Aylin Langreuter
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Aylin Langreuter is a
contemporary Contemporary history, in English-language historiography, is a subset of modern history that describes the historical period from approximately 1945 to the present. Contemporary history is either a subset of the late modern period, or it is o ...
concept Concepts are defined as abstract ideas. They are understood to be the fundamental building blocks of the concept behind principles, thoughts and beliefs. They play an important role in all aspects of cognition. As such, concepts are studied by s ...
and appropriation artist from Munich.


Life and work

Aylin Langreuter was born in 1976 in
Munich Munich ( ; german: München ; bar, Minga ) is the capital and most populous city of the States of Germany, German state of Bavaria. With a population of 1,558,395 inhabitants as of 31 July 2020, it is the List of cities in Germany by popu ...
,
Germany Germany,, officially the Federal Republic of Germany, is a country in Central Europe. It is the second most populous country in Europe after Russia, and the most populous member state of the European Union. Germany is situated betwe ...
. She studied at the
Academy of Fine Arts Munich The Academy of Fine Arts, Munich (german: Akademie der Bildenden Künste München, also known as Munich Academy) is one of the oldest and most significant art academies in Germany. It is located in the Maxvorstadt district of Munich, in Bavaria, ...
, class of Gerd Winner, graduating in 2001, when she also cofounded Wahnsinn und Methode GmbH. With the support of "Stiftung Kulturfonds" government stipend she published her first catalog, "Erster Teil" (Eng. Part One") in 2005. Same year she applied the philosophy studies, which will later influence her art in the following years. Her work has appeared mostly, but not only, in the single exhibitions in the Galerie Wittenbrink, Munich. She has also cofounded Dante – Goods and Bads with her partner, industrial designer, Christophe de la Fontaine. Aylin Langreuter and Christophe de la Fontaine have been appointed professors of Industrial Design at
State Academy of Fine Arts Stuttgart The State Academy of Fine Arts Stuttgart (German: Staatliche Akademie der Bildenden Künste Stuttgart) is a university in Stuttgart, Germany. Founded on 25 June 1761, and located since 1946 on the Weißenhof, the Academy, whose historical sig ...


Style and philosophy

In her works, Aylin Langreuter has a philosophical-aesthetic approach, playing with semantic shifts between form and content. She is not treating her objects in the usual self-made, rough, unwelcoming way – she has a relationship of the best possible care which defines the initial situation, unfolding a network of possible meanings. She found herself always lingering between applied and fine arts, producing applied art which you can't apply and design with no practical function, but abstraction of function, making minimal invasive changes that render an object's reality into fiction: the transcendence of the inanimate into something that has psychological or moral conditions. Interested in shape and order, she has always looked for unlikely places. She experimented with the tension that results from tampering with order, reversing it, abstracting it to the point where the result loses all connection with its basis. This way the beauty, the absurdity, or even the humor of an objects gains a new kind of visibility that was lost before the profanity of its function. The observer’s challenge would be the translation: she considers that only the context of Art, the undemanding, unencumbered space of an exhibition, facilitates the chance of a change of perspective, where in the function-free environment, the gaze meets the object in a way that gives it another life – or even: a life. Each of her objects presentation is an integral part of the work itself. To achieve this she sometimes "borrows" from others. She sometimes uses quotations, text fragments, photographs, the peculiarity of a given space, light, graphic elements. It is sometimes this interdisciplinary interaction itself what creates the context that makes the piece work. ''In a world whose language you don't understand, you have to use whatever you have to make yourself understood.''*Lecture on Belgrade Design Week 2013
Aylin Langreuter and Christophe de la Fontaine


References


Further reading

* Petra Shmidt, The Design Label Dante, Form Design Magazine, August 2014 * Chiara dal Canto, Modern fairytale, Belle, November 2014 * Luigina Bolis, Jump,
Corriere della Sera The ''Corriere della Sera'' (; en, "Evening Courier") is an Italian daily newspaper published in Milan with an average daily circulation of 410,242 copies in December 2015. First published on 5 March 1876, ''Corriere della Sera'' is one of It ...
Living, October 2014 * Petra Shmidt, The Design Label Dante, Form Design Magazine, August 2014 * Oliver Herwig, Du bist der Boss, Manual, February 2014 * Lecture on
Belgrade Design Week Belgrade Design Week is an international festival established in 2005, and held once a year in Belgrade, Serbia. The week-long conference is organized every spring and is the largest design initiative in South-Eastern Europe. It covers architectu ...
2013
Aylin Langreuter and Christophe de la Fontaine
* Christopher Roth and Georg Diez, Aylin Langreuter, Jovis Verlag, Berlin, 2011, * Heike Endter, Neonstiche, Galerie Wittenbrink, München, 2011 * artist info Aylin Langreuter
about Aylin Langreuter
*
Andreas Neumeister Andreas ( el, Ἀνδρέας) is a name usually given to males in Austria, Greece, Cyprus, Denmark, Armenia, Estonia, Ethiopia, Eritrea, Finland, Flanders, Germany, Norway, Sweden, Switzerland, Romania, the Netherlands, and Indonesia. The name ...
, Function Follows Fairytale, Blumenbar Verlag, Munich, 2010, * Catalogue Erster Teil, Blumenbar Verlag, Munich, 2004, * damit bin ich gemeint (www.damitbinichgemeint.de), published by Wahnsinn und Methode GmbH, München, 2002 {{DEFAULTSORT:Langreuter, Aylin 1976 births Living people 21st-century German women artists German conceptual artists Women conceptual artists Artists from Munich