The Love of Zero, 35mm film Robert Florey1928

The avant-garde (; In 'advance guard' or ' vanguard', literally 'fore-guard') is a person or work that is experimental,

radical Radical may refer to: Politics and ideology Politics *Radical politics, the political intent of fundamental societal change *Radicalism (historical), the Radical Movement that began in late 18th century Britain and spread to continental Europe and ...

, or unorthodox with respect to art, culture, or society.John Picchione,
The New Avant-garde in Italy: Theoretical Debate and Poetic Practices
' (Toronto: University of Toronto Press, 2004), p. 64 . It is frequently characterized by aesthetic innovation and initial unacceptability.Kostelanetz, Richard, ''A Dictionary of the Avant-Gardes'', Routledge, May 13, 2013
The avant-garde pushes the boundaries of what is accepted as the norm or the ''

status quo is a Latin phrase meaning the existing state of affairs, particularly with regard to social, political, religious or military issues. In the sociological sense, the ''status quo'' refers to the current state of social structure and/or values. W ...

'', primarily in the cultural realm. The avant-garde is considered by some to be a hallmark of modernism. Many artists have aligned themselves with the avant-garde movement, and still continue to do so, tracing their history from Dada through the Situationists and to postmodern artists such as the Language poets around 1981. The avant-garde also promotes radical social reforms. This meaning was evoked by the

Saint Simonian Saint-Simonianism was a French political, religious and social movement of the first half of the 19th century, inspired by the ideas of Claude Henri de Rouvroy, comte de Saint-Simon (1760–1825). Saint-Simon's ideas, expressed largely through a ...

Olinde Rodrigues in his essay, "L'artiste, le savant et l'industriel" ("The artist, the scientist and the industrialist", 1825). This essay contains the first use of "avant-garde" in its now customary sense; there, Rodrigues called on artists to "serve as

he people's He or HE may refer to: Language * He (pronoun), an English pronoun * He (kana), the romanization of the Japanese kana へ * He (letter), the fifth letter of many Semitic alphabets * He (Cyrillic), a letter of the Cyrillic script called ''He'' ...

avant-garde", insisting that "the power of the arts is indeed the most immediate and fastest way" to social, political and economic reform.

History

The term was originally used by the French military to refer to a small reconnaissance group that scouted ahead of the main force. It also became associated with left-wing French radicals in the 19th century who were agitating for political reform. At some point in the middle of that century, the term was linked to art through the idea that art is an instrument for social change. Only toward the end of the century did ''l'art d'avant-garde'' begin to break away from its identification with left-wing social causes to become more aligned with cultural and artistic issues. This trend toward increased emphasis on

aesthetic Aesthetics, or esthetics, is a branch of philosophy that deals with the nature of beauty and taste, as well as the philosophy of art (its own area of philosophy that comes out of aesthetics). It examines aesthetic values, often expressed th ...

issues has continued to the present. Avant-garde today generally refers to groups of intellectuals, writers, and artists, including architects, who voice ideas and experiment with artistic approaches that challenge current cultural values. Avant-garde ideas, especially if they embrace

social issue A social issue is a problem that affects many people within a society. It is a group of common problems in present-day society and ones that many people strive to solve. It is often the consequence of factors extending beyond an individual's cont ...

s, often are gradually assimilated by the societies they confront. The radicals of yesterday become mainstream, creating the environment for a new generation of radicals to emerge. The challenging of social and cultural values was apparent in American culture as it expanded due to the idea of mass culture in the 1960s. The amount of avant-garde art that was developed in the time of this new American culture represented the opposition to the accepted mass culture and mass consumerism.

Theories

Several writers have attempted to map the parameters of avant-garde activity. Italian essayist Renato Poggioli provides one of the earliest analyses of vanguardism as a cultural phenomenon in his 1962 book, ''Teoria dell'arte d'avanguardia'' (''The Theory of the Avant-Garde''). Surveying the historical, social, psychological and philosophical aspects of vanguardism, Poggioli reaches beyond individual instances of art, poetry, and music to show that vanguardists may share certain ideals or values, which manifest themselves in the non-conformist lifestyles they adopt. He sees vanguard culture as a variety or subcategory of

Bohemianism Bohemianism is the practice of an unconventional lifestyle, often in the company of like-minded people and with few permanent ties. It involves musical, artistic, literary, or spiritual pursuits. In this context, bohemians may be wanderers, a ...

