Attacco, in music, indicates a short phrase, treated as a point of imitation; and employed, either as the

subject Subject ( la, subiectus "lying beneath") may refer to: Philosophy *''Hypokeimenon'', or ''subiectum'', in metaphysics, the "internal", non-objective being of a thing **Subject (philosophy), a being that has subjective experiences, subjective cons ...

of a

fugue In music, a fugue () is a contrapuntal compositional technique in two or more voices, built on a subject (a musical theme) that is introduced at the beginning in imitation (repetition at different pitches) and which recurs frequently in the c ...

, as a subordinate element introduced for the purpose of increasing the interest of its development, as a leading feature in a

motet In Western classical music, a motet is mainly a vocal musical composition, of highly diverse form and style, from high medieval music to the present. The motet was one of the pre-eminent polyphonic forms of Renaissance music. According to Margar ...

, madrigal, full

anthem An anthem is a musical composition of celebration, usually used as a symbol for a distinct group, particularly the national anthems of countries. Originally, and in music theory and religious contexts, it also refers more particularly to short ...

, or other choral composition, or as a means of relieving the monotony of an otherwise too homogeneous

part-song A part song, part-song or partsong is a form of choral music that consists of a song to a secular or non-Liturgy, liturgical sacred text, written or arranged for several voice type, vocal parts. Part songs are commonly sung by an SATB choir, but ...

. The name comes from the Italian '' attaccare'', "to unite" or "to bind together." A striking instance of an attacco used as the subject of a fugue is J. S. Bach's ''

The Well-Tempered Clavier ''The Well-Tempered Clavier'', BWV 846–893, consists of two sets of preludes and fugues in all 24 major and minor keys for keyboard by Johann Sebastian Bach. In the composer's time, ''clavier'', meaning keyboard, referred to a variety of in ...

'', No. 27.Grove, George; Fuller-Maitland, John Alexander; Pratt, Waldo Selden; and Boyd, Charles Newell; eds. (1906).
Grove's dictionary of music and musicians
', p.116. Macmillan. . When used merely as an accessory, it almost always represents a fragment of the true subject; as in this passage from "Ye House of Gilead," from

Handel George Frideric (or Frederick) Handel (; baptised , ; 23 February 1685 – 14 April 1759) was a German-British Baroque composer well known for his operas, oratorios, anthems, concerti grossi, and organ concertos. Handel received his training i ...

's '' Jephtha''. In the madrigal and motet, a new attacco is usually introduced with each new paragraph of the verbal text; in the

glee Glee means delight, a form of happiness. Glee may also refer to: * Glee (music), a type of English choral music * ''Glee'' (TV series), an American musical comedy-drama TV series, and related media created by Ryan Murphy * ''Glee'' (Bran Van 30 ...

, properly so called, the part played by the attacco is less important; while in

s, its appearance as a prominent feature is still less frequent. It can, however, be found in

John Wall Callcott John Wall Callcott (20 November 1766 – 15 May 1821) was an eminent English composer. Callcott was born in Kensington, London. He was a pupil of Haydn, and is celebrated mainly for his glee compositions and catches. In the best known of his ...

's "Go, plaintive Breeze," in

Felix Mendelssohn Jakob Ludwig Felix Mendelssohn Bartholdy (3 February 18094 November 1847), born and widely known as Felix Mendelssohn, was a German composer, pianist, organist and conductor of the early Romantic period. Mendelssohn's compositions include sy ...

's four-part Lied ''Türkisches Schenkenlied: Setze mir nicht, du Grobian''.

References

* {{Grove1900, wstitle=Attacco Formal sections in music analysis Repetition (music)