{{Hindu scriptures
The term ashtakam ( sa, अष्टकम् aṣṭakam), also often written astakam, is derived from the Sanskrit word ''aṣṭā'', meaning "eight". In context of
poetic
Poetry (derived from the Greek ''poiesis'', "making"), also called verse, is a form of literature that uses aesthetic and often rhythmic qualities of language − such as phonaesthetics, sound symbolism, and metre − to evoke meanings in a ...
compositions, 'ashtakam' refers to a particular form of poetry, written in eight stanzas.
Form
The stanzas in an "ashtakam" are a
rhyming
A rhyme is a repetition of similar sounds (usually, the exact same phonemes) in the final stressed syllables and any following syllables of two or more words. Most often, this kind of perfect rhyming is consciously used for a musical or aesthetic ...
quartet
In music, a quartet or quartette (, , , , ) is an ensemble of four singers or instrumental performers; or a musical composition for four voices and instruments.
Classical String quartet
In classical music, one of the most common combinations o ...
with four lines, i.e. end lines rhyme as a-a-a-a. Thus, in an ashtakam generally thirty-two lines are maintained. All these stanzas follow a strict rhyme scheme. The proper
rhyme scheme
A rhyme scheme is the pattern of rhymes at the end of each line of a poem or song. It is usually referred to by using letters to indicate which lines rhyme; lines designated with the same letter all rhyme with each other.
An example of the ABAB rh ...
for an astakam is: a-a-a-a/b-b-b-b….. (/ represents a new stanza). The rhyme designs are both ear-rhymes and eye-rhymes. Ear-rhyme where the end letters rhyme in sound and audibility, and eye-rhyme where the end letters appear similar. This rhyme sequence sets the usual structure of the astakam. astakam rhyme consists of identical ("hard-rhyme") or similar ("soft-rhyme") sounds placed at predictable locations, normally the ends of lines for external rhyme or within lines for internal rhyme.
Sanskrit language exhibits high richness in sustaining rhyming structures. Thus Sanskrit ashtakams are capable of carrying a limited set of rhymes all over a lengthy composition.
Several times in an ashtakam, the quatrains (sets of four lines) conclude abruptly or in other cases, with a couplet (a pair of lines). In the body quatrains the poet establishes a theme and then may resolve it in the final lines, called the couplet, or may leave them unsolved. Sometime the end couplet may contain self-identification of the poet. The structure is also bound by rules of meter for enhanced suitability for recital and classical singing.
However, there are several ashtakams that do not conform to the regular structure.
History
The conventions associated with the ashtakam have evolved over its literary history of more than 2500 years. One of the best known ashtakam writers was
Adi Sankaracharya
Adi Shankara ("first Shankara," to distinguish him from other Shankaras)(8th cent. CE), also called Adi Shankaracharya ( sa, आदि शङ्कर, आदि शङ्कराचार्य, Ādi Śaṅkarācāryaḥ, lit=First Shanka ...
, who created an ashtakam cycle with a group of ashtakams, arranged to address a particular deity, and designed to be read both as a collection of fully realized individual poems and as a single poetic work comprising all the individual ashtakams. He wrote more than thirty astakams in ''stuti'' edicationto various deities.
Ashtakams were a very popular and generally accepted genre of devotional and general poetry during the golden period of
Sanskrit literature
Sanskrit literature broadly comprises all literature in the Sanskrit language. This includes texts composed in the earliest attested descendant of the Proto-Indo-Aryan language known as Vedic Sanskrit, texts in Classical Sanskrit as well as s ...