. Other authors have attempted both to clarify and to extend Poggioli's study. The German literary critic Peter Bürger's ''Theory of the Avant-Garde'' (1974) looks at the Establishment's embrace of socially critical works of art, and suggests that in complicity with capitalism, "art as an institution neutralizes the political content of the individual work." Raymond Williams devotes two chapters of his book, ''The Politics of Modernism''(1989), to a discussion of the politics and language of the avant-garde. Bürger's essay also greatly influenced the work of contemporary American art historians such as the German

Benjamin H. D. Buchloh Benjamin Heinz-Dieter Buchloh (born November 15, 1941) is a German art historian. Between 2005 and 2021 he was the Andrew W. Mellon Professor of Modern Art in the History of Art and Architecture department at Harvard University. Education and c ...

(born 1941). Buchloh, in the collection of essays ''Neo-avantgarde and Culture Industry'' (2000), critically argues for a dialectical approach to these positions. Subsequent criticism theorized the limitations of these approaches, noting their circumscribed areas of analysis, including Eurocentric, chauvinist, and genre-specific definitions.

Relation to mainstream society

The concept of avant-garde refers primarily to artists, writers, composers, and thinkers whose work is opposed to mainstream cultural values, and often has a trenchant social or political edge.Jim Samson, "Avant garde", ''The New Grove Dictionary of Music and Musicians'', second edition, edited by

Stanley Sadie Stanley John Sadie (; 30 October 1930 – 21 March 2005) was an influential and prolific British musicologist, music critic, and editor. He was editor of the sixth edition of the '' Grove Dictionary of Music and Musicians'' (1980), which was publ ...

and John Tyrrell (London: Macmillan Publishers, 2001). Many writers, critics, and theorists made assertions about vanguard culture during the formative years of modernism, although the initial definitive statement on the avant-garde was the essay " Avant-Garde and Kitsch", by New York art critic Clement Greenberg. It was published in '' Partisan Review'' in 1939. Greenberg argued that vanguard culture has historically been opposed to "high" or "mainstream" culture, and that it has also rejected the artificially synthesized

mass culture Popular culture (also called mass culture or pop culture) is generally recognized by members of a society as a set of practices, beliefs, artistic output (also known as, popular art or mass art) and objects that are dominant or prevalent in a ...

that has been produced by industrialization. Each of these media is a direct product of capitalism—they are all now substantial industries—and as such, they are driven by the same profit-fixated motives of other sectors of manufacturing, not the ideals of true art. For Greenberg, these forms were therefore '' kitsch'' - phony, faked, or mechanical culture. Such things often pretended to be more than they were by using formal devices stolen from vanguard culture. For instance, during the 1930s, the advertising industry was quick to take visual mannerisms from

surrealism Surrealism is a cultural movement that developed in Europe in the aftermath of World War I in which artists depicted unnerving, illogical scenes and developed techniques to allow the unconscious mind to express itself. Its aim was, according to l ...

, but this does not mean that 1930s advertising photographs are truly surreal. AdornoHorkheimerHabermasbyJeremyJShapiro2

Similar views were argued by members of the Frankfurt School, the originators of

Critical Theory A critical theory is any approach to social philosophy that focuses on society and culture to reveal, critique and challenge power structures. With roots in sociology and literary criticism, it argues that social problems stem more from soci ...

, an approach to social philosophy that focuses on reflective assessment and critique of society and culture in order to reveal and challenge power structures. Theodor Adorno and Max Horkheimer in their essay " The Culture Industry: Enlightenment as Mass-Deception" (1944), and also Walter Benjamin in his highly influential " The Work of Art in the Age of Mechanical Reproduction" (1935, rev. 1939) spoke of "

." They indicated that this bogus culture is constantly being manufactured by a newly emerged culture industry (comprising commercial publishing houses, the film industry, the record industry, and the electronic media).Theodor W. Adorno (1963)
, "

Culture Industry Reconsidered ''Culture Industry Reconsidered'' (german: Résumé über Kulturindustrie), was written in 1963 by Theodor W. Adorno, a German philosopher who belonged to the Frankfurt School of social theory. The term "cultural industry" first appeared in ''Dial ...

