Attacco, in music, indicates a short

phrase In syntax and grammar, a phrase is a group of words or singular word acting as a grammatical unit. For instance, the English expression "the very happy squirrel" is a noun phrase which contains the adjective phrase "very happy". Phrases can con ...

, treated as a point of

imitation Imitation (from Latin ''imitatio'', "a copying, imitation") is a behavior whereby an individual observes and replicates another's behavior. Imitation is also a form of that leads to the "development of traditions, and ultimately our culture. ...

; and employed, either as the subject of a

fugue In music, a fugue () is a contrapuntal compositional technique in two or more voices, built on a subject (a musical theme) that is introduced at the beginning in imitation (repetition at different pitches) and which recurs frequently in the co ...

, as a subordinate element introduced for the purpose of increasing the interest of its development, as a leading feature in a

motet In Western classical music, a motet is mainly a vocal musical composition, of highly diverse form and style, from high medieval music to the present. The motet was one of the pre-eminent polyphonic forms of Renaissance music. According to Marga ...

madrigal A madrigal is a form of secular vocal music most typical of the Renaissance music, Renaissance (15th–16th c.) and early Baroque music, Baroque (1600–1750) periods, although revisited by some later European composers. The Polyphony, polyphoni ...

, full

anthem An anthem is a musical composition of celebration, usually used as a symbol for a distinct group, particularly the national anthems of countries. Originally, and in music theory and religious contexts, it also refers more particularly to short ...

, or other choral composition, or as a means of relieving the monotony of an otherwise too homogeneous part-song. The name comes from the Italian '' attaccare'', "to unite" or "to bind together." A striking instance of an attacco used as the subject of a fugue is J. S. Bach's ''

The Well-Tempered Clavier ''The Well-Tempered Clavier'', BWV 846–893, consists of two sets of preludes and fugues in all 24 major and minor keys for keyboard by Johann Sebastian Bach. In the composer's time, ''clavier'', meaning keyboard, referred to a variety of ins ...

'', No. 27.Grove, George; Fuller-Maitland, John Alexander; Pratt, Waldo Selden; and Boyd, Charles Newell; eds. (1906).
Grove's dictionary of music and musicians
', p.116. Macmillan. . When used merely as an accessory, it almost always represents a fragment of the true subject; as in this passage from "Ye House of Gilead," from

Handel George Frideric (or Frederick) Handel (; baptised , ; 23 February 1685 – 14 April 1759) was a German-British Baroque composer well known for his operas, oratorios, anthems, concerti grossi, and organ concertos. Handel received his train ...

's ''

Jephtha Jephthah (pronounced ; he, יִפְתָּח, ''Yīftāḥ''), appears in the Book of Judges as a judge who presided over Israel for a period of six years (). According to Judges, he lived in Gilead. His father's name is also given as Gilead, ...

''. In the madrigal and motet, a new attacco is usually introduced with each new paragraph of the verbal text; in the

glee Glee means delight, a form of happiness. Glee may also refer to: * Glee (music), a type of English choral music * ''Glee'' (TV series), an American musical comedy-drama TV series, and related media created by Ryan Murphy * ''Glee'' (Bran Van 30 ...

, properly so called, the part played by the attacco is less important; while in part-songs, its appearance as a prominent feature is still less frequent. It can, however, be found in

John Wall Callcott John Wall Callcott (20 November 1766 – 15 May 1821) was an eminent English composer. Callcott was born in Kensington, London. He was a pupil of Haydn, and is celebrated mainly for his glee compositions and catches. In the best known of his ca ...

's "Go, plaintive Breeze," in Felix Mendelssohn's four-part Lied ''Türkisches Schenkenlied: Setze mir nicht, du Grobian''.

References

* {{Grove1900, wstitle=Attacco Formal sections in music analysis Repetition (music)