ...
), four oboes (fourth oboe doubling
cor anglais The cor anglais (, or original ; plural: ''cors anglais''), or English horn in North America, is a double-reed woodwind instrument in the oboe family. It is approximately one and a half times the length of an oboe, making it essentially an alto ...
, four
clarinet The clarinet is a musical instrument in the woodwind family. The instrument has a nearly cylindrical bore and a flared bell, and uses a single reed to produce sound. Clarinets comprise a family of instruments of differing sizes and pitches ...
s in B-flat (fourth clarinet doubling clarinet in E-flat), fourth
bassoon The bassoon is a woodwind instrument in the double reed family, which plays in the tenor and bass ranges. It is composed of six pieces, and is usually made of wood. It is known for its distinctive tone color, wide range, versatility, and virtuo ...
s (fourth bassoon doubling
contrabassoon The contrabassoon, also known as the double bassoon, is a larger version of the bassoon, sounding an octave lower. Its technique is similar to its smaller cousin, with a few notable differences. Differences from the bassoon The reed is consi ...
), four French horns in F, four trumpets in C, four trombones, a tuba, a percussion section made up of twelve hanging
cymbal A cymbal is a common percussion instrument. Often used in pairs, cymbals consist of thin, normally round plates of various alloys. The majority of cymbals are of indefinite pitch, although small disc-shaped cymbals based on ancient designs soun ...
s, four bongos, eight tom-toms, and two
bass drum The bass drum is a large drum that produces a note of low definite or indefinite pitch. The instrument is typically cylindrical, with the drum's diameter much greater than the drum's depth, with a struck head at both ends of the cylinder. Th ...
s, a piano, and a large string section, made up of sixteen first violins, fourteen second violins, twelve violas, ten cellos, and eight double basses. The percussion solo part plays a set of skins made up of a series of bongos, a tumba, three tom-tom, and a very deep bass drum, a
glockenspiel The glockenspiel ( or , : bells and : set) or bells is a percussion instrument consisting of pitched aluminum or steel bars arranged in a keyboard layout. This makes the glockenspiel a type of metallophone, similar to the vibraphone. The glo ...
, timpani, and two wood blocks. The text used in ''Aïs'' is taken from three sources: Homer's '' Odyssey'', chant XI, verses 36—37 and 205–208, where
Ulysses Ulysses is one form of the Roman name for Odysseus, a hero in ancient Greek literature. Ulysses may also refer to: People * Ulysses (given name), including a list of people with this name Places in the United States * Ulysses, Kansas * Ulysse ...
visits the land of the dead;
Sappho Sappho (; el, Σαπφώ ''Sapphō'' ; Aeolic Greek ''Psápphō''; c. 630 – c. 570 BC) was an Archaic Greek poet from Eresos or Mytilene on the island of Lesbos. Sappho is known for her Greek lyric, lyric poetry, written to be sung while ...
's fragment 95, where the writer mixes the desire to live with a nostalgia for death; and, finally, the '' Iliad'', where the author recounts
Patroclus In Greek mythology, as recorded in Homer's ''Iliad'', Patroclus (pronunciation variable but generally ; grc, Πάτροκλος, Pátroklos, glory of the father) was a childhood friend, close wartime companion, and the presumed (by some later a ...
's death. Xenakis's attempt to be faithful to the text is present in his specifications about phonetics and prosody, as he asks the performer to use ancient rhythms in the text and use presumed ancient phonetics. The baritone is also required to scream at specific spots in the piece, according to the markings ''cri horrible'' (horrible scream), ''cri d'airain'' (hoarse scream), ''cri éraillé'' (rasping scream), and ''cri rauque'' (rough scream) present in the score. The depiction of death in ''Aïs'', one of Xenakis's most dramatic works, is not morbid, but rather poetic and stylized. According to academic James Harley, Xenakis might had found inspiration in Spyros Sakkas when composing the piece, as Xenakis included cries and other elemental utterances between different text fragments. The text is meant to be sung in the low register of the baritone, with occasional interjections in the extreme
falsetto ''Falsetto'' (, ; Italian diminutive of , "false") is the vocal register occupying the frequency range just above the modal voice register and overlapping with it by approximately one octave. It is produced by the vibration of the ligamentous ed ...
range. For this reason, the piece calls for a three-octave range on the baritone part. The solo percussion part was also written in collaboration with fellow musician
Sylvio Gualda Sylvio may refer to: *Sylvio Breleur (born 1978), French Guiana football player *Sylvio de Lellis (born 1923), the second son of the Baron Admiral Armando de Lellis *Sylvio Hoffmann Mazzi (born 1908), former Brazilian football player * Sylvio Lazza ...
. The piece opens with a loud C5 played in the high register of the trombones. Then, the baritone joins in playing the same note followed by a ''cri horrible''. and a series of arborescences by the strings. A series of cluster by the high woodwinds and fast glissandi in the strings ensues, and the introduction is then cut off at bar 38. The first extract of the Odyssey is played by the baritone in the next section, with the percussion, harmonics in the strings, and low bassons. The second extract comes when the percussion adds woodblocks to the drums and the strings start introducing melodies. After yet another scream by the baritone, an orchestral segment ensues from bars 76 to 90. The Sappho section starts right after the interlude, with less regular rhythms, fast staccato, and tremolo. The fragment ends with an F4 by the baritone which is then taken over by the horns, which, after the percussion entry, leads the piece into the ''Illiad'' segment. After that last segment is finished, the concluding segment takes the piece to its end, gradually fading out on a sustained chord, with outbursts both by the voice and the percussion.


Recordings

* The world premiere of ''Aïs'' was recorded and released under Col Legno on compact disc in 2003.


References

{{Iannis Xenakis 1980 compositions Compositions by Iannis Xenakis Adaptations of works by Sappho Music based on works by Homer Works based on the Iliad Works based on the Odyssey