: Selected Essays on Mass Culture", London: Routledge, 1991 They also pointed out that the rise of this industry meant that artistic excellence was displaced by sales figures as a measure of worth: a novel, for example, was judged meritorious solely on whether it became a best-seller; music succumbed to ratings charts, and to the blunt commercial logic of the Gold disc. In this way, the autonomous artistic merit, so dear to the vanguardist, was abandoned and sales increasingly became the measure, and justification, of everything. Consumer culture now ruled. The avant-garde's co-option by the global capitalist market, by

neoliberal Neoliberalism (also neo-liberalism) is a term used to signify the late 20th century political reappearance of 19th-century ideas associated with free-market capitalism after it fell into decline following the Second World War. A prominent fa ...

economies, and by what

Guy Debord Guy-Ernest Debord (; ; 28 December 1931 – 30 November 1994) was a French Marxist theorist, philosopher, filmmaker, critic of work, member of the Letterist International, founder of a Letterist faction, and founding member of the Situationis ...

called '' The Society of the Spectacle'' (a seminal text for the Situationist movement describing the "autocratic reign of the

market economy A market economy is an economic system in which the decisions regarding investment, production and distribution to the consumers are guided by the price signals created by the forces of supply and demand, where all suppliers and consumers ...

"), have made contemporary critics speculate on the possibility of a meaningful avant-garde today. Paul Mann's ''Theory-Death of the Avant-Garde'' demonstrates how completely the avant-garde is embedded within institutional structures today, a thought also pursued by Richard Schechner in his analyses of avant-garde performance. Despite the central arguments of Greenberg, Adorno, and others, various sectors of the mainstream culture industry have co-opted and misapplied the term "avant-garde" since the 1960s, chiefly as a marketing tool to publicise popular music and commercial cinema. It has become common to describe successful rock musicians and celebrated film-makers as "avant-garde", the very word having been stripped of its proper meaning. Noting this important conceptual shift, major contemporary theorists such as

Matei Calinescu Matei is a Romanian name. It is equivalent to the English name Matthew. As a given name * Matei Balș, Romanian bacteriologist *Matei Basarab, Wallachian Voivode between 1632 and 1654 * Matei Boilă, Romanian politician and priest * Matei Căline ...

in ''Five Faces of Modernity: Modernism, Avant-garde, Decadence, Kitsch, Postmodernism'' (1987), and Hans Bertens in ''The Idea of the Postmodern: A History'' (1995), have suggested that this is a sign our culture has entered a new post-modern age, when the former modernist ways of thinking and behaving have been rendered redundant. Nevertheless, an incisive critique of vanguardism as against the views of mainstream society was offered by the New York critic Harold Rosenberg in the late 1960s. Trying to strike a balance between the insights of Renato Poggioli and the claims of Clement Greenberg, Rosenberg suggested that, from the mid-1960s onward, progressive culture ceased to fulfill its former adversarial role. Since then it has been flanked by what he called "avant-garde ghosts to the one side, and a changing mass culture on the other", both of which it interacts with to varying degrees. This has seen culture become, in his words, "a profession one of whose aspects is the pretense of overthrowing it." Avant-garde is frequently defined in contrast to ''arrière-garde'', which in its original military sense refers to a rearguard force that protects the advance-guard. The term was less frequently used than "avant-garde" in 20th-century art criticism. The art historians Natalie Adamson and Toby Norris argue that ''arrière-garde'' is not reducible to a kitsch style or

reactionary In political science, a reactionary or a reactionist is a person who holds political views that favor a return to the ''status quo ante'', the previous political state of society, which that person believes possessed positive characteristics abse ...

orientation, but can instead be used to refer to artists who engage with the legacy of the avant-garde while maintaining an awareness that doing so is in some sense anachronistic. The critic

Charles Altieri Charles Altieri is the Rachel Stageberg Anderson Professor and Chair in the Department of English at the University of California, Berkeley. Background Altieri specializes in 20th century American and British Literature and teaches graduate courses ...

argues that avant-garde and arrière-garde are interdependent: "where there is an avant-garde, there must be an ''arrière-garde''."

Examples

Music

Avant-garde in music can refer to any form of music working within traditional structures while seeking to breach boundaries in some manner.David Nicholls (ed.), ''The Cambridge History of American Music'' (Cambridge and New York: Cambridge University Press, 1998), 122–24. The term is used loosely to describe the work of any musicians who radically depart from tradition altogether. By this definition, some avant-garde composers of the 20th century include

Arnold Schoenberg Arnold Schoenberg or Schönberg (, ; ; 13 September 187413 July 1951) was an Austrian-American composer, music theorist, teacher, writer, and painter. He is widely considered one of the most influential composers of the 20th century. He was as ...

,Larry Sitsky, ''Music of the Twentieth-Century Avant-Garde: A Biocritical Sourcebook'' (Westport, Conn: Greenwood Press, 2002), xiv. .

Richard Strauss Richard Georg Strauss (; 11 June 1864 – 8 September 1949) was a German composer, conductor, pianist, and violinist. Considered a leading composer of the late Romantic and early modern eras, he has been described as a successor of Richard Wag ...

(in his earliest work),Larry Sitsky, ''Music of the Twentieth-Century Avant-Garde: A Biocritical Sourcebook'' (Westport, Conn: Greenwood Press, 2002), xiii–xiv. .

Charles Ives Charles Edward Ives (; October 20, 1874May 19, 1954) was an American modernist composer, one of the first American composers of international renown. His music was largely ignored during his early career, and many of his works went unperformed f ...

Igor Stravinsky Igor Fyodorovich Stravinsky (6 April 1971) was a Russian composer, pianist and conductor, later of French (from 1934) and American (from 1945) citizenship. He is widely considered one of the most important and influential composers of the ...

, Anton Webern,Larry Sitsky, ''Music of the Twentieth-Century Avant-Garde: A Biocritical Sourcebook'' (Westport, Conn: Greenwood Press, 2002), 50. .

Edgard Varèse Edgard Victor Achille Charles Varèse (; also spelled Edgar; December 22, 1883 – November 6, 1965) was a French-born composer who spent the greater part of his career in the United States. Varèse's music emphasizes timbre and rhythm; he coined ...

Alban Berg Alban Maria Johannes Berg ( , ; 9 February 1885 – 24 December 1935) was an Austrian composer of the Second Viennese School. His compositional style combined Romantic lyricism with the twelve-tone technique. Although he left a relatively sma ...

, George Antheil (in his earliest works only),

Henry Cowell Henry Dixon Cowell (; March 11, 1897 – December 10, 1965) was an American composer, writer, pianist, publisher and teacher. Marchioni, Tonimarie (2012)"Henry Cowell: A Life Stranger Than Fiction" ''The Juilliard Journal''. Retrieved 19 June 202 ...

(in his earliest works), Harry Partch,

John Cage John Milton Cage Jr. (September 5, 1912 – August 12, 1992) was an American composer and music theorist. A pioneer of indeterminacy in music, electroacoustic music, and non-standard use of musical instruments, Cage was one of the leading fi ...

, Iannis Xenakis, Morton Feldman, Karlheinz Stockhausen, Pauline Oliveros,

Philip Glass Philip Glass (born January 31, 1937) is an American composer and pianist. He is widely regarded as one of the most influential composers of the late 20th century. Glass's work has been associated with minimal music, minimalism, being built up fr ...

, Meredith Monk,Larry Sitsky, ''Music of the Twentieth-Century Avant-Garde: A Biocritical Sourcebook'' (Westport, Conn: Greenwood Press, 2002), xvii. . Laurie Anderson, and Diamanda Galás. There is another definition of "Avant-gardism" that distinguishes it from "modernism": Peter Bürger, for example, says avant-gardism rejects the "institution of art" and challenges social and artistic values, and so necessarily involves political, social, and cultural factors. According to the composer and musicologist Larry Sitsky, modernist composers from the early 20th century who do not qualify as avant-gardists include Arnold Schoenberg, Anton Webern, and Igor Stravinsky; later modernist composers who do not fall into the category of avant-gardists include Elliott Carter,

Milton Babbitt Milton Byron Babbitt (May 10, 1916 – January 29, 2011) was an American composer, music theorist, mathematician, and teacher. He is particularly noted for his Serialism, serial and electronic music. Biography Babbitt was born in Philadelphia t ...

, György Ligeti, Witold Lutosławski, and Luciano Berio, since "their modernism was not conceived for the purpose of goading an audience."Larry Sitsky, ''Music of the Twentieth-Century Avant-Garde: A Biocritical Sourcebook'' (Westport, Conn: Greenwood Press, 2002), xv. . The 1960s saw a wave of free and avant-garde music in jazz genre, embodied by artists such as

Ornette Coleman Randolph Denard Ornette Coleman (March 9, 1930 – June 11, 2015) was an American jazz saxophonist, violinist, trumpeter, and composer known as a principal founder of the free jazz genre, a term derived from his 1960 album '' Free Jazz: A Colle ...

, Sun Ra, Albert Ayler, Archie Shepp, John Coltrane and Miles Davis. In the rock music of the 1970s, the "art" descriptor was generally understood to mean "aggressively avant-garde" or "pretentiously progressive". Post-punk artists from the late 1970s rejected traditional rock sensibilities in favor of an avant-garde aesthetic.

Theatre

Whereas the avant-garde has a significant history in 20th-century music, it is more pronounced in theatre and performance art, and often in conjunction with music and sound design innovations, as well as developments in visual media design. There are movements in theatre history that are characterized by their contributions to the avant-garde traditions in both the United States and Europe. Among these are Fluxus, Happenings, and Neo-Dada.

Art movements

Abstract expressionism Abstract expressionism is a post–World War II art movement in American painting, developed in New York City in the 1940s. It was the first specifically American movement to achieve international influence and put New York at the center of the ...

Artivism Artivism is a portmanteau word combining ''art'' and ''activism'', and is sometimes also referred to as ''Social Artivism''. The term artivism in US English takes roots, or branches, off of a 1997 gathering between Chicano artists from East Los An ...

* COBRA * Conceptual art * Constructivism *

Cubism Cubism is an early-20th-century avant-garde art movement that revolutionized European painting and sculpture, and inspired related movements in music, literature and architecture. In Cubist artwork, objects are analyzed, broken up and reassemble ...

* Dadaism * De Stijl *

Expressionism Expressionism is a modernist movement, initially in poetry and painting, originating in Northern Europe around the beginning of the 20th century. Its typical trait is to present the world solely from a subjective perspective, distorting it rad ...

Fauvism Fauvism /ˈfoʊvɪzm̩/ is the style of ''les Fauves'' (French language, French for "the wild beasts"), a group of early 20th-century modern artists whose works emphasized painterly qualities and strong colour over the Representation (arts), repr ...

* Fluxus *

Futurism Futurism ( it, Futurismo, link=no) was an artistic and social movement that originated in Italy, and to a lesser extent in other countries, in the early 20th century. It emphasized dynamism, speed, technology, youth, violence, and objects such ...

Happening A happening is a performance, event, or situation art, usually as performance art. The term was first used by Allan Kaprow during the 1950s to describe a range of art-related events. History Origins Allan Kaprow first coined the term "happen ...

* Imaginism * Imagism * Impressionism * Incoherents *

Land art Land art, variously known as Earth art, environmental art, and Earthworks, is an art movement that emerged in the 1960s and 1970s, largely associated with Great Britain and the United StatesArt in the modern era: A guide to styles, schools, & mov ...

Les Nabis Les Nabis (French: les nabis, ) were a group of young French artists active in Paris from 1888 until 1900, who played a large part in the transition from impressionism and academic art to abstract art, symbolism and the other early movements of m ...

* Lyrical Abstraction * Minimal art * Neo-Dada * Orphism * Pop art * Precisionism * Primitivism * Rayonism * Situationism * Suprematism *

Surrealism Surrealism is a cultural movement that developed in Europe in the aftermath of World War I in which artists depicted unnerving, illogical scenes and developed techniques to allow the unconscious mind to express itself. Its aim was, according to l ...

* Symbolism * Tachisme * Universal Constructivism * Viennese Actionism * Vorticism *

Creationism Creationism is the religious belief that nature, and aspects such as the universe, Earth, life, and humans, originated with supernatural acts of divine creation. Gunn 2004, p. 9, "The ''Concise Oxford Dictionary'' says that creationism is 't ...

* Nadaism *

Stridentism Stridentism (Spanish: Estridentismo) was an artistic and multidisciplinary avant-garde movement, founded in Puebla City by Manuel Maples Arce at the end of 1921 but formally developed in Xalapa where all the founders moved after the University of Ve ...

* Ultraist

References

External links

Historic Avant-Garde Periodicals for Digital Research, The Blue Mountain Project, Princeton University LibraryAvant-garde and Modernist Magazines (Monoskop)
* ttps://web.archive.org/web/20190804201914/http://digital.lib.uiowa.edu/cdm/search/collection/dada/searchterm/Periodicals/mode/exact Periodicals in Iowa Digital Library, University of Iowa Librariesbr>Digital Dada Library of International Dada Archive, University of Iowa LibrariesMagazines in Digital Collections of Beinecke Rare Book & Manuscript LibraryAvant-Garde Periodicals Meet Digital Archives, New York Public Library
* ttp://sites.davidson.edu/littlemagazines/ Index of Modernist Magazines, Davidson College
Modernist Journal Project, Brown University and University of TulsaSpanish and Italian Modernist Studies Forum, Pennsylvania State University

Collection: "Spanish Avant-Garde" from the University of Michigan Museum of Art
{{DEFAULTSORT:Avant-Garde Contemporary art movements Concepts in aesthetics Modern art Modernism